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The Object of Conservation examines how historic buildings, monuments and artefacts are cared for as valued embodiments of the past. It tells the fascinating story of the working lives of those involved in conservation through an ethnographic account of a national heritage agency. How are conservation objects made? What is the moral purpose of that making and what practical consequences flow from this? Revealing the hidden labour of keeping things as they are, the book highlights the ethical commitments and dilemmas involved in trying to care well. In doing so, it reveals how conservation objects are made literally to matter. Taking debates in the interdisciplinary field of heritage studies forward in important new directions, the book engages with themes of broader interest within the arts, humanities and social sciences, shedding new light on time, authenticity, modernity, materiality, expert knowledge and the politics of care.The Object of Conservation is a thought-provoking and engaging account that offers original insights for students, scholars, heritage professionals and others interested in the work of caring for the past.

In 1970 a concrete replica of the St John's Cross arrived in Iona sitting incongruously on the deck of a puffer delivering the island's annual supply of coal. What is the story behind this intriguing replica? How does it relate to the world's first ringed ‘Celtic cross', an artistic and technical masterpiece, which has been at the heart of the Iona experience since the eighth century? What does it tell us about the authenticity and value of replicas? In this fascinating book, Foster and Jones draw on extensive interdisciplinary research to reveal the composite biography of the St John's Cross, its concrete replica, and its many other scale copies. They show that replicas can acquire rich forms of authenticity and value, informed by social relations, craft practices, creativity, place and materiality. Thus, the book challenges traditional precepts that seek authenticity in qualities intrinsic to original historic objects. Replicas are shown to be important objects in their own right, with their own creative, human histories — biographies that people can connect with.The story of the St John's Cross celebrates how replicas can ‘work'for us if we let them, particularly if clues are available about their makers'passion, creativity and craft.

Historical Archaeology demonstrates the potential of adopting a flexible, encompassing definition of historical archaeology which involves the study of all societies with documentary evidence. It encourages research that goes beyond the boundaries between prehistory and history. Ranging in subject matter from Roman Britain and Classical Greece, to colonial Africa, Brazil and the United States, the contributors present a much broader range of perspectives than is currently the trend.

The question of ethnicity is highly controversial in contemporary archaeology. Indigenous and nationalist claims to territory, often rely on reconstructions of the past based on the traditional identification of'cultures'from archaeological remains. Sian Jones responds to the need for a reassessment of the ways in which social groups are identified in the archaeological record, with a comprehensive and critical synthesis of recent theories of ethnicity in the human sciences. In doing so, she argues for a fundamentally different view of ethnicity, as a complex dynamic form of identification, requiring radical changes in archaeological analysis and interpretation.

International contributors - UK, Spain, Sweden, Norway, Poland.Very topical - explores the question of European identity and asks'who were the first Europeans?'Some contributors are very well known, eg Colin Renfrew, John Collis, Kristian Kristiansen