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How fan passion and technology merged into a new subculture Long before internet archives and the anytime, anywhere convenience of streaming, people collected, traded, and shared radio and television content via informal networks that crisscrossed transnational boundaries. Eleanor Patterson's fascinating cultural history explores the distribution of radio and TV tapes from the 1960s through the 1980s. Looking at bootlegging against the backdrop of mass media's formative years, Patterson delves into some of the major subcultures of the era. Old-time radio aficionados felt the impact of inexpensive audio recording equipment and the controversies surrounding programs like Amos ‘n'Andy. Bootlegging communities devoted to buddy cop TV shows like Starsky and Hutch allowed women to articulate female pleasure and sexuality while Star Trek videos in Australia inspired a grassroots subculture built around community viewings of episodes. Tape trading also had a profound influence on creating an intellectual pro wrestling fandom that aided wrestling's growth into an international sports entertainment industry.

What if we recognized that the human sciences collectively investigate a few dozen key phenomena that interact with each other? Can we imagine a human science that would seek to stitch its understandings of this system of phenomena into a coherent whole? If so, what would that look like? This book argues that we are unlikely to develop one unified'theory of everything.'Our collective understanding must then be a'map'of the myriad relationships within this large – but finite and manageable – system, coupled with detailed understandings of each causal link and of important subsystems. The book outlines such a map and shows that the pursuit of coherence – and a more successful human science enterprise – requires integration, recognizing the strengths and weaknesses of different methods and theory types, and the pursuit of terminological and presentational clarity. It explores how these inter-connected goals can be achieved in research, teaching, library classification, public policy, and university administration. These suggestions are congruent with, and yet enhance, other projects for reform of the human sciences.This volume is aimed at any scholar or student who seeks to comprehend how what they study fits within a broader understanding.

This handbook illustrates the evolution of literature and science, in collaboration and contestation, across the twentieth and twenty-first centuries. The essays it gathers question the charged rhetoric that pits science against the humanities while also demonstrating the ways in which the convergence of literary and scientific approaches strengthens cultural analyses of colonialism, race, sex, labor, state formation, and environmental destruction. The broad scope of this collection explores the shifting relations between literature and science that have shaped our own cultural moment, sometimes in ways that create a problematic hierarchy of knowledge and other times in ways that encourage fruitful interdisciplinary investigations, innovative modes of knowledge production, and politically charged calls for social justice. Across units focused on epistemologies, techniques and methods, ethics and politics, and forms and genres, the chapters address problems rangingacross epidemiology and global health, genomics and biotechnology, environmental and energy sciences, behaviorism and psychology, physics, and computational and surveillance technologies.Chapter 19 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

This collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to ‘know'race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In Surveillance, Race, Culture Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging.

Snapchat. WhatsApp. Ashley Madison. Fitbit. Tinder. Periscope. How do we make sense of how apps like these-and thousands of others-have embedded themselves into our daily routines, permeating the background of ordinary life and standing at-the-ready to be used on our smartphones and tablets? When we look at any single app, it's hard to imagine how such a small piece of software could be particularly notable. But if we look at a collection of them, we see a bigger picture that reveals how the quotidian activities apps encompass are far from banal: connecting with friends (and strangers and enemies), sharing memories (and personally identifying information), making art (and trash), navigating spaces (and reshaping places in the process). While the sheer number of apps is overwhelming, as are the range of activities they address, each one offers an opportunity for us to seek out meaning in the mundane. Appified is the first scholarly volume to examine individual apps within the wider historical and cultural context of media and cultural studies scholarship, attuned to issues of politics and power, identity and the everyday.

Throughout world history, copper has been a significant metal for a vast number of cultures, from the oldest civilizations on record to the Bronze Age and Greek and Roman antiquity. Though replaced by iron as the primary metal for tools and weapons in ancient civilizations, copper found new resurgence in the nineteenth century when it was discovered to have particularly high thermal and electrical conductivity. Copper mining quickly escalated into a large-scale industry, and because of its vast reserves and innovative mining techniques, the United States seized the reins of global production with the opening of significant copper mines in Tennessee and Michigan in the 1840s and Montana in the 1870s. Copper-mining prosperity and America's dominance of the industry came with a heavy environmental price, however. As rich copper deposits declined with increased mining efforts, large deposits of leaner ores—oftentimes less than one percent pure—had to be mined to keep pace with America's technological thirst for copper. Processing such ore left an inordinate amount of industrial waste, such as tailings and slag deposits from the refining process and toxic materials from the ores themselves, and copper mining regions around the United States began to see firsthand the landscape degradation wrought by the industry. In The Legacy of American Copper Smelting, Bode J. Morin examines America's three premier copper sites: Michigan's Keweenaw Peninsula, Tennessee's Copper Basin, and Butte- Anaconda, Montana. Morin focuses on what the copper industry meant to the townspeople working in and around these three major sites while also exploring the smelters'environmental effects. Each site dealt with pollution management differently, and each site had to balance an EPA-mandated cleanup effort alongside the preservation of a once-proud industry. Morin's work sheds new light on the EPA's efforts to utilize Superfund dollars and/or protocols to erase the environmental consequences of copper-smelting while locals and preservationists tried to keep memories of the copper industry alive in what were dying or declining post-industrial towns. This book will appeal to anyone interested in the American history of copper or heritage preservation studies, as well as historians of modern America, industrial technology, and the environment.