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The basic premise of this paper is that oppressive and violent behaviour is not an essential aspect of the male identity. Seeking to comprehend the underlying causes of violence, specifically against women but also more generally, this paper examines some of the alternative ways of being a man that have accompanied Christianity. Through observation of some Pentecostals from New Ireland, I have concluded that new ways of being a man that are less oppressive and dominating for women are emerging. This phenomenon I argue is a step towards gender equality, since it involves creating more caring and equitable relationships and a step towards reducing violence both against women and in the community, since it embraces non-violent ways of being a man. Particularly useful in analysing the process of reforming men is Foucault's work on governmentality since it relates well to the Pentecostal emphasis on radical change in being 'born again'. Conversion for born-again Christians is more than simply abandoning sin; rather it involves the creation of a new self and becoming a new person. Similarly, Foucault argues that the individual practises the art of self-governance in re-forming her or himself as she or he desires. [ABSTRACT FROM AUTHOR]

In this paper I connect an anthropology of Christianity to an anthropology of the body and an anthropology of the nation. I try to achieve this by looking at changing notions of femininity in the Pentecostal context of Vanuatu. I do this on two different levels; on the one hand I show how the meaning of womanhood is changed in what I call the 'pentecostalised' neighborhoods of the capital Port Vila, and on the other I show how the household and the nation become contexts into which this new notion of femininity is played. Thus, in the first part of the paper I look at the ways in which Pentecostal Christianity change the meaning of gender, whereas in the second part of the paper I look at how this new form of gendered meaning has relevance for our understanding of wider social contexts. [ABSTRACT FROM AUTHOR]

Trobriand dance is a key cultural expression and a means of communicating subjectivity in a number of ways: it expresses aspects of kinship, gender, morality, and ideas about modernity and primitivity. In a region with a long history of Christian missions, coupled with a recent 'Revival' brought about by the arrival of Pentecostal forms of worship, certain dances come to be key markers of particular moral positions. Primary among these is the Tapioca Dance, famed far beyond the Trobriands, but problematic in local discourses and practice. This paper examines the ways in which such dances make sexuality public, and why this is such a concern for 'Revived' (and other) Christian Trobriand Islanders. [ABSTRACT FROM AUTHOR]

This paper explores the story of the formation and subsequent activities of a church women's group in Maisin villages and women's experiences of Christianity more broadly, in relation to the changing production and uses of traditional bark cloth ( tapa), a signature women's product which has become a marker of Maisin identity. While the influence of the local Mothers' Union has waxed and waned over the past 60 years, tapa cloth has had a continuing influence upon its fortunes. Tapa cloth has been the chief means for church women to raise funds to support their activities and the local church. However, we argue that, more fundamentally, tapa has shaped women's gendered Christian identities, experiences and history, mediating relationships with men, between generations of women, and with various sorts of 'missionaries' who have often justified their intrusions in terms of improving women's lives. [ABSTRACT FROM AUTHOR]

This paper is an anthropological exegesis on the Hare Krishna theology and practice of sankirtana-- a form of proselytisation in which devotees chant the Holy Names of the Lord through city streets and in other public places, and which can also involve other means of 'spreading the word'. This is also an inquiry into the relationship between anthropology and proselytism and their respective modes of communication, a topic I approach reflexively by addressing the awkward methodological question as to whether my writing about Hare Krishna proselytisation is itself a form of proselytisation. [ABSTRACT FROM AUTHOR]

This paper explores an ongoing dialogue about Christianity in light of the recent influx of HIV and AIDS into the villages of the Gogodala of Western Province, Papua New Guinea. I argue that a suggestion by a woman in late 2004 to 'build a wall' around the Gogodala region in Western Province in order to stop or slow the spread of HIV/AIDS reflects a recent concern with the sustainability of this rural Christian community, referred to in English as 'Christian country'. Understanding AIDS to be a threat posed largely from outsiders, whether Papua New Guinean or European, sections of these primarily village-based communities aim to create both a physical and metaphorical boundary between themselves and outsiders. At present, local prevention and intervention strategies concerning HIV and AIDS focus on conservative, evangelical narratives about the preservation of the principles and practices of Christian country, through the repudiation of unrestrained sexuality, for example, which is believed to be increasingly prevalent not only in their own area but throughout urban Papua New Guinea. A growing divide between rural and urban Gogodala, then, has become a major part of the local dialogue about AIDS and represents significant contestation over the practices and ideational basis of Christian country. [ABSTRACT FROM AUTHOR]

This paper discusses the themes and practices of Christian performance at the Western Desert Aboriginal community of Warlungurru in 1988,1 six years after the Pintupi return to their homelands (see ; ; ) and the enthusiastic Christian revival-nightly Gospel singing, a ban on gambling-experienced in the first years of their return. My concern is with how a distinctively Lutheran focus in Pintupi Christianity (in opposition to competing Pentecostal orientations in Central Australia at that time) was grasped by some Pintupi as a structure organising relations between Indigenous people and others in the world, and how specialised knowledge constituted positions of prestige and authority. Thus, I explore certain convergences between prior Indigenous formulations of personhood and relatedness and the way in which Lutheran Christianity was articulated during this period. [ABSTRACT FROM AUTHOR]

The Motu and the Hula, two south coast Papua New Guinea societies, are linguistically related, have similar social organisation and were economically linked before European colonisation. They were both introduced to Christianity by the London Missionary Society in the late 19th century, and each appeared to incorporate the new religion into their social life and thought quickly and unproblematically. More than a century later, however, generalities about the similar adoption of Christianity by the Mom and the Hula are no longer possible. Nor are generalities about the engagement with Christianity within one or the other group, as individual Motu and Hula villages have unique histories. In this regard, while Christianity has now arguably become part of putative tradition among the Motu, some Hula are experiencing conflict between Christianity and their sense of tradition. In particular, while in the Motu village of Pari Christian virtues are appealed to as part of Pari's conception of itself as a 'traditional' Motu village, the situation in the Hula village of Irupara is more or less the contrary. Many people in Irupara are now lamenting 'tradition' as something lost, a forgotten essence destroyed or replaced by Christianity. Based on fieldwork in both villages, this paper discusses some differences in their engagement with Christianity and compares contemporary perceptions of religion, tradition and identity in both societies, informing a commentary on notions of tradition and anthropological representations of the Melanesian experience of Christianity. [ABSTRACT FROM AUTHOR]

For Christian Yolngu in Arnhem Land visions shape the imagined, embodied and affective experiences of places of danger, illness, healing and general well-being. In this paper, I argue that Yolngu have consistently constructed their Christian faith through visions stemming from an ancestral aesthetic embodied in the environment. As a result, religious ideology and social action have sometimes been seen as syncretic, raising questions about how Yolngu understand and experience Christian conversion, encounter and revelation. I argue that Yolngu spiritual experiences emerge from the sentiments associated with ancestral places that act as emotive sites for remapping an ancestral aesthetic as Christian experience. The resultant emotional and spiritual synchronicity underlies a Yolngu Christianity that is corporeal and abstracted, negotiated and strategic, practical and experiential. [ABSTRACT FROM AUTHOR]

In this paper, I illustrate the way one Aboriginal artist challenged what he perceived as an essentialised concept of Aboriginality, by rejecting rainbow serpent iconography. The motivations for this rejection were the artist's strong belief in the Christian God as creator and his reaction against New Age representations of Aboriginality in which the rainbow serpent signifies Aboriginal spirituality and is posited as the single creator for all of Aboriginal Australia. A conflict arose at the artist's gallery when he refused to exhibit a rainbow serpent painting by another Aboriginal artist. Publicised in the local newspaper, the rejection of these artworks started a brief public debate about the role of Christianity in Aboriginal culture. The various positions adopted by the Aboriginal protagonists highlight the complex processes of negotiation, dialogue and debate surrounding diverse constructions of identity. [ABSTRACT FROM AUTHOR]