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Historically in middle-class Bengali Hindu households it has been the matriarch's responsibility to arrange and maintain the domestic shrine and to perform daily rituals of deity worship and caretaking—termed in this book as domestic shrine traditions. These traditions are often assimilated with the other domestic caretaking labor women are expected to complete for their families. Utilizing a years-long ethnography with Bengali American Hindu women, and drawing from Marxist feminist Social Reproduction Theory, this book argues that domestic shrine traditions are reproductive labor that is essential to the transnational and transgenerational sustenance of Hindu traditions and subjectivities. As the first monograph focused on Hindu women's domestic shrine traditions in the United States, this book illuminates both the value of these traditions for the women who maintain them, and how these traditions connect immigrant Hindus to family and ethno-religious identity in ways unmatched by the public Hindu temple or organization.

This book analyzes the role that the physical body plays in foundational Mormon doctrine, and claims that such an analysis reveals a model of empathy that has significant implications for the field of Mormon aesthetics. This volume achieves three main goals: It elucidates the Mormonism's relationship with the body, it illuminates Mormonism's traditional approaches to understanding and appreciating art, and it suggests that the body as Mormonism conceives of it allows for the employment of an aesthetic framework rooted in bodily empathy rather than traditional Christian or Mormon moral values per se. In support of this argument, several chapters of the book apply Mormonism's theology of the body to paintings and poems by contemporary Mormon artists and writers. An examination of those works reveals that the seeds of a new Mormon aesthetic are germinating, but have yet to significantly shift traditional Mormon thought regarding the role and function of art.