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Crossing Borders and Confounding Identity advances our understanding of the diversity of Chinese women's experiences and achievements, from the Han Dynasty to the present. With a particular emphasis on literature and the arts, the chapters offer insights into the work of current Chinese women artists as well as literary, historical, and cultural portrayals of women and women's issues. Taken together, they provide new perspectives on Chinese women, their lived experiences and fictional representations, across a broad spectrum of literature, theater, film, and the visual arts. Accessible to nonspecialists and general readers, this book will also be a valuable resource for faculty who teach Asian studies courses in history and in the humanities, as well as for students in interdisciplinary Asian studies courses.

Winner, 2023 Choice Outstanding Academic TitleOur relationship with things abounds with paradoxes. People assign value to objects in ways that are often deeply personal or idiosyncratic yet at the same time rooted in specific cultural and historical contexts. How do things become meaningful? How do our connections with the world of things define us? In Ming and Qing China, inquiry into things and their contradictions flourished, and its depth and complexity belie the notion that material culture simply reflects status anxiety or class conflict.Wai-yee Li traces notions of the pleasures and dangers of things in the literature and thought of late imperial China. She explores how aesthetic claims and political power intersect, probes the objective and subjective dimensions of value, and questions what determines authenticity and aesthetic appeal. Li considers core oppositions—people and things, elegance and vulgarity, real and fake, lost and found—to tease out the ambiguities of material culture. With examples spanning the late sixteenth to the mid-eighteenth centuries, she shows how relations with things can both encode and resist social change, political crisis, and personal loss.The Promise and Peril of Things reconsiders major works such as The Plum in the Golden Vase, The Story of the Stone, Li Yu's writings, and Wu Weiye's poetry and drama, as well as a host of less familiar texts. It offers new insights into Ming and Qing literary and aesthetic sensibilities, as well as the intersections of material culture with literature, intellectual history, and art history.

This book observes the growing importance of individual well-being for collective health in socialist China and the limitations this brought on the authorities. Engaging with contemporary popular media discourse—including handbooks and magazine articles on health and health practices—to demonstrate how biomedical knowledge was ingrained in the readership, this book uncovers the detailed path to health propagated by state media for the Chinese population. This authority-sanctioned discussion opened up a space for talking about a body entwined with production and the personal experience of daily life. Nutrition, exercise, and rest were the main fields in which the party–state encouraged and accommodated healthy behavior to foster a strong population in the wake of the building of the'New China.'These three case studies highlight the network of social groups, institutions, and experts involved in the production and implementation of health knowledge as well as the continuity of health discourse itself. Through a thorough exploration of these three pillars of health and the emerging debate on civilization diseases, this book unearths the often-ignored limits of state control over human bodies.

This volume covers Chinese art during the reign of the Sui and Tang Dynasties during which the various disciplines of plastic and performing arts all entered a stage of unprecedented prosperity and development. It also traces new explorations in calligraphy, painting, and mural art and highlights architectural achievements during the historic period. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.

This book collects, analyzes, classifies and interprets the research of scholars of the Republic of China on the southwest frontier of China, namely Xikang, Xizang, Yunnan, and Guangxi. It starts with an analysis of the background of the times and the academic foundation. Respectively from different levels such as main issues, research institutions, academic publications, and representatives and using the southwest frontier region as a spatial range, it deeply explores the historical situation of the investigation and research of the southwest frontier by the scholars of the Republic of China. It also evaluates these academic achievements and interprets their time limitations and influence. By doing so, this book fills in the gaps in the study of Chinese frontier academic history during that period.

The first volume of David M. Honey's comprehensive history of Chinese thought offers a close study of Confucius, that tradition's proto-classicist. This opening volume examines Confucius traditions that largely formed the views of later classicists, who regarded him as their profession's patron saint. Honey's survey begins by examining how these views informed the Chinese classicists'own identities as textual critics and interpreters, all dedicated to self-cultivation for government service. It focuses on Confucius's methods as a proto-classical master and teacher, and on the media in which he worked, including the spoken word and written texts. As Honey explains, Confucius's immediate motivations were twofold: the moral development of himself and his disciples and the ritual application of the lessons from the classics. His instruction occurred in ritualized settings in the form of a question and answer catechism between master and disciples. This pedagogical approach will be analyzed through the interpretive paradigm of “performative ritual,” borrowed from recent studies of Greek classical drama. The volume concludes with a detailed treatment of a trio of Confucius's disciples who were most prominent in transmitting his teachings, and with chapters on his intellectual inheritors, Mencius and Xunzi.

This book is the most detailed study to date on the entertainment system in the Tang Dynasty (618-907AD) of China. It discusses entertainment institutions not only of the local and central governments, but also of city commoners. There are many kinds of performers mentioned in the stories and historical materials of the Tang, which has led to some confusion with institutions left over from the Song Dynasty (960-1279AD). This book clarifies such issues, in addition to resolving the question of the origin of Ci in ancient Chinese art and literature.

Essential passages from a classic Chinese history, organized topically, introduced, and annotatedZuo Tradition, China's first great work of history, was completed by about 300 BCE and recounts events during a period of disunity from 722 to 468 BCE. The text, which plays a foundational role in Chinese culture, has been newly translated into English by Stephen Durrant, Wai-yee Li, and David Schaberg in an unabridged, bilingual, three-volume set. This reader arranges key passages from that set according to topic, as a guide to the study of early Chinese culture and thought. Chapter subjects include succession struggles; women; warfare; ritual propriety; governance; law and punishment; famous statesmen; diplomacy; Confucius and his disciples; dreams and anomalies; and cultural others. An introduction explains the nature and significance of Zuozhuan and discusses how to read the text. Section introductions and judicious footnoting provide contextual information and explain the historical significance and meaning of particular events. The Zuo Tradition / Zuozhuan Reader will appeal to readers interested in Chinese and world history, claiming a place on library and personal bookshelves alongside other narratives from the ancient world.

This book is the winner of the Marthe Engelborghs-Bertels Prize for Sinology 2023, awarded by the Academy for Overseas Sciences (ARSOM), Brussels. In John Fryer and The Translator's Vade-mecum, Tola offers for the first time a comprehensive study of the collection of scientific and technical glossaries, with English-Chinese parallel translation, compiled by the English scholar John Fryer (1839–1928). Other than contributing to the history of modern Chinese lexicon and translation in late Qing China, Tola analyses the role of The Translator's Vade-mecum in the diffusion of ideas and terms between China and the West, at the same time providing new insights on the connection between religious efforts by missionaries in late Qing China and their secular attitude towards translation. The great number of resources presented also show a new perspective on the transcultural flows of knowledge, China's modernisation process in the nineteenth and twentieth centuries and the history of nineteenth-century Protestant missions in China.

Contextualizing the sutra within a milieu of intense religious and cultural experimentation, this volume unravels the sudden rise of Diamond Sutra devotion in the Tang dynasty against the backdrop of a range of social, political, and literary activities. Through the translation and exploration of a substantial body of narratives extolling the efficacy of the sutra, it explores the complex social history of lay Buddhism by focusing on how the laity might have conceived of the sutra and devoted themselves to it. Corroborated by various sources, it reveals the cult's effect on medieval Chinese religiosity in the activities of an empowered laity, who modified and produced parasutraic texts, prompting the monastic establishment to accommodate to the changes they brought about.

This literary study examines women-authored poetry and poetic criticism in late imperial China. It provides close readings of original texts to explore the poetic forms and devices women poets employed, to place their work into the context of the wider literary history of the period, and to analyze how they asserted their own agency to negotiate their literary, social, and political concerns. The author also investigates the interactions between women's poetic creations and existing male scholars'discourses and probes how these interactions generated innovative self-identities and renovations in poetic forms and aesthetics.

Building New China, Colonizing Kokonor: Resettlement to Amdo and Qinghai in the 1950s examines rural resettlement to the Sino-Tibetan cultural borderlands in the 1950s. More than 100,000 eastern Han and Hui Chinese were sent to Qinghai province—known in Mongolian as Kokonor and Amdo to Tibetans—to plow up new fields in areas that were being incorporated into the Chinese state for the first time. The settlers were to bring their skilled labor, literacy, and modern thinking to “backward” Qinghai to fully exploit its natural resources of oil, natural gas, gold, and empty lands for the benefit of the industrializing nation. The book is a social and political history of resettlement, focusing on the people who were moved and the overall impact the program had on the province. It is a frontier history, but it also narrates a story of state building in modern China that spans the twentieth century and the opening years of the twenty-first.

Zuo Tradition (Zuozhuan; sometimes called The Zuo Commentary) is China's first great work of history. It consists of two interwoven texts - the Spring and Autumn Annals (Chunqiu, a terse annalistic record) and a vast web of narratives and speeches that add context and interpretation to the Annals. Completed by about 300 BCE, it is the longest and one of the most difficult texts surviving from pre-imperial times. It has been as important to the foundation and preservation of Chinese culture as the historical books of the Hebrew Bible have been to the Jewish and Christian traditions. It has shaped notions of history, justice, and the significance of human action in the Chinese tradition perhaps more so than any comparable work of Latin or Greek historiography has done to Western civilization. This translation, accompanied by the original text, an introduction, and annotations, will finally make Zuozhuan accessible to all.

This is a study of Chinese gentry women's poems on the theme of travel written during the late imperial period (ca.1600–1911), when Chinese women's literature and culture flourished as never before. It challenges the clichéd image of completely secluded and immobile women anxiously waiting inside their prescribed feminine space, the so-called inner quarters, for the return of traveling husbands or other male kin. The travel poems discussed in this book, while not necessarily representative of all of the women writers of this period, point to the fact that many of them longed to explore the world through travel as did so many of their male counterparts. Sometimes they were able to actualize this desire for travel and sometimes they were forced to resort to imaginary “armchair travel.” In either case, women writers often used poetry as a means of recording their experiences or delineating their dreams of traveling outside the inner quarters, and indeed sometimes far away from the inner quarters. With its promise of adventure and fulfillment and, above all, a broadening of one's intellectual and emotional horizons, travel was an important, and until now understudied, theme of late imperial women's poetry.

Confucius—“Master Kung” (551–479 BCE), the Chinese thinker and social philosopher—originated teachings that have deeply influenced Chinese, Korean, Japanese, and Vietnamese thought and life over many centuries. His philosophy emphasized personal and governmental morality, justice, and appropriateness in social relationships. In time these values gained prom­inence in China over other doctrines, such as Taoism and even Buddhism. His thoughts later developed into a system of philosophy known as Confucianism. Today there remain many mysteries about the actual circumstances of his life, and the development of his influence has yet to be encapsulated for the general reader. But with Michael Nylan and Thomas Wilson's Lives of Confucius, many mysteries are laid to rest about his historical life, and fascinating details emerge about how his mythic stature evolved over time, right up to the present day.

After overthrowing the Mongol Yuan dynasty, Zhu Yuanzhang, the founder of the Ming dynasty (1368-1644), proclaimed that he had obtained the Mandate of Heaven (Tianming), enabling establishment of a spiritual orientation and social agenda for China. Zhu, emperor during the Ming's Hongwu reign period, launched a series of social programs to rebuild the empire and define Chinese cultural identity. To promote its reform programs, the Ming imperial court issued a series of legal documents, culminating in The Great Ming Code (Da Ming lu), which supported China's legal system until the Ming was overthrown and also served as the basis of the legal code of the following dynasty, the Qing (1644-1911).This companion volume to Jiang Yonglin's translation of The Great Ming Code (2005) analyzes the thought underlying the imperial legal code. Was the concept of the Mandate of Heaven merely a tool manipulated by the ruling elite to justify state power, or was it essential to their belief system and to the intellectual foundation of legal culture? What role did law play in the imperial effort to carry out the social reform programs?Jiang addresses these questions by examining the transformative role of the Code in educating the people about the Mandate of Heaven. The Code served as a cosmic instrument and moral textbook to ensure “all under Heaven” were aligned with the cosmic order. By promoting, regulating, and prohibiting categories of ritual behavior, the intent of the Code was to provide spiritual guidance to Chinese subjects, as well as to acquire political legitimacy. The Code also obligated officials to obey the supreme authority of the emperor, to observe filial behavior toward parents, to care for the welfare of the masses, and to maintain harmonious relationships with deities. This set of regulations made officials the representatives of the Son of Heaven in mediating between the spiritual and mundane worlds and in governing the human realm.This study challenges the conventional assumption that law in premodern China was used merely as an arm of the state to maintain social control and as a secular tool to exercise naked power. Based on a holistic approach, Jiang argues that the Ming ruling elite envisioned the cosmos as an integrated unit; they saw law, religion, and political power as intertwined, remarkably different from the “modern” compartmentalized worldview. In serving as a cosmic instrument to manifest the Mandate of Heaven, The Great Ming Code represented a powerful religious effort to educate the masses and transform society.The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

This path-breaking book examines the broad cultural, social, and gender meanings of the'faithful maiden'cult in late imperial China (1368–1911). Across the empire, an increasing number of young women or'faithful maidens,'defied their parents'wishes and chose either to live out their lives as widows upon the death of a fiancé or killed themselves to join their fiancé in death. The book analyzes the familial conflicts, government policies, ideological controversies, and personal emotions surrounding the cult. Concentrating on the dramatic acts of spirit wedding and suicide, the faithful maidens'unique code of conduct, and the extraordinary life journey of'virgin mothers,'Lu documents the ideological, psychological, cultural, and economic aspects of these young women's mentality and behavior, and the implications of this behavior for their families and the broader society. The book's narrative of the faithful maiden cult interweaves late imperial political, cultural, social and intellectual history, thus, providing a new window onto the history of the late imperial period.

A detailed description of the role of John Fryer (1839-1928), English missionary and educator, in the diffusion of western science and technology into nineteenth-century China. Fryer translated many scientific books into Chinese and compiled a six-volume collection of Chinese scientific books in 1875 and later set up the Chinese Scientific Book Depot.