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This book presents selected papers from the 3rd Cultural DNA Workshop. Contributed by prominent computational design experts in the fields of mechanical engineering and architectural design, they mainly focus on the design process; shape grammars as a valuable tool; and the analysis of cultural values.The book offers readers fresh viewpoints on computational design. and helps researchers in academy and practitioners in industry to learn more evolved cultural DNA knowledge which is newly interpreted and conceptually reinforced in areas of mechanical engineering and architectural engineering.

This book investigates whether and how drone technology is changing how we see and experience our visual cultures. Knowing more about these visuals is essential to understand how our visual experience of the world is changing and the creative potential these new technological implementations may afford. To do so, the book analyses drone visuals exploring their aesthetics and meanings, the context where they circulate and how they are perceived. The book will therefore be of interest to students and researchers of digital sociology, digital media, mobile media, visual studies, media and communication and journalism.

This book approaches cultural conceptualizations of our modern world from cultural, linguistic and cognitive perspectives. It explores broader topics such as contemporary society, media and entertainment, migration and identity, political discourse, educational contexts and creative linguistic innovation, all of which are seen as interwoven and mutually complementary segments of our present-day social world. This publication brings a fresh multi-cultural approach reflected in applying the principles of cultural linguistics to the analysis of different aspects of language use across four continents – Europe, Asia, Africa and Australia. The issue of shared cultural conceptualizations being their common denominator, the chapters of this book shed light on how various cultural groups use language to communicate their ideas and beliefs both within and outside their own culture, bearing in mind the often contradictory nature of the present-day social world that, at the same time, unites and disintegrates social groups. Benefiting scholars from fields within the broad spectrum of the humanities and social sciences who are interested in culture, discourse, linguistics, sociology, migration and politics, the book uncovers challenging new trends, inviting its readers to further explore the vast interconnected fields of language, culture and cognition in the turbulent 21st Century. Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

This book reviews photographic portrayals of contemporary Italian migrants living in the area between Lausanne and Geneva in Switzerland (Arc Lémanique). Drawing from the archives of Swiss-French illustrated magazines (L'Illustré and L'Hebdo) and other online publications, the author analyses the distinctive photographic representations of Italian migrants in Switzerland from the 1960s to 2019 and uses them to produce new photographic portraits of the 21st century Italian migrants on the Arc Lémanique. Challenging the narrative on the brain drain, the book showcases 24 portraits of Italians living in Switzerland with the aim to unveil the unique and complex nature of a new Italian diaspora in the age of globalization. The combination of theories, concepts, and methodologies used reflects the interdisciplinary and creative approach of this research, which brings together culture, identity, photography, and creative process. Based on the lived experience of the author as an Italian migrant in Switzerland, the book offers a profound analysis of the phenomenon of migration and identity through visual communication. The interviews included in chapter 4 were originally conducted and recorded by the author in Italian. The English version is the result of a translation done with the help of artificial intelligence. The author has subsequently corrected and revised the text further in an endeavour to refine the work stylistically.

This book starts from the very beginning of the cultural exchanges between China and the western regions, to the exchanges in modern times, featuring large time span and interdisciplinarity. In addition to elaborate illustrations including precious pictures and sketch maps, a large amount of archaeological data, as well as both Chinese and foreign literature, are employed in the book to provide the readers with a comprehensive, in-depth and systematic introduction of the cultural exchanges between China and the west regions from neolithic age to present China after Reform and Opening Up. The intended readership includes professionals, college students, graduates specializing in Chinese history, philosophy and culture, as well as those interested in oriental civilizations.

Von Gestaltung jenseits ästhetischer Traditionslinien zu sprechen, heißt zwangsläufig das moderne Design in den Blick zu nehmen. Zwischen Alltagskultur und Design-Avantgarden bewegen sich vielfältige interdisziplinäre Strömungen, deren theoretische Modelle in Kontextualisierungen und Analysen der Designwissenschaft zusammenlaufen. Hier zeigt sich bereits eine geisteswissenschaftliche Durchdringung und Akzeptanz des Designs als epidemisches Gegenstück zur freien Kunst, wobei diese Meta-Perspektive letztlich eine Forschung „über Design“ darstellt. Design als konkrete Praxis begriffen artikuliert sich jedoch als Relation von Problem, Entwurf und Prototyp, so dass ein handlungstheoretisches Modell einer Forschung „durch Design“ angesetzt werden kann. Designforschung steht damit im Kontrast zur Designwissenschaft, denn sie agiert dynamisch, empirisch und operativ und bündelt zwar Theoriemodelle und konkrete Werkzeuge, lässt diese aber innerhalb konkreter Gestaltungsweisen zu pragmatischen Erkenntnissen werden. Der Band adressiert konkrete Designfelder, arbeitet Aspekte der konkreten und empirischen Designforschung heraus und nimmt gleichzeitig eine Verortung innerhalb der medientheoretischen Bezugsfelder vor. Denn Forschung „durch Design“ geschieht immer durch Medien, Werke, Instrumente und ästhetische Zeichen und Zustände hindurch.

This book examines what it means to live in an epidemiological reality, exploring the worldbuilding properties of epidemiology through the lens of critical theory, literary analysis, and visual culture. Whether we want it or not, we live in a world made of statistical correlations, risk factors, and social determinants of health, animal reservoirs and spillovers, containment strategies and curves to be flattened, prophylactic measures, and syndromic surveillance systems detecting in real-time potential outbreaks. This book uses a series of vignettes to show that we have lived in a version of that reality for quite some time now, even before the formalization of epidemiological tools and concepts at the beginning of the twentieth century.

Serielle Dystopien sind omnipräsent; sei es in der Literatur, im Spielfilm, der Fernseh- bzw. Streamingserie oder auch im Videogame. Das Buch verbindet ein wesentliches Erzählverfahren (die Serie) mit gerade kontrovers diskutierten Themen (u.a. Diversity, Covid 19) und dem Genre ihrer medialen Verhandlung. Die Serialität dystopischer Erzählungen ist ein transmediales Phänomen. Der Band geht der Frage nach, wie sich negative Zukunftsvorstellungen, aber auch kontrafaktische Vergangenheitsentwürfe medienspezifisch darstellen, wie sie darüber hinaus im Zuge der Medienkonvergenz größere Erzähluniversen herausbilden. Im Mittelpunkt stehen dabei vor allem Überlegungen, ob sich die serielle Form in besonderer Weise dafür eignet, von dystopischen Gesellschaftsvisionen zu erzählen.

Over the past decades, psychosocial studies has demonstrated its strengths and influence across diverse sites of theory and practice; it continues to grow as an area of transdisciplinary research that dialogues with psychoanalysis, sociology, critical psychology, cultural studies, gender and sexuality studies, and postcolonial studies. The Palgrave Handbook of Psychosocial Studies is the first Major Reference Work to explore the history and depth of the field and offer a critical evaluation of contemporary theories, empirical methods and practices of psychosocial studies. With 50 chapters, this state-of-the-art collection:· reflects back on texts that have influenced the development of psychosocial studies from a 2020s perspective· explores current major topics with evaluative reviews· identifies newly emerging areas ofenquiry · features a wide range of international psychosocial voices. Published chapters can be read and downloaded individually online: https://link.springer.com/referencework/10.1007/978-3-030-61510-9 The Palgrave Handbook of Psychosocial Studies is unique in covering a wide range of psychosocial topics and in being written accessibly from many different perspectives. It will appeal to students, scholars and practitioner-researchers alike.

In der Zeit des wirtschaftlichen Aufschwungs Deutschlands nach dem Zweiten Weltkrieg waren die Wochenschauen im Vorprogramm jeder Kinovorstellung eine bedeutende Informationsquelle. Mit eindrucksvollen Bildern auf einer großen Leinwand – begleitet von gesprochenem Kommentar, Musik und Geräusch – gaben sie Orientierung und prägten die Erinnerung. In zahlreichen dokumentarischen Film- und Fernsehformaten werden bis heute einzelne Bilder oder kurze Sequenzen aus der Kino-Wochenschau als historische Belege, als Illustrationen oder zur Dramatisierung verwendet. Die außergewöhnlichen Prinzipien der Informationsvermittlung kommen dabei jedoch nicht mehr zur Geltung. Um das Publikum zu erreichen, war damals eine Mischung aus informativen Berichten und unterhaltenden Beiträgen unerlässlich. Die in diesem Buch vorgenommenen Fallanalysen spiegeln elementare Themenbereiche der Zeit des wirtschaftlichen Aufschwungs beider deutscher Staaten (1950-1965) wider. Neben den Prinzipien der audiovisuellenGestaltung wird auch die zentrale Vermittlungsstrategie herausgearbeitet. Transmediale und transnationale Aspekte, die hierbei eine Rolle spielen, weisen die Wochenschau als Teil eines (internationalen) Mediensystems aus.

This book proposes new design and development models for local cultural and creative products, intended to improve the quality of these products and to preserve or enhance their local economic benefits. Building a knowledge base of design symbols and information gleaned from local history can be used to simplify the process of creative product design and increase the efficiency of product development. This book proposes a method for grasping the essential elements of symbols and culture so as to accelerate product development and capture the essence of culture in product design. In addition, it demonstrates that exhibitions applying scenario-oriented design can not only strengthen the representation of local culture, history and stories, but also support product consumption. As a result, the book offers a valuable asset for boosting the efficiency of creative product design and promoting the consumption of creative cultural products.

This book draws on a variety of substantive examples from science, technology, medicine, literature, and popular culture to highlight how a new technoscientifically mediated and modified phase and form of technosleep is now in the making – in the global north at least; and to discuss the consequences for our relationships to sleep, the values we accord sleep and the very nature and normativities of sleep itself.The authors discuss how technosleep, at its simplest denotes the ‘coming together'or ‘entanglements'of sleep and technology and sensitizes us to various shifts in sleep–technology relations through culture, time and place. In doing so, it pays close attention to the salience and significance of these trends and transformations to date in everyday/night life, their implications for sleep inequalities and the related issues of sleep and social justice they suggest.

This book offers a philosophical approach to tourism as a permanent factor in the lifestyle, economy, and culture of the contemporary global community. Travel to well-known destinations and pursuit of an ever-increasing range of leisure activities are an aspiration of most humans today. Those not themselves engaged in tourist activities are quite often involved in providing the goods and services which make tourism possible. Yet the ill effects of mass tourism and overtourism on sensitive ecosystems, resources, and community life have begun to outweigh economic gains, threatening to destroy destinations, cultural heritage, and livelihoods. The editors and contributors of this collection reflect on the nature and meaning of tourism, its history, elements, and forms, the roles of tourist and host, the limits of hospitality, tendencies to excess and the reasons why we engage in such forms of behaviour, and the place of tourism in human culture as a whole. By shedding light on these questions, more efficacious solutions to the urgent problems raised by the practice of tourism can be found. This work is a must-read for scholars, teachers, and students engaged in study and research on philosophy of culture, philosophical anthropology, tourist and destination management, human factors engineering, and sustainability.

A reading of the oeuvre of Toni Morrison—fiction, non-fiction, and other—drawing extensively from her many interviews as well as her primary texts, Toni Morrison: A Literary Life, second edition provides an overview of Morrison's intellectual growth as an artist. Linda Wagner-Martin aligns Morrison's novels with the works of Virginia Woolf and William Faulkner, assessing her works as among the most innovative, and most significant, worldwide, of the past fifty plus years. The revised edition includes new discussion of God Help the Child, The Origin of Others, and The Source of Self-Regard. These additions present and intensify scholarship on Morrison's major literary contributions, but also trace her significant role as a public intellectual, bringing to light the consistency of Morrison's aesthetic and political visions.

The book presents aspects of cross-currents of theorizing of self, culture and society in the contemporary Taiwan. Social theorizing has been addressed critically, reflectively and creatively by the philosophical, religious, psychological and literary traditions of one of the world's great civilizations Theorizing is a dynamic movement of self, culture, society and the world as it is related to our actions, reflections, meditations to understand the world more meaningfully and holistically as well as to transform it. But much of social theorizing in the modern world is primarily Euro-American and despite the socalled globalization of knowledge, this condition of one-sided Euro-American valorization of knowledge and neglect of others continues unabated. There is very little attention to theorizing about the human condition emerging from other parts of the world such as Taiwan and its global implication. This book transforms this condition by mapping the fieldof theorizing in a wider spectrum of philosophy, psychology, religions, social sciences and humanities in contemporary Taiwan.

Der Band liefert eine Bestandsaufnahme der bisherigen Entwicklungen von HipHop in Deutschland und geht der Vielfältigkeit der Zugänge, den Formen der inhaltlichen Auseinandersetzungen sowie der Ausdrucksformen nach. Es werden im Wesentlichen folgende Felder thematisiert und kartographiert: HipHop & Wissenschaft, Gender, (Post-)Migration, Empowerment & Bildung, mediale Repräsentationen, Archivierung & Tradition sowie Gesellschaftskritik.

Das Buch basiert auf Untersuchungen, die zwischen 2017 und 2020 mit 1632 österreichi­schen, deut­schen und Studierenden anderer Nationen in Wien durchgeführt wurden. Die Teilneh­mer und Teilnehmerinnen be­fan­den sich während der Coronakrise teilweise in Quarantäne oder waren zumindest auf Online-Teaching und Home-Office angewiesen. Wie gehen junge Menschen mit Freiheitsbe­schrän­kungen um? Was tun sie, um körperlich und geistig „gesund“ durch die Krise zu kom­men? Neben konstruk­ti­ven For­men des Umgangs mit der Pandemie finden wir in der Gesellschaft und teilweise auch in einzelnen Menschen ver­schwö­rungs­theo­retische Gedanken­kom­­plexe, die ag­gres­sive und destruktive Ver­hal­tens­wei­sen nahelegen. Diese Wider­sprüch­lich­keit hängt mit unserer Urgeschichte zu­sam­men: der Homo sapiens musste sich einesteils wilden Tie­ren stellen und andern­teils in Kalt­zeiten als einzigen Ausweg in Höhlen zurückziehen. Theo­retisch begründet und empi­risch überprüft werden höhlen­be­zo­gene Denkwei­sen und ihre Verbindung mit Mut und Durchhalte­willen, aber auch mit Ver­schwö­rungstheorien, poli­ti­scher Ent­fremdung und Rechts­extremis­mus: Denkmuster aus paläo­histo­ri­scher Zeit als Chance und Risiko in der Corona­krise.Zum Band erscheint eine CD: Höhlenkompetenz in 52 Übungen, auf der die Regeln zusammen mit einer eigenen Komposition von Havard Enstad eingesprochen wurden.

Geld ist heute ein sachlich, zeitlich und sozial ubiquitäres Phänomen. Es fällt schwer – trotz sich verstetigender Finanz- und Wirtschaftskrisen in der jüngeren Vergangenheit –, sich Geld wegzudenken oder sich auch nur ein anderes Geld(-system) zu denken. Diese Ubiquität steht im Kontrast zu einer hochgradig selektiven wissenschaftlichen Behandlung, die es verunmöglicht, den kultur-evolutionären Stellenwert des Geldes adäquat abzuschätzen. Die neoklassische Ökonomik ist durch eine (seit Adam Smith kolportierte) tauschtheoretische Engführung von Geld limitiert. Geld gilt dort strukturell als auch verteilungspolitisch weithin als neutral, also nicht als evolutionärer Mechanismus aus eigenem Recht. Die Neue Wirtschaftssoziologie hat zwar zu Recht den Modellplatonismus der Mainstream-Ökonomik kritisiert und auf die soziale Einbettung der Wirtschaft hingewiesen. Sie hat es in diesem Zuge aber nicht zu einer eigenständigen Geldtheorie gebracht. Das Buch präsentiert Überlegungen zu einer interdisziplinär informierten soziologischen Geldtheorie in kultur-evolutionärer Absicht. In zwei historischen Studien (zu Mesopotamien ab dem vierten Jahrtausend v.u.Z. sowie zum Griechenland des ersten Jahrtausends v.u.Z.) werden die koevolutionären Prozesse von Geldentwicklung, Schriftentwicklung und Rationalitätsentwicklung detailliert rekonstruiert. Einer solchen Forschungsperspektive gelingt es, die in der Soziologie etablierte problematische Dichotomie von Einbettungs- und Ausdifferenzierungsparadigmen durch eine integrative Perspektive zu überwinden und aufzuheben.

Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field's cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field's continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority.

This book systematically introduces the popular science industry. It firstly summarizes the social basis and research status of the development of contemporary science popularization industry and also elaborates on the basic theory and main forms of science popularization industry. The most important feature of this book is its focus on the practice and case study of the development of science popularization industry in China. Meanwhile, it analyzes the development of science popularization industry in China from four perspectives: the basis and conditions, the current situation and countermeasures, the main promotion tasks, and the policy suggestions for promotion. The book analyzes the development trend of science popularization industry in China. It can be used as a reference book for science popularization practitioners and enthusiast to learn and understand the theory and practice of science popularization industry. It can also be used as a textbook for the cultivation and training of science popularization talents.

This edited volume informs readers about changing norms and meanings of borders and underlines recent scenarios that shape these borders. It focuses mainly on the Mediterranean and Middle East regions through the following questions: What are the social, cultural, philosophical, political, economic and aesthetic reasons for spatial segregation within contemporary territories and cities? In the world of globalization and networks, what are the new limitations of space? What are the alienating differences between interior and exterior, private and public, urban and rural, local and global, and real and virtual? Are spatial definitions and divisions more likely to be weakened (if not totally erased) by effects of globalization and mobility, similar to the dissolution of borders between countries? Or are local practices and measures likely to become more apparent with emerging trends such as sustainability and identity? Authored by international scholars, all chapters are arranged under four main parts: Urban and Rural, Global and Local, Physical and Sensual, Real and Virtual. Hence, different concepts and definitions of borders along with varying methods and tools for questioning their essence in architectural and urban spaces will be introduced. For example, in the rural and urban context, environments, settlements-housing, landscape, transformation, conservation and development; in the global and local context, styles, identity, universal design, sustainability, globalization and networks, mobility and migration; in the physical and sensual context, design studies and methodologies, environmental psychology, aesthetic reasoning, sense of place and well-being, and in the real and virtual context, realities, tools and communities are the main themes of the chapters.This book will be an essential source for professionals, scholars, and students of architecture and urban design with a view to understandingmultidisciplinary perspectives in designing borders as well as the dialectical relationship between borders and space.

This book provides 18 lively commentaries on Lacan's Seminar VIII, Transference (1960-61) that explore its theoretical and philosophical consequences in the clinic, the classroom, and society. Including contributions from clinicians as well as scholars working in philosophy, literature, and culture studies, the commentaries presented here represent a wide-range of disciplinary perspectives on the concept of transference. Some chapters closely follow the structure of the seminar's sessions, while others take up thematic concerns or related sessions such as the commentary on sessions 19 to 22 which deal with Lacan's discussion of Claudel's Coûfontaine trilogy. This book is not a compendium to Lacan's seminar. Instead it attempts to capture through shorter contributions a spectrum of voices debating, deliberating, and learning with Lacan's concept. In doing so it can be seen to engage with transference conceptually in a manner that matches the spirit of Lacan's seminar itself.The book will provide an invaluable new resource for Lacan scholars working across the fields of psychoanalytic theory, clinical psychology, philosophy and cultural studies.

Drawing on the culture-centered approach (CCA), this book re-imagines culture as a site for resisting the neocolonial framework of neoliberal governmentality. Culture emerged in the 20th Century as a conceptual tool for resisting the hegemony of West-centric interventions in development, disrupting the assumptions that form the basis of development. This turn to culture offered radical possibilities for decolonizing social change but in response, necolonial development institutions incorporated culture into their strategic framework while simultaneously deploying political and economic power to silence transformative threads. This rise of “culture as development” corresponded with the global rise of neo-liberal governmentality, incorporating culture as a tool for globally reproducing the logic of capital. Using examples of transformative social change interventions, this book emphasizes the role of culture as a site for resisting capitalism and imagining rights-based, sustainable and socialist futures. In particular, it attends to culture as the basis for socialist organizing in activist and party politics. In doing so, Culture, Participation and Social Change offers a framework of inter-linkage between Marxist analyses of capital and cultural analyses of colonialism. It concludes with an anti-colonial framework that re-imagines the academe as a site of activist interventions.

This book proposes a new interdisciplinary approach to the gendered power relations in James's novels. Reading James's narrative form through the lens of relational sociology, specifically Pierre Bourdieu's concept of symbolic domination, reconciles some of the most fiercely disputed positions in James studies of the past decades. The close readings focus on three novels, The Portrait of a Lady, The Wings of the Dove, and The Golden Bowl, providing a systematic relational analysis into the specifically Jamesian method of narrating the socio-psychological, embodied responses to masculine power and oppression. James persistently narrates his characters as social agents whose perception, affects, and bodily practices are products of the social structures that they in turn continue to shape and reproduce. The chapters trace a development throughout James's career that reflects a growing sensitivity for the concealment and attendant misrecognition of gendered domination.

Angst ist nicht nur eine menschliche Grundemotion, sondern ein gesellschaftliches Phänomen. Jüngst wurde sie zum charakteristischen Gefühl westlicher Gegenwartsgesellschaften erklärt und insbesondere mit politisch regressiven Entwicklungen, allen voran dem Aufstieg des Rechtspopulismus, in Verbindung gebracht. Ausgehend von Befunden eines aktuell veränderten gesellschaftlichen Stellenwerts der Angst untersucht der Sammelband in interdisziplinärer Perspektive gegenwärtige Ursachen, Auswirkungen, Repräsentationen, Ausprägungen, Deutungen und Praktiken der Angst. Mithilfe unterschiedlicher konzeptueller, theoretischer und methodisch-empirischer Zugänge werden im Sinne einer interdisziplinären Gesellschaftswissenschaft der Angst die vielfältigen sozialen, politischen und kulturellen Bedeutungen der Angst in gegenwärtigen Gesellschaften beleuchtet.

Der Kampf um die Macht in Westeros ist zwar blutiger als in jedem heutigen Unternehmen, aber genauso berechnend mit Intrigen, Fallen und Demütigungen. Das Buch analysiert Strategien von Führung (Leadership) am Beispiel der beliebten Fernsehserie und verbindet Serienkulturen mit Managementforschung. Das populäre Phänomen spielt in einer mittelalterlichen Fantasy-Welt und führt uns umso überzeichneter vielfältige Leadership-Archetypen in einem unsicheren Zeitalter vor: charismatische, authentische, maskuline und mütterliche Führungspersonen werden konstruiert und wieder demontiert. Hände, Penisse und Köpfe werden abgetrennt. So zelebriert die Serie auch die Macht derjenigen, die folgen oder es auch nicht tun müssen, und ihre Leader stets beeinflussen. Dr. Brigitte Biehl (Biehl-Missal) ist Professorin für Media and Communication Management an der SRH Berlin University of Applied Sciences, School of Popular Arts (ehemals SRH Hochschule der populären Künste) in Berlin und leitet dort den Studiengang Creative Industries Management sowie das Institut für Weiterbildung (IWK). Ihr Hintergrund ist Theater-, Film- und Medienwissenschaft und BWL, sie publiziert international über Ästhetik und Management.

This book develops a theory of aesthetic fiction's impact on social identities. Throughout five case studies, the author develops the argument that social identities are nurtured by and may even emerge through the conflict between different aesthetic expressions. As it creates affective structures, narrative fiction enables the development and formation of political and cultural identities. This work is part of a field of research that deals with the aesthetics of the everyday and the idea of social aesthetics. It argues for a central role for the arts in the creation and formation of modern society. Social identities emerge in response to aesthetic-sensual patterns of perception.Focusing on five West German public debates in the years 1950 to 1990, this work sheds light upon the transformation of social reality through the discursive adaption of art.

This book is the first to systematically investigate how the notion of time is conceptualised in Jacques Lacan's work. Through a careful examination of Lacan's various presentations of time, Chenyang Wang argues that this notion is key to a comprehension of Lacan's psychoanalytic thinking, and in particular to the way in which he theorises subjectivity. This book demonstrates that time is approached by Lacan not only as consciously experienced, but also as pre-reflectively embodied and symbolically generated. In an analysis that begins with Lacan's “Logical Time” essay, Chenyang Wang articulates three temporal registers that correspond to Lacan's Real-Symbolic-Imaginary triad and also demonstrates how Lacan's elaboration of other major themes including consciousness, body, language, desire and sexuality is informed by his original perspectives on time. Filling a significant gap in contemporary Lacanian studies, this book will provide essential reading for students and scholars ofpsychoanalytic theory, continental philosophy and critical theory.

Informelle Ratgebernetzwerke strukturieren den Fluss des Wissens und beeinflussen damit das Gelingen von Innovationsversuchen grundlegend. Philip Roth analysiert die Entwicklung solcher Netzwerke. Neben Partnerselektionsentscheidungen haben sich besonders Gelegenheitsstrukturen als bedeutend erwiesen. Während Partnerselektionsentscheidungen mittlerweile differenziert erklärt werden können, ist es bisher nicht gelungen, die systematische Wirkung von Gelegenheiten empirisch herauszuarbeiten. Auf Grundlage innovativer konzeptioneller und methodischer Vorarbeit gelingt es dem Autor erstmals detaillierter zu erklären, wie Gelegenheitsstrukturen wirken. In der empirischen Analyse der Prozesse in drei Forschungs- und Entwicklungsabteilungen wird herausgearbeitet, unter welchen Voraussetzungen Begegnungen zu informellem fachlichem Austausch führen und gezeigt, dass die Voraussetzungen zwischen lokalen Kulturen variieren können.

Das Internet hat sich durch seine Verhäuslichung massenhaft verbreitet: Wie verlief der Anschaffungsprozess? Wie haben Paare das Internet in ihren Alltag eingefügt und welche Veränderungen brachten mobile Technologien? Wie haben sich die häuslichen Medienrepertoires und Kommunikationskulturen verändert? Diese und weitere Fragen beantwortet die qualitative Langzeitstudie mit Paarhaushalten. In ethnografisch orientierten Haushaltsstudien wurde ein systematisch zusammengestelltes Sample von 25 Paaren zwischen 2008 und 2016 viermal zu ihrem häuslichen Medienhandeln befragt. Ergänzt werden die Befunde durch eine Untersuchung von 16 Paaren der Online-Avantgarde im Jahr 2016.

Der Band bietet eine Zusammenschau theoretischer und praktischer Perspektiven, die sich rund um das Thema Videospiel, die Erhaltung von Information und die Beharrung auf traditionellen Designparadigmen ergeben. Die Beiträge gehen über ihre jeweiligen Disziplinen von der verbindenden Metapher des Savegames (Speicherstandes) hinaus, um unterschiedlichste Aspekte des Designs, der Bewahrung und der Kritik von Spielen verfügbar und vernetzt nutzbar zu machen. Technische und kulturwissenschaftliche Zugänge ergänzen sich und stellen den Lesern multifunktionale Werkzeuge zur Nutzung, Schaffung und Analyse von Videospielen zur Verfügung.Die Herausgeber•innenProf. Dipl.-Ing. Dr. Wilfried Elmenreich ist Informationstechniker am Institut für Vernetzte und Eingebettete Systeme und hält einen Lehrstuhl für Smart Grids an der Alpen-Adria-Universität Klagenfurt.Mag. Dr. René Reinhold Schallegger arbeitet im Bereich der anglophonen Kulturwissenschaften sowie der Game Studies und ist Assoziierter Professor am Institut für Anglistik und Amerikanistik.Felix Schniz MA ist Universitätsassistent und Doktoratsstudierender am Institut für Anglistik und Amerikanistik der Alpen-Adria-Universität Klagenfurt.Gemeinsam sind sie die Begründer des Masterstudiengangs Game Studies and Engineering an der Alpen-Adria-Universität Klagenfurt.Sonja Gabriel ist Hochschulprofessorin für Medienpädagogik und Mediendidaktik an der KPH Wien/Krems und in der Pädagog•innenbildung tätig. Sie forscht und publiziert im Bereich Digital Game-Based Learning und Wertevermittlung durch digitale Spiele.Mag. Gerhard Pölsterl ist Fachreferent für Medienpädagogik im Bundeskanzleramt Österreich. Im Bereich Gaming ist er für die Bundesstelle für die Positivprädikatisierung von digitalen Spielen (BuPP.at) zuständig.Wolfgang B. Ruge MA ist Lektor an der Universität Wien und Geschäftsführer der Bildungsgrund. Agentur- und Kultur und Medienpädagogik KG.

Welche Bedeutung hat Konsum in der gesellschaftlichen Umbruchphase zwischen Klimawandel und Digitalisierungsprozessen? Konsum im Sinne einer nachhaltigen Entwicklung zu verändern und dabei Digitalisierung für eine gesellschaftliche Transformation aktiv zu nützen, ist eng verknüpft sowohl mit einem veränderten Konsumverständnis, als auch mit teilweise neuen Rollen der Akteure. Der vorliegende Band bietet Zugänge, wie durch nachhaltigkeitsorientierte Forschung und Bildung diese neuen Rollen und das damit verbundene transformative Potenzial von Konsum sichtbar und nutzbar gemacht werden können. Diese Zielsetzung ist verbunden mit dem Anliegen, VerbraucherInnen zu unterstützen, Konsumformen im Sinne einer Circular Economy zu praktizieren und Konsumhandlungen auch abseits marktvermittelter Lösungen stärker zu berücksichtigen.Der Inhalt•Nachhaltiger Konsum als Utopie? Wie kann Konsum transformative Kraft entwickeln? Soziale Praktiken ändern, nicht die Individuen! Über die transformativen Potenziale des „Scheiterns“•„Smarte“ Konsumwende und „Smarte“ Technologien? Chancen und Grenzen der Digitalisierung für klimafreundlichen Konsum•on/offline: Digitalisierung zwischen diskursivem politischen Konsum und dem pathogenen Potenzial von Konsum•Verbraucherbildung im und für Wandel: Normative, konzeptionelle und curriculare Transformationen im Spiegel konsumgesellschaftlicher Entwicklungen und das Problem der Grenzziehungen in heterogenen Klassen•Wie können Konferenzen durch ihre Gestaltung transformativ wirken?Die Herausgeberinnen Dr. Renate Hübner ist Nachhaltigkeitsforscherin und leitet den Studienbereich Nachhaltige Entwicklung an der Alpen-Adria-Universität Klagenfurt.Dr. Barbara Schmon ist Expertin für „Nachhaltigen Konsum“ im österreichischen Bundesministerium für Nachhaltigkeit und Tourismus (BMNT) in Wien.

In this poetic exploration of the auditory imagination, the third in his series on sonic aesthetics, Seán Street peoples silence with sound, travelling through time and space to the distant past, the infinite future and the shadow lands of the inner psyche. Our mind is a canvas on which the colours of the sound world leave permanent impressions. It is the root of all listening.

This book marks the centenary of Marcel Duchamp's Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work's significance. The author brings together Duchamp's own statements to argue Fountain's verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.'This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.

This innovative collection explores uses of Shakespeare in a wide variety of 21st century contexts, including business manuals, non-literary scholarship, database aggregation, social media, gaming, and creative criticism. Essays in this volume demonstrate that users'critical and creative uses of the dramatist's works position contemporary issues of race, power, identity, and authority in new networks that redefine Shakespeare and reconceptualize the ways in which he is processed in both scholarly and popular culture. While The Shakespeare User contributes to the burgeoning corpus of critical works on digital and Internet Shakespeares, this volume looks beyond the study of Shakespeare artifacts to the system of use and users that constitute the Shakespeare network. This reticular understanding of Shakespeare use expands scholarly forays into non-academic practices, digital discourse communities, and creative critical works manifest via YouTube, Twitter, blogs, databases, websites, and popular fiction.

This book discusses relationships among religion, literature and ethnicity in Northern Ireland since 1967. The introduction provides a theoretical account of how literature engages sectarian prejudices, allowing these to be played out in ways that can help to dissolve or mitigate the alienating effects of traditional enmities. Subsequent chapters deal with identity, endogamy, education, gender, and imprisonment. Each chapter combines an analysis of specific cultural issues with a critical assessment of relevant works by key authors. A conclusion offers an assessment of relationships between Northern Ireland and other modern societies facing analogous problems in a post-modern world marked by rapid globalisation.

The Irish Novel at the End of the Twentieth Century: Gender, Bodies and Power interprets a wide variety of the most interesting Irish novels of the last ten years of the century from a perspective that focuses on the regulated sexual and constructed gendered body. The demarcating line of identity-the perennial Irish problem-can be gauged at the basic level of sexual and gender identity in contrast to or in alliance with political, social, religious or cultural norms. All mechanisms that have gone into controlling the body-gender regulation, violence, desire, religious taboos-can all be reinterpreted through the body in motion.

This stimulating and comprehensive study of Will Self's work spans his entire career and offers insightful readings of all his fictional and non-fictional work up to and including his Booker prize nominated novel Umbrella.

An interdisciplinary study of Victorian women of faith as portrayed in the fiction and non-fiction of the period. The book explores how novelists, biographers and other writers depicted religious women, with special reference to the influence of the ideal of the'Angel in the House'as embodied in Coventry Patmore's poem of that name. Among those whose work is explored are George Eliot, Elizabeth Gaskell, Christina Rossetti, George Moore and Anne Bront� as well as hymnwriters, missionary biographers, non-conformist obituarists and artists of the Aesthetic Movement.

Celebrated goldsmith and sculptor of the Italian Renaissance, Benvenuto Cellini (1500-71) fits the conventional image of a Renaissance man: a skillful virtuoso and courtier; an artist who worked in marble, bronze, and gold; and a writer and poet. Using the methodologies of New Historicism, social history, and gender and sexuality studies, this book places Cellini and his cultural production in the context of contemporary discourses about sexuality, law, magic, masculinity, and honor. In his life and literary oeuvre, the notorious artist, rogue, and sodomite aligned himself with the transgressive and oppositional voices of his day.

The Cultural Work of the Late Nineteenth-Century Hostess explores the influence well-placed, energetic women had on literary and political culture in the U.S. and in England in the years 1870-1920. Fields, an American, was first married to James T. Fields, a prominent Boston publisher; after his death she became companion to Sarah Orne Jewett, one of the foremost New England writers. Gladstone was a daughter of William Gladstone, one of Great Britain's most famous Prime Ministers. Both became well known as hostesses, entertaining the leading figures of their day; both also kept journals and wrote letters in which they recorded those figures'conversations. Susan K. Harris reads these records to exhibit the impact such women had on the cultural life of their times. The Cultural Work of the Late Nineteenth-Century Hostess shows how Fields and Gladstone negotiated alliances, won over key figures to their parties'designs, and fought to develop major cultural institutions ranging from the Organization of Boston Charities to London's Royal College of Music.

George Orwell and the Radical Eccentrics celebrates the lives, literature, and politics of a group of four'radical eccentrics'- the Tory anarchist poet Stevie Smith, the Marxist Indian nationalist Mulk Raj Anand, and the glamour-girl-turned-socialist Inez Holden - who formed a friendly circle around the famously radical and eccentric George Orwell. Demonstrating that Smith, Anand, and Holden matter for literary history just as they mattered for Orwell, George Orwell and the Radical Eccentrics gives name and shape to a neglected movement within interwar and wartime English writing. It focuses on the lives and texts of Smith, Anand, and Holden in order to argue that these three writers throw into question limiting assumptions about art and politics-about standard relations between literary form and sex, gender, race, class, and empire-in ways that their group's most influential radical, Orwell, cannot. Embarking upon a kind of biographical-political-cultural-literary criticism, this book brings the radical eccentrics'vital, potentially transformative conversation to the attention of scholars of English literature for the first time, suggesting fascinating new approaches to the study of literary London during the thirties and forties.

This book fills a gap in both literary and feminist scholarship by offering the first major study of femme fatales in hardboiled crime fiction. Maysaa Jaber shows that the criminal literary figures in the genre open up powerful spaces for imagining female agency in direct opposition to the constraining forces of patriarchy and misogyny.

Compromise and Resistance in Postcolonial Writing offers a new critical approach to E. M. Forster's legacy. It examines key themes in Forster's work (homosexuality, humanism, modernism, liberalism) and their relevance to post-imperial and postcolonial novels by important contemporary writers.

Die Thematik dieses Bandes greift den Sachverhalt auf, daß die Konstitution des Beziehungstyps'Liebesbeziehung'ein (Interaktions-) Spiel mit normativen Grenzen und deren Überschreitung voraussetzt. Hierdurch entstehen Ambivalenzen: Der Vorgang des Sichverliebens geht einerseits mit einer Transzendenz des Alltags und der Alltagserfahrung einher, die als Übergang, Konversion oder auch Statuspassage aufgefaßt werden kann. Andererseits ist zu konstatieren, daß trotz aller gegenwärtigen Wandlungs- und Auflösungstendenzen dennoch sozialstrukturelle und kulturelle Grenzen innerhalb von Paarbeziehungen bestehen. Schließlich stellt sich auch die Frage, wie neue gesellschaftliche'Entgrenzungen'den Bestand intimer Beziehungen bedrohen.

Der vor kurzem verstorbene international bekannte ungarische Soziologe hat mit diesem Buch ein bedeutendes Lehrhandbuch der Soziologie hinterlassen. Dieses Buch knüpft an die Tradition von N.J. Smelsers'Sociology'an, legt aber den Fokus seiner soziologischen Analysen und Erklärungen auf die mittel- und osteuropäischen Gesellschaften. Das Werk enthält neben einer empirischen Beschreibung der ungarischen Gesellschaftsstruktur im europäischen Vergleich Ergebnisse demographischer, sozialwissenschaftlicher und wirtschaftswissenschaftlicher Untersuchungen sowie Grundbegriffe und Theorien der Soziologie.

Der Band ist eine Einführung in Theorie und Praxis einer Bildung für nachhaltige Entwicklung. Die Beiträge entfalten diese Leitidee in Konzepten, Beispielen und Problematisierungen in ungewöhnlicher Breite mit Blick auf Schulentwicklung und fachliche Orientierungen. Ein Kompendium für Einsteiger und Fortgeschrittene. Ein Studienbuch, das Horizonte öffnet für'das, was zu tun ist'in der Bildung für das 21. Jahrhundert.

Ranging from conceptual theater to visual poetry the New York School explored the possibilities of collaboration like no other group of American poets. New York School Collaborations gathers essays from a diverse group of scholars on the alliances and artistic co-productions of New York School poets, painters, musicians, and film-makers.

This Palgrave Pivot volume explores an exciting range of powerful novels and memoirs from Tunisia, Egypt, Libya, and Syria that reveal political geographies of injustice and popular discontent thus'anticipating'or imaginatively envisioning as well as participating in some of the major current upheavals in their particular national contexts.