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Since 1968, Bernie Krause has traveled the world recording the sounds of remote landscapes, endangered habitats, and rare animal species. Through his organization, Wild Sanctuary, he has collected the soundscapes of more than 2,000 different habitat types, marine and terrestrial. With powerful illustrations and compelling stories, Krause provides a manifesto for the appreciation and protection of natural soundscapes. In his previous book, The Great Animal Orchestra, Krause drew readers'attention to what Jane Goodall described as “the harmonies of nature... [that are being] one by one by one, snuffed out by human actions.” He now explains that the secrets hidden in the natural world's shrinking sonic environment must be preserved, not only for our scientific understanding, but for our cultural heritage and humanity's physical and spiritual welfare.  Krause's narrative—supplemented by exclusive access to field recordings from the wild—draws on a compelling range of personal anecdotes, histories, and examples to document his early exploration of this field and to lay the groundwork for future generations.

This Technical Report presents the outcome of a Working Group that was established to determine broadly applicable sound exposure guidelines for fishes and sea turtles. After consideration of the diversity of fish and sea turtles, guidelines were developed for broad groups of animals, defined by the way they detect sound. Different sound sources were considered in terms of their acoustic characteristics and appropriate metrics defined for measurement of the received levels. The resultant sound exposure guidelines are presented in a set of tables. In some cases numerical guidelines are provided, expressed in appropriate metrics. When there were insufficient data to support numerical values, the relative likelihood of effects occurring was evaluated, although the actual likelihood of effects depends on the received level. These sound exposure guidelines, which are based on the best scientific information at the time of writing, should be treated as interim. The expectation is that with more research the guidelines can be refined and more cells in the tables completed. Recommendations are put forward defining the research requirements of highest priority for extending these interim exposure guidelines.

In creatures as different as crickets and scorpions, mole rats and elephants, there exists an overlooked channel of communication: signals transmitted as vibrations through a solid substrate. Peggy Hill summarizes a generation of groundbreaking work by scientists around the world on this long understudied form of animal communication.Beginning in the 1970s, Hill explains, powerful computers and listening devices allowed scientists to record and interpret vibrational signals. Whether the medium is the sunbaked savannah or the stem of a plant, vibrations can be passed along from an animal to a potential mate, or intercepted by a predator on the prowl. Vibration appears to be an ancient means of communication, widespread in both invertebrate and vertebrate taxa. Hill synthesizes in this book a flowering of research, field studies documenting vibrational signals in the wild, and the laboratory experiments that answered such questions as what adaptations allowed animals to send and receive signals, how they use signals in different contexts, and how vibration as a channel might have evolved.Vibrational Communication in Animals promises to become a foundational text for the next generation of researchers putting an ear to the ground.

Humans have always been fascinated by marine life, from extremely small diatoms to the largest mammal that inhabits our planet, the blue whale. However, studying marine life in the ocean is an extremely difficult propo- tion because an ocean environment is not only vast but also opaque to most instruments and can be a hostile environment in which to perform expe- ments and research. The use of acoustics is one way to effectively study animal life in the ocean. Acoustic energy propagates in water more efficiently than almost any form of energy and can be utilized by animals for a variety of purposes and also by scientists interested in studying their behavior and natural history. However, underwater acoustics have traditionally been in the domain of physicists, engineers and mathematicians. Studying the natural history of animals is in the domain of biologists and physiologists. Und- standing behavior of animals has traditionally involved psychologists and zoologists. In short, marine bioacoustics is and will continue to be a diverse discipline involving investigators from a variety of backgrounds, with very different knowledge and skill sets. The inherent inter-disciplinary nature of marine bioacoustics presents a large challenge in writing a single text that would be meaningful to various investigators and students interested in this field. Yet we have embarked on this challenge to produce a volume that would be helpful to not only beginning investigators but to seasoned researchers.