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This extensively researched book argues that the development of a libertarian culture was an indispensable component of the rise of the West. The roots of the West's superior intellectual and artistic creativity should be traced back to the aristocratic warlike culture of Indo-European speakers. Among the many fascinating topics discussed are: the ascendancy of multicultural historians and the degradation of European history; China's ecological endowments and imperial windfalls; military revolutions in Europe 1300-1800; the science and chivalry of Henry the Navigator; Judaism and its contribution to Western rationalism; the cultural richness of Max Weber versus the intellectual poverty of Pomeranz, Wong, Goldstone, Goody, and A.G. Frank; change without progress in the East; Hegel's Phenomenology of the [Western] Spirit; Nietzsche and the education of the Homeric Greeks; Kojeve's master-slave dialectic and the Western state of nature; Christian virtues and German aristocratic expansionism.

This book renders an uncompromising verdict on the'scourge'of our millennium: modernism, itself the artifact of certain late Eurocentric propensities. Kanth argues that while modernism is possessed of some virtues, they are purchased at far too high a cost - indeed a cost that neither the species nor the planet can, on any scale, find affordable. Given the imminence and the gravity of this threat, he further suggests that no other posture is at all ecologically responsible. Kanth suggests, breaking with the manifold paradigms of European expansionism or find ourselves, soon enough, living on a planet damaged beyond recovery.

Using examples of indigenous models from Indonesia, the Pacific, Africa and native North America, Christina Kreps illustrates how the growing recognition of indigenous curation and concepts of cultural heritage preservation is transforming conventional museum practice.Liberating Culture explores the similarities and differences between Western and non-Western approaches to objects, museums, and curation, revealing how what is culturally appropriate in one context may not be in another. For those studying museum culture across the world, this book is essential reading.

This volume examines and critiques the work of a diverse group of Eurocentric historians who have strongly shaped our understanding of world history. Building upon the foundations laid in his previous book, The Colonizer's Model of the World, which provided a systematic overview of the nature and evolution of Eurocentrism, Blaut focuses in depth on Max Weber, Lynn White, Jr., Robert Brenner, Eric L. Jones, Michael Mann, John A. Hall, Jared Diamond, and David Landes. The role of each of these thinkers in generating colonialist understandings of history is described, and the fallacious assumptions at the roots of their arguments are revealed. Working toward an alternative understanding of the origins of modernity, this clearly written book provides invaluable insights and tools for students and scholars of history, geography, sociology, anthropology, and postcolonialism.