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Ever since the 1947 partition of the Indian subcontinent, Mumbai-based Hindi cinema has been returning compulsively to the idea of Pakistan, sometimes as the desirable other, sometimes as the horrifying antagonist. Hindi Cinema and Pakistan traces the genesis and development of this theme in Hindi cinema in the 1950s, showcasing its relevance as a tool that both reflects and shapes how India sees its neighbour, the India–Pakistan relationship, and itself.The book is a serious, multi-platform, multi-pronged exploration of the appearances, invocations, representations and treatment of Pakistan and Pakistanis in Hindi cinema. It follows Hindi cinema's efforts to come to terms with the ‘idea'and ‘reality'of Pakistan. Through in-depth analyses of the enmity and rivalry between the two subcontinental nations in Partition films, thrillers, epic war films and sports films, to screen depictions of the shared cultural past and similarities in films on cross-border love or in films that show a reaching out through humour, this book investigates the visualization of Pakistan and contextualizes these representations within the broader frameworks of India's political, socio-cultural and popular discourse.The extensive reach of the in-depth textual analyses of Hindi cinema will make this volume interesting and valuable both to the lay reader and to researchers and academics of cultural studies, media and film studies, and the study of socio-psychological violence in media and culture.

'Inside the Nirbhaya Rape: Aftermath book provides deep insight into one of the most horrific crimes of a nation that shook the conscience of people. The book depicts the the struggle of the victim's mom who turned into an activist just for her daughters'justice. It shows the disguise where Nirbhaya's case was one of the Rarest of rare crimes, but still dragged into court and took 8 years to solve. It's not just the book, but the sufferings, and pain of a 23-year-old girl who always wanted to be a doctor, loved cinema, and life but became a target by monsters who brutally assaulted her in a moving bus. She was beaten, tortured and gang raped. The Book also consists of Amendments to rape laws, And stories of other heinous rapes, which every citizen should be aware of. Though the government has taken steps to improve conditions it has not helped women much. The Nirbhaya rape case is known to be the most horrific case against women in the history of India and has had a strong impact on the nation.

BRICS is conceivably the most formidable organisation to have emerged in the post-Cold War period in the non-Western world. This book highlights the significance of BRICS in a wider global context and foregrounds the long-pending demand for the reform of global governance institutions.The volume:• Traces how the organisation came into being and looks at the distinct norms and principles espoused by it• Discusses the glaring limitations of the existing institutions of global governance• Explores the economic growth and the rising political influence of BRICS states• Analyses the internal threats to the survival of the organisation and assesses its prospects in the foreseeable future.A significant intervention in situating BRICS as one of the major players in global governance, the book will be of great interest to students and scholars of international political economy, international business and finance, international relations, politics, and Global South Studies.

This book situates the discourse on the gendered body within the rapidly transitioning South Asian socio-economic and cultural landscape. It critically analyzes gender politics from different disciplinary perspectives including psychoanalysis, post-structuralism, post-colonialism and law among others. Enriched by contributions from well-known South Asian feminist scholars, this book discusses themes such as democracy and dissent, citizenship and violence and how the female body has historically been used in these discussions as a shield and a weapon. It also focuses on technology and misogyny, the politics of veiling and unveiling, the body of the Muslim women in contemporary India as well as bodies which are marginalized or labelled transgressive or monstrous. The chapters in the volume showcase the complexities, convergences and divergences which exist in the conception and understanding of the gendered body, sexuality and gender roles in different socio-cultural spaces in South Asia and how women negotiate these boundaries.Topical and comprehensive, this book will be useful for scholars and researchers of gender studies, sociology, political sociology, social anthropology, cultural studies, post-colonial studies and South Asian studies.

Teacher, thinker, writer, and speaker, J. Krishnamurti (1895–1986) was an Indian educationist, spiritual leader, and key figure in world philosophy. He raised significant questions about the state of the world, about our tendency to remain passive, conditioned, and in a state of overwhelming confusion about how we relate to the world. Through talks and writings spread over many decades and geographical locations, he articulated an unconditioned, reflective approach which emphasised self-inquiry.This volume provides an understanding of Krishnamurti's views on the human predicament in a disintegrating world, marked by conflict, divisions, wars, and climate change. It also examines his educational thought and its enormous potential for change. Krishnamurti argued that our minds are so conditioned that we are unable to look, listen, or learn without our prior knowledge that foregrounds the role of memory and time. He highlighted the need to work with young children, with a special focus on the school as the centrepiece of his perception for psychological development and educational excellence. It is within an educational setting that Krishnamurti hoped that the seeds for individual and social change will be catalysed.An introspective look at the life and legacy of an eminent twentieth century thinker, this volume will be of great interest to students and researchers of philosophy, education, religion and spirituality, South Asia studies, modern history, and the social sciences.

Shooting Terror highlights the disturbing immediacy of acts of terror and how cinema responds to them. It follows the changing representations of terrorism in Hindi cinema by fielding in-depth textual analyses of films such as Roja, Maachis, Black Friday, Tere Bin Laden, Uri: The Surgical Strike, among others.It traces how terror and the terrorist have come to be viewed in the Indian cultural space and lays the grounds for a multivalent, perspectival reading of cinema and terrorism. Moving from the threat of terror condensed in the Mogambo-esque villain in Mr. India, to the showcasing of terror and the terrorist in their lived-in realities in Haider and Shahid, the book explores the fraught connections between terror and the themes of devastation and trauma; between terror and the urban cityscape. It also seeks to highlight the place of humour and satire in films on terrorism and the presence of the reactionary far right in these films.One of the first books to present a composite picture of terrorism in contemporary Hindi cinema, this volume will be of interest to researchers and academics of cultural studies, media and film studies, and the study of sociopsychological violence in media and culture.

In this book, Meenakshi Gigi Durham outlines and advances a progressive feminist framework for digital ethics in the technosexual landscape, exploring the complex and evolving interrelationships between sex and tech.Today we live in a “sexscape,” a globalized assemblage of media, transnational capital, sexual practices, and identities. Sexuality suffuses the contemporary media-saturated environment; we engage with sex via cellphone apps and airport TVs, billboards and Jumbotron screens. Our techniques of sexual representation and body transformation — from sexting to plastic surgeries — occur in relation to our deep and complex engagements with mediated images of desire. These technosexual interactions hold the promise of sexual liberation and boldly imaginative pleasures. But in the machinic suturing of technologies with bodies, the politics of race, class, gender, and nation continue to matter. Paying acute attention to media's relationship to the politics of location,social hierarchies, and regulatory schemas, the author mounts a lucid and passionate argument for an ethics of technosex invested in the analysis of power.

Since the 9/11 attacks terror has established its permeating hold on society's psyche. Creative writing, a popular and visible cultural witness to the strain, has taken up this destabilization with remarkable regularity. Troubled Testimonies focuses on the Indian novel in English, deriving inspiration from these disturbances, to essay a unique grasp of the cultural make-up of the times and its reverberations on the sense of self and belonging to the nation. This first full-length study of terror in the subcontinental novel in English (from India) places it in the world context and analyzes the fictional coverage of the spread of terrorism across the country and its cultural fallout. The enigmatic coming together of the contemporary with the anguish of loss and betrayal unleashed by terror occasions a significant redefinition of the issues of trauma, conflict and gender, and opens a fresh window to Indian writing and the culture of the subcontinent, and a new paradigm in literary and cultural criticism termed ‘post-terrorism'.Lucid and thought provoking, this book will be useful to scholars and researchers of South Asian literature, cultural studies, postcolonial studies, history, politics and sociology.

Filming the Line of Control charts out the history of the relationship between India and Pakistan as represented in cinema, especially in light of the improved political atmosphere between the two countries. It is geared towards arriving at a better understanding of one of the most crucial political and historical relationships in the continent, a relationship that has a key role to play in world-politics and in the shaping of world-history. Part of this exciting study is the documentation of popular responses to Indian films, from both within the two countries and among the Pakistani and Indian diaspora. The motive of this has been to locate and discuss aspects that link the two sensibilities — either in divergence or in their coming together. This book brings together scholars from across the globe, as also filmmakers and viewers on to a common platform to capture the dynamics of popular imagination. Reverberating with a unique inter-disciplinary alertness to cinematic, historical, cultural and sociological understanding, this study will interest readers throughout the world who have their eye on the burgeoning importance of the sub-continental players in the world-arena. It is a penetrating study of films that carries the thematic brunt of attempting to construct a history of Indo–Pakistan relations as reflected in cinema. This book directs our holistic attention to the unique confluence between history and film studies.