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The digital sphere, especially social media, is perceived as a new form of public sphere where individuals can share and circulate information and participate in formal and informal democratic processes albeit in the context of echo chambers and confirmation biases. Gender in the Digital Sphere explores how we represent, express, and engage with the digital world via the lens of gender. Each chapter touches on one of the three pillars of engagement, expression, or representation in relation to the digital world, and themes range from social media, body image and identity to feminist activism to gender and digital narratives. The contributors raise important questions about the impact of digital media in everyday life and make connections between theory and everyday accounts of gender and technology.

This book is the first of its kind to explore how women challenge the powerful sociocultural and gendered phenomenon of diet culture across the broad anti-diet movement and beyond. Showcasing the voices of over 150 everyday women, activists, and health professionals across Australia, New Zealand, Canada, the United States and the United Kingdom, the author provides new insight into anti-diet practices while giving agency for women who remain main targets of diet culture. Using Pierre Bourdieu's concept of habitus as a novel starting point to develop a concept of the diet habitus, the author explores the possibility of a fragmented but unified diet counterculture. Drawing on feminist perspectives from women's and fat liberation movements, the author demonstrates that women's anti-diet practices are grounded in a combination of self and society; one that has the power to significantly re-shape the broad landscape of food and eating for women. This international book appeals to scholars, students, activists and health professionals interested in the intersections of the sociology of the body, fat studies, sociology of food and nutrition, social movements, health sociology, and women's studies.

The Open Access version of this book, available at https://www.taylorfrancis.com/books/9781351234146, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. This book analyses the social and ethical implications of the globalization of emerging skin-whitening and anti-ageing biotechnology. Using an intersectional theoretical framework and a content analysis methodology drawn from cultural studies, the sociology of knowledge, the history of colonial medicine and critical race theory, it examines technical reports, as well as print and online advertisements from pharmaceutical and cosmetics companies for skin-whitening products. With close attention to the promises of ‘ageless beauty', ‘brightened', youthful skin and solutions to ‘pigmentation problems'for non-white women, the author reveals the dynamics of racialization and biomedicalization at work. A study of a significant sector of the globalized health and wellness industries – which requires the active participation of consumers in the biomedicalization of their own bodies – Wellness in Whiteness will appeal to social scientists with interests in gender, race and ethnicity, biotechnology and embodiment.

This is a book about boys'bodies, masculinities, and the ways in which boys navigate their lives from early childhood through to the beginning of adolescence. Drummond focuses on sport, health and physical activity, and adds context to the history of male bodies, the social construction of masculinity and the role of sport as a potential rite of passage for young males. Using rich descriptive interview data with 33 boys from the ages of 5 to 13, collected over an 8- year period, Boys'Bodies identifies important issues including the significance of muscularity and strength as signifiers of masculinity and the need for boys to be involved in “blood sports” as well as “beat girls” in sporting competitions. The meaning of health and the perception of boys'changing bodies over time are central to the discussion. The book will appeal to researchers, teachers, practitioners, policy makers and parents.

For 30 years, since the publication of her landmark book The Sexual Politics of Meat, Carol J. Adams and her readers have continued to document and hold to account the degrading interplay of language about women, domesticated animals, and meat in advertising, politics, and media. Serving as sequel and visual companion, The Pornography of Meat charts the continued influence of this language and the fight against it.This new edition includes more than 300 images, most of them new, and brings the book up to date to include expressions of misogyny in online media and advertising, the #MeToo movement, and the impact of Donald Trump and white supremacy on our political language. Never has this book--or Adams's analysis--been more relevant.

Numerous contemporary artists, particularly female artists, have chosen to examine the idealization of the female body. In this crucial book, Emily L. Newman focuses on a number of key themes including obesity, anorexia, bulimia, dieting, self-harm, and female body image. Many artists utilize their own bodies in their work, and in the act of trying to critique the diet industry, they also often become complicit, as they strive to lose weight themselves. Making art and engaging eating disorder communities (in real life and online) often work to perpetuate the illnesses of themselves or others. A core group of artists has worked to show bodies that are outside the norm, paralleling the rise of fat activism in the 1990s and 2000s. Interwoven throughout this inclusive study are related interdisciplinary concerns including sociology, popular culture, and feminism.

This volume addresses how the rhetoric of feminist empowerment has been combined with mainstream representations of food, thus creating a cultural consciousness around food and eating that is unmistakably pathological. Throughout, Natalie Jovanovski discusses key texts written by women, for women: best-selling diet books, popular cookbooks produced by female food celebrities, and iconic feminist self-help texts. This is the first book to engage in a feminist analysis of body-policing food trends that focus specifically on the use of feminist rhetoric as a harmful aspect of food culture. There is a smorgasbord of seemingly diverse gender roles for women to choose from, but many encourage breaking gender norms and embracing a love of food while perpetuating old narratives of guilt and restraint. Digesting Femininities problematizes the gendering of food and eating and challenges the reader to imagine what a genderless and emancipatory food culture would look like.

Fidèle à son esprit initial, L'Homme et la Société continue la lutte pour l'auto-émancipation. Ce volume traite du genre, dominant débats contemporains et études féministes. Ce n'est pas sans conséquence politique : selon Mitchell la lutte pour l'égalité des sexes risque d'être oubliée dans le reproche d'hétéronormativité, comme le fait Judith Butler. Les luttes pour l'homosexualité et pour l'égalité se concurrenceraient au profit du genre. Il s'agit de déjouer une approche du genre qui rend illisible l'oppression et l'occulte, en s'enfermant dans l'identité au détriment du social.

This volume explores the interrelations between bodily boundaries and vulnerabilities. It calls attention to the vulnerability of bodies as an essential aspect of having boundaries and being bound to other bodies. The volume advances an understanding of embodiment as the central aspect of subjectivity, its identity formation and its relations to others and the world. The essence of embodiment is what connects us with others and in equal measure what distinguishes us from others. The collection also addresses the centrality of the body to political and cultural activity, targeting the role and constitution of norms in the regulation of bodies, and the construction of spaces that bodies inhabit, in constructing national and cultural identities. It raises questions of how bodies and boundaries materialize in co-constitutive relation to one another; how bodies are situated and come to embody various bodies and intersections between different categories of identity and systems of value, meaning and knowledge; how the regulation and policing of bodies and the boundaries between them come to constitute bodies as being weak, strong, vulnerable or resilient and as having more or less fixed or fluid boundaries. The chapters in the volume all demonstrate how individual human bodies are formed in relation to each other as they are regulated and distinguished from one another by larger collective bodies of nature, culture, science, nation and state, as well as by other human or non-human animal bodies.

Wenn das Erleben immer leiblich ist, welche Rolle spielt dabei das Geschlecht? Wie gehen Machtverhältnisse, Normen und Diskurse in die Beschreibungen des eigenen Erlebens ein? Wie kann dennoch der Eigensinn des Erlebens zur Geltung kommen? Mit Fragen wie diesen bindet die Phänomenologie die Philosophie an die Lebenswirklichkeit zurück. Sie geht dabei vom Leib aus, der die Voraussetzung aller Erfahrung ist. Wissenschaftliche Disziplinen wie die Geschlechterforschung nutzen phänomenologische Kategorien und entwickeln sie außerdem praktisch und theoretisch weiter. Der Band stellt Ergebnisse dieser Forschungen aus feministischer Sicht vor. Dabei steht die Suche nach einer Sprache für die leibliche Erfahrung im Mittelpunkt.

Versatile, trendy, and resilient, the global cosmetic surgery industry shows no signs of decline, especially with its promises, not just of aesthetic improvement, but of absolute transformation. Introducing the concept of'surface imagination,'Rachel Hurst discusses the fantasy that a change to the exterior will enhance the interior, or that the outside is more significant because it fashions the inside. Drawing on psychoanalysis, feminist theory, popular culture, the history of medicine, and interviews with women who have undergone cosmetic procedures, Hurst explores the tensions between the two primary surfaces of cosmetic surgery: the photograph and the skin. The photograph, an idealized surface for envisioning the effects of cosmetic surgery, allows for speculation and retouching, predictably and without pain. The skin, on the other hand, is a recalcitrant surface that records the passage of time and heals unpredictably. Ultimately, Hurst argues, the fantasy of surface imagination corroborates the belief that one's body is mutable and controllable, and that control over one's body permits control over one's social, emotional, and mental suffering. Acknowledging the varied experiences and opinions of the patients interviewed, but also critiquing the promises made by the industry, Surface Imaginations develops an innovative approach to thinking about cosmetic surgical transformations through the seduction of surfaces.

At the turn of the twenty-first century, American media abound with images and narratives of bodily transformations. At the crossroads of American, cultural, literary, media, gender, queer, disability and governmentality studies, the book presents a timely intervention into critical debates on body transformations and contemporary makeover culture.

This interdisciplinary collection explores the role the body plays in constituting our sense of self, signalling the interplay between material embodiment, social meaning, and material and social conditions.

With a companion website that includes short online film episodes, this book proposes expansive ways of deconstructing and re-constituting sexuality and gender and thus more embodied and ethical ways of'doing'life, and offers an understanding and critique of embodiment through an integration of performance, psychotherapy and feminist philosophy.

Recognizing Transsexuals draws on interviews with transsexuals at various stages of transition to offer an original account of transsexual embodiment and bodily aesthetics. Exploring the reasons for which transpeople desire to modify their bodies, it moves away from the focus on gender that characterizes much work on transpeople's embodiment, to investigate the concept of bodily aesthetics. Recent legislation allowing transsexuals to apply for gender recognition provides the context in which transpeople challenge the conventional understandings of what it means to be men and women. The book examines key approaches to recognizing transsexualism from within a variety of fields and considers transsexuals'bodies, body projects and embodiment in relation to personal, political and medico-legal fields. It explores the ways in which transpeople's bodily aesthetics affect social relations - such as sexual relations, acceptance by others and their families - whilst also considering contemporary political trans community organizations and their public representation of trans-bodies. Recognizing Transsexuals is the first sociological examination of how the bodies of transpeople are figured and reconfigured in socio, politico and medico-legal contexts and considers the impact of these shifts, and will be of interest to those with interests in embodiment, the sociology of law, sexology, medical sociology and gender theory.

Die Autorinnen diskutieren den Gender-Themenkreis Körper und Körperlichkeit: Inwieweit lassen sich Körperkonzepte zu Natur und Kultur re- oder auch dekonstruieren? Die Brisanz des Themas „Gendered Bodies in Motion“ ist auch den naturwissenschaftlich-technischen Möglichkeiten der Veränderbarkeit und der Optimierung geschuldet, denen Körperkonzepte zunehmend Rechnung tragen.

The Female Body in Mind introduces new ways of thinking about issues of women's mental health assessment and treatment. Its multidisciplinary approach incorporates social, psychological, biological and philosophical perspectives on the female body. The contributions, from notable academics in the field of women's mental health, examine the relationship between women's bodies, society and culture, demonstrating how the body has become a platform for women's expression of their distress and anguish. The book is divided into six sections, all centred on the theme of the body, covering: The body at risk. The hurting body. The reproductive body. The interactive body. Body-sensitive therapies. The body on my mind. All professionals involved in women's mental health will welcome this exploration of the complexities involved in the relationship between women bodies and their mental health.

Embodying Gender provides students and academics with a critical overview of body concepts in both sociology and in feminism. Previously, sociologists have attempted to gender the body and feminists have attempted to embody gender but Alexandra Howson′s accessible new text draws these two literatures together, pointing to ways of integrating feminist perspectives on the body into sociological theory. Surveying all the key concepts in the field, this book introduces us to an extensive range of ′narratives of embodiment′ and presents a full analysis of the most important texts in new feminist theories of the body. Key questions covered include: oWhat can sociology say about the body? oWhat impact has the body made on sociology? oWhat conceptual frameworks are used to address the body? How do these relate to issues of gender and embodied experience? oHow do feminist conceptual tools sit within sociological analysis? Written in a clear, accessible style, Embodying Gender is an invaluable text for undergraduate students, postgraduates and academics in the fields of women′s and gender studies and sociology, and is particularly relevant to those specialising in sociology of the body, feminist theory and social theory.

This daring, intensely personal book challenges both conventional and feminist ideas about beauty by asking us to take pleasure in beauty without shame, and to see and feel the erotic in everyday life. Bringing together her varied experiences as a poet, art historian, bodybuilder, and noted performance artist, Joanna Frueh shows us how to move beyond society's equation of youth with beauty toward an aesthetic for the fully erotic human being. A lush combination of autobiography, theory, photography, and poetry, this book continues to develop the ideas about the erotic, beauty, older women, sex, and pleasure that Frueh first addressed in Erotic Faculties. Monster/Beauty examines these issues using a provocative, often explicit, set of examples. Frueh admiringly looks at the bodies and mindsets of midlife female bodybuilders, rethinks the vampire, and revises our ideas about traditional models of beauty, such as Aphrodite. Above all, she boldly brings her personal experience into the text, weaving her reflections on female sensuality with contemporary theory. These linked essays are as much a performance as they are a discussion, breaking down the barriers between the personal and the academic, and the erotic and the intellectual. Frueh writes passionately and beautifully, and the result is a much-needed exploration of beauty myths and taboos.This daring, intensely personal book challenges both conventional and feminist ideas about beauty by asking us to take pleasure in beauty without shame, and to see and feel the erotic in everyday life. Bringing together her varied experiences as a poet, a