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London 1533: Anne geht auf die dreißig zu und hat es ganz nach oben geschafft: Sie ist die Königin von England, gekrönt in der Westminster Abbey. Ihre Geschichte ist der Stoff für opulente Hollywoodfilme und historische Romane. Das echte Leben der Anne Boleyn war kein Märchen, denn die unperfekte Heldin war zu klug, zu emanzipiert, zu wortgewandt, zu weltläufig und in entscheidenden Momenten unvorsichtig selbstsicher. Der schockverliebte Traumprinz, König Heinrich VIII., entpuppte sich als narzisstischer Machtmensch – und statt Happy End findet diese Ehe ihr erbarmungsloses Ende in der Hinrichtung Annes. Es hätte anders kommen können: Wenn Anne Boleyn, die große Liebe Heinrichs VIII., bereit gewesen wäre, seine Mätresse zu sein und sich mit gelegentlichen romantischen Liebesbriefen begnügt hätte, hätte der König den Papst nicht gedrängt, seine erste Ehe zu annullieren, er hätte sich nicht selbst zum Oberhaupt der englischen Kirche ernannt und Schockwellen durch Europa gesandt. Doch Anne, in deren Wappen der Falke thronte, wollte mehr sein als «die Frau an seiner Seite». Sie organisierte die Rolle der Königin am Hof in subversiver Weise neu, beeinflusste die Politik des Königs und war auf dem besten Weg zur Mitregentin, bis Heinrichs Liebe in Hass umschlug. Die königliche Jagd auf den Falken begann erneut – dieses Mal nicht, um Anne zu erobern, sondern um sie zu töten. John Guy und Julia Fox haben eine gekonnt erzählte, schonungslos präzise Biographie einer Ehe geschrieben, die mit einer Fülle von Details tief in den Glanz, Pomp und Luxus des royalen Tudor-Englands eintaucht und zugleich die ständigen Ängste des Hofs Heinrichs VIII. vor Verrat, Bedeutungsverlust und der unvorhersehbaren Ungnade des Königs erspüren lässt.

This book gathers contributions on the later Stuart queens and queen consorts. It seeks to re-insert Henrietta Maria, Catherine of Braganza, Mary of Modena, Mary II, Anne, and Maria Clementina Sobieska into the mainstream of Stuart and early Georgian studies, concentrating on the later Stuart queens from the restoration of King Charles II (who married Catherine of Braganza in 1662) until the death of Maria Clementina Sobieska in 1735, who was married to James Francis Edward Stuart, the titular King James III, otherwise known as the Old Pretender. It showcases these women's roles as queen consorts and as ruling queens in Britain and Europe, and reveals how their positions allowed them to act as power-brokers, diplomats, patrons, and religious trendsetters during their lifetimes. It also explores their impact in early modern Britain and Europe by assessing their influence in religion, political culture, and the promotion of patronage.

Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne's life and an illuminating look at her afterlife in the popular imagination. Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really even look like?! And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and popular culture Bordo probes the complexities of one of history's most infamous relationships. In her inimitable, straight-talking style Bordo dares to confront the established histories, stepping off the well-trodden paths of Tudoriana to expertly tease out the human being behind the myths.

'Technically this book is a masterly achievement: the collection, sorting, selecting and balancing of material has meant an immense amount of hard and highly skilful work. The presentation is not only learned but cool, objective, unimpassioned and yet almost always alive and compassionate as well... As a reference book alone it is immensely valuable... As an example of a humane, scholarly, expert history, Professor Beckett's book will be difficult to surpass.'D. B. Quinn, Belfast Telegraph'[He] has brilliantly succeeded. The book is admirably constructed and written with clarity and economy which carry the narrative unflaggingly through to the end... This excellent book supersedes all previous histories of modern Ireland.'F. S. L. Lyons, New Statesman

“An original, masterly, and fascinating study [that] offers brilliant new insights into the shaping of the Virgin Queen.”—Alison Weir, New York Times bestselling author of the Six Tudor Queens series In vivid detail, historian Tracy Borman presents Elizabeth I from a thrilling new angle, focusing on the Virgin Queen not through her relationship with men, but as the product of women—the mother she lost so tragically, the female subjects who worshipped her, and the peers and intimates who loved, raised, challenged, and sometimes opposed her.Borman introduces Elizabeth's bewitching mother, Anne Boleyn, eager to nurture her new child, only to see her taken away and her own life destroyed by damning allegations—which taught Elizabeth never to mix politics and love. Kat Astley, the governess who attended and taught Elizabeth for almost thirty years, invited disaster by encouraging her charge into a dangerous liaison after Henry VIII's death. Mary Tudor—“Bloody Mary”—envied her younger sister's popularity and threatened to destroy her altogether. And animosity drove Elizabeth and her cousin Mary Queen of Scots into an intense thirty-year rivalry that could end only in death.Elizabeth's Women is an unprecedented account of how the public posture of femininity figured into the English court, the meaning of costume and display, the power of fecundity and flirtation, and how Elizabeth herself—long viewed as the embodiment of feminism—shared popular views of female inferiority and scorned and schemed against her underlings'marriages and pregnancies.Brilliantly researched and elegantly written, Elizabeth's Women is a unique take on history's most captivating queen and the dazzling court that surrounded her.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the'heroic age of popular Radicalism'; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The first study to deal exclusively with the cult and the political theology underpinning it, taking the story up to 1859.The cult of King Charles the Martyr did not spring into life fully formed in January 1649. Its component parts were fashioned during Charles's captivity and were readily available to preachers and eulogists in the weeks and monthsafter the regicide. However, it was the publication of the Eikon Basilike in early February 1649 that established the image of Charles as a suffering, innocent king, walking in the footsteps of his Saviour to his own Calvary at Whitehall. The figure of the martyr and the shared set of images and beliefs surrounding him contributed to the survival of royalism and Anglicanism during the years of exile. With the Restoration the cult was given official status by the annexing of the Office for the 30th January in the Book of Common Prayer in 1662. The political theology underpinning the cult and a particular historiography of the Civil Wars were presented as the only orthodox reading of these events. Yet from the Exclusion Crisis onwards dissonant voices were heard challenging the orthodox interpretation. In these circumstances the cult began to fragment between those who retained the political theology of the 1650s and those who sought to adapt the cult to the changing political and dynastic circumstances of 1688 and 1714. This is the first study to deal exclusively with the cult and takes the story up until1859, the year in which the Office for the 30th January was removed from the Book of Common Prayer. Apart from discussing the origins of the cult in war, revolution and defeat it also reveals the extent to which politicaldebate in the late seventeenth and early eighteenth centuries was conducted in terms of the Civil Wars. It also goes some way to explaining the persistence of conservative assumptions and patterns of thought. ANDREW LACEY is currently Special Collections Librarian, University of Leicester, and College Librarian, Trinity Hall, Cambridge.