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This book problematises established histories of slavery and indentured labour, as carried out through European empires, to interpret the impact of trade, particularly in the region surrounding the Indian Ocean. The discourse within these chapters explores the aesthetics of silence, poetics of relation, creolisation, agency and assertion of identities, musical practices, cuisine, knowledge transfers, decolonisation, and afterlives of empire. These critical analyses draw from Africa, India, Indonesia, Seychelles, Sri Lanka and Suriname as their case studies. This book breaks the silence on several legacies of empire, looking through the prisms of history, politics, economics, sociology, linguistics, literature, anthropology and ethnomusicology, all the while employing a range of concepts. The authors of these chapters search through the annals of history for ways of living harmoniously in an increasingly globalised world.

Intangible Cultural Heritage (ICH) has recently grown as an analytical construct for documenting and interpreting culture, and as a canonical term to support official concepts of heritage. ICH, while compelling scholars to explore its multiple forms of expressive culture, has become codified through UNESCO, specifically within the 2003 Convention for the Safeguarding of ICH. This volume explores case studies from Gabon, India, Mozambique, Sri Lanka, and the USA to represent diverse positionalities and voices articulating the complexities, ambiguities and uncertainties within heritage discourses. The chapters illustrate how ICH, in the midst of the COVID-19 pandemic, has become an analytical resource and a proscriptive device for safeguarding, presenting, and interpreting culture to a range of constituents, and will serve as a useful resource in the classroom for a range of fields, as well as for scholars and practitioners.