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The sale of authors'papers to archives has become big news, with collections from James Baldwin and Arthur Miller fetching record-breaking sums in recent years. Amy Hildreth Chen offers the history of how this multimillion dollar business developed from the mid-twentieth century onward and considers what impact authors, literary agents, curators, archivists, and others have had on this burgeoning economy. The market for contemporary authors'archives began when research libraries needed to cheaply provide primary sources for the swelling number of students and faculty following World War II. Demand soon grew, and while writers and their families found new opportunities to make money, so too did book dealers and literary agents with the foresight to pivot their businesses to serve living authors. Public interest surrounding celebrity writers had exploded by the late twentieth century, and as Placing Papers illustrates, even the best funded institutions were forced to contend with the facts that acquiring contemporary literary archives had become cost prohibitive and increasingly competitive.

How do poems and novels create a sense of mind? What does literary criticism say in conversation with other disciplines that addresses problems of consciousness? In Paper Minds, Jonathan Kramnick takes up these vital questions, exploring the relations between mind and environment, the literary forms that uncover such associations, and the various fields of study that work to illuminate them. Opening with a discussion of how literary scholarship's particular methods can both complement and remain in tension with corresponding methods particular to the sciences, Paper Minds then turns to a series of sharply defined case studies. Ranging from eighteenth-century poetry and haptic theories of vision, to fiction and contemporary problems of consciousness, to landscapes in which all matter is sentient, to cognitive science and the rise of the novel, Kramnick's essays are united by a central thematic authority. This unified approach of these essays shows us what distinctive knowledge that literary texts and literary criticism can contribute to discussions of perceptual consciousness, created and natural environments, and skilled engagements with the world.

The calculated use of media by those in power is a phenomenon dating back at least to the seventeenth century, as Harold Weber demonstrates in this illuminating study of the relation of print culture to kingship under England's Charles II. Seventeenth-century London witnessed an enormous expansion of the print trade, and with this expansion came a revolutionary change in the relation between political authority—especially the monarchy—and the printed word.Weber argues that Charles'reign was characterized by a particularly fluid relationship between print and power. The press helped bring about both the deconsecration of divine monarchy and the formation of a new public sphere, but these processes did not result in the progressive decay of royal authority. Charles fashioned his own semiotics of power out of the political transformations that had turned his world upside down.By linking diverse and unusual topics—the escape of Charles from Worcester, the royal ability to heal scrofula, the sexual escapades of the'merry monarch,'and the trial and execution of Stephen College—Weber reveals the means by which Charles took advantage of a print industry instrumental to the creation of a new dispensation of power, one in which the state dominates the individual through the supplementary relationship between signs and violence. Weber's study brings into sharp relief the conflicts involving public authority and printed discourse, social hierarchy and print culture, and authorial identity and responsibility—conflicts that helped shape the modern state.

Thisbook is distinctive because it will be a political science oriented introduction to The Federalist Papers. As most of the editions have introductions by historians, and some of them quite good, there is no readily available edition with a political science focus. Such a focus would not ignore the historical dimensions of the founding and that particular era, but would supplement this historical background with a concentration on the key questions political scientists tend to ask when reading and teaching The Federalist Papers. Questions of power, separation, blending, federalism, and structural design and how they impact the practice of government, questions we political scientists ask, will be the central feature of this edition. The primary audience for this edition would be courses in American Political Thought, American Government (most of which include components of the Federalist Papers) plus courses on the Presidency, Congress, The Judiciary, and Federalism.

Celebrates and illuminates the legacy of one of America's most innovative and consequential 20th century novelists In 2002, following the posthumous publication of William Gaddis's collected nonfiction and his final novel and Jonathan Franzen's lengthy attack on him in The New Yorker, a number of partisan articles appeared in support of Gaddis's legacy. In a review in The London Review of Books, critic Hal Foster suggested a reason for disparate responses to Gaddis's reputation: Gaddis's unique hybridity, his ability to “write in the gap between two dispensations—between science and literature, theory and narrative, and—different orders of linguistic imagination. Gaddis (1922-1998) is often cited as the link between literary modernism and postmodernism in the United States. His novels—The Recognitions, JR, Carpenter's Gothic, and A Frolic of His Own—are notable in the ways that they often restrict themselves to the language and communication systems of the worlds he portrays. Issues of corporate finance, the American legal system, economics, simulation and authenticity, bureaucracy, transportation, and mass communication permeate his narratives in subject, setting, and method. The essays address subjects as diverse as cybernetics theory, the law, media theory, race and class, music, and the perils and benefits of globalization. The collection also contains a memoir by Gaddis's son, an unpublished interview with Gaddis from just after the publication of JR, and an essay on the Gaddis archive, newly opened at Washington University in St. Louis. The editors acknowledge that we live in an age of heightened global awareness. But as these essays testify, few American writers have illuminated as poignantly or incisively just how much the systemic forces of capitalism and mass communication have impacted individual lives and identity—imparting global dimensions to private pursuits and desires—than William Gaddis.

The field of electronic literature has a familiar catchphrase,'You can't do it on paper.'But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the personal computer and Internet revolutions, this book traces the changing forms of paper on which e-lit artists have drawn, including continuous paper, documentation, disk sleeves, packaging, and even artists'books. Paper Electronic Literature attests that digital literature's old media elements have much to teach us about the cultural and physical conditions in which we compute; the creativity that new media artists have shown in their dealings with old media; and the distinctively electronic issues that confront digital artists. Moving between avant-garde works and popular ones, fiction writing and poetry generation, Richard Hughes Gibson reveals the diverse ways in which paper has served as a component within electronic literature, particularly in facilitating interactive experiences for users. This important study develops a new critical paradigm for appreciating the multifaceted material innovation that has long marked digital literature.

Winner of the 2022 Ewell L. Newman Book Award from the American Historical Print Collectors Society In the immediate aftermath of the Revolutionary War, only the wealthiest Americans could afford to enjoy illustrated books and prints. But, by the end of the next century, it was commonplace for publishers to load their books with reproductions of fine art and beautiful new commissions from amateur and professional artists. Georgia Brady Barnhill, an expert on the visual culture of this period, explains the costs and risks that publishers faced as they brought about the transition from a sparse visual culture to a rich one. Establishing new practices and investing in new technologies to enhance works of fiction and poetry, bookmakers worked closely with skilled draftsmen, engravers, and printers to reach an increasingly literate and discriminating American middle class. Barnhill argues that while scholars have largely overlooked the efforts of early American illustrators, the works of art that they produced impacted readers'understandings of the texts they encountered, and greatly enriched the nation's cultural life.

During his forty-two years as president of AMS Press, Gabriel Hornstein quietly sponsored and stimulated the revival of “long” eighteenth-century studies. Whether by reanimating long-running research publications; by creating scholarly journals; or by converting daring ideas into lauded books, “Gabe” initiated a golden age of Enlightenment scholarship. This understated publishing magnate created a global audience for a research specialty that many scholars dismissed as antiquarianism. Paper, Ink, and Achievement finds in the career of this impresario a vantage point on the modern study of the Enlightenment. An introduction discusses Hornstein's life and achievements, revealing the breadth of his influence on our understanding of the early days of modernity. Three sets of essays open perspectives on the business of long-eighteenth-century studies: on the role of publishers, printers, and bibliophiles in manufacturing cultural legacies; on authors whose standing has been made or eclipsed by the book culture; and on literary modes that have defined, delimited, or directed Enlightenment studies. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

The ubiquity of waste paper in early modern England has long been misunderstood. Though insults and modesty tropes that refer to waste paper are widespread, these have often been dismissed as nothing more than rhetorical flourishes. Paired with the common misconception that paper would have been too valuable to'waste'in the sixteenth and seventeenth centuries, these tropes have been read as scatological flights of fancy. Waste Paper in Early Modern England argues that such commonplaces are in fact indicative of everyday, material experience - of an author's, reader's, housewife's, or city-dweller's immersion in an environment brimming with repurposed scraps and sheets. It demonstrates that waste paper makes visible a radically different understanding of waste matter in the early modern period than in our own. More than a rhetorical aside, repurposed pages were both materially and figuratively useful. Drawing on a range of literary, pictorial, and bibliographical sources, Waste Paper in Early Modern England reveals how layers of meaning accreted around paper fragments in the sixteenth and seventeenth centuries, and how, because of the widespread sensitivity to the life cycle of paper and books, wasted pages prompted meaningful imaginative work. The book's five chapters recount how, in this period, the biography of waste paper provided a thing to think with concerning matter and temporality - a potent and flexible emblem for the troublesome passage of books and all other sorts of bodies through time.

The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race.

Paper has become the most common writing material worldwide in the course of a two millennia history. This study provides a magisterial synthesis of recent scholarship and original insights into the origins of papermaking and its subsequent history in imperial China, including a wide range of archaeological evidence and literary sources. The volume introduces the materials and technologies of paper production and presents the cultural history of paper in traditional China. A comprehensive survey of literary sources on the production and use of paper is undertaken starting with the ongoing debate about the origin and genesis of paper, which was fuelled by recent archaeological discoveries of paper or proto-paper from the last two centuries BCE. In addition to its having become a popular writing material produced in many different qualities for both handwriting and printing, it also served as a material for wrapping or decorating, money and numerous uses in everyday life, such as umbrellas, windows, clothing, wallpapers, curtains and kites. Precious paper contributed to the aesthetics of calligraphy and painting, catering to the taste of the educated elite and artists.

Unter dem Begriff ‚Pen-and-Paper-Rollenspiel‘ oder ‚Tabletop-Rollenspiel‘ wird eine Form des Gesellschaftsspiels verstanden, in dem eine Gruppe von Spielenden unter Berücksichtigung eines Regelsystems die Rollen fiktionaler Figuren einnimmt, die innerhalb einer von ihnen erschaffenen fiktionalen Welt existieren und handeln. Aus der Verbindung dieser ludischen und fiktionalen Komponenten ergeben sich Potenziale für das Erzählen, die je nach Gruppenpräferenz und zugrundliegendem Spielsystem auf unterschiedliche Weise realisiert werden. Die vorliegende Studie liefert eine prozessorientierte Erzähltheorie des Pen-and-Paper-Rollenspiels, die durch ihre umfassende theoretische Fundierung Anbindung an die klassische und postklassische Narratologie sowie zentrale ludonarratologische Arbeiten der Game Studies bietet. Entlang der Analyse aufgezeichneter Spielsitzungen und publizierter Spielmaterialien wird ein Erzählmodell entwickelt, das sowohl die Eigenschaften narrativer Kommunikation abbildet als auch zentrale Kategorien inhaltlicher und diskursiver Parameter aufgreift. Aus dieser Konzeption werden literaturvermittelnde Potenziale des Spiels abgeleitet, die den Blick für vielfältige empirische Settings öffnen.

Paper Money Men: Commerce, Manhood, and the Sensational Public Sphere in Antebellum America by David Anthony outlines the emergence of a “sensational public sphere” in antebellum America. It argues that this new representational space reflected and helped shape the intricate relationship between commerce and masculine sensibility in a period of dramatic economic upheaval. Looking at a variety of sensational media—from penny press newspapers and pulpy dime novels to the work of well-known writers such as Irving, Hawthorne, and Melville—this book counters the common critical notion that the period's sensationalism addressed a primarily working-class audience. Instead, Paper Money Men shows how a wide variety of sensational media was in fact aimed principally at an emergent class of young professional men. “Paper money men” were caught in the transition from an older and more stable mercantilist economy to a panic-prone economic system centered on credit and speculation. And, Anthony argues, they found themselves reflected in the sensational public sphere, a fantasy space in which new models of professional manhood were repeatedly staged and negotiated. Compensatory in nature, these alternative models of manhood rejected fiscal security and property as markers of a stable selfhood, looking instead toward intangible factors such as emotion and race in an effort to forge a secure sense of manhood in an age of intense uncertainty.

Unlock the more straightforward side of The Girl on Paper with this concise and insightful summary and analysis!This engaging summary presents an analysis of The Girl on Paper by Guillaume Musso, an intriguing blend of fantasy and reality and, above all, an ode to the importance of fiction and the power of friendship. Its main character, Tom Boyd, is a bestselling novelist, but since his girlfriend left him he has not written a word and has sought solace in drink and drugs. His depression pushes him to the brink of suicide, until one stormy night he wakes up to find the heroine of one of his novels in his living room. This unexpected encounter propels him to turn his life around and overcome his crippling writer's block, but he soon realises that the character is not all that she seems… The Girl on Paper is Guillaume Musso's eighth novel, and was published to popular and critical acclaim in 2010. Musso is one of France's most popular contemporary authors, and his novels have been translated into around 30 languages.Find out everything you need to know about The Girl on Paper in a fraction of the time!This in-depth and informative reading guide brings you:•A complete plot summary•Character studies•Key themes and symbols•Questions for further reflectionWhy choose BrightSummaries.com?Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time.See the very best of literature in a whole new light with BrightSummaries.com!

The Life of Paper offers a wholly original and inspiring analysis of how people facing systematic social dismantling have engaged letter correspondence to remake themselves—from bodily integrity to subjectivity and collective and spiritual being. Exploring the evolution of racism and confinement in California history, this ambitious investigation disrupts common understandings of the early detention of Chinese migrants (1880s–1920s), the internment of Japanese Americans (1930s–1940s), and the mass incarceration of African Americans (1960s–present) in its meditation on modern development and imprisonment as a way of life. Situating letters within global capitalist movements, racial logics, and overlapping modes of social control, Sharon Luk demonstrates how correspondence becomes a poetic act of reinvention and a way to live for those who are incarcerated.

The 85 essays that maker up The Federalist Papers'clearly demonstrate the vital importance of the art of persuasion. Written between 1787 and 1788 by three of the “Founding Fathers” of the United States, the Papers were written with the specific intention of convincing Americans that it was in their interest to back the creation of a strong national government, enshrined in a constitution – and they played a major role in deciding the debate between proponents of a federal state, with its government based on central institutions housed in a single capital, and the supporters of states'rights.The papers'authors – Alexander Hamilton, James Madison, and John Jay – believed that centralised government was the only way to knit their newborn country together, while still preserving individual liberties. Closely involved with the politics of the time, they saw a real danger of America splintering, to the detriment of all its citizens. Given the fierce debates of the time, however, Hamilton, Jay and Madison knew they had to persuade the general public by advancing clear, well-structured arguments – and by systematically engaging with opposing points of view. By enshrining checks and balances in a constitution designed to protect individual liberties, they argued, fears that central government would oppress the newly free people of America would be allayed. The constitution that the three men helped forge governs the US to this day, and it remains the oldest written constitution, still in force, anywhere in the world.

A Study Guide for Charles Dickens''The Pickwick Papers,'excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

This book constitutes the thoroughly refereed proceedings of the Third International Conference on Arts and Technology, ArtsIT 2013, held in Milano, Bicocca, Italy, in March. The 19 revised full papers presented were carefully selected and reviewed from 31 submissions and are organized in topical sections on: art and technology in action, music and technology in action, reflecting on art and technology, understanding the artistic practice, and at the boundaries.

This volume constitutes selected and revised papers presented during the Third International Conference on Trandisciplinary Multispectral Modelling and Cooperation for the Preservation of Cultural Heritage, TMM_CH 2023, held in Athens, Greece, in March 2023. The 17 full papers and 17 short papers presented in ths volume were thoroughly reviewed and selected from 416 submissions. The papers are organized in topical sections on ​scientific innovations in the diagnosis and preservation of cultural heritage; digital heritage a holistic approach; preservation, reuse and reveal of cultural heritage through sustainable bidding and land management, rural and urban development to recapture the world in crisis through culture.

This volume constitutes selected and revised papers presented during the Second International Conference on Trandisciplinary Multispectral Modelling and Cooperation for the Preservation of Cultural Heritage, TMM_CH 2021, held in Athens, Greece, in December 2021. The 17 full papers and 6 short papers presented in ths volume were thoroughly reviewed and selected from 310 submissions. The papers are organized in topical sections on ​scientific innovations in the diagnosis and preservation of cultural heritage; digital heritage a holistic approach; preservation, reuse and reveal of cultural heritage through sustainable land management, rural and urban development to recapture the world in crisis through culture.

On Black Bartholomew's Day—August 24, 1662—nearly two thousand ministers denied the authority of the Church of England and were subsequently removed from their posts. Mary Franklin was the wife of Presbyterian minister Robert Franklin, one of the dissenting ministers ejected from their pulpits and their livings on that day. She recorded the experience of her persecution in the unused pages of her husband's sermon notebook. In 1782—some hundred years after the composition of her grandmother's narrative— Mary's granddaughter, Hannah Burton, took up this same notebook to chronicle her experience as an impoverished widow, barely surviving the economic revolutions of eighteenth-century London. Collected for the first time, this volume of the Franklin Family Papers offers rare insight into the personal lives of three generations of dissenting women.

This two-volume set CCIS 961 and 962 constitutes the refereed post-conference proceedings of the First International Conference on Transdisciplinary Multispectral Modeling and Cooperation for the Preservation of Cultural Heritage, TMM_CH 2018, held in Athens, Greece, in October 2018. 73 revised full papers of 237 submissions are included in these volumes. The papers of the first volume are organized in the following topical sections: the project of the rehabilitation of Holy Sepulchre's Holy Aedicule as a pilot multispectral, multidimensional, novel approach through transdisciplinary and cooperation in the protection of monuments; digital heritage; novel educational approach for the preservation of monuments; resilience to climate change and natural hazards; conserving sustainably the materiality of structures and architectural authenticity; and interdisciplinary preservation and management of cultural heritage. And the papers of the second volume are organized in thefollowing topical sections: sustainable preservation and management lessons learnt on emblematic monuments; cross-discipline earthquake protection and structural assessment of monuments; cultural heritage and pilgrimage tourism; reuse, circular economy and social participation as a leverage for the sustainable preservation and management of historic cities; inception – inclusive cultural heritage in Europe through 3D semantic modelling; heritage at risk; and advanced and non-destructive techniques for diagnosis, design and monitoring.

This two-volume set CCIS 961 and 962 constitutes the refereed post-conference proceedings of the First International Conference on Transdisciplinary Multispectral Modeling and Cooperation for the Preservation of Cultural Heritage, TMM_CH 2018, held in Athens, Greece, in October 2018.73 revised full papers of 237 submissions are included in these volumes. The papers of the first volume are organized in the following topical sections: the project of the rehabilitation of Holy Sepulchre's Holy Aedicule as a pilot multispectral, multidimensional, novel approach through transdisciplinary and cooperation in the protection of monuments; digital heritage; novel educational approach for the preservation of monuments; resilience to climate change and natural hazards; conserving sustainably the materiality of structures and architectural authenticity; and interdisciplinary preservation and management of cultural heritage. And the papers of the second volume are organized in the following topical sections: sustainable preservation and management lessons learnt on emblematic monuments; cross-discipline earthquake protection and structural assessment of monuments; cultural heritage and pilgrimage tourism; reuse, circular economy and social participation as a leverage for the sustainable preservation and management of historic cities; inception – inclusive cultural heritage in Europe through 3D semantic modelling; heritage at risk; and advanced and non-destructive techniques for diagnosis, design and monitoring.

The present collection of essays grew out of a conference, held in Dresden in December 2001, exploring the relationship between the public sphere and legal culture. The conference was held in connection with the ongoing research undertaken by the Sonderforschungsbereich 537 ‘Institutionalisation and Historical Change'and, in particular, by the project ‘Circulation of Legal Norms and Values in British Culture from 1688 to 1900'.The conference papers include essays on the theory of the public sphere from a systematic and historical point of view by Gert Melville, by Peter Uwe Hohendahl and by Jürgen Schlaeger, all of whom try to re-evaluate and/or improve upon Jürgen Habermas'seminal contribution to the discussion of the emergence of modernism. Alastair Mann's contribution investigates the situation in Scotland, particularly censorship and the oath of allegiance; Annette Pankratz focuses on the king's body as a site of the public sphere; Heinz-Joachim Müllenbrock looks into the widespread ‘culture of contention'at the beginning of the eighteenth century; and Eckhart Hellmuth considers the reform movement at the end of the century and the radical democrats'insistence on the right to discuss the constitution.Ian Bell, who took part in the conference, suggested the inclusion of part of the first chapter of his seminal study Literature and Crime in Augustan England (1991). Beth Swan, Anna-Christina Giovanopoulos, and Christoph Houswitschka respectively analyse the ideologies of justice, the interrelation between journalism and crime, and the juridical evaluation of the crime of incest and its representation in public. Greta Olson investigates keyholes as liminal spaces between the public and the private, Juliet Wightman focuses on theatre and the bear pit, Uwe Böker examines the court room and prison as public sites of discourse, and York-Gothart Mix discusses the German emigrant culture in North America.

This volume contains a selection of papers presented at the Cinquième Colloque de Linguistique Romane/Fifth Colloquium on Romance Linguistics, which was held at Groningen University in September 1998. The theme of the colloquium was ‘adverbial modification in Romance languages'.Therefore, adverbial modification is the common denominator of the works in this volume. However, and interestingly enough, the viewpoints taken by the Various authors differ considerably: some of the works deal with traditional adverbs (Ocampo, Kampers-Manhe, Bok-Bennema, Molendijk), others with elements such as mood (de Jonge, Quer) or negation (de Swart). Degree modification is discussed by Cover and Doetjes. Modifying clauses are the topic of Le Draoulec's article and modifying nominals play a central role in Schroten's contribution. A special type of modification is the pragmatic one, which is represented by Montolio's article. Also, various theoretical approaches are represented in this volume, such as the generative approach (e.g. Kampers-Manhe, Bok-Bennema), formal semantics (Molendijk, De Swart) and functional-cognitive linguistics (Ocampo, De Jonge), among other ones. Moreover, the languages dealt with are Catalan, French, Rumanian and Spanish.Thus, this volume offers a wide perspective on adverbial modification in Romance languages both from a theoretical point of view as from the point of view of the different languages involved.

First published in 1994, these two volumes are intended as a supplement to the four-volume edition edited by Gordon N. Ray in 1945-46. In writing to his broad range of correspondents, Thackeray produced a varied body of letters that will help readers to better understand his nineteenth-century society as well as his professional and private life — especially his relationships with women. These volumes contain 1713 letters: 1464 to and from Thackeray that were not included in the earlier volumes, and 249 with texts that have been edited from newly available manuscripts, and that thereby replace texts that were printed in Ray from incomplete sources.

This book constitutes the refereed proceedings of the 6th Language and Technology Conference: Challenges for Computer Science and Linguistics, LTC 2013, held in Poznań, Poland, in December 2013. The 31 revised and in many cases substantially extended papers presented in this volume were carefully reviewed and selected from 103 submissions.The papers selected to this volume belong to various fields of Human Language Technologies and illustrate a large thematic coverage of the LTC conferences. To make the presentation of the papers possibly transparent we have “structured” them into 9 chapters. These are: Speech Processing, Morphology, Parsing Related Issues, Computational Semantics, Digital Language Resources, Ontologies and Wordnets, Written Text and Document Processing, Information and Data Extraction, and Less-Resourced Languages.

First published in 1978, this collection of papers, first presented at the thirteenth annual Conference on Editorial Problems in 1977, focuses on the editing of nineteenth-century fiction. Four of the papers are devoted to single authors – Dickens, Thackeray, Hardy and Zola – while the fifth takes its principle examples from Hawthorne, Twain and Crane. Looking at a range of works from English, American and French literature, this volume demonstrates the number of different attitudes that exist towards the editorial process as well as the different ambitions for the texts that scholars seek to produce. This book will be of interest to those studying and editing nineteenth-century literature.

While text processing is often associated with the digital humanities, it is still seen as worlds apart from literary modernism and its aesthetic preoccupations. This book upsets that narrative. Examining literary manuscripts from some of the twentieth century's best-known and lesser-known novelists, from Marcel Proust to Mina Loy, Alex Christie reveals where authors experimented with proto-digital writing methods by hand. Instead of looking to computers as sources of inspiration, the authors discussed turned to twentieth-century media for their ability to reveal new layers of the material world. From analog fantasies of contacting the dead to digital anxieties of invisible information, the aesthetic ambitions of these novels can be traced back to their author's interest in emerging media devices and their technical operation. To capture the magic of such devices through writing, these authors devised radical methods for generating literary text, anticipating today's digital humanities.

This book constitutes the thoroughly refereed proceedings of the Fourth International Conference on Arts and Technology, ArtsIT 2014, held in Istanbul, Turkey, in November 2014. The 17 revised full papers presented were carefully selected and reviewed from numerous submissions. ArtsIT has become a leading scientific forum for the dissemination of cutting-edge research results in the area of arts, design and technology. The papers focus on IT technologies, artists, designers and industrial members and offer content creators tools that expand the means of expression of the traditional design field.

This volume explores the indispensability of a transnational perspective for the construction and writing of literary histories of the Low Countries from 1200- 1800. It looks at the role of mediators such as translators, printers, and editors, at characteristics of literary genres and the possibilities they offered for literary boundary crossing and adaptation, and at the role of regions and urban centers as multilingual hubs. This collection demonstrates the centrality of transnational perspectives for elucidating the complex inter-relationship between Netherlandic and European literary history. The Low Countries were a dynamic site for new literary production and transnational exchange that shaped and reshaped the intellectual landscape of premodern Europe. Contributors include: Lia van Gemert, Lucas van der Deijl, Feike Dietz, Paul Wackers, David Napolitano, James A. Parente, Jr., Frank Willaert, Youri Desplenter, Bart Besamusca, Frans R.E. Blom, and Jan Bloemendal.

This Memorial Volume is being published to mark the centenary year of George Saintbury's birth. It contains essays, hitherto uncollected in book form, on authors such as Dryden, Herrick, Ben Jonson, Browning, Coleridge; studies of Carlyle, Jane Welsh Carlyle, Shelley, Disraeli; and papers on subjects that range from'The Qualities of Wine'to'Eighteenth Century Poetry'. There is a biographical memoir of Saintsbury by Professor A. Blyth Webster and personal portraits by Professor Oliver Elton, Sir Herbert Grierson, and others. Compiled under the co-editorship of Dr John W. Oliver and Mr Augustus Muir (who were students of Saintsbury's at the University of Edinburgh) and of Dr A. M. Clark, lecturer in the English Department at that University, this volume will be welcomed by the steadily increasing number of those who appreciate the richness of Saintsbury's personality and the value of his work as a critic and literary historian.

The Editors of the Saintsbury Memorial Volume have been encouraged by the welcome which that book received to make a final gathering of George Saintbury's writings.From a score of different sources they have chosen essays and papers that have lain uncollected, with their themes ranging from Captain Marryat to Erasmus, from Rosetti to Xenephon, from Swinburne to Balzac's early pot boilers.Included is an entrancing study of the literary associations of the city of Bath; and the editors have followed Saintbury's own example by collecting a Scrap Book more than thirty shorter notes and jeux d'esprit on all kinds of subjects: wigs, sensation novelists, Drummond and Ben Jonson, George Sand, compulsory Greek at Oxford, Shakespeare and Welsh, Laurence Sterne tittle-tattle, Marcel Proust, and much else in true Saintsburian vein.

This book constitutes the proceedings of the First International Workshop on Language, Music and Computing, LMAC 2017, held in St. Petersburg, Russia, in April 2017.The 18 papers presented in this volume were carefully reviewed and selected from 52 submissions. They were organized in topical sections on the universal grammar of music, the surface of music and singing, language as music, music computing, formalization of the informality.

This book constitutes the refereed post-proceedings of two workshops held at the 5th International Conference on Social Informatics, SocInfo 2013, in Kyoto, Japan, in November 2013: the First Workshop on Quality, Motivation and Coordination of Open Collaboration, QMC 2013 and the First International Workshop on Histoinformatics, HISTOINFORMATICS 2013. The 11 revised papers presented at the workshops were carefully reviewed and selected from numerous submissions. They cover specific areas of social informatics. The QMC 2013 workshop attracted papers on new algorithms and methods to improve the quality or to increase the motivation of open collaboration, to reduce the cost of financial motivation or to decrease the time needed to finish collaborative tasks. The papers presented at HISTOINFORMATICS 2013 aim at improving the interaction between computer science and historical science towards fostering a new research direction of computational history.

This book constitutes the refereed proceedings of the 5th Language and Technology Conference: Challenges for Computer Science and Linguistics, LTC 2011, held in Poznan, Poland, in November 2011. The 44 revised and in many cases substantially extended papers presented in this volume were carefully reviewed and selected from 111 submissions. The focus of the papers is on the following topics: speech, parsing, computational semantics, text analysis, text annotation, language resources: general issues, language resources: ontologies and Wordnets and machine translation.

The twenty-two papers in this collection represent various cognitively-oriented approaches to the study of literary and persuasive texts. Their authors include both linguists and literary scholars, united by their interest in exploring the mental processes accompanying the creative production of meanings. Some of the papers, grouped into two broad sections – Cognitive approaches to literary thought and Aspects of cognitive rhetoric – offer new theoretical insights, and others focus on more specific aspects of verbal creativity, zooming in on concrete novels, poems, speeches and media texts. The variety of research interests and points of departure, of the subjects and materials chosen for analysis, but also of the employed methods of research shows that the developing field of cognitive poetics/rhetoric is able to accommodate a multitude of perspectives.

El presente volumen recoge trabajos de hispanistas de diferentes procedencias: desde investigadores cuya lengua materna es el español y llevan a cabo su tarea en el mundo hispánico, ya sea peninsular o americano, hasta quienes trabajan en regiones donde el español es un idioma minoritario y/o que han adquirido el español como segunda lengua. Esta gozosa diversidad halla su expresión en los trabajos que integran este volumen, poniendo de manifiesto uno de los objetivos centrales de la AIH: el diálogo académico y plural entre los hispanismos del mundo, diálogo enriquecedor y vivificante que no conoce fronteras. El hacerlo por primera vez fuera de Europa y América cobra una significación muy especial, al insertar esta multiplicidad de perspectivas en el diálogo presente y tan necesario entre nuestros pueblos y regiones.El libro impreso incluye exclusivamente los discursos de apertura y las ponencias plenarias, que estuvieron a cargo de Myrna Solotorevsky, Patrizia Botta, Angela Schrott, Juan Diego Vila, Manuel Rivero Rodríguez y James Valender. Las demás ponencias se encuentran en acceso abierto en el siguienteenlace.

Les études réunies dans ce volume explorent la question de l'autorité de l'écriture spirituelle féminine au XVIe siècle en France. L'enjeu est de comprendre l'émergence spectaculaire du discours religieux écrit par des femmes en langue française à cette période. En s'appuyant sur les textes littéraires, les discours polémiques et les mémoires, les autrices et auteurs évaluent sur l'espace d'un siècle élargi les contradictions, les difficultés et les soutiens que rencontrent les initiatives féminines chrétiennes. Ils abordent notamment les sources de l'innutrition chrétienne, la question des modèles, la circulation et la réception de ces écrits, les foyers de l'autorité féminine et les marques textuelles de cette autorité, pour ouvrir de nouvelles perspectives sur l'écriture spirituelle féminine au début de l'époque moderne. This book provides new perspectives on the question of the authority of female spiritual writing in sixteenth-century France. This topic is crucial for understanding the emergence of religious discourse written by women in French language during this period. Drawing on literary texts, polemical discourses, and memoirs, the essays by leading scholars explore the contradictions, difficulties, and support on the part of men for Christian women's initiatives over the course of an extended century. In particular, they address the sources of Christian thought about women, the question of models, the circulation and reception of Renaissance feminine writings, and the textual marks of this authority in order to open up new perspectives on feminine spiritual writing in the early modern era.

The essays collected here join in, and contribute to, the current reflection on Dante's vitality today in a critical, multidisciplinary vein. Their intervention comes at a particularly sensitive juncture in the history of Dante's global reception and cultural reuse. Dante today is as alive as ever. A cultural icon no less than a cultural product, Dante's imaginative universe enjoys a pervasive presence in popular culture. The multiformity of approaches represented in the collection matches the variety of the material that is analyzed. The volume documents Dante's presence in genres as different as graphic novels and theater productions, children's literature, advertisements and sci-fi narratives, rock and rap music, video- and boardgames, satirical vignettes and political speeches, school curricula and prison-teaching initiatives. Each chapter combines a focused attention to the specificity of the body of evidence it treats with best analytical practices. The volume invites collective reflection on the many different rules of engagement with Dante's text.

This volume aims to situate Virginia Woolf as a writer who, despite her fame as a leading modernist, also drew on a rich literary and cultural heritage. The chapters in this volume explore the role her family heritage, literary tradition and heritage locations play in Woolf's works, uncovering the influence the past had on her work, and particularly her deep indebtedness to the Victorian period in the process. It looks at how she reimagined heritage, including her queer readings of the past. This volume also aims to examine Woolf's own literary legacy: with essays examining her reception in Romania, Poland and France and her impact on contemporary writers like Alice Munro and Lidia Yuknavitch. Lastly, Woolf's standing in the increasingly popular field of biofiction is explored. The collection features an extended chapter on Virginia Woolf's relationship with her cousin H.A.L. Fisher by David Bradshaw, and an extended chapter by Laura Marcus on Woolf and the concept of shame.

This book constitutes the proceedings of the 13th International Symposium on Smart Graphics, SG 2015, held in Chengdu, China, in August 2015. The 17 full and 3 short papers presented in this volume were carefully reviewed and selected from 35 submissions. They are organized in topical sections named: graphics, sketching and visualization, automation and evaluation, image processing, and posters and demo session.

First published in 1994, these two volumes are intended as a supplement to the four-volume edition edited by Gordon N. Ray in 1945-46. In writing to his broad range of correspondents, Thackeray produced a varied body of letters that will help readers to better understand his nineteenth-century society as well as his professional and private life — especially his relationships with women. These volumes contain 1713 letters: 1464 to and from Thackeray that were not included in the earlier volumes, and 249 with texts that have been edited from newly available manuscripts, and that thereby replace texts that were printed in Ray from incomplete sources.

This book contains revised selected papers from the Second International Conference on Information Technologies for Performing Arts, Media Access and Entertainment, ECLAP 2013, held in Porto, Portugal, in April 2013. The 24 papers presented were carefully reviewed and selected for inclusion in this book. They are organized in topical sections named: perspectives and (digital) strategies for cultural heritage institutions; trust, quality and tools for cultural heritage digital libraries; educational services for the performing arts; dance in the world of data and objects; acting and natural interaction; and music and opera of a digital generation.

This book constitutes the thoroughly refereed post-conference proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval, CMMR 2012, held in London, UK, in June 2012. The 28 revised full papers presented were carefully reviewed and selected for inclusion in this volume. The papers have been organized in the following topical sections: music emotion analysis; 3D audio and sound synthesis; computer models of music perception and cognition; music emotion recognition; music information retrieval; film soundtrack and music recommendation; and computational musicology and music education. The volume also includes selected papers from the Cross-Disciplinary Perspectives on Expressive Performance Workshop held within the framework of CMMR 2012.

Autorschaft erfordert mehr als das Schreiben eines Textes: Um 1800 wird sie vor allem durch das gedruckte Buch hervorgebracht. In dieser Zeit entwickelt sie sich zu einem sozialen Phänomen, im deutschsprachigen Raum grassiert die »Schriftstellersucht«. Tobias Fuchs untersucht in diesem Kontext die auf das Buchartefakt bezogenen Praktiken des Publizierens zwischen 1765 und 1815. Die Materialität von Literatur betrachtet er dabei in ihren ästhetischen, merkantilen, poetologischen, rechtlichen sowie wissensgeschichtlichen Dimensionen. Der Bogen reicht von Jean Pauls handgeschriebenen Büchern über gedruckte Artefakte bis zur Makulatur.

L'errance n'est ni le voyage programmé, ni le vagabondage sans but mais un cheminement tâtonnant, au risque de se perdre. Elle est liée à une quête incertaine, une conquête, la rencontre d'une terre promise. Vingt-cinq auteurs ont exploré les sens particuliers qu'a pu revêtir cette expérience commune aux écrivains étudiés. Ce qui caractérise l'ensemble, c'est la diversité, la richesse et l'originalité des points de vue. À l'instar des héros mythiques traditionnels - Ulysse, le Juif errant ou Don Quichotte - qui accomplissent des périples concrets à visée psychologique, philosophique ou morale, voire mystique, l'errance apparaît dans nos textes au sens littéral mais aussi au sens symbolique. Il existe toute une gamme d'errances métaphoriques, de variantes inédites qui poussent les lecteurs à lire ou relire des ouvrages connus et, bien plus, à en découvrir de nombreux autres.

At a time when migration is mostly discussed in terms of “conflict” and “crisis”, it is decidedly important to acknowledge the discursive traditions, narrative patterns, and conceptual categories that continue to inform how migration is represented, analyzed and theorized in contemporary Europe. This volume focuses on the potential of artistic and critical practices to challenge hegemonic framings of migration and embrace the ambivalence inherent in migration as a conflictual, often violent, yet also liberating uprooting. By placing special emphasis on “peripheral” perspectives and subject positions, the volume provides new insights into topics such as belonging and exclusion, the “migrant crisis”, and memory. By bringing into dialogue creative practices and academic discourses, it explores how new modes of seeing and theorizing may emerge through experiences and representations of migration. Situated within the field of literary and cultural studies, it complements historical and social analyses in the emerging interdisciplinary field of migration studies.