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How to capture Amy Wright's Paper Concert: A Conversation in the Round, a one-of-a-kind book-length essay containing a multitude of individual voices? Wright, conductor extraordinaire, has managed to piece apart, then fold together conversations from a bevy of thinkers like Dorothy Allison, Rae Armantrout, Gerald Stern, Lia Purpura, Raven Jackson, Wendy Walters, Kimiko Hahn, Philanese Slaughter, and others, blended into one harmonious whole. Wright opens the book: “This essay anchors a central thread of dialogue over a dizzying divide. It weaves a decades worth of questions and answers from a range of discussions I've had with artists, activists, scientists, philosophers, physicians, priests, musicians, and other representatives of the human population. Some of them are famous, some will be, some should be—but all of them refract the light of the unknowable mystery of the self.” The subjects range from the interconnected (inspiration and craft) to the seemingly disparate (colonialism and entomophagy), all with the hope of finding what truly matters to us. If this book is a paper concert, it is a symphony. Just pull up a chair and listen.

The New York Times bestselling author of the beloved classic How to Read Literature Like a Professor teaches you how to write everything from a report for your community association to a meaningful memoir in this masterful and engaging guide.Combing anecdotes and hard-won lessons from decades of teaching and writing—and invoking everyone from Hemingway to your third-grade teacher—retired professor Thomas C. Foster guides you through the basics of writing. With How to Write Like a Writer you'll learn how to organize your thoughts, construct first drafts, and (not incidentally) keep you in your chair so that inspiration can come to visit.With warmth and wit, Foster shows you how to get into (and over) your best self, how to find your voice, and how to know when, if ever, a piece of work is done.Packed with enlightening anecdotes, highlighted with lists and bullet points, this invaluable guide reveals how writers work their magic, and reminds us that we all—for better or worse, whether we mean to or not—are known by what we put on paper or screen, both our thoughts and our words.

Charles Edward Montague was born in London on New Year's Day, 1867 and educated at the City of London School and then Balliol College, Oxford. At university, Montague, a keen writer, wrote several literary reviews for the Manchester Guardian and was then invited for a month's trial and, after impressing, to work there. Montague and the editor, C. P. Scott shared the same political views and between them they turned the Manchester Guardian into a vibrant and campaigning newspaper. They were for Irish Home Rule and against the Boer War and the First World War. But now that the war had begun. Montague believed that it was important to give full and unequivocal support to the British government. Despite his age, 47, he was determined to serve. Montague was soon promoted to the rank of second lieutenant and with it a transfer to Military Intelligence. The war also brought about a crisis in his faith and it was resolved by Montague temporarily putting it to one side and carrying on with the fighting. In November 1918 the war was over and Montague could now return home to his wife and family and also to the Manchester Guardian where he would continue to work until retirement in 1925. For Montague the war had been corrosive but it had given him much to write about both for the paper but also for his books which he now hoped to also spend more time on. Among those to flow from his pen are the novels A Hind Let Loose and Rough Justice as well as collections of short stories, other essays and a travel book. He finally retired in 1925, and settled down to become a full-time writer in the last years of his life. Charles Edward Montague died in Manchester on May 28th, 1928 at the age of 61.

Dostoevsky on Guadalupe Street is a riveting collection of short essays on the impact of world literature—and Fyodor Dostoevsky in particular—on a young Latino growing up in Texas. For a searching mind attempting to find links and meanings in a dark world of fragmentation and despair, literary escape can be vitally significant. Grouped into short categories (from formative beginnings to politics and dystopia), these essays provide a historic glimpse into a nascent group of Latino writers emerging from obscurity to form one of America's newest voices. Latino writing is the fastest growing genre worldwide, and this excellent primer provides a quick study for undergraduates, graduates, and first-generation college students in journalism, education, literary studies, and the humanities. The essays are short, original, witty, and provocative—and easy to read.'Written in lucid, luminous, and engaging prose. Dostoevsky on Guadalupe Street is a surprising, probing, edifying tour-de-force that captures literary journalism at its quintessential best. A much-needed critical discourse on the status of literature in our changing society.'—Maria Martha Brummell, Emerita, Associate Dean, Yale University; CEO of Catch the Next, Inc. (New Haven, CT)'In one of the piquant prose morsels that constitute Dostoevsky on Guadalupe Street, Rafael Castillo, an ardent aficionado of metaphor, notes that writing is for him ‘a roller coaster to self-discovery.'Jouncing through topics including education, punctuation, translation, digitalization, and growing up on the West Side of San Antonio, exhilarated readers will also find themselves.'—Steven G. Kellman, Professor of Comparative Literature, University of Texas at San Antonio; Author of Rambling Prose, The Translingual Imagination, and Redemption: The Life of Henry Roth, Among Other Books'When you open Dostoevsky on Guadalupe Street, you will enter a world where imagination rules. You will not read this volume; you will inhabit it. Rafael Castillo possesses the two most important traits of a talented writer—a fierce intelligence and the grace with which to express it.'—Robert Seltzer, Former Editorial Writer for the San Antonio Express-News; Author of Amado Muro and Me: A Tale of Honesty and Deception'Rafael Castillo takes us back to his youth growing up in San Antonio's Westside, where books opened his world. Castillo's beautiful, captivating words and colorful images in Dostoevsky on Guadalupe Street bring to life la raza del Westside, who for too long were marginalized and left in the shadows. This is must-reading!'—Rogelio Saenz, Peter Flawn Professor of Geography, University of Texas at San Antonio; Author of Latinos in the United States: Diversity and Change and Opinion Writer for Latino Rebels and the New York Times'Rafael Castillo has the concentrated power of a razor-sharp miniaturist who captures the nuance and cadence of West Side San Antonio with ease and patience of one who has observed a world through ease, mystery, and grace.'—Belinda Urdiales, Novelist and Writer with Aztlan Associates; Author of The Hidden Voice'Dostoevsky on Guadalupe Street is a compilation of essays, review, articles and op-eds that capture the life of Latinos in the Southwest with literary style and panache.'—Julian S. Garcia, Former Editor with ViAztlan: International Journal of Arts and Ideas; Author of La Fantasica Curandera

“A master of the short story” discusses every aspect of the writing process, from story structure to staying focused, in this candid essay collection (Booklist). Ron Carlson's short stories have been featured in The New Yorker, Harper's Magazine, and elsewhere, while his numerous collections have won critical acclaim. In this series of personal essays, Carlson explores his own process, inviting the reader to watch over his shoulder as he creates the short story “The Governor's Ball.” “This is the story of a story,” Carlson tells us. But as he crafts a tale, he also offers practical advice for writers, covering everything from the first glimmer of an idea to the final sentence. Carlson urges the writer to refuse the outside distractions—a second cup of coffee, a troll through the dictionary—and attend to the necessity of uncertainty, the pleasures of an unfolding story. “The Governor's Ball”—included in its entirety—serves as a fascinating illustration of the detailed anatomy of a short story.

The lives of writers are a topic of perennial fascination to readers – and indeed to other writers. And yet the writer at work is often a mythologised figure, distant from the cares of the day. In Open Secrets, Australian writers reflect upon the material conditions that give rise to their writing practice. What is it that writers do with their days? These essays document writing lives defined as much by procrastination, distraction and economic precarity as by desire and imagination, by aesthetic and intellectual commitments. Labour is at the heart of this collection: creative labour, yes, but also the day jobs, side gigs, and care work that make space for writing. Bringing together an eclectic and distinctive set of writers, Open Secrets is a rich and provocative account of contemporary Australian literature. The writers included in the collection are Sunil Badami, Vanessa Berry, Miro Bilbrough, Luke Carman, Lauren Carroll Harris, Maddee Clark, Justin Clemens, Lisa Fuller, Elena Gomez, Eda Gunaydin, Tom Lee, James Ley, Fiona Kelly McGregor, Oliver Mol, Suneeta Peres da Costa, Ellena Savage, McKenzie Wark, Laura Elizabeth Woollett and Fiona Wright. Open Secrets is edited by Catriona Menzies-Pike, editor of the Sydney Review of Book. It follows the collections Second City and The Australian Face, both published by the Sydney Review of Books.

Proving himself yet again a master of every form, Barth conquers in his latest the ruminative short essay—“​​jeux d'esprits,” as Barth describes them. These mostly one-page tidbits pay homage to Barth's literary influences while retaining his trademark self-consciousness and willingness to play.

'Elena Ferrante has established herself as the foremost writer in Italy - and the world.'THE SUNDAY TIMES A delightful collection of original essays on reading and writing. From the internationally acclaimed author of My Brilliant Friend, The Lying Life of Adults, and The Lost Daughter, come four revelatory pieces offering rare insight into the author's formation as a writer and life as a reader. Ferrante warns us of the perils of'bad language'—historically alien to the truth of women—and advocates for a collective fusion of female talent as she brilliantly discourses on the work of her most beloved authors. A delightful collection of essays exploring reading and writing from the internationally acclaimed author of My Brilliant Friend and The Lying Life of Adults. Ferrante's writing has been described as compulsive (The Times) and astonishing (Guardian), her novels have sold millions and been translated into many languages as well as adapted for TV internationally.

A NATIONAL INDIE BESTSELLERA BEST BOOK OF 2022 (Air Mail) Four new and revelatory essays by the author of My Brilliant Friend and The Lost Daughter. In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as “an oracle among authors.” Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers. She writes about her influences, her struggles, and her formation as both a reader and a writer; she describes the perils of “bad language” and suggests ways in which it has long excluded women's truth; she proposes a choral fusion of feminine talent as she brilliantly discourses on the work of Emily Dickinson, Gertrude Stein, Ingeborg Bachmann, and many others. Here is a subtle yet candid book by “one of the great novelists of our time” about adventures in literature, both in and out of the margins. “Everyone should read everything with Elena Ferrante's name on it.”—The Boston Globe

In this funny and perceptive collection, novelist and essayist Robert Cohen shares his thoughts on the writing process and then puts these prescriptions into practice—from how to rant effectively as an essayist and novelist (“The Piano Has Been Drinking”), how to achieve your own style, naming characters (and creating them), how one manages one's own identity with being “a writer” in time and space, to the use of reference and allusion in one's work. Cohen is a deft weaver of allusion himself. In lieu of telling the reader how to master the elements of writing fiction, he shows them through the work of the writers who most influenced his own development, including Roth, Ellison, Kafka, and Robinson. Rooted in his own experiences, this collection of essays shows readers how to use their influences and experiences to create bold, personal, and individual work. While the first part of the book teaches writing, the essays in the second part show how these elements come together.

Drawing on O'Brien's experience of cancer and of childhood abuse, and on his ongoing collaboration with a war reporter, the four essays in A Story that Happens—first written as craft lectures for the Sewanee Writers'Conference and the US Air Force Academy—offer hard-won insights into what stories are for and the reasons why,'afraid and hopeful,'we begin to tell them.

Every summer for the past thirty years, the Sewanee Writers'Conference has gathered a community of writers for two weeks of workshops, readings, talks, and meetings focused on the craft and art of writing. This book is a selection of craft talks delivered during the conference over the last several years. Some essays focus on one or two authors, some focus on texts, while others cast their regard more broadly. All are written in response to questions generated by the process of writing, as masters of the craft candidly report challenges they confront and the means by which they work to resolve such issues. The eighteen essays encompass poetry, fiction, and playwriting, investigating questions of language, character, design, and meaning, with nuanced readings of particular authors and works alongside more wide-ranging reflections on craft. Designed for audiences of writers and readers across multiple levels and backgrounds, the essays collected in As We Were Saying offer original, insightful arguments about the craft of writing and the power of literature.

A revised edition of the publisher's inaugural publication in 1990, which won the Pandora Award from Women-in-Publishing. Inspirational in its original format, this new edition features poems, stories, essays and interviews with 30 + women writers, both emerging authors and luminaries of contemporary literature such as: – Choices: The Writing of Possession by A.S. Byatt – Becoming a Writer by Saskia Calliste – Jenny – a song by April de Angelis – Interview with Kit de Waal – Anne Hathaway by Carol Ann Duffy – Let the World Burn through you by Sian Evans – Early Women Writers by Philippa Gregory – The Creative Process by Mary Hamer – The Writing Life by Jackie Kay – Screen Diversity by Shuchi Kothari – Writing Plays by Bryony Lavery – The Novelist as Wanderer by Annee Lawrence – Interview with Roseanne Liang – Mei Kwei, I love you by Suchen Christine Lim – The Badminton Court by Jaki McCarrick – Interview with Laura Miles – The Motherload by Raman Mundair – The Feminist Library by Magda Oldziejewska – Fortune Favours The Brave… by Kaite O'Reilly – Interview with Jacqueline Pepall – The Art of Translation by Gabi Reigh – Conditions of Amefricanity -Djamila Ribeiro – Inspiration: Where does it come from? by Fiona Rintoul – Interview with Jasvinder Sanghera – A Room of One's Own …or Not? by Anne Sebba – Being a Feminist Writer by Kalista Sy – Mslexia by Debbie Taylor – My Mother, Reading a Novel by Madeleine Thien – Interview with Clare Tomalin – Fortune by Ida Vitale, transl. Tanya Huntington – Interview with Sarah Waters – Virginia Woolf…100 years on by Emma Woolf Includes the original writing workshops plus illustrations from contemporary and vintage illustrators. Guest editor Ann Sandham has compiled the new collection. Reviews: The Women Writers Handbook is a superb, powerful collection of writings from 30 women that are considered to be the emerging authors and luminaries of contemporary fiction, from Carol Ann Duffy to Kit De Waal. With its short chapters, background to who the author is and with 20% of all profits going towards the campaign for a full-sized statue of Virginia Woolf, the first in the UK, it is absolutely a book to buy, read and help to highlight the creativities of women, as well as inspiring other women to believe that they can also do it too. Not only is every piece of work that is included different, well written and informative but the way that the whole book is laid out with inspiring quotes but also beautiful illustrations from women. I loved the activities that can be found at the end of the book, writing workshop activities that could be used within a group in order to breakdown boundaries, to help overcome the fears and misgivings of individuals who would like to become writers, as well as activities to help create depth in characters. I think this inclusion of interactivity, as well as giving a feminist spin on fairy tales is a cleverly unique concept....its absolutely one to pick up and for a worthy cause too. --th

This is a collection of personal essays on greater and lesser known writers whose lives and careers have sparked some of Philip Mosley's own literary and historical interests. Drawing on the experience of a forty-year academic career, he also introduces elements of personal narrative into his appreciations of this diverse set of authors whose backgrounds range from English (Vita Sackville West, Whitwell Elwin, George Barker, John Seymour, Virginia Haggard, J.K. Nettlefold), Welsh (Dylan Thomas) and American (Ned Washington) to Belgian (Maurice Maeterlinck), Danish (Karen Blixen), Mexican (Octavio Paz, Rosario Castellanos) and Kenyan (Ngugi wa Thiong'o). Corresponding to the growing academic sub-discipline of celebrity studies, a unifying theme of literary celebrity and its discontents runs throughout the volume. Chapter 1, ‘Resuming Maurice,'on Maeterlinck, is the capstone essay and includes a ‘Pre-amble'on the celebrity theme. The essays on Barker, Elwin, Seymour and Nettlefold have strong East Anglian connections, while the one on Virginia Haggard invokes the Norfolk origin of her famous great-uncle, the Victorian novelist Sir Henry Rider Haggard. The collection aims at the ‘common reader'(in Virginia Woolf's sense), a broad audience of literary enthusiasts and especially those interested in how literary history and criticism, biography and memoir, and celebrity studies may intersect in productive and engaging ways.

Why do we read? What do we cherish in a book? What is the nature of a masterpiece? What do Alice Munro, Albert Camus, and the great Polish experimentalist Witold Gombrowicz have in common? In the tradition of Nabokov, Calvino, and Kundera, Douglas Glover's new essay collection fuses his long experience as an author with his love of philosophy and his passion for form. Call it a new kind of criticism or an operator's manual for readers and writers, The Erotics of Restraint extends Glover's long and deeply personal conversation with great books and their authors. With the same dazzling mix of emotion and idea that characterizes his fiction, he dissects narrative and shows us how and why it works, why we love it, and how that makes us human. Erudite and obsessively detailed, inventive, confessional, and cheeky, these essays offer a brilliant clarity, a respite in an age of doubt. They raise the bar.

Series of lectures delivered at the University of Cambridge in 1913. According to Wikipedia:'Sir Arthur Thomas Quiller-Couch (21 November 1863 – 12 May 1944) was a British writer, who published under the pen name of Q. He is primarily remembered for the monumental Oxford Book Of English Verse 1250–1900 (later extended to 1918), and for his literary criticism. He guided the taste of many who never met him, including American writer Helene Hanff, author of 84 Charing Cross Road, its sequel, Q's Legacy; and the putatively fictional Horace Rumpole via John Mortimer, his literary amanuensis.'

A collection of dialogues an essays, including The Decay of Lying; Pen, Pencil, and Poison; The Critic as Artist; and The Truth of Masks. According to Wikipedia:'Oscar Fingal O'Flahertie Wills Wilde (1854 - 1900) was an Irish playwright, novelist, poet, and author of short stories. Known for his barbed wit, he was one of the most successful playwrights of late Victorian London, and one of the greatest celebrities of his day. As the result of a famous trial, he suffered a dramatic downfall and was imprisoned for two years of hard labour after being convicted of the offence of'gross indecency.''

In The Mathematics of the Breath and the Way, Charles Bukowski considers the art of writing, and the art of living as writer. Bringing together a variety of previously uncollected stories, columns, reviews, introductions, and interviews, this book finds him approaching the dynamics of his chosen profession with cynical aplomb, deflating pretensions and tearing down idols armed with only a typewriter and a bottle of beer. Beginning with the title piece - a serious manifesto disguised as off-handed remarks en route to the racetrack - The Mathematics of the Breath and the Way runs through numerous tales following the author's adventures at poetry readings, parties, film sets, and bars, and features an unprecedented gathering of Bukowski's singular literary criticism. The book closes with a handful of interviews in which he discusses his writing practices and his influences, making this a perfect guide to the man behind the myth and the disciplined artist behind the boozing brawler.

“Genius could be the ability to say a profound thing in a simple way, or even to say a simple thing in a simpler way.”—Charles BukowskiIn The Mathematics of the Breath and the Way, Charles Bukowski considers the art of writing, and the art of living as a writer. Bringing together a variety of previously uncollected stories, columns, reviews, introductions, and interviews, this book finds him approaching the dynamics of his chosen profession with cynical aplomb, deflating pretensions and tearing down idols armed with only a typewriter and a bottle of beer. Beginning with the title piece—a serious manifesto disguised as off-handed remarks en route to the racetrack—The Mathematics of the Breath and the Way runs through numerous tales following the author's adventures at poetry readings, parties, film sets, and bars, and also features an unprecedented gathering of Bukowski's singular literary criticism. From classic authors like Hemingway to underground legends like d.a. levy to his own stable of obscure favorites, Bukowski uses each occasion to expound on the larger issues around literary production. The book closes with a handful of interviews in which he discusses his writing practices and his influences, making this a perfect guide to the man behind the myth and the disciplined artist behind the boozing brawler.Born in Andernach, Germany, and raised in Los Angeles, Charles Bukowski (1920–1994) is the author of over forty-five books of poetry and prose.David Stephen Calonne has written several books and edited four previous volumes of uncollected Bukowski for City Lights.

Named a Best Book of 2018 by New York Magazine, the Washington Post, Publisher's Weekly, NPR, and Time, among many others, this essay collection from the author of The Queen of the Night explores how we form identities in life and in art. As a novelist, Alexander Chee has been described as “masterful” by Roxane Gay, “incendiary” by the New York Times, and'brilliant'by the Washington Post. With his first collection of nonfiction, he's sure to secure his place as one of the finest essayists of his generation as well.How to Write an Autobiographical Novel is the author's manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation's history, including his father's death, the AIDS crisis, 9/11, the jobs that supported his writing ​— ​Tarot-reading, bookselling, cater-waiting for William F. Buckley ​— ​the writing of his first novel, Edinburgh, and the election of Donald Trump. By turns commanding, heartbreaking, and wry, How to Write an Autobiographical Novel asks questions about how we create ourselves in life and in art, and how to fight when our dearest truths are under attack. Named a Best Book by: Time, Washington Post, Entertainment Weekly, NPR, Wired, Esquire, Buzzfeed, New York Public Library, Boston Globe, Paris Review, Mother Jones,The A.V. Club, Out Magazine, Book Riot, Electric Literature, PopSugar, The Rumpus, My Republica, Paste, Bitch, Library Journal, Flavorwire, Bustle, Christian Science Monitor, Shelf Awareness, Tor.com, Entertainment Cheat Sheet, Roads and Kingdoms, Chicago Public Library, Hyphen Magazine, Entropy Magazine, Chicago Review of Books, The Coil, iBooks, and Washington Independent Review of Books Winner of the Publishing Triangle's Randy Shilts Award for Gay Nonfiction • Recipient of the Lambda Literary Trustees'Award • Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay • Finalist for a Lambda Literary Award for Gay Memoir/Biography

“Powerful” essays exploring the experience of the writer—and the nature of experience itself (Minneapolis Star-Tribune). Shortlisted for the 2018 Chicago Review of Books Award in Nonfiction Jenny Boully's essays are ripe with romance and sensual pleasures, drawing connections between the digression, reflection, imagination, and experience that characterize falling in love as well as the life of a writer. Literary theory, philosophy, and linguistics rub up against memory, dreamscapes, and fancy—making the practice of writing a metaphor for the illusory nature of experience. Betwixt-and-Between is, in many ways, simply a book about how to live. “[Boully's] prose is reminiscent of Lydia Davis'—spare, elliptical, unexpected—and sometimes, in her rhythmic cadences, of Gertrude Stein's... Graceful meditations on love, loneliness, and the magic of words.” —Kirkus Reviews “Jenny Boully is a deeply weird writer—in the best way.” —Ander Monson

Oscar Wilde was a prominent Irish playwright and novelist in the late 19th century. With classics such as The Importance of Being Earnest and The Picture of Dorian Gray, Wilde remains one of the most widely read authors today. This edition of Intentions includes a table of contents.

From the internationally best-selling author of the His Dark Materials trilogy, a spellbinding journey into the secrets of his art--the narratives that have shaped his vision, his experience of writing, and the keys to mastering the art of storytelling.One of the most highly acclaimed and best-selling authors of our time now gives us a book that charts the history of his own enchantment with story--from his own books to those of Blake, Milton, Dickens, and the Brothers Grimm, among others--and delves into the role of story in education, religion, and science. At once personal and wide-ranging, Daemon Voices is both a revelation of the writing mind and the methods of a great contemporary master, and a fascinating exploration of storytelling itself.

With Let Us Build Us a City Tracy Daugherty considers the principles of literary art in a series of essays that focus on the nature of artistic vision and the creative individual's relationship to the world. The book reads like a master class on writing as practice, while performing a deep reading of art and life and looking to discern why liberal education matters so much to our society.At its core, Let Us Build Us a City is a work of cultural and literary history, combining memoir (of the author's experiences as a student and teacher of literature and writing) with analysis and speculation. Daugherty exploits a variety of forms to explore literary apprenticeship and mentoring, philosophy, politics, metaphysics, and American history.In particular, Daugherty focuses on the creative impulse and the diverse ways in which individual writers apply their imaginations to their craft. Along the way, he offers multiple lace of creative practice within it. Let Us Build Us a City is a stirring defense and timely renewal of our national literary vision.

A collection of essays from today's most acclaimed authors—from Cheryl Strayed to Roxane Gay to Jennifer Weiner, Alexander Chee, Nick Hornby, and Jonathan Franzen—on the realities of making a living in the writing world.In the literary world, the debate around writing and commerce often begs us to take sides: either writers should be paid for everything they do or writers should just pay their dues and count themselves lucky to be published. You should never quit your day job, but your ultimate goal should be to quit your day job. It's an endless, confusing, and often controversial conversation that, despite our bare-it-all culture, still remains taboo. In Scratch, Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money? As contributors including Jonathan Franzen, Cheryl Strayed, Roxane Gay, Nick Hornby, Susan Orlean, Alexander Chee, Daniel Jose Older, Jennifer Weiner, and Yiyun Li candidly and emotionally discuss money, MFA programs, teaching fellowships, finally getting published, and what success really means to them, Scratch honestly addresses the tensions between writing and money, work and life, literature and commerce. The result is an entertaining and inspiring book that helps readers and writers understand what it's really like to make art in a world that runs on money—and why it matters. Essential reading for aspiring and experienced writers, and for anyone interested in the future of literature, Scratch is the perfect bookshelf companion to On Writing, Never Can Say Goodbye, and MFA vs. NYC.

From a Southern storyteller and National Book Award–winning author, essays on her childhood, influences, and thoughts on writing and life. Now, with this collection of essays, readers can explore the author of Victory Over Japan throughout her career. From the Mississippi plantation of her childhood to pieces featured in Vogue, Outside, New Woman, and The Washington Post Sunday Magazine, Gilchrist comes alive. With more than forty pictures, essays about Gilchrist's thoughts on writing, and a peek into the books, teachers, and artists that influenced her work, this is required reading for any fan.“This book of “journals” is actually a carefully patterned quilt sewn of the author's NPR “entries” and a few assorted essays and speeches. Underlaid with a warm, subtle (sometimes precious) humor, these homey reflections on things near and far... manage, in their spare manner, to pare down to the deceptively simple truth of things.... This volume should provide welcome fare for Gilchrist fans.” —Kirkus Reviews

From the award-winning author of Motherless Brooklyn and The Ecstasy of Influence comes a new collection of essays that celebrates a life spent in books More Alive and Less Lonely collects over a decade of Jonathan Lethem's finest writing on writing, with new and previously unpublished material, including: impassioned appreciations of forgotten writers and overlooked books, razor-sharp critical essays, and personal accounts of his most extraordinary literary encounters and discoveries. Only Lethem, with his love of cult favorites and the canon alike, can write with equal insight into classic writers like Charles Dickens and Herman Melville, modern masters like Lorrie Moore and Thomas Pynchon, graphic novelist Chester Brown, and science fiction outlier Philip K. Dick. Sharing his infectious love for books of all kinds, More Alive and Less Lonely is a bracing voyage of literary discovery and an essential addition to every booklover's shelf.

Newspapers and magazines have been steadily shrinking, and more and more former subscribers have gone to digital and internet sources for the news. Yet it has become increasingly clear that “short takes” don't satisfy many readers, who still long for nuanced, long form journalism. By providing examples of classic magazine articles by professional writers, all of whom are graduates of the Missouri School of Journalism, this book fulfills the need for more sophisticated, thought-provoking essays that will resonate with both the general reader and students. The book is divided into three broad categories: profiles, first person journalism, and personal memoirs, and includes the original articles as well as a “postscript” by the writers in which they discuss what they've learned about writing, journalism, and the business of getting published. Useful for students and instructors in writing programs, the book also appeals to writers interested in both the art and the craft of successful writing.

During the past thirty years, the editors of the Hudson Review have observed a trend among some of the best literary essayists and reviewers to situate their criticism in a deeply personal manner as opposed to the theoretical, technocratic work being produced in many literary and academic publications. Over time, the Hudson Review became a home for this kind of accessible, memoirist writing. Literary Awakenings collects eighteen essays published over the last three decades that celebrate the writer's relationship with literature, one that is deeply shaped by experience and remembrance.The essays gathered here recall disparate awakenings to the influence of literature and discoveries of the many ways in which it enriches nearly every aspect of our lives. Antonio Muñoz Molina describes his education as a writer and a citizen as a form of protest against Franco's totalitarian regime in Spain. Drawing upon Huckleberry Finn, Wendell Berry meditates on the impulse to escape that literature often invokes, and Judith Pascoe's tribute to Clarissa confesses to the appeal of reading select literature that initiates one into an exclusive coterie of people. What unites these diverse contributions is the joy of appreciation, the pleasures of engaging with literature.

“A writer at the height of her powers” (Oprah.com) reflects on a literary life pulled in two directions: from war zone journalism to the writing and teaching of fictionIn an essay entitled “Spirit and Vision” Melissa Pritchard poses the question: “Why write?” Her answer reverberates throughout A Solemn Pleasure, presenting an undeniable case for both the power of language and the nurturing constancy of the writing life. Whether describing the deeply interior imaginative life required to write fiction, searching for the lost legacy of American literature as embodied by Walt Whitman, being embedded with a young female GI in Afghanistan, traveling with Ethiopian tribes, or revealing the heartrending story of her informally adopted son William, a former Sudanese child slave, this is nonfiction vividly engaged with the world. In these fifteen essays, Pritchard shares her passion for writing and storytelling that educates, honors, and inspires.Melissa Pritchard is the author of the novel Palmerino, the short story collection The Odditorium, and the essay collection A Solemn Pleasure: To Imagine, Witness, and Write, among other books. Emeritus Professor of English and Women's Studies at Arizona State University, she now lives in Columbus, Georgia.

Fifty of the world's greatest writers share their views in collaboration with the artist Matteo Pericoli, expanding our own views on place, creativity, and the meaning of homeAll of us, at some point in our daily lives, have found ourselves looking out the window. We pause in our work, tune out of a conversation, and turn toward the outside. Our eyes simply gaze, without seeing, at a landscape whose familiarity becomes the customary ground for distraction: the usual rooftops, the familiar trees, a distant crane. The way of life for most of us in the twenty-first century means that we spend most of our time indoors, in an urban environment, and our awareness of the outside world comes via, and thanks to, a framed glass hole in the wall.In Windows on the World: Fifty Writers, Fifty Views, architect and artist Matteo Pericoli brilliantly explores this concept alongside fifty of our most beloved writers from across the globe. By pairing drawings of window views with texts that reveal—either physically or metaphorically—what the drawings cannot, Windows on the World offers a perceptual journey through the world as seen through the windows of prominent writers: Orhan Pamuk in Istanbul, Daniel Kehlmann in Berlin, Chimamanda Ngozi Adichie in Lagos, John Jeremiah Sullivan in Wilmington, North Carolina, Nadine Gordimer in Johannesburg, Xi Chuan in Beijing. Taken together, the views—geography and perspective, location and voice—resonate with and play off each other.Working from a series of meticulous photographs and other notes from authors'homes and offices, Pericoli creates a pen-and-ink illustration of each window and the view it frames. Many readers know Pericoli's work from his acclaimed series for The New York Times and later for The Paris Review Daily, which have a devoted following. Now, Windows on the World collects from Pericoli's body of work and features fifteen never-before-seen windows in one gorgeously designed volume, as well as a preface from the Paris Review's editor Lorin Stein. As we delve into what each writer's view may or may not share with the others', as we look at the map and explore unfamiliar views of cities from around the world, a new kind of map begins to take shape.Windows on the World is a profound and eye-opening look inside the worlds of writers, reminding us that the things we see every day are woven into our selves and our imaginations, making us keener and more inquisitive observers of our own worlds.

Drawing on 30 years of BOMB Magazine, this anthology of interviews brings together some of the greatest figures of world literature for a brilliant and unforgettable collection of sharp, insightful and intimate author conversations. Here we have a conversation with Jonathan Franzen, still an unknown author, on the eve of the publication of The Corrections; and one with Roberto Bolaño, near the end of his life. Lydia Davis and Francine Prose break down the intricacies of Davis's methods; Edwidge Danticat and Junot Díaz discuss the power of Caribbean diasporic fiction. This anthology brings together some of the greatest figures of world literature for a brilliant and unforgettable collection of sharp, insightful and intimate author conversations.

'Each morning I would strike out for this temple of learning in the crisp autumn air... with a sense of purpose and the conviction that this was where I belonged.'—Marilyn Stasio from'My Research Project'Inspired partly by Richard Altick's The Scholar Adventurers, the thirteen writers in Curiosity's Cats offer powerful arguments for the value of hands-on research, be it chasing documents, cracking mysteries, interviewing long-lost subjects, or visiting exotic and not-so-exotic locales.Alberto Martinez explains how diligence with dates can provide clues to unlock the most difficult historical puzzles. Jan Reid explores the difference between research for an epic novel and research to write the epic biography of a friend. Margot Livesey suspects that she continues to write novels simply to do the research. But every essay testifies to the fact that research is valuable not only because of the product that may result from it, but because the process itself fulfills a basic human need.Contributors include: Philip J. Anderson, Annette Kolodny, Theodore Kornweibel, Jr., Margot Livesey, Alberto Martínez, Bruce Joshua Miller, Katherine Hall Page, Jan Reid, Ali Selim, Marilyn Stasio, Ned Stuckey-French, Bruce White, and Steve Yates.'Research has always seemed a bit like homework to me. Whatever the topic, I feel like a naughty schoolboy who's cramming for an exam. What a relief to realize I am not alone. Through a variety of methods and circumstances, the writers in this fascinating collection demonstrate that research, like exploration, is challenging, maddening, frustrating, and exhausting. But like any great explorer (or naughty schoolboy), we know we cannot reach our goal without it, and the journey is often more rewarding than the destination.'—Alan Cumming, actor and author?'In our age of the Twitter and the Internet, it's such a joy to see the art of the essay so alive and strong. Read this book and rediscover that real knowledge and connections still reside at the source: out in the field and inside the human condition.'—Dan Buettner, National Geographic Fellow and New York Times best-selling author of The Blue Zones?'No book has better portrayed the intimate, sometimes exasperating relationship between writer and research. It's all here, and it's never dull—the thrill of the chase, the unexpected discoveries, the crushing setbacks, the exhilarating'Aha!'moments. There's even a stray bookworm—yes, a real one—that literally wriggles off the page.'—Patricia T. O'Conner, author of Woe Is I and, with Stewart Kellerman, Origins of the Specious: Myths and Misconceptions of the English Language.?'If you have ever sensed a marvelous story or a startling emotion hidden within a historic document, photo, artifact, or place, you'll find many kindred spirits in this inspiring book. It made me want to drop everything to set out on a grand intellectual adventure in the nearest archive.'—Jack El-Hai, author of The Nazi and the Psychiatrist and Non-Stop: A Turbulent History of Northwest Airlines

Life Is Short—Art Is Shorter is not just the first anthology to gather both mini-essays and short-short stories; readers, writers, and teachers will get will get an anthology; a course's worth of writing exercises; a rally for compression, concision, and velocity in an increasingly digital, post-religious age; and a meditation on the brevity of human existence.1. We are mortal beings.2. There is no god.3. We live in a digital culture.4. Art is related to the body and to the culture.5. Art should reflect these things.6. Brevity rules.The book's 40 contributors include Donald Barthelme, Kate Chopin, Lydia Davis, Annie Dillard, Jonathan Safran Foer, Barry Hannah, Amy Hempel, Jamaica Kincaid, Wayne Koestenbaum, Anne Lamott, Daphne Merkin, Rick Moody, Dinty W. Moore, George Orwell, Jayne Anne Phillips, George Saunders, Lauren Slater, James Tate, and Paul Theroux.

“A stimulating combination of literary criticism, essay, and fiction” (The New Yorker) from the incomparable Ali SmithArtful is a celebration of literature's worth in and to the world—it is about the things art can do, the things art is made of, and the quicksilver nature of all artfulness. A magical hybrid that refuses to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature. Ali Smith's heady powers as a novelist and short story writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.

Twenty of America's bestselling authors share tricks, tips, and secrets of the successful writing life.Anyone who's ever sat down to write a novel or even a story knows how exhilarating and heartbreaking writing can be. So what makes writers stick with it? In Why We Write, twenty well-known authors candidly share what keeps them going and what they love most—and least—about their vocation.Contributing authors include:Isabel AllendeDavid BaldacciJennifer EganJames FreySue GraftonSara GruenKathryn HarrisonGish JenSebastian JungerMary KarrMichael LewisArmistead MaupinTerry McMillanRick MoodyWalter MosleySusan OrleanAnn PatchettJodi PicoultJane SmileyMeg Wolitzer

Lit from Within offers creative writers a window into the minds of some of America's most celebrated contemporary authors. Witty, direct, and thought–provoking, these essays offer something to creative writers of all backgrounds and experience. With contributions from fiction writers, poets, and nonfiction writers, this is a collection of unusual breadth and quality.Contributors: Lee K. Abbott, Rick Bass, Claire Bateman, Charles Baxter, Ron Carlson, Billy Collins, Peter Ho Davies, Carl Dennis, Stephen Dunn, Robin Hemley, Tony Hoagland, David Kirby, Maggie Nelson, Francine Prose, Mary Ruefle

Writing about writers, far from being irrelevant, is a genuine act of solidarity, supportive and steadying. I enjoyed it enormously'- Brian Morton, Sunday Herald Tracing the blurred line between life and literature has taken David Robinson to places as far afield as west Kansas and the edge of the Kalahari. It's also taken him on journeys of discovery into the minds of some of the most gifted writers alive. This beautifully produced collection of essays and interviews is based on his articles in The Scotsman newspaper and is a record of those fascinating encounters - a book that starts in a couple of dozen other books and takes the reader on the road to even more. If you've ever found yourself enthralled underneath the canvas of a book festival tent—or if you've only wished for the chance—In Cold Ink is the perfect recreation, taking you straight to your best-loved authors and helping you discover new favourites!

“Packed with inspirational, useful, and thought-provoking essays on the craft of writing from some of the best writers around.” —Minneapolis Star TribuneTeachers, exercises, mentors, critiques, humor, and inspiration: these form the fuel all writers need when they get down to work every day. For decades the Loft Literary Center has provided this fuel to an enormous community of writers. Views from the Loft brings together the collected wisdom of that community—its authors, students, and editors—giving anyone the tools and inspiration necessary to thrive in the writing life.A who's who of writers on writing ranging from the National Book Award–winning poet Mark Doty to Newbery Medal–winning children's author Kate DiCamillo, and touching on issues as delicate as the representation of family in memoir and as hilarious as a “sad-epiphany poem” mad lib for frustrated poets, this book is an essential collection of crucial tips and challenging questions for everyone who puts pen to page. The essays and interviews in this book include superstar writers like Rick Bass, Michael Cunningham, Grace Paley, Jim Moore, Kathleen Norris, Susan Power, Susan Straight, Bao Phi, Marilyn Hacker, Shannon Olson, R.D. Zimmerman, Lorna Landvik, Vivian Gornick, Yehuda Amichai, and many more.

Personal reflections on the vital role of the notebook in creative writing, from Dorianne Laux, Sue Grafton, John Dufresne, Kyoko Mori, and more.This collection of essays by established professional writers explores how their notebooks serve as their studios and workshops—places to collect, to play, and to make new discoveries with language, passions, and curiosities. For these diverse writers, the journal also serves as an ideal forum to develop their writing voice, whether crafting fiction, nonfiction, or poetry. Some include sample journal entries that have since developed into published pieces. Through their individual approaches to keeping a notebook, the contributors offer valuable advice, personal recollections, and a hearty endorsement of the value of using notebooks to document, develop, and nurture a writer's creative spark.

Published in conjunction with the PEN American Center, Burn This Book is a powerful collection of essays that explore the meaning of censorship and the power of literature to inform the way we see the world, and ourselves.As Americans we often take our freedom of speech for granted. When we talk about censorship we talk about China, the former Soviet Union, or the Middle East. But recent political developments—including the passage of the Patriot Act—have shined a spotlight on profound acts of censorship in our own backyard. Burn This Book features a sterling roster of award-winning writers offering their incisive, uncensored views on this most essential topic, including such revered literary heavyweights as Toni Morrison, Salman Rushdie, Orhan Pamuk, David Grossman, and Nadine Gordimer, among others.Both provocative and timely, Burn This Book is certain to inspire strong opinions and ignite spirited, serious dialogue.

A collection of “deceptively simple, profoundly thoughtful, fiercely honest” essays on art, life, and politics by the acclaimed actor and playwright (Howard Zinn, author of Political Awakenings and Indispensable Zinn). Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the people who serve our food and deliver our mail; describing his upbringing in the sheltered world of Manhattan's cultural elite; or engaging in a fascinating interview with Noam Chomsky, Wallace Shawn has a unique ability to step back from the appearance of things to explore their deeper social meanings. In these essays, Shawn grasps the unpleasant contradictions of modern life and challenges us to look at our own behavior in a more honest light. He also finds the pathos in the political and personal challenges of everyday life. With the same sharp wit and remarkable attention to detail that he brings to his critically acclaimed plays, Shawn invites us to look at the world with new eyes, the better to understand—and change it. “Full of what you might call conversation starters: tricky propositions about morality... politics, privilege, runaway nationalist fantasies, collective guilt, and art as a force for change (or not)... It's a treat to hear him speak his curious mind.” —O Magazine “Lovely, hilarious and seriously thought provoking, I enjoyed it tremendously.” —Toni Morrison, winner of the Nobel Prize in Literature

Oscar Wilde was one of the most successful playwrights of the Victorian era. He was also a notorious supporter of the decadence and aesthetic movements, eventually jailed for having a young male lover. His name remains a by-word for social commentary by sharp wit. Intentions is a collection of critical essays by Wilde including The Critic as artist, The Decay of Lying, Pen, Pencil and Poison and The Truth of Masks.

From one of the most admired essayists and novelists at work today: a new collection of essays—his first since Tests of Time, winner of the National Book Critics Circle Award for Criticism. These twenty-five essays speak to the nature and value of writing and to the books that result from a deep commitment to the word. Here is Gass on Rilke and Gertrude Stein; on friends such as Stanley Elkin, Robert Coover, and William Gaddis; and on a company of “healthy dissidents,” among them Rabelais, Elias Canetti, John Hawkes, and Gabriel García Márquez. In the title essay, Gass offers an annotated list of the fifty books that have most influenced his thinking and his work and writes about his first reaction to reading each. Among the books: Ludwig Wittgenstein's Tractatus Logico-Philosophicus (“A lightning bolt,” Gass writes. “Philosophy was not dead after all. Philosophical ambitions were not extinguished. Philosophical beauty had not fled prose.”)... Ben Jonson's The Alchemist (“A man after my own heart. He is capable of the simplest lyrical stroke, as bold and direct as a line by Matisse, but he can be complex in a manner that could cast Nabokov in the shade... Shakespeare may have been smarter, but he did not know as much.”)... Gustave Flaubert's letters (“Here I learned—and learned—and learned.”) And after reading Malory's Le Morte d'Arthur, Gass writes “I began to eat books like an alien worm.”In the concluding essay, “Evil,” Gass enlarges upon the themes of artistic quality and cultural values that are central to the books he has considered, many of which seek to reveal the worst in people while admiring what they do best.As Gass writes, “The true alchemists do not change lead into gold, they change the world into words.”A Temple of Texts is Gass at his most alchemical.

This marvelous guide begins where other books on writing and the writing life leave off. Delving deep into the creative process, Bret Lott reveals truths we scarcely realized we needed to know but without which we as writers will soon lose our way. In ten intimate essays based on his own experiences and on the seasoned wisdom of writers including Eudora Welty, E. B. White, Henry David Thoreau, Henry James, and John Gardner, Lott explores such topics as• why write? why keep writing?• the importance of simple words• the finer points of character detail• narrative and the passage of time• the pitfalls of technique• making a plan–and letting it go• risking failure–and reaping the benefits• Accepting rejectionWriters travel alone, but Bret Lott's book makes the journey less lonely and infinitely more rewarding. Before We Get Started will help you make your work as good as it can be: “Pay attention recklessly. Strain to see through the window of your own artistic consciousness in the exhilarating knowledge that there is no path to the waterfall, and there are a million paths to the waterfall, and there is, too, only one path: yours.”

Celebrated author Ellen Gilchrist played many roles—writer and speaker, wife and lover, mother and grandmother. But she had never tackled the role of teacher.Offered the opportunity to teach creative writing at the University of Arkansas, she accepted the challenge and ventured into unknown territory. In the process of teaching more than two hundred students since her first class in 2000, she found inspiration in their lives and ambitions and in the challenge of conveying to them the lessons she had learned from living and writing. The Writing Life brings together fifty essays and vignettes centered on the transforming magic of literature and the teaching and writing of it. A portion of the collection discusses the delicate balance between an artistic life and family commitments, especially the daily pressures and frequent compromises faced by a young mother. Gilchrist next focuses on the process of writing itself with essays ranging from “How I Wrote a Book of Short Stories in Three Months” to “Why Is Rewriting So Hard?” Several essays discuss her appreciation of other writers, from Shakespeare to Larry McMurtry, and the lessons she learned from them. Eudora Welty made an indelible impact on Gilchrist's work. When Gilchrist takes on the task of teaching, her essays reveal an enriched understanding of the role writing plays in any life devoted to the craft. Humorous and insightful, she assesses her own abilities as an instructor and confronts the challenge of inspiring students to attain the discipline and courage to pursue the sullen art. Some of these pieces have been previously published in magazines, but most are unpublished, and all appear here in book form for the first time.

Originally published: Moscow, Idaho : University of Idaho Press, c2004.

What is the best way to tell a story?In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bök, Corey Frost, Derek McCormack and Lisa Robertson.Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the'performance'of outlaw subject matter.Brave, energetic and fresh, Biting the Error tells a whole new story about narrative.Biting the Error is edited by Mary Burger, Robert Glück, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University.

“Writing is spooky,” according to Norman Mailer. “There is no routine of an office to keep you going, only the blank page each morning, and you never know where your words are coming from, those divine words.” In The Spooky Art, Mailer discusses with signature candor the rewards and trials of the writing life, and recommends the tools to navigate it. Addressing the reader in a conversational tone, he draws on the best of more than fifty years of his own criticism, advice, and detailed observations about the writer's craft. Praise for The Spooky Art “The Spooky Art shows Mailer's brave willingness to take on demanding forms and daunting issues.... He has been a thoughtful and stylish witness to the best and worst of the American century.”—The Boston Globe “At his best—as artists should be judged—Mailer is indispensable, an American treasure. There is enough of his best in this book for it to be welcomed with gratitude.”—The Washington Post “[The Spooky Art] should nourish and inform—as well as entertain—almost any serious reader of the novel.”—Baltimore Sun“The richest book ever written about the writer's subconscious.”—The Philadelphia Inquirer “Striking... entrancingly frank.”—Entertainment Weekly Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature... Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post