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Events in the world today appear to be increasingly uncontrollable and unknowable. Climate change, refugee crises, and global pandemics seem to demonstrate the limits of human reason, science, and technology. In light of this, the terms'tragedy'and'tragic'have come into greater use. What does the register of the tragic do? What does its deployment in the contemporary context and other times of crisis mean? In addressing such questions, this book also argues for a'tragic vision'embedded in the history of social thought, demonstrating the relevance of the ancient tragedians and Aristotle as well as Shakespeare and modern dramatists to the most pressing questions of agency and collectivity in the social sciences. Developing a theory of'tragic social science,'which is applied to topics including global inequality, celebrity culture, pandemics, and climate change, The Concept of Tragedy aims to restore'tragedy'as a productive analytic in the social sciences. As such, it will appeal to scholars of sociology, anthropology, social theory, media and communications, and literary criticism with interests in tragedy, suffering, and modernity.

In modern times, death is understood to have undergone a transformation not unlike religion. Whereas in the past it was out in the open, it now resides mostly in specialized spaces of sequestration—funeral homes, hospitals and other medical facilities. A mainstay in so-called traditional societies in the form of ritual practices, death was usually messy but meaningful, with the questions of what happens to the dead or where they go lying at the heart of traditional culture and religion. In modernity, however, we are said to have effectively sanitized it, embalmed it and packaged it—but it seems that death is back. In the current era marked by economic, political and social uncertainty, we see it on television, on the Internet; we see it almost everywhere. (Inter)Facing Death analyzes the nexus of death and digital culture in the contemporary moment in the context of recent developments in social, cultural and political theory. It argues that death today can be thought of as'interfaced,'that is mediated and expressed, in various aspects of contemporary life rather than put to the side or overcome, as many narratives of modernity have suggested. Employing concepts from anthropology, sociology, media studies and communications, (Inter)Facing Death examines diverse phenomena where death and digital culture meet, including art, online suicide pacts, the mourning of celebrity deaths, terrorist beheadings and selfies. Providing new lines of thinking about one of the oldest questions facing the human and social sciences, this book will appeal to scholars and students of social and political theory, anthropology, sociology and cultural and media studies with interests in death.

Web 2.0 is a highly accessible introductory text examining all the crucial discussions and issues which surround the changing nature of the World Wide Web. It not only contextualises the Web 2.0 within the history of the Web, but also goes on to explore its position within the broader dispositif of emerging media technologies.The book uncovers the connections between diverse media technologies including mobile smart phones, hand-held multimedia players,'netbooks'and electronic book readers such as the Amazon Kindle, all of which are made possible only by the Web 2.0. In addition, Web 2.0 makes a valuable contribution towards understanding the new developments in mobile computing as it integrates various aspects of social networking, whilst also tackling head-on the recent controversial debates that have arisen in a backlash to the Web 2.0.Providing valuable insight into this emerging area of the World Wide Web, Web 2.0 is a key supplementary text for undergraduate students of media studies, sociology, philosophy and other related disciplines, as well as being an informative read for anyone with an interest in this key contemporary issue.

From email to video and text messaging, so much of our present social life depends on media technologies. Today it is clearer than ever that these not only play an active part in our everyday lives, but constitute our increasingly global realities. Caught in the Web argues for a new approach to media theory that allows technomedia to be studied on its own terms. Engaging in sociology, social theory, philosophy, and media studies, it provides an analysis of contemporary media technologies through the lens of various themes, including the modernity/postmodernity debate, the state of knowledge, space/time, and cultural politics in our contemporary information age. At once an introduction to concepts in media studies and a critical work, Caught in the Web attempts to situate high theory in everyday life.