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Yuri Lotman (1922-1993) was one of the most prominent and influential scholars of the twentieth century working in the Soviet Union. A co-founder of the Tartu-Moscow school of semiotics, he applied his mind to a wide array of disciplines, from aesthetics to literary and cultural history, narrative theory to intellectual history, cinema to mythology. This collection provides a stand-alone primer to his intellectual legacy in both semiotics and cultural history. It includes new translations of some of his major pieces as well as works that have never been published in English. The collection brings Lotman into the orbit of contemporary concerns such as gender, memory, performance, world literature, and urban life. It is aimed at students from various disciplines and is augmented by an introduction and notes that elucidate the relevant contexts.

The two volumes of The Russian Image of Goethe constitute the only study in a Western language on Goethe's reception in Russia. Volume II is a seamless continuation of the earlier book, covering the second half of the nineteenth century and the first two decades of the twentieth. Von Gronicka examines the attitudes toward Goethe and his work of, among others, Turgenev, Dostoevski, Tolstoi, and the Russian symbolists. He draws on the Russian writers'diaries, letters, and essays, quoting from them extensively in faithful translation or felicitous paraphrase.In developing The Russian image of Goethe, von Gronicka traces the course of Russian literature in the nineteenth and early twentieth centuries and provides not only a clear idea of how Russian writers viewed Goethe, but an excellent introduction to that literature.Both volumes of The Russian Image of Goethe are of interest to scholars of Russian, German, and comparative literature.