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Paper Memory tells the story of one man's mission to preserve for posterity the memory of everyday life in sixteenth-century Germany. Matthew Lundin takes us inside the mind of an undistinguished German burgher named Hermann Weinsberg, whose personal writings allow us to witness firsthand the great transformations of early modernity: the crisis of the Reformation, the rise of an urban middle class, and the information explosion of the print revolution. This sensitive, faithful portrait reveals a man who sought to make sense of the changes that were unsettling the foundations of his world.Weinsberg's decision to undertake the monumental task of documenting his life was astonishing, since he was neither prince nor bishop, but a Catholic lawyer from Cologne with no special claim to fame or fortune. Although he knew that his contemporaries would consider his work vain and foolish, he dutifully recorded the details of his existence, from descriptions of favorite meals to catalogs of his sleeping habits, from the gossip of quarreling neighbors to confessions of his private hopes, fears, and beliefs. More than fifty years—and thousands of pages—later, Weinsberg conferred his Gedenkbuch, or Memory Book, to his descendants, charging them to ensure its safekeeping, for without his careful chronicle, “it would be as if we had never been.”Desperate to save his past from oblivion, Weinsberg hoped to write himself into the historical record. Paper Memory rescues this not-so-ordinary man from obscurity, as Lundin's perceptive and graceful prose recovers his extraordinary story.

'Heirs of Flesh and Paper'tells the story of early modern dynastic politics through subjects'practical responses to royal illness, failing princely reproduction, and heirs'premature deaths. It treats connected dynastic crises between 1699 and 1716 as illustrative for early modern European political regimes in which the rulers'corporeality defined politics. This political order grappled with the endemic uncertainties induced by dynastic bodies. By following the day-to-day practices of knowledge making in response to the unpredictability of royal health, the book shows how the ruling family's mortal coils regularly threatened to destabilize the institutionalized legal fiction of kingship. Dynastic politics was not only as a transitory stage of state formation, part of elite cooperation, or a cultural construct. It needs to be approached through everyday practices that put ailing dynastic bodies front and center. In a period of intensifying political planning, it constituted one of the most important sites for changing the political itself.

This book takes a long-term approach, spanning from the end of the 16th to the end of the 19th centuries, to explore how men and women in Italy, France, and Spain collected, displayed, and passed down various types of papers.The contributors share a core interest in the relationship between social actors and their paper heritage. The collectors, who come from diverse cultural, social, and gender backgrounds, provide insights into the reasons and processes behind the accumulation, valorisation, and transmission of their paper heritage. Unlike most studies on collecting, this book shifts the focus away from collections and institutions to the owners of the collected objects and their desires for their accumulated papers. This volume covers three centuries and provides insights into the aspirations of collectors and the fate of their papers after transmission. It takes place against the backdrop of major social, political, and cultural changes affecting the Italian peninsula, the Spanish monarchy, and France. The cultural interests and the collector networks often extended beyond Europe, as noted by many of the essays in this volume.Paper Heritage in Italy, France, Spain and Beyond (16th to 19th Centuries) will interest scholars and students of Early Modern and Modern European History across various fields, including social and cultural history, intellectual history, gender history, history of collecting and patronage.

This book attends to the most essential, lucrative, and overlooked business activity of early modern Europe: the trade of paper. Despite the well-known fact that paper was crucial to the success of printing and record-keeping alike, paper remains one of the least studied areas of early modern history. Organised into three sections – ‘Hotspots and Trade Routes', ‘Usual Dealings', and ‘Recycling Economies'– the chapters in this collection shed light on the practices, materials, and networks of the paper trade. Altogether, the collection uncovers the actors involved in the networks of paper production, transportation, purchase, and reuse, between the thirteenth and nineteenth centuries and across the central and peripheral papermaking regions of Europe. Contributors: Renaud Adam, Daniel Bellingradt, Frank Birkenholz, Simon Burrows, Orietta Da Rold, Michael Falk, Anna Gialdini, Rachel Hendery, Silvia Hufnagel, Jean-Benoît Krumenacker, Katherine McDonough, Krisztina Rábai, Anna Reynolds, Benito Rial Costas, Tapio Salminen, Helen Smith, Jan Willem Veluwenkamp, Andreas Weber, and Megan Williams.

The Working Papers of Hugo Grotius is the first full-length study of the handwritten documents initially used by the author of Mare Liberum (1609) and De Jure Belli ac Pacis (1625) in his day-to-day activities as a scholar, lawyer, and politician, but subsequently incorporated into his own or other archives. Martine van Ittersum reconstructs a process of transmission, dispersal, and loss that started during Grotius'lifetime and ended with the papers'auction in 1864. This is also a study of archival afterlives. Our understanding of Grotius'life and work is shaped by the conscious decisions of previous generations to retain or discard documents, frequently for the sake of individual lives and careers, family honour and/or larger political and religious ends.

The best essays submitted to the Southeastern Renaissance Conference in 2008, with a focus on the performance history of Renaissance drama.Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2008 volume, in keeping with the Conference's meeting at the new Blackfriars Playhouse at the American Shakespeare Center in Staunton, Virginia, has a special emphasis on the performance history of Renaissance drama. It includes essays on the use of trap doors in London theaters, on the staging of dismemberment in Renaissance plays, on the economics of the boys'companies, and on Jonson's engagement with changing patterns of theatrical patronage in Volpone. An essay on Troilus and Cressida and the history play rounds out the volume's studiesin drama. Three essays treat epic from a variety of perspectives, considering in turn Spenser's techniques for leading readers to doubt his narrator in Book Three of the Faerie Queene, Marlowe's allusions to Lucan in Hero and Leander, and Milton's treatment of names and materialism in Paradise Lost. Two essays examine decidedly different incidents of sixteenth-century religious controversy: Wolsey's use of Italian models to display his magnificence through his building program, and Thomas Stapleton's translation of Bede during the Great Controversy to refute Protestant claims about the origins of the English Church. Contributors: Jane Blanchard, Kevin M. Carr, Nicholas Crawford, Sara Nair James, Claire Kimball, C. Bryan Love, Pamela Royston Macfie, James J. Mainard O'Connell, Paul J. Stapleton, and Lewis Walker. Christopher Cobb is Assistant Professor of Englishat Saint Mary's College.

In Watermarks in Paper from the South-West of France, 1560-1860 over 200 watermarks are catalogued and described. Found in notarial documents from the region of Occitanie, these papers provide an insight into the production and distribution of paper in this remote area of France. With small influx from foreign papers and influences, the watermarks and paper show a sometimes remarkably archaic character well into the eighteenth century.

Every third year, the members of the International Association for Neo-Latin Studies (IANLS) assemble for a week-long conference. Over the years, this event has evolved into the largest single conference in the field of Neo-Latin studies. The papers presented at these conferences offer, then, a general overview of the current status of Neo-Latin research; its current trends, popular topics, and methodologies. In 2022, the members of IANLS gathered for a conference in Leuven where 50 years ago the first of these congresses took place.This volume presents the conference's papers which were submitted after the event and which have undergone a peer-review process. The papers deal with a broad range of fields, including literature, history, philology, and religious studies.

Watermarks 1450–1850 offers a concise history of the production of paper in Western Europe from the Middle Ages to the nineteenth century. The research is based on watermarks collected from various sources in combination with other elements from the trade, such as decorated paper and ream wrappers. This book includes reproductions of ca. seven hundred watermarks. Frans and Theo Laurentius have published two more books on the topic in this same book series: Italian Watermarks 1750–1860 (2016), and Watermarks in Paper from the South-West of France, 1560–1860 (2018). In 2007/2008 they published Watermarks (1600–1650) Found in the Zeeland Archives and Watermarks (1650–1700) Found in the Zeeland Archives.

The first comprehensive account of how and why architects learned to communicate through colorArchitectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers'natural signs, military engineers'conventions, and, finally, painters'affective goals in an attempt to communicate with a broad public.Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice.Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.

Seventeenth-Century Libraries: Problems and Perspectives presents key topics for understanding the theory and practice of library formation in the seventeenth century, both in Britain and on the Continent. In eight studies (plus a substantial introduction and afterword) based on meticulous research, the volume addresses questions of acquisition, classification, administration and access, spatial arrangement and furniture, networks of collecting, and dispersal of libraries, and serves as an introduction to methods of investigating these themes. Seventeenth-Century Libraries: Problems and Perspectives is a landmark volume that confronts outstanding issues of cultural and intellectual history by synthesizing recent research on the growth of libraries during a period that was crucial for the development of modern knowledge management, historical attitudes, and material culture. Contributors: Robyn Adams, Richard Foster, Francesca Galligan, Jaap Geraerts, Jacqueline Glomski, Shanti Graheli, Clodagh Murphy, David Pearson, Dominique Varry, and Elizabeth Wells.

Die Beiträge des Bandes fragen nach der Thematisierung von Herrschaft, Macht, Recht und Gewalt in Tierepen des Mittelalters und der Frühen Neuzeit: Lässt sich hier neben satirischer Kritik auch eine epistemisch tiefer greifende Auseinandersetzung mit den Geltungsgründen politischer Ordnung beobachten? Dabei werden nicht nur Reaktionen auf vorbestehende Normgeltungen sichtbar, sondern auch originäre Reflexionen des Poltischen.

Though Bartolomeo Scappi's Opera (1570), the first illustrated cookbook, is well known to historians of food, up to now there has been no study of its illustrations, unique in printed books through the early seventeenth century. In Food and Knowledge in Renaissance Italy, Krohn both treats the illustrations in Scappi's cookbook as visual evidence for a lost material reality; and through the illustrations, including several newly-discovered hand-colored examples, connects Scappi's Opera with other types of late Renaissance illustrated books. What emerges from both of these approaches is a new way of thinking about the place of cookbooks in the history of knowledge. Krohn argues that with the increasing professionalization of many skills and trades, Scappi was at the vanguard of a new way of looking not just at the kitchen-as workshop or laboratory-but at the ways in which artisanal knowledge was visualized and disseminated by a range of craftsmen, from engineers to architects. The recipes in Scappi's Opera belong on the one hand to a genre of cookery books, household manuals, and courtesy books that was well established by the middle of the sixteenth century, but the illustrations suggest connections to an entirely different and emergent world of knowledge. It is through study of the illustrations that these connections are discerned, explained, and interpreted. As one of the most important cookbooks for early modern Europe, the time is ripe for a focused study of Scappi's Opera in the various contexts in which Krohn frames it: book history, antiquarianism, and visual studies.

This collection of thirteen essays examines sixteenth-century type design in France. Typefaces developed during this period were to influence decisively the typography of the centuries which followed, and they continue to influence a great many contemporary typefaces. The papers'common goal is to establish the paternity of the typefaces described and critically to appraise their attributions, many of which have previously been inadequately ascribed. Such an approach will be of interest to type historians and type designers seeking better-documented attributions, and to historians, philologists, and bibliographers, whose study of historical imprints will benefit from more accurate type descriptions. The papers and illustrations focus on the most important letter-cutters of the French Renaissance, including Simon de Colines, Robert Estienne, Claude Garamont, Robert Granjon, Pierre Haultin, and also include a number of minor masters of the period.

This volume contains selected papers from an international conference held in 2009 in Varna, Bulgaria. The papers represent major trends and developments in current research on the medieval Slavonic biblical tradition, primarily in comparison with Greek and Hebrew texts. The volume covers the translation of the canonical, apocryphal and pseudepigraphical books of the Old and New Testaments and its development over the ninth to sixteenth centuries. Another focus is on issues relating to Cyril and Methodius, the creators of the first Slavonic alphabet in the ninth century and the first translators of biblical books into Slavonic. The analytical approach in the volume is interdisciplinary, applying methodologies from textual criticism, philology, cultural and political history, and theology. It should be of value to Slavists, Hebraists and Byzantinists.

En l'actualitat, els economistes i els historiadors debaten sobre el paper exercit per les institucions i els estats en el desenvolupament econòmic a llarg termini durant l'Època Moderna. En general, s'assumeix que únicament als països de l'Atlàntic nord, l'estat i els drets de propietat es van configurar de tal manera que serien capaces de generar creixement econòmic a gran escala. De fet, l'aplicació d'aquesta perspectiva ha accentuat el tòpic d'una certa ineficàcia de les institucions del món mediterrani i ofereix una visió estereotipada del paper de l'estat. Aquest llibre pretén ser una contribució crítica que estableixi sinergies amb els economistes actuals i coadjuvi a la comprensió de la història econòmica en les societats preindustrials del sud d'Europa.

Inspired by research undertaken for the new Medieval & Renaissance Galleries at the Victoria and Albert Museum, Re-thinking Renaissance Objects explores and often challenges some of the key issues and current debates relating to Renaissance art and culture. Puts forward original research, including evidence provided by an in-depth study arising from the Medieval & Renaissance Gallery project Contributions are unusual in their combination of a variety of approaches, but with each paper starting with an examination of the objects themselves New theories emerge from several papers, some of which challenge current thinking

In 1660 England was already prosperous, free, civilized, and the possessor of the makings of an empire. In the century to follow, the island nation became the world's greatest power. This cohesive collection of essays on a wide range of topics illuminates important facets of the political history of England from the Restoration to the American War of Independence. Arthur J. Slavin of the university of Louisville discusses and important problem in legal history in his'Craw v. Ramsey: New light on an Old Debate.'Jacob M. Price of the University of Michigan takes another look at the Excise Crisis. Ragnhild M. Hatton of the London School of Economics sheds new light on George I. Daniel A. Baugh of Cornell University considers'pauperism, Protestantism, and Political Economy: English Attitudes toward the Poor 1660 - 1800.'Anglo-Savoyard relations are the topic of Geoffrey Symocox of the University of California, Los Angeles. The late Arthur M. Wilson of Dartmouth is represented by a wise and charming paper entitled'The Enlightenment Came First to England.'Lois G. Schwoerer of George Washington University finds new perspectives while examining the Glorious Revolution. John Brewer of Harvard explains'the Number 45: A Wilkite Political Symbol.'Clayton Roberts of the Ohio State University discusses'Party and the Patronage in Later Stuart England,'while Stephen Baxter of the University of North Carolina takes up some aspects of the conduct of the Seven Years War. All of the contributions were originally delivered at the Wiliam Andrews Clark Memorial Library during Stephen Baxter's tenure as Clark Library Professor in 1977 - 1978. Each of the essays will appeal to a learned audience of specialists, and the variety of topics will interest the general reader. This collection represents the leading scholarship on this remarkable period of English history. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.

This collection is the first to historicise the term ephemera and its meanings for early modern England and considers its relationship to time, matter, and place. It asks: how do we conceive of ephemera in a period before it was routinely employed (from the eighteenth century) to describe ostensibly disposable print? In the sixteenth and seventeenth centuries—when objects and texts were rapidly proliferating—the term began to acquire its modern association with transitoriness. But contributors to this volume show how ephemera was also integrally related to wider social and cultural ecosystems. Chapters explore those ecosystems and think about the papers and artefacts that shaped homes, streets, and cities or towns and their attendant preservation, loss, or transformation. The studies here therefore look beyond static records to think about moments of process and transmutation and accordingly get closer to early modern experiences, identities, and practices.

This edited collection of papers explores from an interdisciplinary perspective the role of images and objects in early modern knowledge-making practices with an emphasis on mapping methodological approaches against printed pictures and things. The volume brings together work across diverse printed images, objects, and materials produced c. 1500-1700, as well as well as works in the ambit of early modern print culture, to reframe a comparative history of the rise of the ‘epistemic imprint'as a new visual genre at the onset of the scientific revolution. The book includes contributions from the perspective of international scholars and museum professionals drawing on methodologies from a range of fields.

Margery Kempe. Aemilia Lanyer. Aphra Behn. Lady Mary. Jane Austen. Warned not to write – and certainly not to bite – these women put pen to paper anyway and wrote themselves into history. ‘Smart, funny and highly readable... a tour de force.'A.L. Kennedy Ever since Sappho first put stylus to papyrus, women who write have been labelled mad, undisciplined and dangerous. Funny and provocative, Eve Bites Back offers an alternative history of English literature. Placing the female contemporaries of Chaucer, Shakespeare and Milton centre stage, Anna Beer builds a vibrant new canon through Restoration wits, scandalous sensation novelists and medieval mystics. Delving into the lives and work of eight pioneers – Julian of Norwich, Margery Kempe, Aemilia Lanyer, Anne Bradstreet, Aphra Behn, Mary Wortley Montagu, Jane Austen and Mary Elizabeth Braddon – Beer uncovers the struggles and triumphs of these gamechangers, ground-breakers and genre-makers.

The papers in this volume offer examples of how historians, writers, playwrights, and painters in the early modern period used ancient history as a rich field of raw material that could be used, recycled, and adapted to new needs and purposes. They focused on classical antiquity as a source from which they could recreate the past as a way of understanding and legitimizing the present. The contributors to this volume have addressed a number of important, common issues that span a wide range of subjects from fifteenth-century Italian painting to the teaching of Greek history in eighteenth-century Germany. This volume is of interest for historians of the early modern period from all disciplines and for all those interested in the reception of classical antiquity.This publication has also been published in hardback, please click here for details.

This volume, based on both European and Ottoman sources, investigates the commercial, military and diplomatic relations between the Dutch and the English in the Levant from the early seventeenth to the early nineteenth century. On the one hand there was a more or less constant commercial rivalry and there were moments of outright military hostility between the two powers. On the other a common life in the Near East led to a form of solidarity which transcended the political situation in the home countries. The role of the local population of the Levant, of Ottoman officials, and of the Greeks, Armenians and other eastern Christians who intervened both as merchants and as embassy dragomans or interpreters, was often decisive in influencing the dealings between the Dutch and English residents. The nine papers examine these different aspects of a relationship which has never before been studied in a Levantine context.

In a time before large banking systems, and with paper money just in its infancy, money during the Renaissance meant coinage (mainly gold and silver) and local credit systems. These monetary forms had a significant influence on the ways in which money was understood throughout the period, and shaped discussions on such topics as the meaning of monetary value, the economic, political, religious, and aesthetic uses of coinage, the moral implications of usury and credit systems, and the importance of reputation, both at the state and individual levels. Crucial to the transformation of ideas about money in the period was the growing awareness that the individuals, up to and including the monarch, were powerless to overcome the market forces that determined value and directed the movement of goods and money.Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Renaissance presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

This volume gathers the conference papers of an international colloquium held in Strasbourg. It sheds new light on the thought and work of Martin Bucer, his impact on sixteenth century Europe, and his role in the progress of the Reformation in various countries and regions.Dieser Berichtband von dem Strassburger internationalen Kolloquium 1991 wirft neues Licht auf Martin Bucers Denken und Handeln, auf seine vielfältigen Beziehungen im Europa des 16. Jahrhunderts und seine Rolle bei der Durchführung der Reformation in mehreren Ländern und Gegenden.

This intimate biography of Francesco di Marco Datini offers fascinating insights into the methods of medieval trade and vibrancy of Italian life in 14th-century Tuscany. “For God and Profit” is how the medieval merchant Francesco di Marco Datini headed a notebook in which he kept track of his business dealings, and these were certainly his guiding lights. Born in the 1330s in the Tuscan town of Prato, Datini set out at the age of 15 for Avignon, where over the course of the next 35 years he made a fortune trading in arms, armor, artworks, wool, saffron, leather, silk, and much more. Returning home, he expanded his operations, setting up offices all across the Mediterranean, which he oversaw through an unceasing flow of correspondence. When he died, Datini asked that all his papers be preserved in his house. In 1870 they were found—a little worm-eaten and mouse-nibbled but largely intact—in a sack under the stairs. They are one of the great records not only of medieval life but of the emergence of the modern commercial world. Drawing on this rich archive, Iris Origo offers a wonderfully vivid account of Datini's public and private worlds. The Merchant of Prato is a masterpiece of modern narrative history.

First multi-disciplinary study of the cultural and social milieu of the post-medieval castle.The castle was an imposing architectural landmark in late medieval and early modern England and Wales. Castles were much more than lordly residences: they were accommodation to guests and servants, spaces of interaction between the powerful and the powerless, and part of larger networks of tenants, parks, and other properties. These structures were political, symbolic, residential, and military, and shaped the ways in which people consumed the landscape and interacted with the local communities around them. This volume offers the first interdisciplinary study of the socio-cultural understanding of the castle in the late fifteenth and early sixteenth centuries, a period duringwhich the castle has largely been seen as in decline. Bringing together a wide range of source material - from architectural remains and archaeological finds to household records and political papers - it investigates the personnel of the castle; the use of space for politics and hospitality; the landscape; ideas of privacy; and the creation of a visual legacy. By focusing on such an iconic structure, the book allows us to see some of the ways in which men and women were negotiating the space around them on a daily basis; and just as importantly, it reveals the impact that the local communities had on the spaces of the castle. AUDREY M. THORSTAD teaches in the Department of History, University of North Texas.

A set of essays intended to recognize the scholarship of Professor Cynthia Neville, the papers gathered here explore borders and boundaries in medieval and early modern Britain. Over her career, Cynthia has excavated the history of border law and social life on the frontier between England and Scotland and has written extensively of the relationships between natives and newcomers in Scotland's Middle Ages. Her work repeatedly invokes jurisdiction as both a legal and territorial expression of power. The essays in this volume return to themes and topics touched upon in her corpus of work, all in one way or another examining borders and boundaries as either (or both) spatial and legal constructs that grow from and shape social interaction.Contributors are Douglas Biggs, Amy Blakeway, Steve Boardman, Sara M. Butler, Anne DeWindt, Kenneth F. Duggan, Elizabeth Ewan, Chelsea D.M. Hartlen, K.J. Kesselring, Tom Lambert, Shannon McSheffrey, and Cathryn R. Spence.

The Birth of the Archive traces the history of archives from their emergence in the Late Middle Ages through the Early Modern Period, and vividly shows how archives permeated and fundamentally changed European culture. Archives were compiled and maintained by peasants and kings, merchants and churchmen, and conceptions of archives were as diverse as those who used them. The complex, demanding job of the archivist was just as variable: archivists might serve as custodians, record-keepers, librarians, legal experts, historians, scholars, researchers, public officials, or some combination thereof; navigating archives was often far from straightforward. The shift of archival storage from haphazard collections of papers to the methodically organized institutionalized holdings of the nineteenth century was a gradual, nonlinear process. Friedrich provides an essential background to the history of archives over the centuries and enriches the story of their evolution with chapters on key sociocultural aspects of European archival culture. He discusses their meaning and symbolism in European thought, early modern conceptions of the archive's function, and questions of access and usability. Exploring the close, often vexed relationship between archives and political power, Friedrich illustrates the vulnerability of archives to political upheaval and war. He concludes with an introspective look at how historians used their knowledge of and work with archives to create distinct representations of themselves and their craft. The Birth of the Archive engages with scholarship in political history, the history of mentalities, conceptions of space, historiography, and the history of everyday life in early modern Europe. It has much to offer for specialists and scholars, while the jargon-free prose of this translation is also accessible to the general reader.

At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history.Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.

Moving beyond the preoccupation of honour and its associations with violence and sexual reputation, Courtney Thomas offers an intriguing investigation of honour's social meanings amongst early modern elites in sixteenth- and seventeenth-century England. If I Lose Mine Honour I Lose Myself reveals honour's complex role as a representational strategy amongst the aristocracy. Thomas'erudite and detailed investigation of multi-generational family papers as well as legal records and prescriptive sources develops a fuller picture of how the concept of honour was employed, often in contradictory ways in daily life. Whether considering economic matters, marriage arrangements, supervision of servants, household management, mediation, or political engagement, Thomas argues that while honour was invoked as a structuring principle of social life its meanings were diffuse and varied. Paradoxically, it is the malleability of honour that made it such an enduring social value with very real meaning for early modern men and women.

Reading Newton in Early Modern Europe investigates how Sir Isaac Newton's Principia was read, interpreted and remodelled for a variety of readerships in eighteenth-century Europe. The editors, Mordechai Feingold and Elizabethanne Boran, have brought together papers which explore how, when, where and why the Principia was appropriated by readers in Italy, Spain, the Netherlands, England and Ireland. Particular focus is laid on the methods of transmission of Newtonian ideas via university textbooks and popular works written for educated laymen and women. At the same time, challenges to the Newtonian consensus are explored by writers such as Marius Stan and Catherine Abou-Nemeh who examine Cartesian and Leibnizian responses to the Principia. Eighteenth-century attempts to remodel Newton as a heretic are explored by Feingold, while William R. Newman draws attention to vital new sources highlighting the importance of alchemy to Newton. Contributors are: Catherine Abou-Nemeh, Claudia Addabbo, Elizabethanne Boran, Steffen Ducheyne, Moredechai Feingold, Sarah Hutton, Juan Navarro-Loidi, William R. Newman, Luc Peterschmitt, Anna Marie Roos, Marius Stan, and Gerhard Wiesenfeldt.

For forty years, beginning with the publication of the first modern English translation of the Dialogue Concerning the Two Chief World Systems, Stillman Drake was the most original and productive scholar of Galileo's scientific work of our age. During that time, he published sixteen books on Galileo, including translations of almost all the major writings, and Galileo at Work, the most comprehensive study of Galileo's life and works ever written. Drake also published about 130 papers, of which nearly 100 are on Galileo and the rest on related aspects of the history and philosophy of science. The three-volume collection Essays on Galileo and the History and Philosophy of Science includes 80 of those papers. Volume I contains a bibliography of the writings of Stillman Drake, biographical sketches of both Galileo and Drake, and various essays covering the broad range of Galileo's scientific endeavors, including outlines of the humanistic and religious background of his era. Other essays take up textual and bibliographical issues, analysing Galileo's mass of notes, treatises, and numerous fragments, previously collected in folios, manuscripts, and unreliable copies. Drake's wide-ranging essays cover Galileo's place in the philosophy of science, his relation to his forebears and impact on posterity, and his contribution to astronomy. In addition, the essays take up ongoing controversies, such as Galileo's stance on the affinity of science with the corpus of human knowledge. Volume I of Stillman Drake's Essays on Galileo and the History and Philosophy of Science serves as a comprehensive introduction to Galileo's life, science, and writings, and with its forthcoming companion volumes, will indeed be a fitting tribute to the memory of one of Canada's most accomplished scholars.

For forty years, beginning with the publication of the first modern English translation of the Dialogue Concerning the Two Chief World Systems, Stillman Drake was the most original and productive scholar of Galileo's scientific work. During those years, Drake published sixteen books on Galileo, including translations of almost all the major writings, and Galileo at Work, the most comprehensive study of Galileo's life and works ever written. Drake also published about 130 papers, of which nearly 100 are on Galileo and the rest on related aspects of the history and philosophy of science. The three-volume collection Essays on Galileo and the History and Philosophy of Science includes 80 of those papers. In the papers included in Volume III, Drake explores some of the more technical and practical aspects of Galileo's work, focusing on his contributions to scientific instrumentation. The essays then turn to the history of science, demonstrating the breadth of Drake's interests both beyond and relating to the work of Galileo. These interests are again evident in the final papers in the collection, in which Drake writes on the philosophy of science and language.This collection draws to conclusion Drake's writings on Galileo, capturing the influences and themes in Galileo's life and work.

For forty years, beginning with the publication of the first modern English translation of the Dialogue Concerning the Two Chief World Systems, Stillman Drake was the most original and productive scholar of Galileo's scientific work of our age. During that time, he published sixteen books on Galileo, including translations of almost all the major writings, and Galileo at Work, the most comprehensive study of Galileo's life and works ever written. Drake also published about 130 papers, of which nearly 100 are on Galileo and the rest on related aspects of the history and philosophy of science. The three-volume collection Essays on Galileo and the History and Philosophy of Science includes 80 of those papers. Volume I contains a bibliography of the writings of Stillman Drake, biographical sketches of both Galileo and Drake, and various essays covering the broad range of Galileo's scientific endeavors, including outlines of the humanistic and religious background of his era. Other essays take up textual and bibliographical issues, analysing Galileo's mass of notes, treatises, and numerous fragments, previously collected in folios, manuscripts, and unreliable copies. Drake's wide-ranging essays cover Galileo's place in the philosophy of science, his relation to his forebears and impact on posterity, and his contribution to astronomy. In addition, the essays take up ongoing controversies, such as Galileo's stance on the affinity of science with the corpus of human knowledge. Volume I of Stillman Drake's Essays on Galileo and the History and Philosophy of Science serves as a comprehensive introduction to Galileo's life, science, and writings, and with its forthcoming companion volumes, will indeed be a fitting tribute to the memory of one of Canada's most accomplished scholars.

Anxieties of Interiority and Dissection in Early Modern Spain brings the study of Europe's “culture of dissection” to the Iberian peninsula, presenting a neglected episode in the development of the modern concept of the self. Enrique Fernandez explores the ways in which sixteenth and seventeenth-century anatomical research stimulated both a sense of interiority and a fear of that interior's exposure and punishment by the early modern state.Examining works by Miguel de Cervantes, María de Zayas, Fray Luis de Granada, and Francisco de Quevedo, Fernandez highlights the existence of narratives in which the author creates a surrogate self on paper, then “dissects” it. He argues that these texts share a fearful awareness of having a complex inner self in a country where one's interiority was under permanent threat of punitive exposure by the Inquisition or the state. A sophisticated analysis of literary, religious, and medical practice in early modern Spain, Fernandez's work will interest scholars working on questions of early modern science, medicine, and body politics.

An innovative exploration of the development of a revolutionary optical device and how it changed the world.Between 1608 and 1610 the canopy of the night sky changed forever, ripped open by an object created almost by accident: a cylinder with lenses at both ends. Galileo's Telescope tells the story of how an ingenious optical device evolved from a toy-like curiosity into a precision scientific instrument, all in a few years. In transcending the limits of human vision, the telescope transformed humanity's view of itself and knowledge of the cosmos.Galileo plays a leading—but by no means solo—part in this riveting tale. He shares the stage with mathematicians, astronomers, and theologians from Paolo Sarpi to Johannes Kepler and Cardinal Bellarmine, sovereigns such as Rudolph II and James I, as well as craftsmen, courtiers, poets, and painters. Starting in the Netherlands, where a spectacle-maker created a spyglass with the modest magnifying power of three, the telescope spread like technological wildfire to Venice, Rome, Prague, Paris, London, and ultimately India and China. Galileo's celestial discoveries—hundreds of stars previously invisible to the naked eye, lunar mountains, and moons orbiting Jupiter—were announced to the world in his revolutionary treatise Sidereus Nuncius.Combining science, politics, religion, and the arts, Galileo's Telescope rewrites the early history of a world-shattering innovation whose visual power ultimately came to embody meanings far beyond the science of the stars.Praise for Galileo's Telescope“One of the most fascinating stories in the history of science.” —Mark Archer, The Wall Street Journal“In broad outline, the story of Galileo and the first use of a telescope in astronomy is well known. Bucciantini, Camerota, and Giudice take a new look at this seminal event by focusing on how the news spread across Europe and how it was received. Their well-written narrative examines the central issues using papers, paintings, letters, and other contemporary documents... After four centuries [Galileo's] reputation has been thoroughly vindicated.” —D. E. Hogg, Choice

The Reformation is often alluded to as Gutenberg's child. Could it then be said that the Counter-Reformation was his step-child? The close relationship between the Reformation, the printing press and books has received extensive, historiographical attention, which is clearly justified; however, the links between books and the Catholic world have often been limited to a tale of censorship and repression. The current volume looks beyond this, with a series of papers that aim to shed new light on the complex relationships between Catholicism and books during the early modern period, before and after the religious schism, with special focus on trade, common reads and the mechanisms used to control readership in different territories, together with the similarities between the Catholic and the Protestant worlds.Contributors include: Stijn Van Rossem, Rafael M. Pérez García, Pedro J. Rueda Ramírez, Idalia García Aguilar, Bianca Lindorfer, Natalia Maillard Álvarez, and Adrien Delmas.

During the era of Jewish mass migration from Eastern Europe (from the 1880s until the First World War), Switzerland played an important role in absorbing immigrants. Though located at the periphery of the main migration routes, the federal state with its liberal policies on foreigners became a key destination for students, revolutionaries, and travelers. The micro-studies and more general papers of this volume approach the topic in its transnational, local, linguistic, gendered, and ideological dimensions and from various disciplinary angles. They interweave and facilitate a novel take on the transitory spatial history and the Lebenswelt of East European Jews in Switzerland. Topics of this volume range – among others – from the location of Switzerland on the map of East European Jewish politics (Bundism, Socialism, Yiddishism, Zionism), conflicting performative cultures of Jewish and Russian revolutionaries, the Swiss Lehr- and Wanderjahre of the Jewish public intellectual Meir Wiener, the impact of Geneva on the Zionist Hebrew writer Ben Ami, the Russian-Jewish students'colonies in Berne and Zurich and questions of individuals'integration and acculturation.

The study of Jewish political philosophy is a recently established field in the study of Jewish philosophy. While in older histories of Jewish philosophy there is hardly any discussion of this topic, recent editors of such books have found it useful to add chapters on it. Following the pioneering efforts of Leo Strauss, Ralph Lerner and Daniel Elazar, among others, political philosophy has gained its proper place alongside ethics and metaphysics in the study of the history of Jewish philosophy. This volume is another manifestation of this welcome development. Consisting of selected English-language papers the author published over the last thirty years, it concentrates on the Medieval and Renaissance periods, from Sa'adiah Gaon in the tenth century to Spinoza in the seventeenth. These were the formative periods in the development of Jewish political philosophy, when Jewish scholars versed in the canonical Jewish sources (biblical and rabbinic) encountered Greek political philosophy, as transmitted by Muslim philosophers such as Alfarabi, Ibn Bajja and Averroes, and adapted it to their Jewish terms of reference. The outcome of this effort was Jewish political philosophy.

This volume focuses on the interdisciplinary investigation of Portuguese humanism, especially as a noteworthy player in the international network of early modern scholars, writers and intellectuals. During the Renaissance, Portugal became a centre for the dissemination of information concerning the new geographical and cultural horizons opened up by voyages of discovery, as well as a meeting place for humanist scholars and intellectuals coming from elsewhere in Europe. Papers in this volume situate Portuguese scholarship within the international humanistic network and examine its connection to other aspects of contemporary cultural production.Contributors include Onésimo Almeida, Jens Baumgarten, Liam Brockey, Sylvie Deswarte-Rosa, Thomas Earle, Karl Enenkel, Catarina Fouto, Noël Golvers, Alejandra Guzmán, Tobias Leuker, Giuseppe Marcocci, Cristóvão Marinheiro, Ricarda Musser, and Marília dos Santos Lopes.

Since 1971, the International Congress for Neo-Latin Studies has been organised every three years in various cities in Europe and North America. In August 2009, Uppsala in Sweden was the venue of the fourteenth Neo-Latin conference, held by the International Association for Neo-Latin Studies. The proceedings of the Uppsala conference have been collected in this volume under the motto “Litteras et artes nobis traditas excolere – Reception and Innovation”. Ninety-nine individual and five plenary papers spanning the period from the Renaissance to the present offer a variety of themes covering a range of genres such as history, literature, philology, art history, and religion. The contributions will be of relevance not only for scholarly readers, but also for an interested non-professional audience.

Books and Readers in Early Modern England examines readers, reading, and publication practices from the Renaissance to the Restoration. The essays draw on an array of documentary evidence—from library catalogs, prefaces, title pages and dedications, marginalia, commonplace books, and letters to ink, paper, and bindings—to explore individual reading habits and experiences in a period of religious dissent, political instability, and cultural transformation.Chapters in the volume cover oral, scribal, and print cultures, examining the emergence of the'public spheres'of reading practices. Contributors, who include Christopher Grose, Ann Hughes, David Scott Kastan, Kathleen Lynch, William Sherman, and Peter Stallybrass, investigate interactions among publishers, texts, authors, and audience. They discuss the continuity of the written word and habits of mind in the world of print, the formation and differentiation of readerships, and the increasing influence of public opinion. The work demonstrates that early modern publications appeared in a wide variety of forms—from periodical literature to polemical pamphlets—and reflected the radical transformations occurring at the time in the dissemination of knowledge through the written word. These forms were far more ephemeral, and far more widely available, than modern stereotypes of writing from this period suggest.

The Synod of Dordt (1618-1619), the international assembly which ended the yearslong dispute between Arminians and Calvinists, was a defining event in the history of the Dutch Republic. This collected volume presents new facts and analyses concerning the Synod, its context, and its legacy. It includes contributions on the Synod'sinternational character (Genevan delegation, James Ussher), biased historiography ( John Hales and Walter alquanquall), scholasticism ( Johannes Maccovius), philosophical ramifications, and Arminian theology. New, manuscript-based details about the formation of the Canons of Dordt are presented. Other papers examine the Canons'ascendency to confessional status, intentional pastoral style, and view on the salvation of infants. Finally, its reception in the Dutch context as reflected in prints and printed works is mapped out.

Christian Hebraism came to its full fruition in the seventeenth century. However, interest in Jewish and Hebraic sources had already increased during the early Renaissance, as an integral part of the renewed attention to ancient cultures, mostly Greek and Roman, as well as eastern cultures – from Egypt to India. This volume presents a selection of papers from the international conference Hebraic Aspects of the Renaissance (University of Haifa, May, 2009), that trace the humanist encounter with Hebrew and Jewish sources during that period. The chapters included in this volume not only illuminate the ways in which Christian scholars encountered Hebraic sources and integrated them into their general worldview, but also present the encounters of Jewish scholars with humanist culture.

NATIONAL JEWISH BOOK AWARD FINALISTPart of the Jewish Encounter seriesOne May day in 1896, at a dining-room table in Cambridge, England, a meeting took place between a Romanian-born maverick Jewish intellectual and twin learned Presbyterian Scotswomen, who had assembled to inspect several pieces of rag paper and parchment. It was the unlikely start to what would prove a remarkable, continent-hopping, century-crossing saga, and one that in many ways has revolutionized our sense of what it means to lead a Jewish life. In Sacred Trash, MacArthur-winning poet and translator Peter Cole and acclaimed essayist Adina Hoffman tell the story of the retrieval from an Egyptian geniza, or repository for worn-out texts, of the most vital cache of Jewish manuscripts ever discovered. This tale of buried scholarly treasure weaves together unforgettable portraits of Solomon Schechter and the other heroes of this drama with explorations of the medieval documents themselves—letters and poems, wills and marriage contracts, Bibles, money orders, fiery dissenting tracts, fashion-conscious trousseaux lists, prescriptions, petitions, and mysterious magical charms. Presenting a panoramic view of nine hundred years of vibrant Mediterranean Judaism, Hoffman and Cole bring modern readers into the heart of this little-known trove, whose contents have rightly been dubbed “the Living Sea Scrolls.” Part biography and part meditation on the supreme value the Jewish people has long placed on the written word, Sacred Trash is above all a gripping tale of adventure and redemption.

The field of premodern environmental history (the study of the complex and ever-changing interrelationship between human beings and the world around them prior to the Industrial Revolution) has grown vigorously over the past two decades, in no small part due to the energy and expertise of Richard C. Hoffmann (York University, Canada). In this collection, historians of medieval and early modern Europe and social scientists with a sensitivity to the use of historical information present their current research in honor of Richard C. Hoffmann's retirement from teaching. The result is a panoramic and dynamic view of the state of the field of premodern environmental history by leading practitioners. The papers are organized under the broad themes of'Premodern People and the Natural World'and'Aquatic Ecosystems and Human Economies'. Contributors are Richard W. Unger, Paolo Squatriti, William Chester Jordan, Petra J.E.M. van Dam, Verena Winiwarter, Maryanne Kowaleski, Constance H. Berman, Pierre Claude Reynard, Wim Van Neer, and Anton Ervynck.

Interest in early modern women writers is on the rise. However, familiarity with their works varies greatly from one country to another, and resources to assess their historical significance remain insufficient. Yet empirical evidence suggests that women writers who are no longer well-known today played surprisingly varied roles in the literary field of early modern Europe. The papers collected in this volume address early modern female authorship from the late Middle Ages to the end of the eighteenth century, ranging geographically from Portugal to Russia, and from Italy to Denmark. In particular, they focus on three themes: the creation of female spaces or communities; women's appropriation of existing or developing literary genres; and transnational perspectives on early modern women's writings.Contributors include: Vanda Anastácio, Bernadette Andrea, Mónica Bolufer, Philiep Bossier, Hans Bots, Kathleen Garay, Nina Geerdink, Perry Gethner, Elena Gretchanaia, Ineke Janse, Madeleine Jeay, Anne-Marie Mai, Christine Mongenot, Meredith Ray, Ina Schabert, and Lynn Lara Westwater.

This volume draws together a series of new studies into various aspects of the archaeology of conflict. Part of the volume focuses on conflict in the twentienth century, with several papers dealing with the growing field of First World War archaeology, which is also the main theme of the extended editorial. Further contributions focus on a variety of subjects, including the use of historic maps in locating the remains of 16th century sieges, the impact of disease on a 17th century army and a discussion of the political context of cultural research heritage in Ireland with respect to battlefield heritage.