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There Are No Such Things as Theories considers the fundamental question: what is a scientific theory? It presents a range of options - from theories are sets of propositions, to theories are families of models, abstract artefacts, or fictions - and highlights the various problems they all face. In so doing it draws multiple comparisons between theories and artworks: on the one hand, theories are like certain kinds of paintings with regard to their representational capacity; on the other, they are like musical works in that they can be multiply presented. An alternative answer to the question is then offered, drawing on the metaphysics of musical works: there are no such things as theories. Nevertheless, we can still talk about them, since that talk is made true by the various practices that scientists engage in. The implications of this form of eliminativism for the realism debate is then discussed and it is concluded that this may offer a more flexible framework in which we can understand both the history and the philosophy of science in general.

Theory has been an embattled discourse in the academy for decades. But now it faces a serious challenge from those who want to model the analytical methods of all scholarly disciplines on the natural sciences. What is urgently needed, says D. N. Rodowick, is a revitalized concept of theory that can assess the limits of scientific explanation and defend the unique character of humanistic understanding.Philosophy's Artful Conversation is a timely and searching examination of theory's role in the arts and humanities today. Expanding the insights of his earlier book, Elegy for Theory, and drawing on the diverse thought of Ludwig Wittgenstein, G. H. von Wright, P. M. S. Hacker, Richard Rorty, and Charles Taylor, Rodowick provides a blueprint of what he calls a “philosophy of the humanities.” In a surprising and illuminating turn, he views the historical emergence of theory through the lens of film theory, arguing that aesthetics, literary studies, and cinema studies cannot be separated where questions of theory are concerned. These discourses comprise a conceptual whole, providing an overarching model of critique that resembles, in embryonic form, what a new philosophy of the humanities might look like.Rodowick offers original readings of Gilles Deleuze and Stanley Cavell, bringing forward unexamined points of contact between two thinkers who associate philosophical expression with film and the arts. A major contribution to cross-disciplinary intellectual history, Philosophy's Artful Conversation reveals the many threads connecting the arts and humanities with the history of philosophy.