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The Cultural Work of the Late Nineteenth-Century Hostess explores the influence well-placed, energetic women had on literary and political culture in the U.S. and in England in the years 1870-1920. Fields, an American, was first married to James T. Fields, a prominent Boston publisher; after his death she became companion to Sarah Orne Jewett, one of the foremost New England writers. Gladstone was a daughter of William Gladstone, one of Great Britain's most famous Prime Ministers. Both became well known as hostesses, entertaining the leading figures of their day; both also kept journals and wrote letters in which they recorded those figures'conversations. Susan K. Harris reads these records to exhibit the impact such women had on the cultural life of their times. The Cultural Work of the Late Nineteenth-Century Hostess shows how Fields and Gladstone negotiated alliances, won over key figures to their parties'designs, and fought to develop major cultural institutions ranging from the Organization of Boston Charities to London's Royal College of Music.

William Cobbett, the Press and Rural England offers a thorough re-appraisal of William Cobbett (1763-1835), situating his journalism and rural radicalism in relation to contemporary political debates.

A reading of the oeuvre of Toni Morrison—fiction, non-fiction, and other—drawing extensively from her many interviews as well as her primary texts, Toni Morrison: A Literary Life, second edition provides an overview of Morrison's intellectual growth as an artist. Linda Wagner-Martin aligns Morrison's novels with the works of Virginia Woolf and William Faulkner, assessing her works as among the most innovative, and most significant, worldwide, of the past fifty plus years. The revised edition includes new discussion of God Help the Child, The Origin of Others, and The Source of Self-Regard. These additions present and intensify scholarship on Morrison's major literary contributions, but also trace her significant role as a public intellectual, bringing to light the consistency of Morrison's aesthetic and political visions.

Im Zuge der Historisierung von Theorie ist die Rolle von Übersetzungen sowie die vermittelnde Rolle der Übersetzer•innen bisher nur am Rande berücksichtigt worden. Doch für die Rezeption, Internationalisierung und Kanonisierung von Theorie spielen diese eine entscheidende Rolle, weshalb sich dieser Band der Geschichte der Theorie in Hinblick auf ihre Übersetzungen nähert. Die Brisanz, die Theorie in Deutschland, Frankreich und den USA von Anfang der 1960er bis Ende der 1990er Jahre entfalten konnte, verdankt sich nicht nur der Mobilität ihrer Protagonist•innen, sondern auch der Verfügbarkeit von Übersetzungen, in denen Theorie von einer Sprache in die andere übergeht, dabei ‚anschlussfähig‘ wird. Theorieübersetzungsgeschichte rückt die Arbeit von Übersetzer•innen in den Blick, die wechselseitige Beziehung von Übersetzungstheorie und poststrukturalistisch-dekonstruktivem Denken sowie ein spezifisches Verständnis von Übersetzung, das mit dem Anspruch verbunden ist, im Verlauf gegenwärtiger Debatten zu intervenieren.

Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field's cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field's continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority.

This book provides 18 lively commentaries on Lacan's Seminar VIII, Transference (1960-61) that explore its theoretical and philosophical consequences in the clinic, the classroom, and society. Including contributions from clinicians as well as scholars working in philosophy, literature, and culture studies, the commentaries presented here represent a wide-range of disciplinary perspectives on the concept of transference. Some chapters closely follow the structure of the seminar's sessions, while others take up thematic concerns or related sessions such as the commentary on sessions 19 to 22 which deal with Lacan's discussion of Claudel's Coûfontaine trilogy. This book is not a compendium to Lacan's seminar. Instead it attempts to capture through shorter contributions a spectrum of voices debating, deliberating, and learning with Lacan's concept. In doing so it can be seen to engage with transference conceptually in a manner that matches the spirit of Lacan's seminar itself.The book will provide an invaluable new resource for Lacan scholars working across the fields of psychoanalytic theory, clinical psychology, philosophy and cultural studies.

This book proposes a new interdisciplinary approach to the gendered power relations in James's novels. Reading James's narrative form through the lens of relational sociology, specifically Pierre Bourdieu's concept of symbolic domination, reconciles some of the most fiercely disputed positions in James studies of the past decades. The close readings focus on three novels, The Portrait of a Lady, The Wings of the Dove, and The Golden Bowl, providing a systematic relational analysis into the specifically Jamesian method of narrating the socio-psychological, embodied responses to masculine power and oppression. James persistently narrates his characters as social agents whose perception, affects, and bodily practices are products of the social structures that they in turn continue to shape and reproduce. The chapters trace a development throughout James's career that reflects a growing sensitivity for the concealment and attendant misrecognition of gendered domination.

This book provides a much-needed study of the lived experience of militarization in the Caribbean from 1914 to the present. It offers an alternative to policy and security studies by drawing on the perspectives of literary and cultural studies, history, anthropology, ethnography, music, and visual art. Rather than opposing or defending militarization per se, this book focuses attention on how Caribbean people negotiate militarization in their everyday lives. The volume explores topics such as the US occupation of Haiti; British West Indians in World War I; the British naval invasion of Anguilla; military bases including Chaguaramas, Vieques and Guantánamo; the militarization of the police; sex work and the military; drug wars and surveillance; calypso commentaries; private security armies; and border patrol operations.

An interdisciplinary study of Victorian women of faith as portrayed in the fiction and non-fiction of the period. The book explores how novelists, biographers and other writers depicted religious women, with special reference to the influence of the ideal of the'Angel in the House'as embodied in Coventry Patmore's poem of that name. Among those whose work is explored are George Eliot, Elizabeth Gaskell, Christina Rossetti, George Moore and Anne Bront� as well as hymnwriters, missionary biographers, non-conformist obituarists and artists of the Aesthetic Movement.

Celebrated goldsmith and sculptor of the Italian Renaissance, Benvenuto Cellini (1500-71) fits the conventional image of a Renaissance man: a skillful virtuoso and courtier; an artist who worked in marble, bronze, and gold; and a writer and poet. Using the methodologies of New Historicism, social history, and gender and sexuality studies, this book places Cellini and his cultural production in the context of contemporary discourses about sexuality, law, magic, masculinity, and honor. In his life and literary oeuvre, the notorious artist, rogue, and sodomite aligned himself with the transgressive and oppositional voices of his day.

This stimulating and comprehensive study of Will Self's work spans his entire career and offers insightful readings of all his fictional and non-fictional work up to and including his Booker prize nominated novel Umbrella.

Through the narratives and movements of survivors of the war in Lanka these interconnected essays develop the concept of'survival media'as embodied and expressive forms of mobility across borders.

In early modern Europe, the circulation of visual and verbal transmissions of sati, or Hindu widow burning, not only informed responses to the ritualized violence of Hindu culture, but also intersected in fascinating ways with specifically European forms of ritualized violence and European constructions of gender ideology. European accounts of women being burned in India uncannily commented on the burnings of women as witches and criminal wives in Europe. When Europeans narrated their accounts of sati, perhaps the most striking illustration of Hindu patriarchal violence, they did not specifically connect the act of widow burning to a corresponding European signifier: the gruesome ceremonial burnings of women as witches. In examining early modern representations of sati, the book focuses specifically on those strategies that enabled European travellers to protect their own identity as uniquely civilized amidst spectacular displays of'Eastern barbarity'.

Why do people routinely risk their health by smoking cigarettes? Why do some females make walking a struggle by donning high heels? In a fully updated edition, the author attempts to answer such questions by explaining the discipline that endeavors to understand the human meaning quest: semiotics.

This book discusses relationships among religion, literature and ethnicity in Northern Ireland since 1967. The introduction provides a theoretical account of how literature engages sectarian prejudices, allowing these to be played out in ways that can help to dissolve or mitigate the alienating effects of traditional enmities. Subsequent chapters deal with identity, endogamy, education, gender, and imprisonment. Each chapter combines an analysis of specific cultural issues with a critical assessment of relevant works by key authors. A conclusion offers an assessment of relationships between Northern Ireland and other modern societies facing analogous problems in a post-modern world marked by rapid globalisation.

The Irish Novel at the End of the Twentieth Century: Gender, Bodies and Power interprets a wide variety of the most interesting Irish novels of the last ten years of the century from a perspective that focuses on the regulated sexual and constructed gendered body. The demarcating line of identity-the perennial Irish problem-can be gauged at the basic level of sexual and gender identity in contrast to or in alliance with political, social, religious or cultural norms. All mechanisms that have gone into controlling the body-gender regulation, violence, desire, religious taboos-can all be reinterpreted through the body in motion.

Ann Kelly's provocative book breaks the mold of Swift studies. Twentieth century Swift scholars have tended to assess Jonathan Swift as a pillar of the eighteenth-century'republic of letter', a conservative, even reactionary voice upholding classical values against the welling tide of popularization in literature. Kelly looks at Swift instead as a practical exponent of the popular and impressario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure. A fascinating look at print culture, the commodification of the author, and the history of popular culture, this book should provoke lots of discussion.

George Orwell and the Radical Eccentrics celebrates the lives, literature, and politics of a group of four'radical eccentrics'- the Tory anarchist poet Stevie Smith, the Marxist Indian nationalist Mulk Raj Anand, and the glamour-girl-turned-socialist Inez Holden - who formed a friendly circle around the famously radical and eccentric George Orwell. Demonstrating that Smith, Anand, and Holden matter for literary history just as they mattered for Orwell, George Orwell and the Radical Eccentrics gives name and shape to a neglected movement within interwar and wartime English writing. It focuses on the lives and texts of Smith, Anand, and Holden in order to argue that these three writers throw into question limiting assumptions about art and politics-about standard relations between literary form and sex, gender, race, class, and empire-in ways that their group's most influential radical, Orwell, cannot. Embarking upon a kind of biographical-political-cultural-literary criticism, this book brings the radical eccentrics'vital, potentially transformative conversation to the attention of scholars of English literature for the first time, suggesting fascinating new approaches to the study of literary London during the thirties and forties.

The last two decades have witnessed a profound change in the way we receive the literary texts of early modern England. One could call this a move from'text'to'culture'. Put briefly, earlier critics tended to focus on literary texts, strictly conceived: plays, poems, prose fictions, essays. Since the mid-1980s, however, it has been just as likely for critics to speak of the'culture'of early modern England, even when they do so in conjunction with analysis of literary texts. This'cultural turn'has clearly enriched the way in which we read the texts of early modern England, but the interdisciplinary practices involved have frequently led critics to make claims about materials - and about the'culture'these materials appear to embody - that exceed those materials'representativeness. Shakespeare and the Question of Culture addresses the central issue of'culture'in early modern studies through both literary history and disciplinary critique. Douglas Bruster argues that the'culture'literary critiques investigate through the works of Shakespeare and other writers is largely a literary culture, and he examines what this necessary limitation of the scope of'cultural studies'means for the discipline of early modern studies.

Modernist Mythopoeia argues that the experimental modernist form of mythopoeia was directed towards expressing a range of metaphysical perspectives that fall between material secularism and dogmatic religion. The book is a timely addition to the'post-secular'debate as well as to the'return of religion'in modernist studies.

This multidisciplinary study focuses on the creative state as the nucleus of the work of numerous poets, artists, and philosophers from twentieth-century Spain. Beginning with cognitive science, Gala explores the mental processes and structures that underline creative thinking, for poets like José María Hinojosa, Clara Janés, and Jorge Guillén.

This book examines the connections evident between the simultaneous emergence of British modernism and middlebrow literary culture from 1880 to the 1930s. The essays illustrate the mutual influences of modernist and middlebrow authors, critics, publishers and magazines.

Drawing from classical myth, the history of philosophy, literature, film, music, and painting, Workman connects the artistic claims of Chaucer and tests them against similar gestures in the history of philosophy and literature. What results is a radical retake on Chaucer as a philosopher and poet, upending any preconceived views.

This book fills a gap in both literary and feminist scholarship by offering the first major study of femme fatales in hardboiled crime fiction. Maysaa Jaber shows that the criminal literary figures in the genre open up powerful spaces for imagining female agency in direct opposition to the constraining forces of patriarchy and misogyny.

This collection focuses attention on theoretical approaches to travel writing, with the aim to advance the discourse. Internationally renowned, as well as emerging, scholars establish a critical milieu for travel writing studies, as well as offer a set of exemplars in the application of theory to travel writing.

Shakespearean Echoes assembles a global cast of established and emerging scholars to explore new connections between Shakespeare and contemporary culture, reflecting the complexities and conflicts of Shakespeare's current international afterlife.

This book traces how iconic writers - including Arthur Conan Doyle, J.M. Barrie, Rudyard Kipling, Virginia Woolf, Wilfred Owen, and Aldous Huxley - shaped their response to the loss of loved ones in the First World War through their embrace of mysticism.

This collection explores how new directions in feminist literary study might be informed by the work of the past. It offers a snapshot view of new feminist research in the field today and traces the influence of the substantial feminist inheritance in English Studies through six distinct, individual pieces of rigorous and innovative new work.

The middlebrow is a dominant cultural force in the twenty-first century. This book defines the new literary middlebrow through eight key features: middle class, feminized, reverential, commercial, emotional, recreational, earnest and mediated. Case studies include Oprah's Book Club, the Man Booker Prize and the Harry Potter phenomenon.

This is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period 1558-1688. It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.

This is the first scholarly study devoted to Shakespeare's girl characters and conceptions of girlhood. It charts the development of Shakespeare's treatment of the girl as a dramatic and literary figure, and explores the impact of Shakespeare's girl characters on the history of early modern girls as performers, patrons, and authors.

British Women's Life Writing, 1760-1840 brings together for the first time a wide range of print and manuscript sources to demonstrate women's innovative approach to self-representation. It examines canonical writers, such as Mary Wollstonecraft, Mary Robinson, and Helen Maria Williams, amongst others.

Literature after Postmodernism explores the use of literary fantastic storylines in contemporary novels which begin to think beyond postmodernism. They develop an aesthetic perspective that aims at creation and communication instead of subversion and can thus be considered no longer deconstructive but reconstructive.

Focusing on piracy in the seventeenth century, filibustering in the nineteenth century, intracolonial migrations in the 1930s, metropolitan racializations in the 1950s and 1960s, and feminist redefinitions of creolization and sexile from the 1940s to the 1990s, this book redefines the Caribbean beyond the postcolonial debate.

Compromise and Resistance in Postcolonial Writing offers a new critical approach to E. M. Forster's legacy. It examines key themes in Forster's work (homosexuality, humanism, modernism, liberalism) and their relevance to post-imperial and postcolonial novels by important contemporary writers.

Literature and Encyclopedism in Enlightenment Britain tells the story of long-term aspirations to comprehend, record, and disseminate complete knowledge of the world. It draws on a wide range of literary and non-literary works from the early modern era and British Enlightenment.

The Narrative Turn in Fiction and Theory explores the philosophical and historical underpinnings of the postwar crisis and return of storytelling and shows their relevance for the ongoing debate on the significance of narrative for human existence.

Indian Writing in English and the Global Literary Market delves into the influences and pressures of the marketplace on this genre, which this volume contends has been both gatekeeper as well as a significant force in shaping the production and consumption of this literature.

Contemporary Fictions of Multiculturalism analyses novels of the late 20th and early 21st centuries that explore ethnic and cultural diversity in London. It contributes to key, ongoing debates in literary and cultural studies and, in particular, to debates over the status and relevance of multiculturalism today.

Technology and Identity in Young Adult Fiction is not a historical study or a survey of narrative plots, but takes a more conceptual approach that engages with the central ideas of posthumanism: the fragmented nature of posthuman identity, the concept of agency as distributed and collective and the role of embodiment in understandings of selfhood.

Offering a one-of-a-kind approach to music and literature of the Americas, this book examines the relationships between musical protagonists from Colombia, Cuba, and the United States in novels by writers such as Gabriel García Márquez, Alejo Carpentier, Zora Neale Hurston, and John Okada.

Prison Narratives from Boethius to Zana critically examines selected works of writers, from the sixth century to the twenty-first century, who were imprisoned for their beliefs. Chapters explore figures'lives, provide close analyses of their works, and offer contextualization of their prison writings.

Romanticism and the Museum argues that museums were integral to Britain's understanding of itself as a nation in the wake of the French Revolution. It features Wordsworth, Scott, Edgeworth, and literary periodicals featuring Byron and Horace Smith.

Teaching Adaptations addresses the challenges and appeal of teaching popular fiction and culture, video games and new media content, which serve to enrich the curriculum, as well as exploit the changing methods by which English students read and consume literary and screen texts.

Dylan Thomas: A Literary Life offers an account of the poet's life, along with a critical reading of his work, that is designed to close what has been called'the yawning gap'between Dylan Thomas's popular and critical reputations.

Travel Writing and the Transnational Author explores the travel writing and transnational literature of four authors from the'postcolonial canon': Michael Ondaatje, Vikram Seth, Amitav Ghosh, and Salman Rushdie.

Idleness, Indolence and Leisure in English Literature is the first study to provide transhistorical perspectives and cutting-edge critical analyses of debates concerning idleness in English literature. The topicality of the subject is emphasized by two pieces of sociological analysis.

This book explores modalities and cultural interventions of translation in the early modern period, focusing on the shared parameters of these two translation cultures. Translation emerges as a powerful tool for thinking about community and citizenship, literary tradition and the classical past, certitude and doubt, language and the imagination.

Examining a rich new generation of Latin American writers, this collection offers new perspectives on the current status of Latin American literature in the age of globalization. Authors explored are from the Boom and Postboom periods, including those who combine social preoccupations, like drug trafficking, with aesthetic ones.