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This commemorative volume produced on the occasion of the centennial of the Canadian Navy, 1910-2010, records a special kind of dual citizenship: Canadians exercising the profession of the sea in their nation's service, while also living out the demands of their civilian occupations in their home communities. The perspectives of the part-time citizen-sailors who have made up Canada's Naval Reserve over the past century provide an interesting, valuable, and timely alternative history of the Canadian Navy. Most of the contributors to this volume have served in Canada's Naval Reserve, and all are respected authorities in their fields. Whether read on its own, or as the intended companion to The Naval Service of Canada, 1910-2010: The Centennial Story, readers will find much to delight and inform in this lavish combination of text, photos, and illustrations of the people, ships, and aircraft that have formed a proud national institution.

Ce livre commémoratif, produit à l'occasion du Centenaire de la Marine canadienne 1910–2010, traite d'une double citoyenneté particulière : celle des Canadiens exerçant le métier de la mer au service du Canada, tout en répondant aux devoirs de leurs activités civiles, chez eux, dans leur communauté. Les points de vue de ces citoyens marins à temps partiel, qui ont constitué la Réserve navale du Canada au cours des cent dernières années, offrent une autre histoire intéressante, utile et opportune de la Marine canadienne. La plupart des personnes ayant contribué à ce livre ont servi dans la Réserve navale du Canada, et tous sont des autorités respectées dans leur domaine. Lu isolément ou comme complément du livre Le service naval du Canada, 1910-2010 : Cent ans d'histoire (Dundurn, 2009), les lecteurs trouveront beaucoup de plaisir et d'information dans cette riche combinaison de textes, de photos et d'illustrations de personnes, de navires et d'aéronefs qui ont formé une fière institution nationale.

Basing his study on some two-hundred-and-fifty German novels, memoirs, fictionalized histories, and films (including Das Boot), Michael Hadley examines the popular image of the German submarine and weighs the values, purposes, and perceptions of German writers and film makers. He considers the idea of the submarine as a war-winning weapon and the exploits of the'band of brothers'who made up the U-boat crews. He also describes the perceptions of the German public about the role of the U-boat in the war effort and the hopes that it carried for victory in two world wars against the Allied forces. Analysed in context, the U-boat emerges as a central factor and metaphor in Germany's ongoing struggle with its political and military past. In Count Not the Dead Hadley explores the complex relationships between political reality and cultural myth, and draws important conclusions about the way in which Germans have interpreted their past and how present concerns change these views.