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Transgression and Its Limits is a long overdue collection that reads the complex relationship between artistic transgressions and the limits of law and the subject. In mid-twentieth century theoretical understandings of transgressive culture, it is the existence of the limit that guarantees the possibility and success of the transgression. While the limit calls for obedience, it also tempts with the possibility of violation. To breach the limits of the acceptable is to simultaneously define them. However, this classical understanding of transgression may no longer apply under the conditions of post-modernity, late-capitalism, and the simulated or empty transgressions that this period of the simulacra encourages. Context becomes paramount in reading the myriad forms of transgression that encompass politics, aesthetics and the ethics of the obscene; while a range of theoretical perspectives are employed in order to elucidate the economies at work underneath the seemingly transgressive act. The essays selected include explorations of transgression in cinema, photography, art, law, music, philosophy, technology, and both classical and contemporary literature and drama. Professor Fred Botting's (co-author of Bataille and The Tarantinian Ethics) analysis of transgression from Bataille, to Baudrillard and Ballard compliments the collection's concerns about the status of transgression. Aside from fourteen critical essays on topics such as early-modern drama, George Bataille, J. G. Ballard, the female necrophilic, “torture-porn” cinema, and the art of Robert Mapplethorpe and Salvador Dali, there is also a new discussion of transgression between novelist Iain Banks and Professor Roderick Watson (Emeritus at the University of Stirling). With its focus on the paradoxical nature of the impulse to transgress, as well at its wide-ranging historical and artistic concerns, Transgression and Its Limits is a landmark book in a rapidly developing scholarly field.

Is it actually possible? …that we might emerge from this pandemic with a peaceful global power switch from those who have too much to those who don't have enough? With billionaires able to decide the fate of nations, private corporations more powerful and less accountable than ever, and political autocrats around the world shaking our confidence in democratic institutions, power resides in all the wrong places. And so our world is in crisis. In such moments, activists find opportunities. Not to restore the pre-crises order, but to transform it. Paul O'Brien argues that progressive activists may never have a better opportunity to rewrite economic rules, systems and outcomes in favor of those who don't have enough. His book offers practical action steps for activists who want to drive a power switch that overcomes extreme inequalities in our world.

Our world is an increasingly unstable place, but current changes offer new opportunities as well as new challenges. This key volume provides an accessible exploration of identity as a contemporary concern in everyday life and as a key concept in social science. Drawing on work from a range of disciplines and focusing on the key social divisions of gender, class and nation, it shows how these challenges and opportunities work out in practice. What is really happening when people either individually or in groups identify with particular definitions of themselves or strike out to take up new identities? Do gender, class and ethnicity offer some stability and even certainty about who we are, or are they to be seen as limitations on our freedom to choose our own identities? Are we in the end bound by the social constraints and inequalities with which we started out?This key text is essential reading for all students starting out in the social sciences and for anyone with an interest in the dilemmas of identity-making in contemporary society.