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The Working Papers of Hugo Grotius is the first full-length study of the handwritten documents initially used by the author of Mare Liberum (1609) and De Jure Belli ac Pacis (1625) in his day-to-day activities as a scholar, lawyer, and politician, but subsequently incorporated into his own or other archives. Martine van Ittersum reconstructs a process of transmission, dispersal, and loss that started during Grotius'lifetime and ended with the papers'auction in 1864. This is also a study of archival afterlives. Our understanding of Grotius'life and work is shaped by the conscious decisions of previous generations to retain or discard documents, frequently for the sake of individual lives and careers, family honour and/or larger political and religious ends.

If the practice of war is as old as human history, so too is the need to reflect upon war, to understand its meaning and implications. The Pre-Socratic philosopher Heraclitus asserted in 600BC that War (polemos) is justice, thus inaugurating a long philosophical tradition of consideration of the morality of war. In recent times, the increased specialisation of academic disciplines has led a to a fragmentation of the thematic of war within the academy - the topic of war is as likely to be addressed by sociologists, cultural theorists, psychologists and even computer scientists as it is by historians, philosophers or political scientists. This diversity of disciplinary approaches to war is undoubtedly fruitful in itself but can lead to an isolation of respective disciplinary analyses of war from each other. In July 2002, at Mansfield College, Oxford, an inter-disciplinary conference on war (entitled'War and Virtual War') was held so as to redress some of this disciplinary isolationism and to forge an integrative dialogue on war, in all its facets. The papers in this volume were nominated by delegates as the most paradigmatic of the ethos of the original project and the most successful in achieving its aims of inter-disciplinarity and critical dialogue.

This book began as a collection of papers presented at a conference entitled ‘The Future Business of Higher Education'held at Oxford University. The contributions range from those who grapple with the question of what a University should do, through those concerned with making Higher Education more efficient, to some who were already planning for some technologically inevitable virtual future. These disparate leanings led to inevitable conflict and a challenge in editing into book form. In compiling and editing the chapters the editor has tried to preserve some of the diversity of opinion presented at Oxford. By doing so it is apparent that some individual contributors would find unacceptable much of what others in the book have to say. The traditionalists clash with the modernizers, the Left with the Right, Public with Private and the theorists with the practitioners. It is this very divergence of philosophical opinion as to the future of Higher Education that makes this book such an enjoyable and stimulating read.

This volume contains a selection of papers presented at the Cinquième Colloque de Linguistique Romane/Fifth Colloquium on Romance Linguistics, which was held at Groningen University in September 1998. The theme of the colloquium was ‘adverbial modification in Romance languages'.Therefore, adverbial modification is the common denominator of the works in this volume. However, and interestingly enough, the viewpoints taken by the Various authors differ considerably: some of the works deal with traditional adverbs (Ocampo, Kampers-Manhe, Bok-Bennema, Molendijk), others with elements such as mood (de Jonge, Quer) or negation (de Swart). Degree modification is discussed by Cover and Doetjes. Modifying clauses are the topic of Le Draoulec's article and modifying nominals play a central role in Schroten's contribution. A special type of modification is the pragmatic one, which is represented by Montolio's article. Also, various theoretical approaches are represented in this volume, such as the generative approach (e.g. Kampers-Manhe, Bok-Bennema), formal semantics (Molendijk, De Swart) and functional-cognitive linguistics (Ocampo, De Jonge), among other ones. Moreover, the languages dealt with are Catalan, French, Rumanian and Spanish.Thus, this volume offers a wide perspective on adverbial modification in Romance languages both from a theoretical point of view as from the point of view of the different languages involved.

The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire's final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times. Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.

A monastic artist with an unusual enthusiasm of male buttocks and genitalia; a nun bringing her spinning equipment from her home in the south to her new convent in the north; the riddle of a carved archer bearing a book instead of arrows; a bishop's ring hiding in its design symbols of the essential aspects of the Christian faith: these are some of the secrets of early medieval personal and public worship uncovered in this book. In tribute to a scholar who is herself a polymath of early medieval studies, these chapters explore approaches which have particularly engaged her: stone sculpture; text; textiles; manuscript art; metalwork; and archaeology. With a brief foreword by Professor Dame Rosemary Cramp. Contributors are Richard N. Bailey, Michelle P. Brown, Peter Furniss, Jane Hawkes, David A. Hinton, Maren Clegg Hyer, Catherine E. Karkov, Alexandra Lester-Makin, Christina Lee, Donncha MacGabhann, Éamonn Ó Carragáin, Gale R. Owen-Crocker, Frances Pritchard, and Penelope Walton Rogers.

(Re)Constructing Cultures of Violence and Peace brings together eleven original essays that were presented at the Third Global Conference on Cultures of Violence held in August 2002 in Prague. Covering an array of violence-related subjects, and a range of methodologies—textual, historical, theoretical, quantitative—the resulting volume is a multifaceted exploration of how cultures of violence are constructed, and how they can be deconstructed and replaced with cultures of peace. In part one, the authors aim to map and describe some of the important cultures of violence in our modern world—interstate war, civil war, criminal punishment, religious conflict, hooliganism—as an initial step towards understanding violence as a cultural construction. Part two explores aspects of the (re)construction of culture of peace. Specifically, the challenges encountered in attempting to conceptualise, study, or transform cultures of violence are examined. A common theme throughout the book is that violence is a fluid social and cultural construct—it is made by individuals, groups, and social forces. The implications of this are more than simply ontological: if violence is made, it can also be unmade; if cultures of violence are socially and politically constructed, they can also be de-constructed.

The book represents a selection of papers presented at an international symposium in Singapore on the role of theory and practice in the mutually interactive and mutating relations between institutions and cultures. In effect, the papers turn about a single theme: the ways in which power is expressed through those institutions by means of which cultures mediate their requirements. The symposium brought together scholars and academics from a variety of disciplines, including literature, philosophy, cultural studies, sociology, comparative literature and comparative religions. In terms of the geography of cultures and the history of institutions, the range of reference to this book of the symposium is global: from Hong Kong awaiting 1997, through the travails of political democracy in Singapore, and Cultural Studies à la Greenblatt or under the aegis of Shakespeare as cultural idol, through German Romantic theory and its relevance to current theorizing about theory in America, to Zen Buddhism and Nagarjuna and how these two sources refract the concerns of Jung, Lacan and Derrida; through Colonialism and postcoloniality and how they have shaped identity and mediated power to the current crises in education created by these mediations, specifically, in literary studies. The aim of the symposium was twofold: to theorize about the impulse to theorize in relation to the plurality of cultures and institutions which comprises our contemporary world; and to ground this impulse in those specificities and contingencies which provide resistance to such theorizing.

The present volume is the product of a joint effort made by scholars from across China (including Hong Kong), Japan and Europe. The book gathers sixteen papers devoted to literary and cultural criticism from a comparative point of view.A perspective prominent in this volume is imagology, an approach first developed by Daniel-Henry Pageaux, and which focuses on specific images in literary and other texts. The study of the image of the “foreign” in national literary traditions, for instance, belongs to the traditional purview of comparative literature. Pageaux did more than uphold this tradition. He practically reinvented it using new theoretical concepts and perspectives (in particular, semiotics and reception aesthetics). On this basis, he was able to develop a theory and a methodology that are both usable and in tune with contemporary concerns. The present book covers a wide range of topics in the study of images of Westerners in Chinese and Japanese literature. Individual contributions deal with issues such as the genesis of the Chinese term Foreign Devil, the occurrence of Westerners in modern Chinese and Japanese literature, and the Chinese and Japanese reception of indiviual western authors and artists such as, amongst others, Oscar Wilde, Vincent Van Gogh, and Madame Roland. Some papers examine individual authors such as Lu Xun and Takeyama Michio. Others examine historical periods or literary movements. The approaches followed range from historical investigations of linguistic practices to detailed literary analyses.

Burial and Memorial explores funerary and commemorative archaeology A.D. 284-650, across the late antique world. This second volume includes papers exploring all aspects of funerary archaeology, from scientific samples in graves, to grave goods and tomb robbing and a bibliographic essay. It brings into focus neglected regions not usually considered by funerary archaeologists in NW Europe, such as the Levant, where burial archaeology is rich in grave good, to Sicily and Sardinia, where post-mortem offerings and burial manipulations are well-attested. We also hear from excavations in Britain, from Canterbury and London, and see astonishing fruits from the application of science to graves recently excavated in Trier.

Burial and Memorial explores funerary and commemorative archaeology, A.D. 284–650, across the late antique world. This first volume includes an overview of research, and papers exploring bioarchaeology, mortuary rituals, mausolea, and funerary landscapes. It considers the sacralisation of tombs, the movements of relics, and the political significance of cemeteries. The nature and fate of statue monuments is explored, as memorials to individuals. Authors also compare the destruction or preservation of tombs in relation to other buildings. Finally, the city itself is considered as a place of collective memory, where meanings were long maintained, via a study of spoliation.

The eleven essays in this volume demonstrate how Calvin and the Reformed tradition engage with the Old Testament. The articles address two main areas: Calvin's interpretation of certain Old Testament books, and how Reformed thinkers in the global world study, explain, and apply the teaching of the Old Testament in their own contexts. This volume is the expanded version of the papers presented at the 2019 Calvin Studies Society Colloquium. Contributors include J. Todd Billings, Allison Brown, Thomas J. Davis, Jeff Fisher, Christine Kooi, Maarten Kuivenhoven, Scott Manetsch, Graeme Murdock, G. Sujin Pak, Yudha Thianto, and Michael VanderWeele.

After the discovery of the anthropoid ape in Asia and in Africa, eighteenth-century Holland became the crossroads of Enlightenment debates about the human species. Material evidence about human diversity reached Petrus Camper, comparative anatomist in the Netherlands, who engaged, among many other interests, in menschkunde. Could only religious doctrine support the belief of human demarcation from animals? Camper resolved the challenges raised by overseas discoveries with his thesis of the facial angle, a theory which succeeding generations distorted and misused in order to justify slavery, racism, antisemitism, and genocide. Thanks to his abundant papers in Dutch archives, Camper's ideas are restored to their original state. Eighteenth-century issues differed from those of other centuries: Did orang-utans talk like humans, walk like humans; even rape humans? What was the skin pigmentation of Adam and Eve? Did the spectrum of human physiognomies around the globe reflect the Fall of Man, the Creator's bounty, or merely bizarre beauty practices? Why did the ideal beauty of the Greeks appear to be the reverse of the Hottentots? The book contains some 50 illustrations, including apes with hiking sticks or tea cups, metamorphoses of living forms, and Apollo or Venus icons which titillated the science of man.

Towards the end of the 17th century, Hendrik van Deventer was breaking new ground with his work for the obstetrician and the midwife. This became the first work on obstetrics to be written in the Dutch language and was to have a considerable influence on the practice of obstetrics in the 18th century. Van Deventer (1651-1724), a famous physician, had already published a scientific paper in which – thoroughly in the spirit of the Enlightenment – he had firmly coupled the theoretical and the practical. His theories are based upon years of practical experience. Until recently, there has been no facsimile edition of his work. To mark the ten years since the inauguration of the Study Group for the History of the Netherlands Association of Obstetrics and Gynaecology, attention is once again focussed on Hendrik van Deventer and his Manuele Operatien, zynde een Nieuw Ligt. The facsimile is based upon the 1746 publication. Van Deventer's work is at its most complete in this edition.Included are, additionally, what the author has left behind: Nader vertoog van de swaare baringen and his Nieuwe Aanmerkingen, and in translation from the French Aanmerkingen by Jacques Jean Bruier d'Ablaincourt. The facsimile is published together with a separate commentary, in Dutch, prefaced with three articles covering Van Deventer's life and work. In the following eight pieces, the topics of Manuele Operatien, zynde een Nieuw Ligt are reviewed under the periods in which they were set down and commentaries added. A glossary, together with an extended historical bibliography is included, thus ensuring this work as an essential source of the history of gynaecology and obstetrics in the Netherlands. Herdenkingsbundel, uitgegeven t.b.v. het 10-jarig bestaan van de Werkgroep Historie van de Nederlandse Vereniging voor Obstetrie en Gynaecologie, november 2001. The print edition is available as a set of two volumes (9789061940593).

Matching pair of terrestrial and celestial globes, with a diameter of 26 inches (68 cm), with text in Latin. The terrestial globe is composed of 36 half gores and two polar calottes; the celestial globe of 24 ecliptical gores. The gores are pasted on a plaster sphere rotating on brass pinions within a brass meridian ring incised with a graduated scale. Each globe is set into a matching seventeenth-century Dutch wooden base with a small wooden compass-box mounted on the base-plate and with the horizon ring covered scales, almanac and calendar, etc..., engraved on paper and handcoloured as originally issued. Salescatalogue.

This third volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the subject of intertextuality. Intertextual relations between oral and written versions of literature, text and performance, as well as problems emerging from media transitions, regionally instructed forms of intertextuality, and the works of individual authors are equally dealt with. Intertextuality as both a creative and a critical practice frequently exposes the essential arbitrariness of literary and cultural manifestations that have become canonized. The transformation and transfer of meanings which accompanies any crossing between texts rests not least on the nature of the artistic corpus embodied in the general framework of historically and socially determined cultural traditions. Traditions, however, result from selective forms of perception; they are as much inventions as they are based on exclusion. Intertextuality leads to a constant reinforcement of tradition, while, at the same time, intertextual relations between the new literatures and other English-language literatures are all too obvious. Despite the inevitable impact of tradition, the new literatures tend to employ a dynamic reading of culture which fosters social process and transition, thus promoting transcultural rather than intercultural modes of communication. Writing and reading across borders becomes a dialogue which reveals both differences and similarities. More than a decolonizing form of deconstruction, intertextuality is a strategy for communicating meaning across cultural boundaries.

Early Medieval Art and Archaeology in the Northern World brings together leading experts on the European early Middle Ages in a celebration of the life and work of internationally renowned scholar James Graham-Campbell. The geographical coverage of this volume reflects Graham-Campbell's interests and expertise which ranges from Ireland to Eastern Europe and from Scandinavia to Spain. The new perspectives and original studies offered represent a major contribution to the field of medieval studies, with papers on the art, archaeology, history and literature of European societies between the fifth and thirteenth centuries.Contributors are Noël Adams, Barry Ager, Marion M. Archibald, Birgit Arrhenius, Coleen Batey, Cormac Bourke, Stuart Brookes, Ewan Campbell, Helen Clarke, Martin Comey, Rosemary Cramp, Wendy Davies, Ben Edwards, Signe Horn Fuglesang, Richard Gem, David Griffiths, Mark A. Handley, Birgitta Hårdh, Negley Harte, David A. Hinton, Ingegerd Holand, Judith Jesch, Alan Lane, Mick Monk, Richard North, Raghnall Ó Floinn, Patrick Ottaway, Raymond I. Page, Caroline Paterson, Neil Price, Barry Raftery, Mark Redknap, Andrew Reynolds, Ian Riddler, Else Roesdahl, John Sheehan, Alison Stones, Gudrun Sveinbjarnardóttir, Gabor Thomas, Nicola Trzaska-Nartowski, Patrick F. Wallace, Leslie Webster, Naimh Whitfield, Gareth Williams, Sir David Wilson and Sue Youngs.

The volume is dedicated to the memory of the late Calvin S. Brown of the University of Georgia, author of the first systematically conceived survey - Music and Literature: A Comparison of the Arts (1948) - of the branch of interart studies now generally known as Melopoetics. Part One consists of six original contributions by experts from Austria, Belgium, France, and the United States. Authored by a novelist and a composer/scholar, respectively, the first two essays - Jean Libis's “Inspiration musicale et composition littéraire: Réflexions sur un roman schubertien” and David M. Hertz's “The Composer's Musico-Literary Experience: Reflections on Song Writing” - focus, not surprisingly, on the creative process. The third piece - Francis'Claudon's review of the pertinent research done between 1970 and 1990 - complements the honoree's analogous report on the preceding decades, reprinted in the present volume, whereas the fourth - Jean-Louis Cupers'“Métaphores de l'écho et de l'ombre: Regards sur l'évolution des études musico-littéraires” - surveys the plethora of metaphorical applications, in music and literature, of two significant natural phenomena, the one acoustic and the other optical. Linked to each other, the two remaining papers - Ulrich Weisstein's ”The Miracle of Interconnectedness: Calvin S. Brown, a Critical Biography” and Walter Bernhart's “A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar” - offer critical accounts of the honoree's theoretical and methodological stance as viewed, in the first case, from a biographical angle and, in the second, in the light of subsequent scholarly practice.Part Two bundles eleven of Professor Brown's previously uncollected articles, covering a period of nearly half a century of significant scholarly activity in the field. The selection demonstrates Brown's poignant interest in transpositions d'art exemplifying the “musicalization” of literature in the formal and structural, rather than thematic, domain as culminating in his trenchant critique of “music in poetry” as understood, somewhat naïvely, by Mallarmé and his critics, and, to a slightly lesser extent, by his translation of Josef Weinhebers'variations on Friedrich Hölderlin's ode “An die Parzen”. Just as Professor Brown's successive anatomies of melopoetic theory and practice illustrate his steadily growing sophistication and the maturing of his mind, so his Bloomington lecture “The Writing and Reading of Language and Music: Thoughts on Some Parallels Between two Artistic Media” reflects his unique ability to assemble, and organize, vast materials and comprehensive data in such a way as to reveal the underlying pattern.

'Het passeren van de evenaar maakt de meest bezadigde journalist tot een heethoofd', schreef een Indische krantenman in 1888. Het karakteriseert de wijze waarop de journalist reageerde op de verwaarlozing van de kolonie, waar de pers de enige uitlaatklep was van de publieke opinie. Strijdvaardig en geëmotioneerd, ontwikkelde zij een geheel eigen `tropenstijl'. Omdat persvrijheid ontbrak, waren hevige botsingen tussen kranten en gouvernement schering en inslag.Indische kranten hadden een sterk persoonlijke band met hun lezers en vormen een bijzondere bron van informatie over de histoire intime van de Europese samenleving, alsook over de relaties tussen'volbloeds', Indo-Europeanen en inheemsen. De Indischgasten hadden grote behoefte aan afleiding en de kranten speelden daarop in. Hun Indische literaire feuilletons zijn het fundament geweest voor de Indisch-Nederlandse letterkunde.Een werk als dit is nooit eerder geschreven. Het is gebaseerd op de kranten zelf, en geeft behalve een geschiedenis van de Indische pers een schat aan informatie van koloniaal-politieke, sociale en culturele aard. Het beslaat de periode vanaf 1745 tot omstreeks 1905, wanneer zich een nieuwe fase aankondigt in de kolonie. Dit boek vormt daarom een min of meer afgerond geheel.Gezamenlijke uitgave met Nijgh & Van DitmarAs soon as he passed the equator, every Dutch journalist became a hothead, violent in his reactions to the neglect of the Dutch East Indies colony, where the press was the only mouthpiece for public opinion. In the absence of freedom of the press, the militant, often emotional style of the Indies press, popularly dubbed'tropical style', not infrequently gave rise to head-on collisions between newspapers and governors.Because they circulated in relatively small communities, there was a strong bond between these papers and their readers, with their unquenchable thirst for diversion and entertainment. Hence they are an invaluable source on the intimate history of the Europeans and on inter-ethnic relations in the colony, while the serial stories they featured formed the basis for Dutch Indies literature. This unique work, based on the actual newspapers themselves from 1744 to 1905 (about seventy in all), describes the history of the Indies press. It contains a wealth of information on colonial politics, society and culture.Co-published with Nijgh & Van Ditmar, Amsterdam

Health, illness and disease are topics well-suited to interdisciplinary inquiry. This book brings together scholars from around the world who share an interest in and a commitment to bridging the traditional boundaries of inquiry. We hope that this book begins new conversations that will situate health in broader socio-cultural contexts and establish connections between health, illness and disease and other socio-political issues. This book is the outcome of the first global conference on “Making Sense of: Health, Illness and Disease,” held at St Catherine's College, Oxford, in June 2002. The selected papers pursue a range of topics from the cultural significance of narratives of health, illness and disease to healing practices in contemporary society as well as patients'illness experiences. Researchers and health care practitioners now live in the age of interdisciplinarity, which has transformed both health care delivery and research on health. The essays in this collection transcend the traditional boundaries of biomedicine and draw attention to the many ways in which health is embedded in socio-cultural norms and how these norms, in turn, shape health practices and health care. This volume is of interest not only to researchers but also to those delivering health care.

The study of health care brings one into contact with many disciplines and perspectives, including those of the provider and the patient. There are also multiple academic lenses through which one can view health, illness and disease. This book brings together scholars from around the world who are interested in developing new conversations intended to situate health in broader social and cultural contexts. This book is the outcome of the second global conference on “Making Sense of: Health, Illness and Disease,” held at St Hilda's College, Oxford, in July 2003. The selected papers pursue a range of topics and incorporate perspectives from the humanities, social sciences and clinical sciences. This volume will be of interest to researchers and health care practitioners who wish to gain insight into other ways of understanding health, illness and disease.

This book is a collection of papers delivered at an international conference in September 1996 at the Scottish National Gallery of Modern Art during a major Giacometti retrospective. The contributors are leading curators, art historians and literature specialists. While the relationship between nineteenth- and twentieth-century painters and writers has been the subject of intense interest in recent years, the parallel relationship between sculptors and writers has been largely neglected. These essays seek to redress the balance by looking at a variety of ways in which the conventional barriers between writing and sculpting were broken down by such pioneering figures as Rodin, Degas, Bourdelle, Valéry, Apollinaire, Reverdy, Breton, Bataille, Arp, Picasso and Giacometti. Among the topics discussed are: the many personal and professional contacts, dual artistic talent,'Ecrits d'artistes', ekphrasis, sculpture as object, the sculptorly representation of the poet, the poetic representation of the sculptor, sculpture as metaphor, proprioception and mental images. Fully illustrated throughout, this book offers new perspectives on familiar masterpieces like Rodin's Gates of Hell, but also opens up less well known subjects like Valéry's sculpture and Breton's Object-Poems. Above all it makes a provocative and original contribution to Word and Image studies.

Traces of Ink. Experiences of Philology and Replication is a collection of original papers exploring the textual and material aspects of inks and ink-making in a number of premodern cultures (Babylonia, the Graeco-Roman world, the Syriac milieu and the Arabo-Islamic tradition). The volume proposes a fresh and interdisciplinary approach to the study of technical traditions, in which new results can be achieved thanks to the close collaboration between philologists and scientists. Replication represents a crucial meeting point between these two parties: a properly edited text informs the experts in the laboratory who, in turn, may shed light on many aspects of the text by recreating the material reality behind it. Contributors are: Miriam Blanco Cesteros, Michele Cammarosano, Claudia Colini, Vincenzo Damiani, Sara Fani, Matteo Martelli, Ira Rabin, Lucia Raggetti, and Katja Weirauch.

This fifth volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the topics of travelling, migration, and dislocation. All migrants are travellers, but not all travellers are migrants. Migration and the figure of the migrant have become key concepts in recent post-colonial studies. However, migration is not such a new or exceptional phenomenon. From the eighteenth century onward there have been migrations from Europe to what are now called'post-colonial'countries, and this prepared the ground for movement back to the old but also to the new centres of Europe and elsewhere. Travel and travel experience, on the other hand, have been part of the cultural codes not only of the West and not only of imperialism. The essays in this volume look at both kinds of movement, at their intersections, and at their (dis)locating effects. They cover a wide range of topics, from early seventeenth-century travel reports, through nineteenth-century women's travel writing, to such contemporary writers as Michael Ondaatje and Janette Turner Hospital.

This volume brings together papers focused on the issues of dissidence and persecutions in early and middle Byzantine period – from Constantine to late eleventh century. They explore a variety of problems on the imperial centre and periphery such as: the Byzantine and Jewish relations, the iconoclastic dispute, papal-imperial relations and frictions, loyalty and dissidence on the imperial periphery, etc. The aim of the volume is to explore different perspectives of dissent and persecution, the reasons driving dissent and causing persecutions, as well as their perceptions and depictions in the Byzantine literature. See inside the book

Containing 26 selected and thoroughly rewritten essays and articles (all written by Janssen and published previously between 1976 and 2002 in yearbooks and periodicals) all dedicated to the history of printing and book production, this work draws systematically attention to the typogtaphical design of the book. The articles are mainly divided into two fields of attention: the analytical bibliography of the printed book (book production, studies of the technical aspects of type-setting and printing, type founding, printing presses, paper etc.) and the typographical design of books (its functions and its influence on how texts are read).

A set of essays intended to recognize the scholarship of Professor Cynthia Neville, the papers gathered here explore borders and boundaries in medieval and early modern Britain. Over her career, Cynthia has excavated the history of border law and social life on the frontier between England and Scotland and has written extensively of the relationships between natives and newcomers in Scotland's Middle Ages. Her work repeatedly invokes jurisdiction as both a legal and territorial expression of power. The essays in this volume return to themes and topics touched upon in her corpus of work, all in one way or another examining borders and boundaries as either (or both) spatial and legal constructs that grow from and shape social interaction.Contributors are Douglas Biggs, Amy Blakeway, Steve Boardman, Sara M. Butler, Anne DeWindt, Kenneth F. Duggan, Elizabeth Ewan, Chelsea D.M. Hartlen, K.J. Kesselring, Tom Lambert, Shannon McSheffrey, and Cathryn R. Spence.

Since 1971, the International Congress for Neo-Latin Studies has been organised every three years in various cities of Europe and North America. In August 2015, Vienna in Austria was the venue of the sixteenth Neo-Latin conference, held by the International Association for Neo-Latin Studies. The proceedings of the Vienna conference have been collected in this volume under the motto “Contextus Neolatini – Neo-Latin in Local, Trans-Regional and Worldwide Contexts – Neulatein im lokalen, transregionalen und weltweiten Kontext”. Sixty-five individual and five plenary papers spanning the period from the Renaissance to the present offer a variety of themes covering a range of genres such as history, literature, philology, art history, and religion. The contributions will be of relevance not only for scholarly readers, but also for an interested non-professional audience.

Suzanne Karr Schmidt's Interactive and Sculptural Printmaking in the Renaissance tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions—part text, part image, and part sculpture—engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself.

Reading Newton in Early Modern Europe investigates how Sir Isaac Newton's Principia was read, interpreted and remodelled for a variety of readerships in eighteenth-century Europe. The editors, Mordechai Feingold and Elizabethanne Boran, have brought together papers which explore how, when, where and why the Principia was appropriated by readers in Italy, Spain, the Netherlands, England and Ireland. Particular focus is laid on the methods of transmission of Newtonian ideas via university textbooks and popular works written for educated laymen and women. At the same time, challenges to the Newtonian consensus are explored by writers such as Marius Stan and Catherine Abou-Nemeh who examine Cartesian and Leibnizian responses to the Principia. Eighteenth-century attempts to remodel Newton as a heretic are explored by Feingold, while William R. Newman draws attention to vital new sources highlighting the importance of alchemy to Newton. Contributors are: Catherine Abou-Nemeh, Claudia Addabbo, Elizabethanne Boran, Steffen Ducheyne, Moredechai Feingold, Sarah Hutton, Juan Navarro-Loidi, William R. Newman, Luc Peterschmitt, Anna Marie Roos, Marius Stan, and Gerhard Wiesenfeldt.

The Jesuit investment in images, whether verbal or visual, virtual or actual, pictorial or poetic, rhetorical or exegetical, was strong and sustained, and may even be identified as one of the order's defining characteristics. Although this interest in images has been richly documented by art historians, theatre historians, and scholars of the emblem, the question of Jesuit image theory has yet to be approached from a multi-disciplinary perspective that examines how the image was defined, conceived, produced, and interpreted within the various fields of learning cultivated by the Society: sacred oratory, pastoral instruction, scriptural exegesis, theology, collegiate pedagogy, poetry and poetics, etc. The papers published in this volume investigate the ways in which Jesuits reflected visually and verbally on the status and functions of the imago, between the foundation of the order in 1540 and its suppression in 1773. Part I examines texts that purport explicitly to theorize about the imago and to analyze its various forms and functions. Part II examines what one might call expressions of embedded image theory, that is, various instances where Jesuit authors and artists use images implicitly to explore the status and functions of such images as indices of image-making. Contributors include Wietse de Boer, James Clifton, Ralph Dekoninck, Karl Enenkel, Pierre Antoine Fabre, David Graham, Agnès Guiderdoni, Anna Knaap, Walter Melion, Jeffrey Muller, Hilmar Pabel, Aline Smeesters, Andrea Torre, and Steffen Zierholz

Fitful Histories and Unruly Publics re-examines the relationship between Eurasia's past and its present by interrogating the social construction of time and the archaeological production of culture. Traditionally, archaeological research in Eurasia has focused on assembling normative descriptions of monolithic cultures that endure for millennia, largely immune to the forces of historical change. The papers in this volume seek to document forces of difference and contestation in the past that were produced in the perceptible engagements of peoples, things, and places. The research gathered here convincingly demonstrates that these forces made social life in ancient Eurasia rather more fitful and its publics considerably more unruly than archaeological research has traditionally allowed.Contributors are Mikheil Abramishvili, Paula N. Doumani Dupuy, Magnus Fiskesjö, Hilary Gopnik, Emma Hite, Jean-Luc Houle, Erik G. Johannesson, James A. Johnson, Lori Khatchadourian, Ian Lindsay, Maureen E. Marshall, Mitchell S. Rothman, Irina Shingiray, Adam T. Smith, Kathryn O. Weber and Xin Wu.

East and West in the Roman Empire of the Fourth Century examines the (dis)unity of the Roman Empire in the fourth century from different angles, in order to offer a broad perspective on the topic and avoid an overvaluation of the political division of the empire in 395.After a methodological key-paper on the concepts of unity, the other contributors elaborate on these notions from various geo-political perspectives: the role of the army and taxation, geographical perspectives, the unity of the Church and the perception of the divisio regni of 364. Four case-studies follow, illuminating the role of concordia apostolorum, antique sports, eunuchs and the poet Prudentius on the late antique view of the Empire. Despite developments to the contrary, it appears that the Roman Empire remained (to be viewed as) a unity in all strata of society.

The Roman economy was operated significantly above subsistence level, with production being stimulated by both taxation and trade. Some regions became wealthy on the basis of exporting low-value agricultural products across the Mediterranean. In contrast, it has usually been assumed that the high costs of land transport kept inland regions relatively poor. This volume challenges these assumptions by presenting new research on production and exchange within inland regions. The papers, supported by detailed bibliographic essays, range from Britain to Jordan. They reveal robust agricultural economies in many interior regions. Here, some wealth did come from high value products, which could defy transport costs. However, ceramics also indicate local exchange systems, capable of generating wealth without being integrated into inter-regional trading networks. The role of the State in generating production and exchange is visible, but often co-existed with local market systems.Contributors are Alyssa A. Bandow, Fanny Bessard, Michel Bonifay, Kim Bowes, Stefano Costa, Jeremy Evans, Elizabeth Fentress, Piroska Hárshegyi, Adam Izdebski, Luke Lavan, Tamara Lewit, Phil Mills, Katalin Ottományi, Peter Sarris, Emanuele Vaccaro, Agnès Vokaer, Mark Whittow and Andrea Zerbini.

The fourteen chapters and poem of this volume reflect the centrality of the element Earth in medieval thought and life, a centrality inherited from classical antiquity, and fundamental too in Judaeo-Christian and Islamic traditions. The chapters also reflect the multifarious nature of the ways that Earth was experienced and understood in the Middle Ages. Contributors are Sophie E.D. Abrahams, Daniel Anlezark, Marilina Cesario, Catherine Clarke, James Davis, Stephen J. Davis, Virginia Iommi Echeverría, Andrew Fear, Danielle B. Joyner, Hugh Magennis, Francesco Marzella, Tom C.B. McLeish, Patrick Naeve, Bernard O'Donoghue, Sinéad O'Sullivan, Alexandra Paddock, Elisa Ramazzina, Hannah E. Smithson, Sigbjørn O. Sønnesyn, Sinéad O'Sullivan, and Margaret Tedford.

These collected studies dedicated to the Orthodox monastic center of Mount Athos during the Middle Ages paint a compelling picture of the Holy Mountain's monastic communities as economic actors. Mount Athos'rich archival holdings allow both for the minute scrutiny of economic activity and the tracing of long-term trends. Not only were Hagiorite monasteries major players on a local level, but they were also embedded within trans-Mediterranean networks of patronage. The unique status of Mount Athos as a semi-autonomous monastic polity also influenced attitudes towards landholding as well as wealth and poverty more generally. Contributors are Tinatin Chronz, Zachary Chitwood, Stefan Eichert, Martina Filosa, Mihai-D. Grigore, Michel Kaplan, Vladimer Kekelia, Kirill A. Maksimovič, Zisis Melissakis, Nicholas Melvani, Vanessa R. de Obaldía, Daniel Oltean, Nina Richards, Kostis Smyrlis, Apolon Tabuashvili, and Alexander Watzinger.

Questions about space and the sacred are now central to Byzantine studies. Recent scholarship has addressed issues of embodiment and performance, power and identity, environmental perceptions and territorial imaginations. At the same time, the mobility turn in the humanities prompts new approaches to and understandings of processes of circulation of people, objects and ideas. Drawing together illuminating contributions from scholars in history, art history, literature, geography, architecture and theology, Sacred Mobilities in Byzantium and Beyond sets the stage for further cross-disciplinary dialogue concerning Orthodox Christian spiritual culture and society in the Byzantine Empire and in the centuries after its fall. Contributors are Veronica della Dora, Ekaterine Gedevanishvili, Molly Greene, Mark Guscin, Christos Antonios Kakalis, Chrysovalantis Kyriacou, Maria Litina, Andrew Louth, Mihail Mitrea, Bissera Pentcheva, Rehav Rubin, and David Williams.

After a hitherto unpublished manuscript owned by the Cleve land Public Library, Cleveland, Ohio (USA). Limited edition, of which only 200 copies are for sale outside the U.S.A.

Facsimile with introduction, transcription and translation by R. Breugelmans.

Mester de clerecía is the term traditionally used to designate the first generations of learned poetry in medieval Ibero-Romance dialects (the precursors of modern Castilian and other Romance languages of the Iberian Peninsula). In its time, this poetry was anything but traditional. These long poems of structured verse reappropriate the heroic past through the retelling of legends from Classical Antiquity, saints'lives, miracle stories, Biblical apocrypha, and other tales. At the same time, the poems recast the place of their authors, and learned characters within their stories, in the shifting dynamics of their thirteenth and fourteenth century present. Contributors are Pablo Ancos, Maria Cristina Balestrini, Fernando Baños Vallejo, Andrew M. Beresford, Olivier Biaggini, Martha M. Daas, Emily C. Francomano, Ryan Giles, Michelle M. Hamilton, Anthony John Lappin, Clara Pascual-Argente, Connie L. Scarborough, Donald W. Wood, and Carina Zubillaga.

Calculating Ethics in the Fourteenth Century addresses a moment in the history of ethics, when discoveries in natural philosophy blurred the boundary between the possible and the impossible, and made the impossible a preferred territory in discussions on practical reason. The volume studies the onset and expansion of a new movement in constructing ethics, as the methods, arguments, and cases adopted from logic and natural philosophy came to be extensively applied at Oxford and swiftly disseminated among other Oxonians eventually making their way outside Oxford. It shows how the Oxford Calculators triggered a unique and durable transformation in ethics. Contributors are Pascale Bermon, Valeria Buffon, Michael W. Dunne, Marek Gensler, Simon Kemp, Edit A. Lukács, Monika Michałowska, and Andrea Nannini.

The church annexes of late antique Cyprus were bustling places of industry, producing olive oil, flour, bread, ceramics, and metal products. From its earliest centuries, the church was an economic player, participating in agricultural and artisanal production. More than a Church brings together architecture, ceramics, numismatics, landscape archaeology, and unpublished excavation material, alongside consideration of Cyprus's dynamic and prosperous 4th–10th-century history. Keane offers a rich picture of the association between sacred buildings and agricultural and industrial facilities—comprehensively presenting, for the first time, the church's economic role and impact in late antique Cyprus.

The medieval treasure house, consisting of sacristy, vestry and treasure rooms was the depository for the ecclesiastical treasure belonging to a church, holy vessels, vestments, altar hangings, candlesticks and priceless liturgical books and reliquaries. It was carefully designed to convey the message of its status and function. A book devoted to these medieval museums which housed such precious materials is long overdue. Ironically, the interest in the objects that they conserved has often resulted in ecclesiastical treasure being removed to new museums, leaving their former places of protection in need of protection themselves.

This edited volume explores the development of the European book world between 1650 and 1750, concentrating on changes in publishing strategies, practices of censorship, the circulation of second-hand books and the building of libraries. Its essays discuss this critical, but much neglected period of print history through case studies from Spain, Italy, France, the Holy Roman Empire, Britain and the Netherlands. Ranging from the posthumous publication of Galileo to the regulation of the book auction market, this volume demonstrates that the century between 1650 and 1750 was a transformative period for the history of the printed book.

This classic study was originally published in 1949 in Dutch as Samenleving in een grensgebied. This English translation is based on a second revised Dutch edition from 1971. The point of departure is J.S. Furnivall's concept of ‘plural society'to sketch the historical development of Suriname. The author focuses on the social relations that determined life in the colony. In the final part, discussing the period from the abolition of slavery to World War II, relatively more attention is given to the Creoles or Afro-Surinamese than to the populations of Asian descent, because the influence exercised by the Creole group during that period was predominant.

Why did the'Shandong Question'vanish in the May Fourth narrative? How did conservatives and traditionalists endure admist the progressive wave of the new culture movement? What role did Confucian ritualism and religion play in shaping May Fourth literature? Is an uncanny connection hidden between “Return Qingdao” and “Liberate Hong Kong”? This volume, edited by Carlos Yu-Kai Lin and Victor H. Mair, and with contributors from across the fields of intellectual history, literature and languages, philosophy, and Asian studies, answers these questions and offers new insights into the May Fourth movement. It explores this pivotal historical event both as a singular occurrence and as a sustaining cultural-intellectual campaign. The new volume is brimming with fresh perspectives, uncovering these enigmas, and unveiling the nuanced and intricate world of the May Fourth to its discening readers.