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In 1978, Harry Rosenfeld left the Washington Post, where he oversaw the paper's standard-setting coverage of Watergate, to take charge of two daily papers under co-ownership in Albany, New York: the morning Times Union and the evening Knickerbocker News. It was a particularly challenging moment in newspaper history. While new technologies were reducing labor costs on the production side and providing ever more sophisticated tools for journalists to practice their craft, those very same technologies would soon turn a comparatively short-lived boom into a grave threat, as ever more digitally distracted readers turned to sources other than print and other legacy media for their news. Between these boundaries, Rosenfeld set about to do his work.Picking up where his previous memoir, From Kristallnacht to Watergate, left off, Battling Editor tells the story of how Rosenfeld and his colleagues transformed two daily publications into alert and aggressive newspapers even in times of economic downturn. Bringing the investigative habits he had honed in his years at the New York Herald Tribune and the Washington Post, Rosenfeld's objective was to tell the fully rounded stories of the region's cities, suburbs, and rural towns, with awareness of both their achievements and their shortcomings. Furthermore, the misuse of power, whenever it happened, whether in city hall or the state capitol, in courtrooms or prisons, or in hospitals, corporations, community organizations, was to be exposed, and those accountable were to be held responsible.More importantly, however, Rosenfeld's account is enlisted in the growing call to arms for all who cover the news and all who consume it. Written at a time when the credibility of news organizations is under attack by those at the highest levels of government, Battling Editor is a full-throated defense of fact-based journalism and hard-hitting reporting at the local as well as national level.

An intimate profile of the legendary Washington Post editor whose life and career encompassed Watergate, the Pentagon Papers, and the Kennedys—as portrayed by Tom Hanks in the Steven Spielberg film The Post “A fairly complete and rare portrait of this last of the lion-king newspaper editors.”—The New York Times Book Review Ben Bradlee was a fixture on the American scene for nearly half a century—a close friend to John F. Kennedy; the center of D.C. social life; and a crusty, charismatic editor whose decisions at the helm of the Post during Watergate changed the course of history. Granted unprecedented access to Bradlee and his colleagues, friends, and private files, Jeff Himmelman draws on never-before-seen internal Post memos, correspondence, personal photographs, and private interviews to trace the full arc of Bradlee's forty-five-year career—from his early days as a press attaché in postwar Paris through the Pentagon Papers, Richard Nixon's resignation, the Janet Cooke fabrication scandal, and beyond. Along the way, Himmelman also unearths a series of surprises—about Watergate, and about Bradlee's private relationships with Post owner Katharine Graham, reporters Bob Woodward and Carl Bernstein, and President Kennedy and his wife, Jackie. “Don't feel that you have to protect me,” Bradlee told Himmelman whenever the reporting started to strike close to home. “Follow your nose.” Those instructions, familiar to any Post reporter, have resulted in this thoughtfully constructed and beautifully written account of a magnetic man whose career has come to define the golden age of newspapers in America, when the press battled for its freedom—and won. Praise for Yours in Truth “The absolute best nonfiction book of the year... a work of journalistic art... history straight and true... should be required reading at the Columbia School of Journalism.”—Chicago Tribune “Surprising and compulsively readable... Himmelman's chapters on Watergate are especially masterful, untangling that web in a fresh and comprehensible way.”—Minneapolis Star Tribune “A sparkling, revealing, definitely controversial, and very readable book... highly amusing, particularly for any connoisseur of juicy modern American politics.”—Pittsburgh Post-Gazette “Embedded in Yours in Truth there are fundamental insights about journalism and the role of a dynamic press.”—The Atlantic

LOUIS BENSON SELTZER was born September 19, 1897, in a single-story cottage back of a fire station on Cleveland's near West Side—on the other side of the river and the other side of the tracks. The oldest of five children in a household always short of cash, he was hardly in knee britches before he was handling a paper route to help out the kitchen bank. His father was Charles Alden Seltzer, who was to write 49 books, many of which were later made into motion pictures. But when Louis Seltzer was seven years old his father had not yet sold his first story, and when he was thirteen he left school without finishing seventh grade in order to take a job as an office boy and cub reporter on The Leader. A year later he moved over to The Cleveland News, only to come back to The Leader where, in addition to his other duties, he wrote a column under the by-line of “Luee, The Offis Boy.” Once more he shifted to The Cleveland News, and after a short time there he was fired—and told he'd never make a newspaperman.This was early in 1915 and Louis B. Seltzer was not quite eighteen. He was already married to Marion Elizabeth Champlin, and his first child, Chester Ellsworth, was soon to be born. A daughter, Shirley Marion, was born in 1919. Within a year of joining The Press he was made City Editor, only to fire himself from that particular assignment in six months because he didn't like the desk work. He chose to become a reporter again, specializing in the political beat.In 1921 he again became City Editor of The Press. In 1924 he was named Political Editor. In 1927 he was made Chief Editorial Writer. In March of 1928 he became Associate Editor. And on July 9, in the same year, he was elevated to the post of Editor of The Cleveland Press, a position he has filled ever since. In addition he has been since 1937 Editor-in-Chief of the Scripps-Howard Newspapers of Ohio.

Immersed in Great Affairs is the first book-length biography of noted historian and journalist Allan Nevins. In a career that spanned nearly three-quarters of the twentieth century, Nevins won two Pulitzer Prizes, helped draft John F. Kennedy's acceptance speech at the 1960 Democratic National Convention, composed the monumental eight-volume history of the American Civil War, Ordeal of the Union, and associated with, among others, Adlai Stevenson, Walter Lippmann, Arthur Schlesinger Sr., Charles Scribner, Abraham Flexner, and John D. Rockefeller Jr. This book traces his beginnings as a journalist in the early 1900s with the New York Evening Post and the New York World through his years as a contributor to the New York Times Magazine. Nevins not only influenced thoughtful, general readers through his articles, editorials, and reviews, but also made a lasting impression on the writing of American history and nurtured a whole generation of young scholars as DeWitt Clinton Professor of History at Columbia University. A narrative historian in an age of growing reliance on social science concepts and theories, Nevins remained committed to telling a story and to using history to teach moral lessons.

A New York Times Notable BookArthur Gelb was hired by The New York Times in 1944 as a night copyboy—the paper's lowliest position. Forty-five years later, he retired as its managing editor. Along the way, he exposed crooked cops and politicians, mentored a generation of our most-talented journalists, was the first to praise the as-yet-undiscovered Woody Allen and Barbra Streisand, and brought Joe Papp instant recognition. From D-Day to the liberation of the concentration camps, from the agony of Vietnam to the resignation of a President, from the fall of Joe McCarthy to the rise of the “Woodstock Nation,” Gelb gives an insider's take on the great events of this nation's history—what he calls “the happiest days of my life.”

From the author of Hostage to Fortune; The Letters of Joseph P. Kennedy ('Superb'—Michael Beschloss;'Remarkable'—Arthur Schlesinger), the galvanizing story of Eleanor Medill (Cissy) Patterson, celebrated debutante and socialte, scion of the Chicago Tribune empire, and the twentieth century's first woman editor in chief and publisher of a major metropolitan daily newspaper, the Washington Times-Herald.She was called the most powerful woman in America, surpassing Eleanor Roosevelt, Bess Truman, Clare Boothe Luce, and Dorothy Schiff.Cissy Patterson was from old Republican stock. Her grandfather was Joseph Medill, firebrand abolitionist, mayor of Chicago, editor in chief and principal owner of the Chicago Tribune, and one of the founders of the Republican Party who delivered the crucial Ohio delegation to Abraham Lincoln at the convention of 1860.Cissy Patterson's brother, Joe Medill Patterson, started the New York Daily News.Her pedigree notwithstanding, Cissy Patterson came to publishing shortly before her forty-ninth birthday, in 1930, with almost no practical journalistic or editorial experience and a life out of the pages of Edith Wharton (or more likely the other way around: shades of Cissy are everywhere in the Countess Olenska).Amanda Smith writes that in the summer of 1930, Cissy Patterson, educated at the turn of the century at Miss Porter's School in Farmington, Connecticut, for a vocation of marriage and motherhood and a place in society, took over William Randolph Hearst's foundering Washington Herald and began to learn what others believed she could never grasp—how to run and build up a newspaper. She vividly lived out the Medill family's editorial motto (at least in spirit):'When you grandmother gets raped, put it on the front page.'Patterson soon bought from Hearst the Herald's evening sister paper, the Washington Times, merged the two, and became editor, publisher, and sole proprietor of a big-city newspaper, a position almost unprecedented in American history. The effect of the merger was'electric'...By 1945, the Washington Times-Herald, with ten daily editions, was clearing an annual profit of more than $1 million.Amanda Smith, in this huge, fascinating biography gives us the (infamous) life and monumental times of Cissy Patterson, scourge of liberals, advocate of appeasing Hitler, lover of poodles, and hater of FDR.Here is her twentieth-century Washington: its politics and society, scandals and feuds, and at the center—the fierce newspaper wars that consumed and drove the country's press titans, as Patterson took the Washington Times-Herald from a chronic tail-ender in circulation and advertising, ranked fifth in the town, and made it into the most widely read round-the-clock daily in the national's capital, deemed by many to be'the damndest newspaper to ever hit the streets.'

Suppressed is the book the media would prefer you not read. The book may change the way you read a newspaper, listen to the radio, watch TV, or consume digital media.Please look at the Follow the Author Page for videos by Robert M. Smith.Incisive behind-the-scenes details about the Times and other media outlets. — Publishers WeeklyA forthright indictment of the media's shortcomings. — Kirkus ReviewsHalf of all Americans do not trust the media, and many Americans believe the media are to blame for the country's division. The U.S. ranks dead last of all countries in media trust. But no one in the media is talking about this. This well-reviewed book tells you why and shows you the inside of the media machine. It includes a look behind the scenes at some of the biggest stories in the history of journalism. The author — a former New York Times White House and investigative correspondent — was there and is ruthlessly honest about what he saw. In fact, the author unearthed Watergate before Woodward and Bernstein, but saw the story ignored by the New York Times Washington Bureau when he gave it to them.Margaret Sullivan, media critic for the Washington Post, called the book a “very engaging read.”Smith is an attorney and barrister who has written a law book for lawyers. This is a different kind of book, but it is written with the same careful attention to the evidence.Coming to the present, Suppressed shows how some media, including the New York Times, stepped into the ring and began slugging it out with President Trump, instead of staying outside the ring and neutrally reporting what it saw. The book argues that the media would have been more effective if it had remained neutral — and credible.On the other hand, Times stock dropped 17 percent in the first two quarters of 2021, after President Trump left. During the same time the S&P 500 index rose 18 percent. The book offers entertaining tidbits — some hard to believe — but also shows you how to be a knowledgeable consumer of something that you spend time on every day and depend on. Written with candor and humor, Suppressed traces a young investigative reporter's arc from naïveté to cynicism, from covering the White House to leaving journalism for Yale Law School and ultimately becoming a barrister in London and teaching at Oxford.

Syndicated television and radio host. Serial liar. Pioneering journalist. Convicted criminal. Close ally of Malcolm X and Martin Luther King Jr. Publicity-seeking provocateur. Louis Lomax's life was a study in contradiction. In this biography, Thomas Aiello traces the complicated and fascinating arc of Lomax's life and career, showing how the contradictions, tumult, and inconsistencies that marked his life reflected those of 1960s America. Aiello takes readers from Lomax's childhood in the Deep South to his early confidence schemes to his emergence as one of the loudest and most influential voices of the civil rights movement. Regardless of what political position he happened to take at any given moment, Lomax preached “the art of deliberate disunity,” in which the path to democracy could only be achieved through a diversity of opinions. Engaging and broad in scope, The Life and Times of Louis Lomax is the definitive study of one of the civil rights era's most complicated, important, and overlooked figures.

By the time he died under mysterious circumstances in Paris in 1979 at the age of sixty, David Karr had reinvented himself numerous times. His remarkable American journey encompassed many different worlds—from Communist newspapers to the Office of War Information, from muckraking columnist to public relations flack, from corporate raider to corporate executive, from moviemaker to hotel executive, from international businessman to Soviet asset. Once denounced on the floor of the Senate by Joseph McCarthy, he became a trusted adviser to Sargent Shriver, Scoop Jackson, and Jerry Brown. As a New York businessman Karr orchestrated a series of corporate takeovers, using a variety of unscrupulous tactics. With virtually no business experience, he became CEO of Fairbanks Whitney, a major defense contractor, only to be quickly ousted by outraged stockholders. After settling in Paris, he arranged the building of the first Western hotel in Moscow, obtained North American rights to the marketing of the 1980 Moscow Olympics mascot, and won the contract to sell Olympic commemorative coins. Karr died suddenly and mysteriously in 1979. The French press exploded with claims he had been murdered, naming the KGB, CIA, Mossad, and Mafia as suspects. A British journalist later accused him of plotting with Aristotle Onassis to assassinate Robert Kennedy on behalf of the PLO. With three ex-wives, one widow, five children, an outdated will, and millions of dollars in assets, Karr's estate took a decade to unravel. Based on extensive archival research and numerous interviews, The Millionaire Was a Soviet Mole aims to unravel the perplexing question of whose side he was on during his tumultuous career.

Loren Ghiglione recounts the fascinating life and tragic suicide of Don Hollenbeck, the controversial newscaster who became a primary target of McCarthyism's smear tactics. Drawing on unsealed FBI records, private family correspondence, and interviews with Walter Cronkite, Mike Wallace, Charles Collingwood, Douglas Edwards, and more than one hundred other journalists, Ghiglione writes a balanced biography that cuts close to the bone of this complicated newsman and chronicles the stark consequences of the anti-Communist frenzy that seized America in the late 1940s and 1950s.Hollenbeck began his career at the Lincoln, Nebraska Journal (marrying the boss's daughter) before becoming an editor at William Randolph Hearst's rip-roaring Omaha Bee-News. He participated in the emerging field of photojournalism at the Associated Press; assisted in creating the innovative, ad-free PM newspaper in New York City; reported from the European theater for NBC radio during World War II; and anchored television newscasts at CBS during the era of Edward R. Murrow. Hollenbeck's pioneering, prize-winning radio program, CBS Views the Press (1947-1950), was a declaration of independence from a print medium that had dominated American newsmaking for close to 250 years. The program candidly criticized the prestigious New York Times, the Daily News (then the paper with the largest circulation in America), and Hearst's flagship Journal-American and popular morning tabloid Daily Mirror. For this honest work, Hollenbeck was attacked by conservative anti-Communists, especially Hearst columnist Jack O'Brian, and in 1954, plagued by depression, alcoholism, three failed marriages, and two network firings (and worried about a third), Hollenbeck took his own life. In his investigation of this amazing American character, Ghiglione reveals the workings of an industry that continues to fall victim to censorship and political manipulation. Separating myth from fact, CBS's Don Hollenbeck is the definitive portrait of a polarizing figure who became a symbol of America's tortured conscience.

A new understanding of the man who changed the face of American politics William F. Buckley Jr. is widely regarded as the most influential American conservative writer, activist, and organizer in the postwar era. In this nuanced biography, Alvin Felzenberg sheds light on little-known aspects of Buckley's career, including his role as back-channel adviser to policy makers, his intimate friendship with both Ronald and Nancy Reagan, his changing views on civil rights, and his break with George W. Bush over the Iraq War. Felzenberg demonstrates how Buckley conveyed his message across multiple platforms and drew upon his vast network of contacts, his personal charm, his extraordinary wit, and his celebrity status to move the center of political gravity in the United States closer to his point of view. Including many rarely seen photographs, this account of one of the most compelling personalities of American politics will appeal to conservatives, liberals, and even the apolitical.

Henry Watterson, editor of the Louisville Courier-Journal during the tumultuous decades between the Civil War and World War I, was one of the most influential and widely read journalists in American history. At the height of his fame in the early twentieth century, Watterson was so well known that his name and image were used to sell cigars and whiskey. A major player in American politics for more than fifty years, Watterson personally knew nearly every president from Andrew Jackson to Woodrow Wilson. Though he always refused to run, the renowned editor was frequently touted as a candidate for the U.S. Senate, the Kentucky governor's office, and even the White House.Shortly after his arrival in Louisville in 1868, Watterson merged competing interests and formed the Courier-Journal, quickly establishing it as the paper of record in Kentucky, a central promoter of economic development in the New South, and a prominent voice on the national political stage. An avowed Democrat in an era when newspapers were openly aligned with political parties, Watterson adopted a defiant independence within the Democratic Party and challenged the Democrats'consensus opinions as much as he reinforced them.In the first new study of Watterson's historical significance in more than fifty years, Daniel S. Margolies traces the development of Watterson's political and economic positions and his transformation from a strident Confederate newspaper editor into an admirer of Lincoln, a powerful voice of sectional reconciliation, and the nation's premier advocate of free trade. Henry Watterson and the New South provides the first study of Watterson's unique attempt to guide regional and national discussions of foreign affairs. Margolies details Watterson's quest to solve the sovereignty problems of the 1870s and to quell the economic and social upheavals of the 1890s through an expansive empire of free trade. Watterson's political and editorial contemporaries variously advocated free silverism, protectionism, and isolationism, but he rejected their narrow focus and maintained that the best way to improve the South's fortunes was to expand its economic activities to a truly global scale.Watterson's New Departure in foreign affairs was an often contradictory program of decentralized home rule and overseas imperialism, but he remained steadfast in his vision of a prosperous and independent South within an American economic empire of unfettered free trade. Watterson thus helped to bring about the eventual bipartisan embrace of globalization that came to define America's relationship with the rest of the world in the twentieth century. Margolies's groundbreaking analysis shows how Watterson's authoritative command of the nation's most divisive issues, his rhetorical zeal, and his willingness to stand against the tide of conventional wisdom made him a national icon.

This is the story of one of the most important American newspapermen of the twentieth century. Roy Howard rose to prominence at the height of newspapers'power and became a leader in the evolution of print news starting in 1908—when E. W. Scripps appointed him head of the fledgling United Press at age 25—through his tenure as chairman of the Scripps-Howard empire until 1952. As Howard expanded and modernized the business, he landed some of the most important scoops between World War I and the Korean War. Ebullient, likeable, and outgoing, he headed one of only two coast-to-coast news concerns—Hearst being the other. An advisor to presidents and prime ministers, Howard witnessed the most significant events of the time. A 1930 front-page New York Times article named him one of the 59 men who “rule” America, with John D. Rockefeller topping the list. Time magazine put him on the cover. The Saturday Evening Post lionized him. Even his enemies gave him plenty of coverage: The New Yorker excoriated him in a four-part series, although the author admitted that Howard's and Hearst's were the only American newspaper publishers whose photographs the average newspaper reader would recognize. With exclusive, first-time access to thousands of previously unpublished documents in the privately held Howard family archives, author Patricia Beard opens a rich mine of stories from one of the most volatile periods in history as revealed by the head of a newspaper empire at a time when the press both made and broke the news.

When Willard M. Kiplinger launched the groundbreaking Kiplinger Washington Letter in 1923, he left the sidelines of traditional journalism to strike out on his own. With a specialized knowledge of finance and close connections to top Washington officials, Kiplinger was uniquely positioned to tell deeper truths about the intersections between government and business. With careful reporting and insider access, he delivered perceptive analysis and forecasts of business, economic, and political news to busy business executives, and the newsletter's readership grew exponentially over the coming decades. More than just a pioneering business journalist, Kiplinger emerged as a quiet but powerful link between the worlds of Presidents Hoover and Roosevelt, and used his Letter to play a little-known but influential role in the New Deal. Part journalism history, part biography, and part democratic chronicle, The Insider offers a well-written and deeply researched portrayal of how Kiplinger not only developed a widely read newsletter that launched a business publishing empire but also how he forged a new role for the journalist as political actor.

Willmoore Kendall was a man against the world, a'maverick,'an'iconoclast.'His thoughts were profound, his countless enemies powerful, his personal life full of drama. Heaven Can Indeed Fall is the first full-length biography of Kendall and integrates the man with the teacher, thinker, and cold warrior. Once a Marxist, Kendall became a fearsome foe of global communism. He never apologized for supporting Joseph McCarthy. As the co-founder of National Review he helped turn the word liberal into an insult. A'stormy petrel,'Kendall was a man “who never lost an argument or kept a friend.” Yet he was one of the most effective and sensitive teachers of his age. His ideas shaped Cold War practices of intelligence analysis and psychological warfare. As an academic he became the premier American theorist for conservative populism. The recent reemergence of populist ideas among American conservatives makes understanding Kendall ever more imperative. This book shows how a child prodigy and bucolic boy scout became an ambitious intelligence analyst, razor-tongued polemicist and profound student of American politics. By knowing Kendall one can better understand Cold War America, and contemporary America as well.

A fascinating history of the rise and fall of influential Gilded Age magazine McClure's and the two unlikely outsiders at its helm—as well as a timely, full-throated defense of investigative journalism in AmericaThe president of the United States made headlines around the world when he publicly attacked the press, denouncing reporters who threatened his reputation as “muckrakers” and “forces for evil.” The year was 1906, the president was Theodore Roosevelt—and the publication that provoked his fury was McClure's magazine.One of the most influential magazines in American history, McClure's drew over 400,000 readers and published the groundbreaking stories that defined the Gilded Age, including the investigation of Standard Oil that toppled the Rockefeller monopoly. Driving this revolutionary publication were two improbable newcomers united by single-minded ambition. S. S. McClure was an Irish immigrant, who, despite bouts of mania, overthrew his impoverished upbringing and bent the New York media world to his will. His steadying hand and star reporter was Ida Tarbell, a woman who defied gender expectations and became a notoriously fearless journalist.The scrappy, bold McClure's group—Tarbell, McClure, and their reporters Ray Stannard Baker and Lincoln Steffens—cemented investigative journalism's crucial role in democracy. From reporting on labor unrest and lynching, to their exposés of municipal corruption, their reporting brought their readers face to face with a nation mired in dysfunction. They also introduced Americans to the voices of Willa Cather, Arthur Conan Doyle, Robert Louis Stevenson, Joseph Conrad, and many others.Tracing McClure's from its meteoric rise to its spectacularly swift and dramatic combustion, Citizen Reporters is a thrillingly told, deeply researched biography of a powerhouse magazine that forever changed American life. It's also a timely case study that demonstrates the crucial importance of journalists who are unafraid to speak truth to power.

Spanning from WWII to the Cold War and beyond, this is the “magnificent... triumphant” biography of the investigative journalist, resistance fighter, and whistle blower who helped expose the Watergate scandal (Doris Kearns Goodwin, author of Leadership) He was one of the most fascinating figures in 20th-century political history. Yet today, Elias Demetracopoulos is strangely overlooked—even though his life reads like an epic adventure story... As a precocious twelve-year-old in occupied Athens, he engaged in heroic resistance efforts against the Nazis, for which he was imprisoned and tortured. After his life was miraculously spared, he became an investigative journalist, covering Greece's tumultuous politics and America's increasing influence in the region. A clever and scoop-hungry reporter, Elias soon gained access to powerful figures in both governments—and attracted many enemies. When the Greek military dictatorship took power in 1967, he narrowly escaped to Washington DC, where he would lead the fight to restore democracy in his homeland—while running afoul of the American government, too. Now, after a decade of research and original reporting, James H. Barron uncovers the story of a man whose tireless pursuit of uncomfortable truths would put him at odds with not only his own government, but that of the Truman, Eisenhower, Kennedy, Johnson, Nixon, Ford, Carter and Reagan administrations, making him a target of CIA, FBI, and State Department surveillance and harassment—and Greek kidnapping and assassination plots American authorities may have purposefully overlooked. A stunning feat of biographic storytelling, sweeping from World War II to the Cold War, Watergate and beyond, The Greek Connection is about a lifetime of standing up for democracy and a free press against powerful special interests. It has much to teach us about our own era's abuses of power, dark money, journalist intimidation, and foreign interference in elections.

At a time when the role of journalism is especially critical, the former executive editor of the Washington Post writes about his nearly fifty years at the newspaper and the importance of getting at the truth.In 1964, as a twenty-two-year-old Ohio State graduate with working-class Cleveland roots and a family to support, Len Downie landed an internship with the Washington Post. He would become a pioneering investigative reporter, news editor, foreign correspondent, and managing editor, before succeeding the legendary Ben Bradlee as executive editor.Downie's leadership style differed from Bradlee's, but he played an equally important role over more than four decades in making the Post one of the world's leading news organizations. He was one of the editors on the historic Watergate story and drove coverage of the impeachment of President Bill Clinton. He wrestled with the Unabomber's threat to kill more people unless the Post published a rambling 30,000-word manifesto and he published important national security stories in defiance of presidents and top officials. He managed the Post's ascendency to the pinnacle of influence, circulation, and profitability, producing prizewinning investigative reporting with deep impact on American life, before the digital transformation of news media threatened the Post's future.At a dangerous time, when health and economic crises and partisanship are challenging the news media, Downie's judgment, fairness, and commitment to truth will inspire anyone who wants to know how journalism, at its best, works.

Colorful, riveting reportage from a one-of-a-kind Pulitzer Prize–winning journalist and New York Times–bestselling author. In his career as a legendary New York City newspaper columnist, Jimmy Breslin “leveled the powerful and elevated the powerless for more than fifty years with brick-hard words and a jagged-glass wit” (The New York Times). How the Good Guys Finally Won: Following the burglary of the Democratic National Committee headquarters at the Watergate Hotel, as evidence increasingly mounted against President Richard Nixon, Thomas “Tip” O'Neill, the Majority Leader in the House of Representatives, led the charge calling for impeachment. In this New York Times bestseller, Breslin's blow-by-blow, conviction-by-conviction account is a gripping reminder of how O'Neill and his colleagues brought justice to those who abused their power, and revived America after the greatest political scandal in its history. “Breslin's reporting is superb and so is his prose, his insights keen and often startling, his wit unceasing.” —Chicago Tribune The World According to Breslin: In an illustrious career that spanned decades, the seven years that Breslin spent at the New YorkDaily News sparked some of his finest work. When New York City tumbled into economic and social chaos at the end of the 1970s, Breslin was there. In this collection of classic columns, he looks at the city not from the top down but from the bottom up, heralding the heroism of average New Yorkers. “Superb... a master of the tough-talking, thoroughly researched, contentious, street-wise vignette.” —San Francisco Chronicle The World of Jimmy Breslin: In the 1960s, as the once-proud New York Herald Tribune spiraled into bankruptcy, the brightest light in its pages was an ebullient young columnist named Jimmy Breslin. While ordinary columnists wrote about politics, culture, or the economy, Breslin's chief topics were the city and himself. He was chummy with cops, arsonists, and thieves, and told their stories with grace, wit, and lightning-quick prose. Whether covering the five boroughs, Vietnam, or the death of John F. Kennedy, Breslin managed to find great characters wherever he went. “Breslin's touch is absolutely sure.” —The Washington Post Book World

'Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. This book is essential reading for every journalist and aspiring journalist the world over.'—John le Carré From the Pulitzer Prize-winning, best-selling author and preeminent investigative journalist of our time—a heartfelt, hugely revealing memoir of a decades-long career breaking some of the most impactful stories of the last half-century, from Washington to Vietnam to the Middle East.Seymour Hersh's fearless reporting has earned him fame, front-page bylines in virtually every major newspaper in the free world, honors galore, and no small amount of controversy. Now in this memoir he describes what drove him and how he worked as an independent outsider, even at the nation's most prestigious publications. He tells the stories behind the stories—riveting in their own right—as he chases leads, cultivates sources, and grapples with the weight of what he uncovers, daring to challenge official narratives handed down from the powers that be. In telling these stories, Hersh divulges previously unreported information about some of his biggest scoops, including the My Lai massacre and the horrors at Abu Ghraib. There are also illuminating recollections of some of the giants of American politics and journalism: Ben Bradlee, A. M. Rosenthal, David Remnick, and Henry Kissinger among them. This is essential reading on the power of the printed word at a time when good journalism is under fire as never before.

Among the fiercest opponents of the mass incarceration of Japanese Americans during World War II was journalist James'Jimmie'Matsumoto Omura. In his sharp-penned columns, Omura fearlessly called out leaders in the Nikkei community for what he saw as their complicity with the U.S. government's unjust and unconstitutional policies—particularly the federal decision to draft imprisoned Nisei into the military without first restoring their lost citizenship rights. In 1944, Omura was pushed out of his editorship of the Japanese American newspaper Rocky Shimpo, indicted, arrested, jailed, and forced to stand trial for unlawful conspiracy to counsel, aid, and abet violations of the military draft. He was among the first Nikkei to seek governmental redress and reparations for wartime violations of civil liberties and human rights. In this memoir, which he began writing towards the end of his life, Omura provides a vivid account of his early years: his boyhood on Bainbridge Island; summers spent working in the salmon canneries of Alaska; riding the rails in search of work during the Great Depression; honing his skills as a journalist in Los Angeles and San Francisco. By the time of the attack on Pearl Harbor, Omura had already developed a reputation as one of the Japanese American Citizens League's most adamant critics, and when the JACL leadership acquiesced to the mass incarceration of American-born Japanese, he refused to remain silent, at great personal and professional cost. Shunned by the Nikkei community and excluded from the standard narrative of Japanese American wartime incarceration until later in life, Omura seeks in this memoir to correct the'cockeyed history to which Japanese America has been exposed.'Edited and with an introduction by historian Arthur A. Hansen, and with contributions from Asian American activists and writers Frank Chin, Yosh Kuromiya, and Frank Abe, Nisei Naysayer provides an essential, firsthand account of Japanese American wartime resistance.

'For anyone even remotely interested in American literature and journalism, Not So Wild a Dream is a must-read, and a joy.'– Dan RatherIn this captivating first-person account, Eric Sevareid describes in thrilling detail his time as a journalist covering international affairs during World War II. From a young man in North Dakota to an instrumental figure in establishing CBS as an international news organization, Sevareid witnessed the shaping of America's journalistic landscape. His experiences provide an invaluable glimpse into the trials and tribulations of a dogged reporter. With current distrust of the press on the rise, Sevareid's insight is poignant and all the more necessary.'The book is an excellent sketch of the war's progress, and a thoughtful personal record of Mr. Sevareid's adventures--one of the most far ranging war correspondent journals yet published.'– Library Journal

Ida Tarbell's generation called her a “muckraker” (the term was Theodore Roosevelt's, and he didn't intend it as a compliment), but in our time she would have been known as an investigative reporter, with the celebrity of Woodward and Bernstein. By any description, Ida Tarbell was one of the most powerful women of her time in the United States: admired, feared, hated. When her History of the Standard Oil Company was published, first in McClure's Magazine and then as a book (1904), it shook the Rockefeller interests, caused national outrage, and led the Supreme Court to fracture the giant monopoly into several corporations, one of which survives today as ExxonMobil.

Recounts a famously outspoken agnostic's surprising relationship with Christianity H. L. Mencken (1880–1956) was a reporter, literary critic, editor, author—and a famous American agnostic. From his role in the Scopes Trial to his advocacy of science and reason in public life, Mencken is generally regarded as one of the fiercest critics of Christianity in his day. In this biography D. G. Hart presents a provocative, iconoclastic perspective on Mencken's life. Even as Mencken vividly debunked American religious ideals, says Hart, it was Christianity that largely framed his ideas, career, and fame. Mencken's relationship to the Christian faith was at once antagonistic and symbiotic. Using plenty of Mencken's own words, Damning Words superbly portrays an influential figure in twentieth-century America and, at the same time, casts telling new light on his era.

A warm, intimate account of the love between Eleanor Roosevelt and reporter Lorena Hickok—a relationship that, over more than three decades, transformed both women's lives and empowered them to play significant roles in one of the most tumultuous periods in American historyIn 1932, as her husband assumed the presidency, Eleanor Roosevelt entered the claustrophobic, duty-bound existence of the First Lady with dread. By that time, she had put her deep disappointment in her marriage behind her and developed an independent life—now threatened by the public role she would be forced to play. A lifeline came to her in the form of a feisty campaign reporter for the Associated Press: Lorena Hickok. Over the next thirty years, until Eleanor's death, the two women carried on an extraordinary relationship: They were, at different points, lovers, confidantes, professional advisors, and caring friends. They couldn't have been more different. Eleanor had been raised in one of the nation's most powerful political families and was introduced to society as a debutante before marrying her distant cousin, Franklin. Hick, as she was known, had grown up poor in rural South Dakota and worked as a servant girl after she escaped an abusive home, eventually becoming one of the most respected reporters at the AP. Her admiration drew the buttoned-up Eleanor out of her shell, and the two quickly fell in love. For the next thirteen years, Hick had her own room at the White House, next door to the First Lady. These fiercely compassionate women inspired each other to right the wrongs of the turbulent era in which they lived. During the Depression, Hick reported from the nation's poorest areas for the WPA, and Eleanor used these reports to lobby her husband for New Deal programs. Hick encouraged Eleanor to turn their frequent letters into her popular and long-lasting syndicated column'My Day,'and to befriend the female journalists who became her champions. When Eleanor's tenure as First Lady ended with FDR's death, Hick pushed her to continue to use her popularity for good—advice Eleanor took by leading the UN's postwar Human Rights Commission. At every turn, the bond these women shared was grounded in their determination to better their troubled world. Deeply researched and told with great warmth, Eleanor and Hick is a vivid portrait of love and a revealing look at how an unlikely romance influenced some of the most consequential years in American history.

Loren Miller was one of the nation's most prominent civil rights attorneys from the 1940s through the early 1960s and successfully fought discrimination in housing and education. Alongside Thurgood Marshall, Miller argued two landmark civil rights cases before the U.S. Supreme Court, whose decisions effectively abolished racially restrictive housing covenants. One of these cases, Shelley v. Kraemer (1948), is taught in nearly every American law school today. Later, the two men played key roles in Brown v. Board of Education, which ended legal segregation in public schools. Loren Miller: Civil Rights Attorney and Journalist recovers this remarkable figure from the margins of history and for the first time fully reveals his life for what it was: an extraordinary American story and a critical chapter in the annals of racial justice. Born to a former slave and a white midwesterner in 1903, Loren Miller lived the quintessential American success story, blazing his own path to rise from rural poverty to a position of power and influence. Author Amina Hassan reveals Miller as a fearless critic of those in power and an ardent debater whose acid wit was known to burn “holes in the toughest skin and eat right through double-talk, hypocrisy, and posturing.” As a freshly minted member of the bar who preferred political activism and writing to the law, Miller set out for Los Angeles from Kansas in 1929. Hassan describes his early career as a fiery radical journalist, as well as his ownership of the California Eagle, one of the longest-running African American newspapers in the West. In his work with the California branch of the ACLU, Miller sought to halt the internment of West Coast Japanese American citizens, helped integrate the U.S. military and the Los Angeles Fire Department, and defended Black Muslims arrested in a deadly street battle with the LAPD. In 1964, Governor Edmund G. Brown appointed Miller as a Municipal Court justice for Los Angeles County, honoring his ceaseless commitment to improving the lives of Americans regardless of their race or ethnicity. “Either we shall have to make democracy work for every American,” Miller declared, or “we shall not be able to preserve it for any American.” The story told here is of an American original who defied societal limitations to reshape the racial and political landscape of twentieth-century America.

William Shirer (1904-1993), a star foreign correspondent with the Chicago Tribune in the 1920s and'30s, was a prominent member of what one contemporary observer described as an extraordinary band of American journalists,'some with the Midwest hayseed still in their hair,'who gave their North American audiences a visceral sense of how Europe was spiralling into chaos and war. In 1937, Shirer left print journalism and became the first of the now legendary'Murrow boys,'working as an on-air partner to the iconic CBS broadcaster Edward R. Murrow. With Shirer reporting from inside Nazi Germany and Murrow from blitz-ravaged London, the pair built CBS's European news operation into the industry leader and, in the process, revolutionized broadcasting. But after the war ended, the Shirer-Murrow relationship shattered. Shirer lost his job and by 1950 found himself blacklisted as a supposed Communist sympathizer. After nearly a decade in the professional wilderness, he began work on The Rise and Fall of the Third Reich. Published in 1960, Shirer's magnum opus sold millions of copies and was hailed as the masterwork that would'ensure his reputation as long as humankind reads.'Ken Cuthbertson's A Complex Fate is a thought-provoking, richly detailed biography of William Shirer. Written with the full cooperation of Shirer's family, and generously illustrated with photographs, it introduces a new generation of readers to a supremely talented, complex writer, while placing into historical context some of the pivotal media developments of our time.

Walter Lippmann was the most distinguished American journalist and public philosopher of the twentieth century. But he was also something more: a public economist who helped millions of ordinary citizens make sense of the most devastating economic depression in history. Craufurd Goodwin offers a new perspective from which to view this celebrated but only partly understood icon of American letters.From 1931 to 1946 Lippmann pursued a far-ranging correspondence with leading economic thinkers: John Maynard Keynes, Lionel Robbins, Friedrich Hayek, Henry Simons, Adolf Berle, Frank Taussig, and others. Sifting through their divergent views, Lippmann formed his own ideas about economic policy during the Great Depression and shared them with a vast readership in his syndicated column, Today and Tomorrow. Unemployment, monetary and fiscal policy, and the merits and drawbacks of free markets were just a few of the issues he helped explain to the public, at a time when professional economists who were also skilled at translating abstract concepts for a lay audience had yet to come on the scene.After World War II Lippmann focused on foreign affairs but revisited economic policy when he saw threats to liberal democracy. In addition to pointing out the significance of the Marshall Plan and the World Bank, he addressed the emerging challenge of inflation and what he called “the riddle of the Sphinx”: whether price stability and full employment could be achieved in an economy with strong unions.

Writing as a newspaper reporter for nearly forty years, Curtis Wilkie covered eight presidential campaigns, spent years in the Middle East, and traveled to a number of conflicts abroad. However, his memory keeps turning home and many of his most treasured stories transpire in the Deep South. He called his native Mississippi, “the gift that keeps on giving.” For Wilkie, it represented a trove of rogues and racists, colorful personalities and outlandish politicians who managed to thrive among people otherwise kind and generous. Assassins, Eccentrics, Politicians, and Other Persons of Interest collects news dispatches and feature stories from the author during a journalism career that began in 1963 and lasted until 2000. As a young reporter for the Clarksdale Press Register, he wrote many articles that dealt with the civil rights movement, which dominated the news in the Mississippi Delta during the 1960s.Wilkie spent twenty-six years as a national and foreign correspondent for the Boston Globe. One of the original “Boys on the Bus” (the title of a best-selling book about journalists covering the 1972 presidential campaign), he later wrote extensively about the winning races of two southern Presidents, Jimmy Carter and Bill Clinton. Wilkie is known for stories reported deeply, rife with anecdotes, physical descriptions, and important background details. He writes about the notorious, such as the late Hunter S. Thompson, as well as more anonymous subjects whose stories, in his hands, have enduring interest. The anthology collects pieces about several notable southerners: Ross Barnett; Byron De La Beckwith and Sam Bowers; Billy Carter; Edwin Edwards and David Duke; Trent Lott; and Charles Evers. Wilkie brings a perceptive eye to people and events, and his eloquent storytelling represents some of the best journalistic writing.

A daughter''s quest to understand her father through his work at the intersections of journalism, democracy, and liberalism during the WW II, the McCarthy era, presidency of JFK, and the Vietnam War.

Within a few years of its first issue in 1951, Jet, a pocket-sized magazine, became the “bible” for news of the civil rights movement. It was said, only half-jokingly, “If it wasn't in Jet, it didn't happen.” Writing for the magazine and its glossy, big sister Ebony, for fifty-three years, longer than any other journalist, Washington bureau chief Simeon Booker was on the front lines of virtually every major event of the revolution that transformed America. Rather than tracking the freedom struggle from the usually cited ignition points, Shocking the Conscience begins with a massive voting rights rally in the Mississippi Delta town of Mound Bayou in 1955. It's the first rally since the Supreme Court's Brown decision struck fear in the hearts of segregationists across the former Confederacy. It was also Booker's first assignment in the Deep South, and before the next run of the weekly magazine, the killings would begin. Booker vowed that lynchings would no longer be ignored beyond the black press. Jet was reaching into households across America, and he was determined to cover the next murder like none before. He had only a few weeks to wait. A small item on the AP wire reported that a Chicago boy vacationing in Mississippi was missing. Booker was on it, and stayed on it, through one of the most infamous murder trials in US history. His coverage of Emmett Till's death lit a fire that would galvanize the movement, while a succession of US presidents wished it would go away. This is the story of the century that changed everything about journalism, politics, and more in America, as only Simeon Booker, the dean of the black press, could tell it.

Winchell and Runyon is about the bittersweet bonding of two legendary journalists who started out as adversaries but ended up as everlasting friends. Walter Winchell and Damon Runyon lived in an unforgettable era during World War II and the years following. Walter Winchell was one of the most popular radio personalities of his time and Damon Runyon was one of the most popular Broadway personalities, best known for having written the show'Guys and Dolls.'The book celebrates the life and friendship of Winchell and Runyon, and allows the reader to relive this interesting time in American history. Please visit the following link to see Winchell and Runyon discussed on Live! with Regis and Kelly: http://www.youtube.com/watch?v=LIupNH4SgHQ

Acclaimed historian Alan Brinkley gives us a sharply realized portrait of Henry Luce, arguably the most important publisher of the twentieth century.As the founder of Time, Fortune, and Life magazines, Luce changed the way we consume news and the way we understand our world. Born the son of missionaries, Henry Luce spent his childhood in rural China, yet he glimpsed a milieu of power altogether different at Hotchkiss and later at Yale. While working at a Baltimore newspaper, he and Brit Hadden conceived the idea of Time: a “news-magazine” that would condense the week's events in a format accessible to increasingly busy members of the middle class. They launched it in 1923, and young Luce quickly became a publishing titan. In 1936, after Time's unexpected success—and Hadden's early death—Luce published the first issue of Life, to which millions soon subscribed.Brinkley shows how Luce reinvented the magazine industry in just a decade. The appeal of Life seemingly cut across the lines of race, class, and gender. Luce himself wielded influence hitherto unknown among journalists. By the early 1940s, he had come to see his magazines as vehicles to advocate for America's involvement in the escalating international crisis, in the process popularizing the phrase “World War II.” In spite of Luce's great success, happiness eluded him. His second marriage—to the glamorous playwright, politician, and diplomat Clare Boothe—was a shambles. Luce spent his later years in isolation, consumed at times with conspiracy theories and peculiar vendettas. The Publisher tells a great American story of spectacular achievement—yet it never loses sight of the public and private costs at which that achievement came.

In The Greatest Generation, his landmark bestseller, Tom Brokaw eloquently evoked for America what it meant to come of age during the Great Depression and the Second World War. Now, in Boom!, one of America's premier journalists gives us an epic portrait of another defining era in America as he brings to life the tumultuous Sixties, a fault line in American history. The voices and stories of both famous people and ordinary citizens come together as Brokaw takes us on a memorable journey through a remarkable time, exploring how individual lives and the national mindset were affected by a controversial era and showing how the aftershocks of the Sixties continue to resound in our lives today. In the reflections of a generation, Brokaw also discovers lessons that might guide us in the years ahead. Boom! One minute it was Ike and the man in the grey flannel suit, and the next minute it was time to “turn on, tune in, drop out.” While Americans were walking on the moon, Americans were dying in Vietnam. Nothing was beyond question, and there were far fewer answers than before.Published as the fortieth anniversary of 1968 approaches, Boom! gives us what Brokaw sees as a virtual reunion of some members of “the class of'68,” offering wise and moving reflections and frank personal remembrances about people's lives during a time of high ideals and profound social, political, and individual change. What were the gains, what were the losses? Who were the winners, who were the losers? As they look back decades later, what do members of the Sixties generation think really mattered in that tumultuous time, and what will have meaning going forward? Race, war, politics, feminism, popular culture, and music are all explored here, and we learn from a wide range of people about their lives. Tom Brokaw explores how members of this generation have gone on to bring activism and a Sixties mindset into individual entrepreneurship today. We hear stories of how this formative decade has led to a recalibrated perspective–on business, the environment, politics, family, our national existence. Remarkable in its insights, profoundly moving, wonderfully written and reported, this revealing portrait of a generation and of an era, and of the impact of the 1960s on our lives today, lets us be present at this reunion ourselves, and join in these frank conversations about America then, now, and tomorrow.

A long-overdue book on the brilliant life and career of one of our greatest public intellectuals, American Prophet will introduce Carey McWilliams to a new generation of readers. Peter Richardson's absorbing and elegantly paced book reveals a figure thoroughly engaged with the issues of his time. Deftly interweaving correspondence, diary notes, published writings, and McWilliams's own and others'observations on a colorful and influential cast of characters from Hollywood, New York, Washington, DC, and the American West, Richardson maps the evolution of McWilliams's personal and professional life. Among those making an appearance are H. L. Mencken (McWilliams's mentor and role model), Louis Adamic, John Fante, Robert Towne, Richard Nixon, Studs Terkel, J. Edgar Hoover, Arthur Schlesinger, Jr., and Joseph McCarthy. American Prophet illustrates the arc of McWilliams's life and career from his early literary journalism through his legal and political activism, his stint in state government, and his two decades as editor of the Nation. This book makes the case for McWilliams's place in the Olympian realm of our most influential and prescient political writers. Peter Richardson is the editorial director at PoliPointPress in Sausalito, California. He is the author or editor of numerous works on language, literature, and California public policy. He holds a Ph.D. in English from the University of California Berkeley.

A towering figure on the American cultural landscape, H.L. Mencken stands out as one of our most influential stylists and fearless iconoclasts--the twentieth century's greatest newspaper journalist, a famous wit, and a constant figure of controversy. Marion Elizabeth Rodgers has written the definitive biography of Mencken, the finest book ever published about this giant of American letters. Rodgers illuminates both the public and the private man, covering the many love affairs, his happy marriage at the age of 50 to Sara Haardt, and his complicated but stimulating friendship with the famed theater critic George Jean Nathan. Rodgers vividly recreates Mencken's era: the glittering tapestry of turn-of-the-century America, the roaring twenties, depressed thirties, and the home front during World War II. But the heart of the book is Mencken. When few dared to shatter complacencies, Mencken fought for civil liberties and free speech, playing a prominent role in the Scope's Monkey Trial, battling against press censorship, and exposing pious frauds and empty uplift. The champion of our tongue in The American Language, Mencken also played a pivotal role in defining American letters through The Smart Set and The American Mercury, magazines that introduced such writers as James Joyce, F. Scott Fitzgerald, and Langston Hughes. Drawing on research in more than sixty archives including private collections in the United States and in Germany, previously unseen, on exclusive interviews with Mencken's friends, and on his love letters and FBI files, here is the full portrait of one of America's most colorful and influential men.'This biography, the best ever on the sage of Baltimore, is exhaustive but never exhausting, and offers readers more than moderate intelligence and an awfully good time.'--Martin Nolan, Boston Globe

Dixie is a political and social history of the South during the second half of the twentieth century told from Curtis Wilkie's perspective as a white man intimately transformed by enormous racial and political upheavals. Wilkie's personal take on some of the landmark events of modern American history is as engaging as it is insightful. He attended Ole Miss during the rioting in the fall of 1962, when James Meredith became the first African American to enroll in the school. After graduation, Wilkie worked in Clarksdale, Mississippi, where he met Aaron Henry, a local druggist and later the prominent head of the Mississippi NAACP. He covered the Mississippi Freedom Summer of 1964 and the Mississippi Freedom Democratic Party challenge at the national convention in Atlantic City, and he was a member of the biracial insurgent Democratic delegation from Mississippi seated in place of Governor John Bell Williams's delegation at the 1968 convention in Chicago. Wilkie followed Jimmy Carter's campaign for the presidency, becoming friends with Billy Carter; he covered Bill Clinton's election in 1992 and was witness to the South's startling shift from the Democratic Party to the GOP; and finally, he was there when Byron De La Beckwith was convicted for the murder of civil rights leader Medgar Evers thirty-one years after the fact. Wilkie had left the South in 1969 in the wake of the violence surrounding the civil rights movement, vowing never to live there again. But after traveling the world as a reporter, he did return in 1993, drawn by a deep-rooted affinity to the region of his youth. It was as though he rejoined his tribe, a peculiar civilization bonded by accent and mannerisms and burdened by racial anxiety. As Wilkie writes, Southerners have staunchly resisted assimilation since the Civil War, taking an almost perverse pride in their role as'spiritual citizens of a nation that existed for only four years in another century.'Wilkie endeavors to make sense of the enormous changes that have typified the South for more than four decades. Full of beauty, humor, and pathos, Dixie is a story of redemption -- for both a region and a writer.