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AN INSTANT NATIONAL BESTSELLERA GOOD MORNING AMERICA BOOK CLUB PICK“A laugh-out-loud cultural comedy… This is the New Great American Novel, and Danzy Senna has set the standard.” –LA Times “Funny, foxy and fleet…The jokes are good, the punches land, the dialogue is tart.” –Dwight Garner, The New York Times A brilliant take on love and ambition, failure and reinvention, and the racial-identity-industrial complex from the bestselling author of CaucasiaJane has high hopes that her life is about to turn around. After a long, precarious stretch bouncing among sketchy rentals and sublets, she and her family are living in luxury for a year, house-sitting in the hills above Los Angeles. The gig magically coincides with Jane's sabbatical, giving her the time and space she needs to finish her second novel—a centuries-spanning epic her artist husband, Lenny, dubs her “mulatto War and Peace.” Finally, some semblance of stability and success seems to be within her grasp. But things don't work out quite as hoped. Desperate for a plan B, like countless writers before her Jane turns her gaze to Hollywood. When she finagles a meeting with Hampton Ford, a hot producer with a major development deal at a streaming network, he seems excited to work with a “real writer,” and together they begin to develop “the Jackie Robinson of biracial comedies.” Things finally seem to be going right for Jane—until they go terribly wrong. Funny, piercing, and page turning, Colored Television is Senna's most on-the-pulse, ambitious, and rewarding novel yet.

National BestsellerNamed a must read by NPR, People, Vanity Fair, Electric Literature, Nylon, Alta Journal, CrimeReads and DebutifulNamed a most anticipated book by Elle, The Millions, Bustle, Lit Hub, Dandelion Chandelier, Zibby Mag, Bookpage, and The Rumpus“Oh my mushrooms, The Extinction of Irena Rey is incredibly strange, savvy, sly and hard to classify. I also couldn't put it down.” -The New York Times, Editors'ChoiceFrom the International Booker Prize-winning translator and Women's Prize finalist, an utterly beguiling novel about eight translators and their search for a world-renowned author who goes missing in a primeval Polish forest.Eight translators arrive at a house in a primeval Polish forest on the border of Belarus. It belongs to the world-renowned author Irena Rey, and they are there to translate her magnum opus, Gray Eminence. But within days of their arrival, Irena disappears without a trace.The translators, who hail from eight different countries but share the same reverence for their beloved author, begin to investigate where she may have gone while proceeding with work on her masterpiece. They explore this ancient wooded refuge with its intoxicating slime molds and lichens and study her exotic belongings and layered texts for clues. But doing so reveals secrets-and deceptions-of Irena Rey's that they are utterly unprepared for. Forced to face their differences as they grow increasingly paranoid in this fever dream of isolation and obsession, soon the translators are tangled up in a web of rivalries and desire, threatening not only their work but the fate of their beloved author herself. This hilarious, thought-provoking debut novel is a brilliant examination of art, celebrity, the natural world, and the power of language. It is an unforgettable, unputdownable adventure with a small but global cast of characters shaken by the shocks of love, destruction, and creation in one of Europe's last great wildernesses.

From the International Booker Prize–winning translator and Women's Prize finalist, a propulsive, beguiling novel about eight translators and their search for a world-renowned author who goes missing in a primeval Polish forest. Eight translators arrive at a house in a forest on the border of Belarus. It belongs to the world-renowned author Irena Rey, and they are there to translate her magnum opus, Gray Eminence. But within days of their arrival, Irena disappears without a trace. The translators, who hail from eight different countries but share the same reverence for their beloved author, begin to investigate where she may have gone while proceeding with work on her masterpiece. They explore this ancient wooded refuge with its intoxicating slime molds and lichens, and study her exotic belongings and layered texts for clues. But doing so reveals secrets — and deceptions — of Irena Rey's that they are utterly unprepared for. Forced to face their differences as they grow increasingly paranoid in this fever dream of isolation and obsession, soon the translators are tangled up in a web of rivalries and desire, threatening not only their work but the fate of their beloved author herself. This hilarious, thought-provoking second outing by award-winning translator and author Jennifer Croft is a brilliant examination of art, celebrity, the natural world, and the power of language. It is an unforgettable, unputdownable adventure with a small but global cast of characters shaken by the shocks of love, destruction, and creation in one of Europe's last great wildernesses.

From the New York Times bestselling author Janet Skeslien Charles and based on the true story of Jessie Carson—the American librarian who changed the literary landscape of France—this is “a moving tale of sacrifice, heroism, and inspired storytelling immersed in the power of books to change our lives” (Patti Callahan Henry, New York Times bestselling author).1918: As the Great War rages, Jessie Carson takes a leave of absence from the New York Public Library to work for the American Committee for Devastated France. Founded by millionaire Anne Morgan, this group of international women help rebuild destroyed French communities just miles from the front. Upon arrival, Jessie strives to establish something that the French have never seen—children's libraries. She turns ambulances into bookmobiles and trains the first French female librarians. Then she disappears. 1987: When NYPL librarian and aspiring writer Wendy Peterson stumbles across a passing reference to Jessie Carson in the archives, she becomes consumed with learning her fate. In her obsessive research, she discovers that she and the elusive librarian have more in common than their work at New York's famed library, but she has no idea their paths will converge in surprising ways across time. Based on the extraordinary little-known history of the women who received the Croix de Guerre medal for courage under fire, Miss Morgan's Book Brigade is a “rich, glorious, life-affirming tribute to literature and female solidarity. Simply unforgettable” (Kate Thompson, author of The Wartime Book Club).

'A brilliant, bleak moral maze of a novel'Guardian'Dazzling... by turns comic, lyrical and heartbreaking'Monica Ali'Profound and beautiful'Paul Murray, author of The Bee Sting'A vital, haunting, devastating read'Sarah Waters A publisher, who is at war with his industry and himself, embarks on a radical experiment in his own life and the lives of those connected to him; an academic exchanges one story for another after an accident brings a stranger into her life; and a family in rural India have their lives destroyed by a gift. These three ingeniously linked but distinct narratives, each of which has devastating unintended consequences, form a breathtaking exploration of freedom, responsibility, and ethics. What happens when market values replace other notions of value and meaning? How do the choices we make affect our work, our relationships, and our place in the world? Neel Mukherjee's new novel exposes the myths of individual choice, and confronts our fundamental assumptions about economics, race, appropriation, and the tangled ethics of contemporary life. Choice is a scathing, compassionate quarrel with the world, a masterful inquiry into how we should live our lives, and how we should tell them.'A magnificent achievement'Namwali Serpell'A superb writer... his greatest work yet'Michelle de Kretser

¿Puede una mujer reinventarse más allá de sus setenta años? ¿Puede un autor volver a sentir la urgencia de crear luego de años sin componer una sola obra nueva? «Greta siente que la alegría la recorre como un vino. ¿Viste, tarada, que podías dar una entrevista y el lobo no te iba a comer? Años de cautela que le pesaban como un fardo caen de su cuerpo y la dejan liviana como un pájaro». ¿Puede una mujer reinventarse más allá de sus setenta años? ¿Puede un autor volver a sentir la urgencia de crear luego de décadas sin componer una sola obra nueva? Greta, que en el pasado brilló como escritora, vive retirada en compañía de su gata Prascovia. Atrás quedaron su fulgurante irrupción literaria a los veintidós años y su impactante segunda novela, que le otorgaron fama y prestigio. Desde entonces no ha dado entrevistas. ¿Qué pasó con ella? Movidos por el deseo de descubrir el misterio, Marcos, estudiante de periodismo, y Albertina, una chica ávida de penetrar en la vida secreta de la autora, irrumpen en su casa y provocan una serie de situaciones disparatadas que dan paso al humor absurdo, uno de los tonos destacados de esta obra, y a que Greta, acuciada por una voz implacable que la interpela, remueva una historia que no quería contar y nos revele el complejo camino de la invención de sus tres libros. Sensibilidad y talento, visión sin concesiones de la madurez femenina y humor corrosivo dan cuenta de la magistral lección de narrativa de Liliana Heker en Noticias sobre el iceberg, su nueva y esperada novela. La crítica dijo: «Más allá del conflicto con la realidad argentina de los 70 se impone su condición metanarrativa, su constante interrogación sobre cómo se escribe una novela, desde dónde, para qué, cómo se preserva o se altera el plan original, el valor de lo'testimonial'en el proceso de ficcionalización». Rogelio Demarchi, De la crítica de la ficción a la ficción de la crítica, sobre El fin de la historia «Los hombres se hacen a golpes, indica la sabiduría popular. ¿Y las mujeres? ¡También!, nos enseña magistralmente Liliana Heker en Zona de clivaje […], un verdadero alarde de mostración, despliegue, vivisección, derrame, vómito, de la dolorosa, lúcida, cruel y enérgica forma en que una mujer se busca a sí misma». Emilce Dio Bleichmar, Cuadernos Hispanoamericanos «Una obra que impacta por su honestidad y se vuelve imprescindible, para aspirantes y consagrados». Verónica Abdala, Clarín, sobre La trastienda de la escritura «Lo que hay en los cuentos de Liliana Heker es una vitalidad feroz y envidiable. La energía de los que creen en el trabajo, en la vida, y en la literatura». Samanta Schweblin

NATIONAL BOOK AWARD FINALIST • LONGLISTED FOR THE BOOKER PRIZE • A “masterly” (The New York Times, Editors'Choice), “riveting” (The Atlantic) novel of friendship, family, and the unthinkable realities of exile, from the Pulitzer Prize–winning author of The Return“A profound celebration of the sustaining power of friendship, of the ways we mold ourselves against the indentations of those few people whom fate presses against us.”—The Washington PostWINNER OF THE ORWELL PRIZE FOR POLITICAL FICTIONOne evening, as a young boy growing up in Benghazi, Khaled hears a bizarre short story read aloud on the radio, about a man being eaten alive by a cat, and has the sense that his life has been changed forever. Obsessed by the power of those words—and by their enigmatic author, Hosam Zowa—Khaled eventually embarks on a journey that will take him far from home, to pursue a life of the mind at the University of Edinburgh.There, thrust into an open society that is miles away from the world he knew in Libya, Khaled begins to change. He attends a protest against the Qaddafi regime in London, only to watch it explode into tragedy. In a flash, Khaled finds himself injured, clinging to life, unable to leave Britain, much less return to the country of his birth. To even tell his mother and father back home what he has done, on tapped phone lines, would expose them to danger.When a chance encounter in a hotel brings Khaled face-to-face with Hosam Zowa, the author of the fateful short story, he is subsumed into the deepest friendship of his life. It is a friendship that not only sustains him but eventually forces him, as the Arab Spring erupts, to confront agonizing tensions between revolution and safety, family and exile, and how to define his own sense of self against those closest to him.A devastating meditation on friendship and family, and the ways in which time tests—and frays—those bonds, My Friends is an achingly beautiful work of literature by an author working at the peak of his powers.

CBS New York Book Club with Mary Calvi and Belletrist Book Club Pick “Raw, complex, and utterly unforgettable.” —Fiona Davis, New York Times bestselling author The only child of a famous American novelist discovers a shocking family secret that upends everything she thought she knew about her parents, her gilded childhood, and her own stalled writing career in this standout debut, perfect for fans of Pineapple Street and The Plot.Growing up in the nineties in New York City as the only child of famous parents was both a blessing and a curse for Isabelle Manning. Her beautiful society hostess mother, Claire, and New York Times bestselling author father, Ward, were the city's intellectual It couple. Ward's glamorous obligations often took him away from Isabelle, but Claire made sure her childhood was always filled with love. Now an adult, all Isabelle wants is to be a successful writer like her father but after many false starts and the unexpected death of her mother, she faces her upcoming thirty-fifth birthday alone and on the verge of a breakdown. Her anxiety only skyrockets when she uncovers some shocking truths about her parents and begins wondering if everything she knew about her family was all based on an elaborate lie. This “literary page-turner” (KJ Dell'Antonia, New York Times bestselling author) is punctuated with fragments of a compulsively readable book-within-a-book about a woman determined to steal back the spotlight from a man who has cheated his way to the top. The characters seem eerily familiar but is the plot based on fact? And more importantly, who is the author?

Shortlisted for the Scotiabank Giller Prize “A nuanced, complex, and highly original novel.” —Charles Yu, National Book Award–winning author of Interior Chinatown A fresh, unique work of metafiction that follows a graphic novelist who loses control of his own narrative when he attempts to write the story of his fraught upbringing in 1980s Chinatown.In a Chinatown housing project lives twelve-year-old Benny, his ailing grandmother, and his strange neighbor Constantine, a man who believes he's a reincarnated medieval samurai. When his grandmother is hospitalized, Benny manages to survive on his own until a social worker comes snooping. With no other family, he is reluctantly taken in by Constantine and soon, an unlikely bond forms between the two. At least, that's what Yu, the narrator of the story, wants to write. The creator of a bestselling comic book, Yu is struggling with continuing the poignant tale of Benny and can't help but interject from the present day, slowly revealing a darker backstory. Can Yu confront the demons he's spent his adult life avoiding or risk his own life...and Benny's? “Instructive as it is inspiring, The Double Life of Benson Yu is a phenomenal example of a writer taking real risks in order to reveal and reckon with deep-rooted, tormenting truths as a means of moving forward. Kevin Chong has crafted a novel that will get your heart pumping, mind jumping, and, best of all, fingers turning” (Mateo Askaripour, New York Times bestselling author).

Zero-sum games are played for lethal stakes in these arresting stories by one of America's most acclaimed writers, the award-winning, best-selling author of BlondeA brilliant young philosophy student bent on seducing her famous philosopher-mentor finds herself outmaneuvered; diabolically clever high school girls wreak a particularly apt sort of vengeance on sexual predators in their community; a woman stalked by a would-be killer may be confiding in the wrong former lover; a young woman is morbidly obsessed by her unfamiliar new role as “mother.” In the collection's longest story, a much-praised cutting-edge writer cruelly experiments with “drafts” of his own suicide.In these powerfully wrought stories that hold a mirror up to our time, Joyce Carol Oates has created a world of erotic obsession, thwarted idealism, and ever-shifting identities. Provocative and stunning, Zero-Sum reinforces Oates's standing as a literary treasure and an artist of the mysterious interior life.

'A gorgeous, gorgeous book, full of love, written from the heart. I adored every page!'Bestselling author, Judy LeighAlex would like to believe she's a woman who has it all. Or that's what she tells everyone, including herself. But this is far from true. Actually she's on the cusp of losing her home, her dream career as a writer is in tatters, her ex won't speak to her, and her mother's gone forever.But then a chance meeting with a stranger named Hope gives her the opportunity of a lifetime, when Hope jokes that perhaps Alex should take over her job in a café while she goes travelling.Just at that moment, it sounds like the answer to all her problems. So Alex persuades Hope to let her step into her shoes for a month. She brushes away Hope's attempts to explain about the café, instead demanding to know more about the owner Tom.But she should have asked for more details. Because the ‘Wrong Order Café'isn't like anywhere she's ever been before. And Alex's life is about to change forever…A gorgeously uplifting story about memories, storytelling, love and friendship, about the journeys we take and the people we meet, what we remember and how there are some things we can never forget.Readers love The Memory of You:‘Perfection – heart-breaking, heart-warming, witty and comforting… A glorious recipe that makes the reader want to move into this cafe and never leave. I absolutely adored it.'Celia Anderson, bestselling author of 59 Memory Lane‘Samantha Tonge has done it again! An emotional and enlightening story packed with empathy and heart.'Zoe Folbigg, bestselling author of The Note‘Oh, this book! A beautiful and truly unforgettable read.'Hazel Prior, bestselling author of Away With the Penguins‘I loved this heartwarming book… Great characters… Moments to make you smile, raise a lump in your throat and touches of humour… Wonderful.'Caroline Roberts, bestselling author of The Cosy Teashop series‘Wonderful… the author's emotional touch is quite perfect… A book entirely filled with kindness and love that can't fail to touch the heart… I adored every moment. One of my books of the year.'Goodreads reviewer ⭐⭐⭐⭐⭐‘I'm not sure any words I choose will be eloquent enough to sum up this very special book…. It's honest, raw, poignant and heart-breaking. It is also warm-hearted, positive, uplifting, funny and full of love and hope… Clearly written straight from the heart.'Goodreads reviewer ⭐⭐⭐⭐⭐‘A hug in a book… A truly stunning read and deserved every one of the 5 stars in spades. Loved it doesn't cover it.'Goodreads reviewer ⭐⭐⭐⭐⭐‘This story is beautiful, uplifting, emotional, thought-provoking and thoroughly disarming… brave, funny, beautiful… life affirming.'Goodreads reviewer ⭐⭐⭐⭐⭐‘Had me in tears of laughter and tears of heartbreak… Beautiful.'Goodreads reviewer ⭐⭐⭐⭐⭐

A FEBRUARY 2023 INDIE NEXT PICK LONGLISTED FOR THE 2022 DESMOND ELLIOTT PRIZE A short, lyrical debut novel about love, loss, work, time, and the unquenchable desire for connection with others—for fans of Jenny Offill, Mieko Kawakami, David Szalay and Sheila Heti The second time you came, we went from bar to bar to bar. It made the city feel smaller. Like a map we were folding to the size of a stamp. We were good at that. We could have fit an entire universe inside a matchbox. Exquisitely crafted, richly imagined, and as funny as it is moving, Hourglass is an unusual and uniquely told love story. Turning time upside down, it combs the wreckage of personal heartbreak for something universal and asks what it means to lose what you love. “This book is such a sneaky head f•ck—an epic poem in an ancient style about the brutalities of modern love, a masculine interrogation of feminine heartbreak, a really beautiful way to spend an evening”—Lena Dunham

Dorothy Edwards, an only child, was born on the 18th August 1902 at Ogmore Vale in Glamorgan.Her father was a headmaster and an early activist in the Independent Labour Party. At age 9 Dorothy, dressed in red, welcomed Keir Hardy on to the stage at Tonypandy during the national coal strike of 1912. She was taught that revolution was at hand, that class barriers would be a thing of the past. Dorothy won a scholarship and boarded at Howell's School for Girls in Llandaff before moving to University College of South Wales and Monmouthshire where she read Greek and philosophy.Her early hopes to be an opera singer were set to one side after graduating and the death of her father. Instead she took on part-time work to supplement her mother's pension with whom she now lived.Dorothy managed to write a number of short stories which appeared in the literary journals of the day. She spent several months with her mother in Vienna, all the time revising or writing before embarking on ‘Winter Sonata', a short novel published in 1928.Introductions to several members of the Bloomsbury Group meant a move to London and a division of her time between child-care for the family of Bloomsbury author David Garnett and the promise of an advance payment for her work on a new volume of stories.However, Dorothy's life was starting to spiral out of control; she was attracted to the Welsh nationalist movement but felt that her Welsh provincialism made her, in London at least, feel socially inferior. Leaving her mother dependent on a hired companion consumed her with guilt as did the end of an affair with a married musician.On the 5th January 1934, having spent the morning burning her papers, Dorothy Edwards threw herself in front of a train near Caerphilly railway station. Her suicide note read:'I am killing myself because I have never sincerely loved any human being all my life. I have accepted kindness and friendship and even love without gratitude, and given nothing in return.'

EL AMOR ES UNA FUERZA DEVASTADORA Tras El cuaderno tachado, internacionalmente aclamada, Nicolás Giacobone entrega una novela explosiva. Un hilo trágico une el destino de las cinco personas que tienen voz en esta hipnótica novela. Agustina es una actriz trans que lleva demasiado tiempo encadenando proyectos fallidos y cuya capacidad de amar es tan grande como su voraz deseo de venganza. Verónica es una aplicada guionista televisiva que ve cómo se le escapa de las manos el talento que creyó poseer. Matthew es un hombre simple cuyo matrimonio se desmorona por culpa de sus obsesiones cada vez más desaforadas. Paula es una genial escritora secreta devorada por su propia obra, que atesora en un viejo laptop sin procesador de textos. Juan, pareja de Agustina y en su día rutilante artista conceptual, desconoce que lo van a asesinar en las afueras de Nueva York. Bum bum bum es una historia visceral y extrema, coral y elíptica, llena de anhelos y violencia, habitada por personajes desorbitados que se preguntan dolorosamente quién son. Un libro, en definitiva, desbordado de vida y pasión, pero también de mugre y soledad. Sobre Bum Bum Bum se ha dicho: «Nicolás Giacobone escribe con ferocidad y belleza. La prosa de Bum Bum Bum nos involucra con los personajes en un viaje adictivo de venganza y redención, a tal punto, que sentimos la necesidad de reparar identidades fragmentadas, curar heridas, y acompañar a esas voces tan disimiles y tan unidasen este relato coral, cuya trama completará una lectura decisiva y fascinante hasta la última página.» Agustina Bazterrica «Hay dentro de Bum bum bum una rutilante, y desesperada, anatomía del fracaso y la redención.» Jordi Soler «Voces de carne y hueso, de mundos ajenos entre sí, tejen el relato con gran profundidad y ritmo, dupla imbatible.» Miguel Prenz Sobre El cuaderno tachado se ha dicho: «Una primera novela que ya quisieras tú. Trata de un guionista encerrado por un director en un sótano... Esta gente no se corta, y por eso el libro de Giacobone es tan interesante.» Alberto Olmos, El Confidencial «Un thriller intelectual y claustrofóbico lleno de humor.» Rosa Belmonte, Mujer Hoy «Ágil y original.» Daniel Gigena, La Nación «Fascinante y deliciosamente diábolica.» Léonard Billot, Les Inrocks «Una novela frenética, atravesada por la ira, repleta de humor negro.» Éric Neuhoff, Le Figaro «Una obra sobresaliente que te hará cosquillas en las sinapsis.» Christian Endres, Die Zukunft «Una prosa que va mucho más allá de las virtudes de Birdman: refleja a la perfección cómo nacen las maneras de narrar más novedosas.» Nicola Bardola, Abendzeitung München «El cuaderno tachado es una de esas obras particulares que merecen especial atención porque encierran, secretamente, la rara joya de la literatura.» Sara Prian, La voce di Venezia «Para mi próxima obra maestra, no dudaré en encerrar a Nicolás Giacoboneen mi sótano y obligarle a escribir una novela tan traviesa, ingeniosa y espléndida en su conjunto como El cuaderno tachado.» Joshua Ferris

Modern-day Beirut is seen through the eyes of a failed writer, the eponymous Mister N. He has left his comfortable apartment and checked himself into a hotel – he thinks. Certainly, they take good care of him there. Meanwhile, on the streets below, a grim pageant: poverty, violence and fear. How is anyone supposed to write deathless prose in such circumstances? Let alone an old man like Mister N., whose life and memories have become scattered, whose family regards him as an embarrassment, and whose next-door neighbours torment him with their noise, dinner invitations, and inconvenient suicides. Comical and tragic by turns, his misadventures climax in the arrival in what Mister N. had supposed to be his'real life'of a character from one of his early novels – a vicious militiaman. Now, does the old writer need to arm himself... or just seek psychiatric help?

Sad and funny and bitter and true, a novel about grief, discovering your own story, and trying to listen for those stories that are not yours to tell.August 2014. Two friends, writers Damaris Caleemootoo and Oliver Pablo Herzberg, arrive in Edinburgh from London, the city that killed Daniel—his brother, her frenemy and loved by them both. Every day is different but the same. Trying to get to the library, they get distracted by bickering—will it rain or not and what should they do about their tanking bitcoin?—in the end failing to write or resist the sadness which follows them as they drift around the city. On such a day they meet Diego, a poet. They learn that Diego's mother was from the Chagos Archipelago, that she and her community were forced to leave their ancestral islands by soldiers in 1973 to make way for a military base. They become obsessed with this notorious episode in British history and the continuing resistance of the Chagossian people, and feel urged to write in solidarity. But how to share a story that is not theirs to tell? Sad, funny and angry, this collaborative fiction builds on the true fact of another: a collaborative fiction created by the British and US governments to dispossess a people of their homeland.

John Irving's fifteenth novel is “powerfully cinematic” (The Washington Post) and “eminently readable” (The Boston Globe). The Last Chairlift is part ghost story, part love story, spanning eight decades of sexual politics.In Aspen, Colorado, in 1941, Rachel Brewster is a slalom skier at the National Downhill and Slalom Championships. Little Ray, as she is called, finishes nowhere near the podium, but she manages to get pregnant. Back home, in New England, Little Ray becomes a ski instructor. Her son, Adam, grows up in a family that defies conventions and evades questions concerning the eventful past. Years later, looking for answers, he will go to Aspen. In the Hotel Jerome, where he was conceived, Adam will meet some ghosts; in The Last Chairlift, they aren't the first or last ghosts he sees. John Irving has written some of the most acclaimed books of our time—among them, The World According to Garp and The Cider House Rules. A visionary voice on the subject of sexual tolerance, Irving is a bard of alternative families. In the “generously intertextual” (The New York Times) The Last Chairlift, readers will once more be in his thrall.

Ein meisterhafter Roman, der sich auf mehreren Ebenen abspielt, immer wieder überraschende Wendungen bereithält und sich zu Höhenflügen aufschwingt. Als Mac im Alter von Mitte 60 seine Arbeit verliert, beschließt der leidenschaftliche Leser, ein Tagebuch zu führen, das sich unter keinen Umständen zu einem Roman entwickeln soll. Auf seinen täglichen Spaziergängen durch sein Viertel in Barcelona trifft er immer wieder auf seinen Nachbarn Ander Sánchez, einen berühmten Autor, der ihm mit seiner Arroganz auf die Nerven geht. Als Mac eines Tages mitbekommt, wie Sánchez abfällig über einen seiner früheren Romane urteilt, in dem die Memoiren eines Bauchredners wiedergegeben sind, nimmt er sich vor, den Roman seines Nachbarn neu zu lesen und neu zu schreiben. In seiner Lektüre bemerkt Mac, dass die Geschichten auf eine seltsame Art und Weise das Leben nachahmen. Oder ist es umgekehrt? Er entfernt sich immer mehr von dem, was wir Realität nennen, und versinkt in der Literatur – und mit ihm die Leserinnen und Leser dieses Romans. Enrique Vila-Matas nähert sich auf spielerische Art und Weise der Frage nach dem Akt des Schreibens und der Motivation, die hinter diesem steckt. Vor allem aber zeigt der Roman die pure Freude am Schreiben selbst.

Galardoada com o Prémio Pulitzer e uma das escritoras mais empolgantes do presente, Elizabeth Strout regressa à saga em torno da personagem Lucy Barton. Oh, William! — saga familiar cujo esqueleto vai sendo desmontado em camadas — assenta num ponto nevrálgico: a voz indómita de Lucy Barton, veículo para uma reflexão profunda e delicada sobre a existência, qualidade presente em todos os livros da magistral Elizabeth Strout. Um romance luminoso sobre o amor, a perda e os segredos de família que regressam sem aviso e nos deixam aturdidos. No regresso da personagem Lucy Barton — protagonista dos romances O meu nome é Lucy Barton e Tudo é possível —, encontramos, desta vez, uma mulher madura, que conquistou fama e sucesso enquanto escritora. Um acontecimento inesperado traz de volta à vida de Lucy o seu primeiro marido, William, alguém que foi sempre um mistério para ela. Misteriosa é também a forte ligação que os une ainda. Lucy acaba de ficar viúva, William atravessa uma crise no seu terceiro casamento, enquanto procura descobrir um segredo do passado da mãe. É a Lucy que William pede apoio e companhia. Juntos iniciam um périplo geográfico e emocional que os levará para longe de Nova Iorque. Ao evocar o passado de ambos — os tempos da faculdade, o nascimento das filhas, a dissolução do casamento e as vidas refeitas com novos companheiros —, Strout compõe o retrato de uma convivência de décadas, conturbada e cúmplice. À medida que a narrativa avança, entrevemos as forças silenciosas que mantêm Lucy e William unidos. Percebemos também que, para se habitar em pleno uma nova vida, é preciso sarar feridas e celebrar o que se conquistou.'O grande tema de Oh, William! é o casamento, e Elizabeth Strout é brilhante a escrever sobre ele.'The New York Times'Há nestas páginas uma humanidade tão íntima e frágil, que nos deixa sem fôlego.'The Washington Post'Uma escritora elegante, engenhosa e de apurada sensibilidade: um valor seguro para todos os leitores exigentes.'Babelia'A grande virtude de Elizabeth Strout é a desafetação: as histórias não precisam de ser grandiosas, porque a experiência humana também não o é; acontece no quotidiano, nas conversas, nos gestos. Os romances de Strout são universais.'Los Angeles Times'Um romance do nosso tempo. Magnífico, cru, poético, narra a decomposição dos afetos numa era marcada pelo desapego e pelo ceticismo.'El Cultural'Oh, William! é mais um passo importante no percurso desta herdeira do realismo americano, encabeçado por Lucia Berlin e Alice Munro.'Esquire'Uma das minhas escritoras de eleição. A complexidade, a espessura e a entrega que se vislumbram nestas páginas transformam-nas num feito milagroso.'Ann Patchett'Uma escritora incrivelmente talentosa, uma artífice num campeonato que é só seu.'Hillary Mantel'Que escritora tão impressionante.'Zadie Smith

A disillusioned Parisian writer finds inspiration in the ordinary lives of his neighbours, the Martins. ‘A wonderful surprise'L'Express Is it true that every life is the stuff of novels? Or are some people just too ordinary?This is the question a struggling Parisian writer asks when he challenges himself to write about the first person he sees when he steps outside his apartment. Secretly hoping to meet the beautiful woman who occasionally smokes on his street, he instead sets eyes on octogenarian Madeleine. She's happy to become the subject of his project, but first she needs to put her shopping away…Wondering if his project is doomed to be hopelessly banal, he soon finds himself tangled in the lives of Madeleine's family. Though calm on the surface, the Martins have secrets, troubles and woes, and the writer discovers that the most compelling story is that of an ordinary life.

Jack Proctor, a celebrated older writer and curmudgeon, goes off to residency where he is to be an honored part of teaching and giving public readings, he soon finds the atmosphere of the literary world has changed since his last foray into the public sphere. Unknown to most, unable to work on his own writing, surrounded by a host of odd characters, would-be writers, antagonists, handlers, and members of the elite House of Art and Aesthetics, Proctor finds himself driven to distraction (literally in a very very tiny car). This is a story of a man attempting not to go mad when forced to stop his own writing in order to coach others to write. Proctor's tour of rural places, pubs, theaters, fancy parties, where he is to be headlining as a'Banker-Prize-Winning-Author'reads like a literary version of Spinal Tap. Uproariously funny, brilliantly philosophical, gorgeously written this is James Kelman at his best.

From New York Times bestselling author and Mountain Goats singer/songwriter John Darnielle comes an epic, gripping novel about murder, truth, and the dangers of storytelling. Gage Chandler is descended from kings. That's what his mother always told him. Years later, he is a true crime writer, with one grisly success — and a movie adaptation — to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for his big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell — his closest childhood friend lived there, once upon a time. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected — back into his own work and what it means, back to the very core of what he does and who he is. Devil House is John Darnielle's most ambitious work yet, a book that blurs the line between fact and fiction, that combines daring formal experimentation with a spellbinding tale of crime, writing, memory, and artistic obsession.

What to do when your fictional sleuth refuses to die? A detective writer's attempts at writing his masterpiece. A very successful detective fiction writer, Leo Basilius, decides to bring his popular crime series to a close and take a sabbatical on the Greek island of Nysa where, as a young man, he wrote his first books - poetry and short stories. He returns there intending to write his master piece. The one he knows he has in him. Surrounded by his wife and new island friends, he settles in to write. But unexpectedly his main character, Detective-Sargeant Vass Levonian, appears demanding that Basilius resurrect him. The hauntings multiply and inspiration doesn't come. Leo Basilius wants to find fulfilment as a writer. But can he? Is it too late? Can you leave a mark? And what should that mark be? What do we leave behind? What is our legacy? And … Is there still time to do something about it?

The protagonist-narrator of The Invented Part and The Dreamed Part returns to find an answer the question: how does a writer remember? In particular, how does a he—a writer who no longer writes but can't stop reading and rereading himself—remember.The Writer takes us hurtling through the refracted funhouse of his recursive and referential-maniac mind with a host of debut performances and redux appearances: the howling ghost of electricity and the defective Mr. Trip; the wuthering and heightened Penelope and her lost son; 2001: A Space Odyssey and Blade Runner; the absent Pertusato, Nicolasito and the omnipresent IKEA; the dead Colma, the deceased ZZYZX, the departed Nothing, and the immortal Sad Songs; the irrealist Vladimir Nabokov and the surrealist Karmas; Wish You Were Here playing on (im)mobil(izing) phones and Dracula being invited in; the disturbed Uncle Hey Walrus and parents who are models but not at all model parents; The Beatles and The Beatles; a nonexistent country of origin and a city in flames; an unforgettable night that wants nothing more than to be rewritten; and so many more accelerated particles and freewheeling fragments and interlinked cells searching for a storyline to give them some structure, some meaning.With mordant wit, capacious intelligence, and vertiginous prose, The Remembered Part closes Rodrigo Fresán's sprawling tryptic novel. A novel that has at its heart the three component parts of literary creation, the engines that drive the writing of fictional lives and the narration of real works of art: invention, dream, and memory. It is a masterpiece by one of contemporary literature's most daring and innovative writers.

When a once-promising young writer agrees to ghostwrite a famous physicist's memoir, his livelihood is already in jeopardy: Plagued by debt, he's grown distant from his wife and is haunted by an overwhelming sense of dread he describes as “The Mist.” Then, things get worse: The physicist vanishes, leaving everything in limbo, including our narrator's sanity.'Among the most accurate and insightful depictions of depression I've ever read.'—Los Angeles Times'Brewer's earnest description of psilocybin therapy turns a bravura comic novel into something deeper and stranger: an account of unexpected, hard-won joy.” —VogueIn an attempt rid himself of'The Mist,'the young writer undergoes an experimental, psychedelic treatment and finds his world completely transformed: Joy suffuses every moment. For the first time, he understands himself in a larger, universal context, and feels his life shift, refract, and crack open to reveal his past and future alike.Moving swiftly from a chemical spill in West Virginia to Silicon Valley, from a Brooklyn art studio to a high-speed train racing across the Italian countryside, The Red Arrow wades into the shadowy depths of the human psyche only to emerge, as if speeding through a mile-long tunnel, into a world that is so bright and wondrous, it almost feels completely new.

New York Times Book Review Editors'ChoiceFrom acclaimed Argentine author Pedro Mairal and Man Booker International-winning translator Jennifer Croft, the unforgettable story of two would-be lovers over the course of a single day. Lucas Pereyra, an unemployed writer in his forties, embarks on a day trip from Buenos Aires to Montevideo to pick up fifteen thousand dollars in cash. An advance due to him on his upcoming novel, the small fortune might mean the solution to his problems, most importantly the tension he has with his wife. While she spends her days at work and her nights out on the town-with a lover, perhaps, he doesn't know for sure-Lucas is stuck at home all day staring at the blank page, caring for his son Maiko and fantasizing about the one thing that keeps him going: the woman from Uruguay whom he met at a conference and has been longing to see ever since. But that woman, Magalí Guerra Zabala, is a free spirit with her own relationship troubles, and the day they spend together in this beautiful city on the beach winds up being nothing like Lucas predicted. The constantly surprising, moving story of this dramatically transformative day in their lives, The Woman from Uruguay is both a gripping narrative and a tender, thought-provoking exploration of the nature of relationships. An international bestseller published in fourteen countries, it is the masterpiece of one of the most original voices in Latin American literature today.

Who's really telling this story? That's the mystery at the heart of Danielle Mémoire's novel, which opens with a writer on stage at a public reading—a public reading that isn't one, because she never reads a word, much to the audience's annoyance. When an audience member finally heckles her, the writer's response sets off a chain reaction of nested stories that tumble one after another like a row of dominoes.Each storyteller in the series (most are writers at public readings) builds on what's come before while often radically changing its meaning. Along the way, we encounter fatal stepladders, a painter obsessed with a transom window, a lovestruck dog-walker, and a lost cat restored to its owners through divine intervention. Playful, thought-provoking, and utterly unique, Public Reading Followed by Discussion defies classification and invites every reader to join the game.

NEW YORK TIMES BESTSELLER • BOOKER PRIZE FINALIST • The Pulitzer Prize–winning author of Olive Kitteridge and My Name is Lucy Barton explores the mysteries of marriage and the secrets we keep, as a former couple reckons with where they've come from—and what they've left behind. ONE OF THE TEN BEST BOOKS OF THE YEAR: Maureen Corrigan, NPR's Fresh Air“Elizabeth Strout is one of my very favorite writers, so the fact that Oh William! may well be my favorite of her books is a mathematical equation for joy. The depth, complexity, and love contained in these pages is a miraculous achievement.”—Ann Patchett, author of The Dutch HouseI would like to say a few things about my first husband, William. Lucy Barton is a writer, but her ex-husband, William, remains a hard man to read. William, she confesses, has always been a mystery to me. Another mystery is why the two have remained connected after all these years. They just are. So Lucy is both surprised and not surprised when William asks her to join him on a trip to investigate a recently uncovered family secret—one of those secrets that rearrange everything we think we know about the people closest to us. There are fears and insecurities, simple joys and acts of tenderness, and revelations about affairs and other spouses, parents and their children. On every page of this exquisite novel we learn more about the quiet forces that hold us together—even after we've grown apart. A BEST BOOK OF THE YEAR: The New York Times Book Review, The Washington Post, Time, Vulture, She Reads

•••2021 NATIONAL BOOK AWARD WINNER••••••THE NATIONAL BESTSELLER•••Winner of the 2021 Sir Walter Raleigh Award for Fiction, Joyce Carol Oates Literary Prize Finalist, 2022 Chautauqua Prize Finalist, Willie Morris Award for Southern Writing Shortlist, 2021 Aspen Words Literary Prize Shortlist, 2022 Maya Angelou Book Award Shortlist, 2022 Carnegie Medal LonglistA Read With Jenna Today Show Book Club Pick! An Ebony Magazine Publishing Book Club Pick! One of Washington Post's 50 Notable Works of Fiction | One of Philadelphia Inquirer's Best Books of 2021 | One of Shelf Awareness's Top Ten Fiction Titles of the Year | One of TIME Magazine's 100 Must-Read Books | One of NPR.org's'Books We Love'| EW's'Guide to the Biggest and Buzziest Books of 2021'| One of the New York Public Library's Best Books for Adults | San Diego Union Tribune—My Favorite Things from 2021 | Writer's Bone's Best Books of 2021 | Atlanta Journal Constitution—Top 10 Southern Books of the Year | One of the Guardian's (UK) Best Ten 21st Century Comic Novels | One of Entertainment Weekly's 15 Books You Need to Read This June | On Entertainment Weekly's'Must List'| One of the New York Post's Best Summer Reading books | One of GMA's 27 Books for June | One of USA Today's 5 Books Not to Miss | One of Fortune's 21 Most Anticipated Books Coming Out in the Second Half of 2021 | One of The Root's PageTurners: It's Getting Hot in Here | One of Real Simple's Best New Books to Read in 2021 An astounding work of fiction from New York Times bestselling author Jason Mott, always deeply honest, at times electrically funny, that goes to the heart of racism, police violence, and the hidden costs exacted upon Black Americans and America as a whole In Jason Mott's Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and more urgent: Mott's novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour. As these characters'stories build and converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art and money, it's also about the nation's reckoning with a tragic police shooting playing over and over again on the news. And with what it can mean to be Black in America. Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably told, with characters who burn into your mind and an electrifying plot ideal for book club discussion, Hell of a Book is the novel Mott has been writing in his head for the last ten years. And in its final twists, it truly becomes its title.

Gábor író, de lomtalanításból él: vállalkozó nagybátyjával együtt elhunyt emberek hátrahagyott tárgyait számolják fel. Dóra zongorista, de napközben ujjai fekete virágföldbe mélyednek. Egymásnak elmesélt, szokatlan történeteikből egy ismerős, hétköznapinak mégsem mondható világ épül fel. A szereplők küzdeni tudása és a szöveg lendülete pedig magával viszi az olvasót is.Vados Anna

A blistering novel about a writer's creative response to the daily onslaught of fake news, memory, and the ways in which truth gives over to fiction “An absorbing portrait of an inspired artist in the midst of our maddening cultural moment” —Ayad Akhtar, author of Homeland ElegiesWhen Satya, a professor and author, attends a prestigious artists'retreat to write, he finds the pressures of the outside world won't let up: the president rages online; a dangerous virus envelops the globe; and the twenty-four-hour news cycle throws fuel on every fire. For most of the retreat fellows, such stories are unbearable distractions, but for Satya, who sees them play out in both America and his native India, these Orwellian interruptions begin to crystallize into an idea for his new novel, Enemies of the People, about the lies we tell ourselves and one another. Satya scours his life for instances in which truth bends toward the imagined and misinformation is mistaken as fact. Mixing Satya's experiences—as a father, husband, and American immigrant—with newspaper clippings, the president's tweets, and observations on famous works of art, A Time Outside This Time captures a feverish political moment with intelligence, beauty, and an eye for the uncanny. It is a brilliant interrogation on life in a post-truth era and an attempt to imagine a time outside this one.

New York Times bestselling author James Lee Burke brings readers a captivating tale of justice, love, brutality, and mysticism set in the turbulent 1960s. The American West in the early 1960s appears to be a pastoral paradise: golden wheat fields, mist-filled canyons, frolicking animals. Aspiring novelist Aaron Holland Broussard has observed it from the open door of a boxcar, riding the rails for both inspiration and odd jobs. Jumping off in Denver, he finds work on a farm and meets Joanne McDuffy, an articulate and fierce college student and gifted painter. Their soul connection is immediate, but their romance is complicated by Joanne's involvement with a shady professor who is mixed up with a drug-addled cult. When a sinister businessman and his son who wield their influence through vicious cruelty set their sights on Aaron, drawing him into an investigation of grotesque murders, it is clear that this idyllic landscape harbors tremendous power—and evil. Followed by a mysterious shrouded figure who might not be human, Aaron will have to face down all these foes to save the life of the woman he loves and his own. The latest installment in James Lee Burke's masterful Holland family saga, Another Kind of Eden is both riveting and one of Burke's most ambitious works to date. It dismantles the myths of both the twentieth-century American West and the peace-and-love decade, excavating the beauty and idealism of the era to show the menace and chaos that lay simmering just beneath the surface.

Um in Berlin ein neues Buch zu schreiben, verlässt der Schriftsteller A. die Schweiz – und seine Ehe. Er setzt seine Krebsbehandlung ab, beschließt dafür aber einer Figur, die er in seinem letzten Roman sterben ließ, ein zweites Leben zu bescheren. Dabei erfährt er, dass er über Figuren seiner Erfindung so wenig allein verfügen kann wie über andere Menschen, denen er begegnet. Eine Wette zwischen Kunst und Leben, die auf überraschende Weise an einem Ort zwischen Ozean und Wüste eigentlich entschieden scheint, als sich eine neue, dramatische Bedrohungslage entwickelt...

The son of a famous writer is caught in a cat-and-mouse game with his late father's protégé in this “heady postmodern thriller” (Publishers Weekly).Thomas Quinn is having a hard time. A failed novelist, he's stuck writing short stories and audio scripts for other people's characters. His wife, Imogen, is working on a remote island halfway around the world, and talking to her over the webcam isn't the same. The bills are piling up, the dirty dishes are stacking in the sink, and the whole world seems to be hurtling towards entropic collapse. Then he gets a voicemail from his father, who has been dead for seven years.Thomas's relationship with Stanley Quinn—a world-famous writer and erstwhile absent father—was always shaky, not least because Stanley always seemed to prefer his enigmatic assistant and protégé Andrew Black to his own son. Yet after Black published his first book, Cupid's Engine, which went on to sell over a million copies, he disappeared completely. Now strange things are happening to Thomas, and he can't help but wonder if Black is tugging at the seams of his world behind the scenes.Absurdly brilliant, wildly entertaining, and utterly mind-bending, Maxwell's Demon triumphantly excavates the ways we construct meaning in a world where chaotic collapse looms closer every day.Praise for Maxwell's DemonNamed a Most Anticipated Book by the Guardian“A wonderfully imaginative, splendidly baroque novel that is a combination of the baffling, teasing, and tantalizing. Part fantasy, part mystery, it is altogether delightful and filled with surprises—in a word, exceptional. No, make that two words; the second is fantastic.” —Booklist (starred review)“[A] phantasmagoric novel with shades of Stephen King's The Dark Half.... There's really nothing like this book—long contemplations of philosophy, personality, religion, and history are all woven into something of a mystery in which no one is truly reliable. With influences that recall Fight Club and Motherless Brooklyn, Hall manages to put a whole world on the page that shifts and changes as weirdly and wildly as the ones in the novel's fictional books. The modern novel's version of a Möbius strip, written with verve and a vast appreciation for the power of language.” —Kirkus Reviews“A postmodern literary thriller about a difficult second novel.... Anyone who has a taste for postmodern hijinks—fans of Thomas Pynchon or Mark Z. Danielewski's House of Leaves—will be drawn to the menace and profusion, the game-like brilliance and black hilarity of Maxwell's Demon.” —Australian

'A very funny, intelligent, deliberately and engagingly resistant, and moving piece of writing'Amit Chaudhuri A'recovering writer'– his first novel having been littered with typos and selling only fifty copies – Frank Jasper is plucked from obscurity in Port Jumbo in Nigeria by Mrs Kirkpatrick, a white woman and wife of an American professor, to attend the prestigious William Blake Program for Emerging Writers in Boston. Once there, however, it becomes painfully clear that he and the other Fellows are expected to meet certain obligations as representatives of their'cultures.'His colleagues, veterans of residencies in Europe and America, know how to play up to the stereotypes expected of them, but Frank isn't interested in being the African Writer at William Blake – any anyway, there is another Fellow, Barongo Akello Kabumba, who happily fills that role. Eventually expelled from the fellowship for'non-performance'and'non-participation,'Frank Jasper sets off on trip to visit his father's college friend in Nebraska – where he learns not only surprising truths about his father, but also how to parlay his experiences into a lucrative new career once he returns to Nigeria: as a commentator on American life... Seesaw is an energetic comedy of cultural dislocation – and in its humour, intelligence and piety-pricking, it is a refreshing and hugely enjoyable act of literary rebellion.

Topical and timely, Booker Prize–winning author Ben Okri's new collection of short stories blurs parallel realities and walks the line between darkness and magic.A Library Journal Best Book of 2021'No matter how different each story is in context or story line, Prayer for the Living is not simply a collection of different tales, it is a deliberate assemblage of universal truths that explores what it means to seek and to live.'--Los Angeles Review of Books'[Okri's] new story collection, Prayer for the Living, spans the globe.'--Los Angeles Times'Prayer for the Living creates beauty in the empty spaces, and the confusing lines between reality and myth... Regardless of where Ben Okri takes his readers, he does so with a steady, confident hand, even in ambiguity.'--Locus MagazinePlayful, frightening, shocking--these stories from a writer at the height of his power will make you think, or make you laugh. Sometimes they'll make you want to look away, but they will always hold your gaze.These are stories set in London, in Byzantium, in the ghetto, in the Andes, and in a printer's shop in Lagos. Characters include a murderer, a writer, a detective, a woman in a dream, a man in a mirror, a little girl, a prison door, and the author himself.Each one of these twenty-four stories will make you wonder if what you see in the world can really be all there is...

Le décor du récit figure parmi les plus impressionnants au monde : les chutes Victoria, ou chutes du Zambèze, en terre africaine. C'est ici que l'on retrouve plusieurs figures majeures de la littérature contemporaine : Karen Blixen, l'auteure de La ferme africaine (Out of Africa à l'écran), et deux Prix Nobel, Ernest Hemingway et Doris Lessing. La confrontation de ces trois tempéraments d'écrivain a lieu de façon parfaitement imaginaire puisqu'ils ne se sont en réalité jamais rencontrés... Ce qui les réunit : un amour immodéré du continent noir, de sa magie, ses sortilèges. Nous nous trouvons alors au coeur du siècle dernier, dans une Rhodésie encore sous domination britannique. Également présents dans ce cadre enchanteur, des chasseurs d'images passionnés de flore et de faune. Parmi eux, Peter Beard, grand photographe et artiste d'importance. On assistera aux aventures d'un étonnant quintette appelé à s'immerger - au sens propre comme au sens figuré - dans un univers pour bonne part aquatique. Et, entre les protagonistes, fusent les échanges comme roulent en contrebas les eaux d'un fleuve déchaîné...

The acclaimed and now-classic biographical novel of Walter Benjamin's last days--adapted into screenplay by Jay Parini. It is 1940. For the past decade, Walter Benjamin--the German-Jewish critic and philosopher--has been writing his masterpiece in a library in Paris, a city he loves. Now Nazi tanks have overrun the suburbs, and Benjamin is forced to flee. With a battered briefcase that contains his precious manuscript of a thousand handwritten pages, he sets off for the border and is led by chance to a young anti-Nazi who is taking Jews and other refugees over the Pyrenees into Spain, where they may (with luck) make their way to freedom in Portugal or South America. Beloved biographical novelist Jay Parini's thrilling tale of escape is beautifully interwoven with vignettes of Benjamin's complex, cosmopolitan past: his privileged childhood in Berlin, his years with the German Youth Movement, his university days. His close friendship with Gershom Scholem, the eminent scholar of Jewish mysticism, and many other well-known artists and intellectuals who were part of Benjamin's intimate circle between the two world wars. Part tragedy, part dark comedy, this sharply realized historical novel tells one of the great and most moving peripheral stories of the Holocaust.

Two unrelated, aspiring writers, born on the same day in the same year to parents with the same first names, grow up together and eventually gain national prominence as authors. As the years pass, the complex sexual identities of Miller Sark and Hal Pierce undermine their intense private relationship, inflicting damage that cannot be undone by the distinction of their fiction and poetry. Inspired by the lives and works of American literary giants Ernest Hemingway and Hart Crane, This Cleaving and This Burning reveals the passion and purpose behind masks of public reputation and creative expression.

From the Scotiabank Giller Prize–winning novelist of 419 comes a spellbinding literary adventure novel about precious objects lost and found.The world is filled with wonders, lost objects—all real—all still out there, waiting to be found: · the missing Fabergé eggs of the Romanov dynasty, worth millions · the last reel of Alfred Hitchcock's first film · Buddy Holly's iconic glasses · Muhammad Ali's Olympic gold medal How can such cherished objects simply vanish? Where are they hiding? And who on earth might be compelled to uncover them? Will Ferguson takes readers on a heroic, imaginative journey across continents, from the seas of southern Japan, to the arid Australian Outback, to the city of Christchurch, New Zealand, after the earthquake. Prepare to meet Gaddy Rhodes, a brittle Interpol agent obsessed with tracking “The Finder”—a shadowy figure she believes is collecting lost objects; Thomas Rafferty, a burnt-out travel writer whose path crosses that of The Finder, to devastating effect; and Tamsin Greene, a swaggering war photographer who is hiding secrets of her own. The Finder is a beguiling and wildly original tale about the people, places, and things that are lost and found in our world. Both an epic literary adventure and an escape into a darkly thrilling world of deceit and its rewards, this novel asks: How far would you be willing to go to recover the things you've left behind?

An autobiographical novel that's a tender, witty exploration of the hardest questions: how to live, how to grieve, and how to die—from “the Mick Jagger of literature... Amis is the most dazzling prose stylist in post-war British fiction” (The Daily Telegraph). “[A] charismatic compound of fact and fiction... Martin Amis has retained the power to surprise.” —Parul Sehgal, The New York Times This novel had its birth in the death of Martin Amis's closest friend, the incomparable Christopher Hitchens, and it is within that profound and sprawling friendship that Inside Story unfurls. From their early days as young magazine staffers in London, reviewing romantic entanglements and the latest literary gossip (not to mention ideas, books, and where to lunch), Hitch was Amis's wingman and adviser, especially in the matter of the alluringly amoral Phoebe Phelps—an obsession Amis must somehow put behind him if he is ever to find love, marriage, a plausible run at happiness. Other figures competing as Amis's main influencers are his literary fathers—Kingsley, of course; his hero Saul Bellow; the weirdly self-finessing poet Philip Larkin—and his significant literary mothers, including Iris Murdoch and Elizabeth Jane Howard. Moving among these greats to set his own path, he winds up surveying the horrors of the twentieth century, and the still-unfolding impact of the 9/11 attacks on the twenty-first—and considers what all of this has taught him about how to live and how to be a writer. The result is a love letter to life—and to the people in his life—that achieves a new level of confidentiality with his readers, giving us the previously unseen portrait of his extraordinary world.

ONE OF THE NEW YORK TIMES'S 100 NOTABLE BOOKS OF 2020ONE OF NPR's BEST BOOKS OF 2020ONE OF THE A.V. CLUB'S 15 FAVORITE BOOKS OF 2020From the widely acclaimed author of White Tears, a bold new novel about searching for order in a world that frames madness as truth.After receiving a prestigious writing fellowship in Germany, the narrator of Red Pill arrives in the Berlin suburb of Wannsee and struggles to accomplish anything at all. Instead of working on the book he has proposed to write, he takes long walks and binge-watches Blue Lives--a violent cop show that becomes weirdly compelling in its bleak, Darwinian view of life--and soon begins to wonder if his writing has any value at all. Wannsee is a place full of ghosts: Across the lake, the narrator can see the villa where the Nazis planned the Final Solution, and in his walks he passes the grave of the Romantic writer Heinrich von Kleist, who killed himself after deciding that'no happiness was possible here on earth.'When some friends drag him to a party where he meets Anton, the creator of Blue Lives, the narrator begins to believe that the two of them are involved in a cosmic battle, and that Anton is'red-pilling'his viewers--turning them toward an ugly, alt-rightish worldview--ultimately forcing the narrator to wonder if he is losing his mind.

With the dead you can go anywhere. When novelist Johnny Coma's daughter comes back from the dead as a talking octopus, will he be finally be able to write her story? Will his estranged wife, renowned war photographer Vivienne Pink, even believe him? In Stella Atlantis, the stunning follow-up to her visionary desert novel Death Valley, Susan Perly returns to the lives of these troubled artists, haunted by the death of their young daughter, Stella, killed on the sidewalk outside their home, as they search for healing in separate cities and with new lovers. Moving in and out of Toronto, Amsterdam and Barcelona, across the Mediterranean to Ibiza and out to the Canary Islands in the Atlantic Ocean, Perly's prose enacts grieving itself in the twinned stories of Johnny and Vivienne. Playfully dark and filled with beautiful flights of imagery, this is a story of fathers and daughters, of love lost and love reborn, of the redemptive power of art, the transformative power of the sea and how we can dare to reach for radiance and redemption.

Diego Ameixeiras traza un mapa certero desde las desembocaduras del río Miño en Galicia hasta las calles de Filadelfia, siguiendo el rastro de tres sombras que esconden más de un secreto. Un reptil citadino en la búsqueda de algo o de alguien, un escritor ansioso por conseguir su ópera, y Selma, una suerte de femme fatale, pero con ciertos ápices de bondad. Éstos se verán involucrados en situaciones violentas que de algún modo se acomodarán en el mismo laberinto. Ameixeiras lanza así una nota musical distorsionada que se convertirá tan sólo en el recuerdo de algún silencio apremiante en otra noche de caimán.

Invitée à présenter ses ouvrages à un salon du livre local, Laura ne sait pas exactement à quoi s'attendre. Elle repart de ce salon avec quelques anecdotes à raconter. Il y a, par exemple, ce visiteur qui voulait absolument qu'elle écrive sa vie. Quelques jours plus tard, elle ne pense plus à cette rencontre. L'homme en revanche, John Rancourt, n'a rien oublié. Il va obtenir qu'elle accepte de le rencontrer une nouvelle fois puis qu'elle prenne des notes sur sa vie. Petit à petit, Laura se retrouve liée par ce projet d'écriture qu'elle n'a pas franchement voulu.

A moving, dream-like novel about memory, love, and death.David has just spent New Year's Eve alone, watching Le Grand Concert de la Nuit, a film in which his former lover Imogen starred. In the early hours of the new year, consoled and tormented by her ethereal presence, he begins to write. What follows is a brilliantly various journal, chronicling a year in the life of a thinking man. David works as a curator at the ailing Sanderson-Perceval Museum in southern England, whose small collection of porcelain, musical instruments, crystals, velvet mushrooms, and glass jellyfish is as eccentric and idiosyncratic as the long-dead collectors'tastes. David himself is a connoisseur of the derelict and nonutilitarian, of objects removed from the flow of time. Refusing the imposed order of a straightforward chronology, his journal moves fluidly back and forth in time, filled with fragments of life remembered, imagined, and recorded, from memories of his past life with Imogen or with his ex-wife, Samantha, to reflections on the lives and relics of female saints or the history of medicine. There are quotations from Seneca, Meister Eckhart, and the Goncourt brothers mixed in with the equally compelling imagined words of fictional film directors, actors, and, always, the fascinating Imogen, who is alive now only “in the perpetual present of the sentence.” In The Great Concert of the Night, Jonathan Buckley expertly interweaves sexual despair, cultural critique, the plot lines of one man's quietly brilliant life, and the problems and paradoxes of writing, especially writing about and to the dead.

“Drifts is a dazzling and enjoyable book. Kate Zambreno has invented a new form. It is a kind of absolute present, real life captured in closeup. I've never read truer pages on the subject of pregnancy. No writer has come so close to achieving a total grasp of life: the entanglement of everyday things, a writing project, and a pregnant body, in a single work.” —Annie Ernaux, winner of the Nobel Prize in LiteratureNamed a Best Book of the Year by The Paris Review, Elle, Harper's Bazaar, Esquire, Vulture, and Refinery29“Reading all Zambreno feels like the jolt one gets from a surprise cut or burn in the kitchen, that sudden recognition that you're in a body and the body can be hurt.” —Alicia Kennedy, Refinery29Haunting and compulsively readable, Drifts is an intimate portrait of reading, writing, and creative obsession. At work on a novel that is overdue, spending long days walking neighborhood streets with her restless terrier, corresponding ardently with fellow writers, the narrator grows obsessed with the challenge of writing the present tense, of capturing time itself. Entranced by the work of Rainer Maria Rilke, Albrecht Dürer, Chantal Akerman, and others, she photographs the residents and strays of her neighborhood, haunts bookstores and galleries, and records her thoughts in a yellow notebook that soon subsumes her work on the novel. As winter closes in, a series of disturbances—the appearances and disappearances of enigmatic figures, the burglary of her apartment—leaves her distracted and uncertain... until an intense and tender disruption changes everything. A story of artistic ambition, personal crisis, and the possibilities and failures of literature, Drifts is the work of an exhilarating and vital writer.

Finalist for the 2020 Foreword Indies – Science Fiction CategoryWhat does it mean to say'I love you'?Ariadne is a single, fortysomething writer and mother embroiled in an affair with a married man. At the core of her current manuscript, a book about the declaration of love, is the need to understand why: why her lover has returned to his wife, why their relationship still lingers in her mind, why she's unable to conquer her longing. To make ends meet while writing, she joins a research study in which she's paid to live with an AI device called Dirk.But the study quickly enters uncharted territory. Capable of mapping Ariadne's brain—and, to some extent, reading her mind—Dirk calls into question issues of both privacy and consciousness: how we communicate our thoughts to others, what it means to embody our desires, and whether we ought to act on them.

#ReadWithJenna Book Club Pick as Featured on Today Emma Roberts Belletrist Book Club Pick A New York Times Book Review's Group Text Selection'I loved this book not just from the first chapter or the first page but from the first paragraph... The voice is just so honest and riveting and insightful about creativity and life.'—Curtis Sittenfeld An extraordinary new novel of art, love, and ambition from Lily King, the New York Times bestselling author of Euphoria Following the breakout success of her critically acclaimed and award-winning novel Euphoria, Lily King returns with another instant New York Times bestseller: an unforgettable portrait of an artist as a young woman. Blindsided by her mother's sudden death, and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she's been writing for six years. At thirty-one, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life. When she falls for two very different men at the same time, her world fractures even more. Casey's fight to fulfill her creative ambitions and balance the conflicting demands of art and life is challenged in ways that push her to the brink. Writers & Lovers follows Casey—a smart and achingly vulnerable protagonist—in the last days of a long youth, a time when every element of her life comes to a crisis. Written with King's trademark humor, heart, and intelligence, Writers & Lovers is a transfixing novel that explores the terrifying and exhilarating leap between the end of one phase of life and the beginning of another.

The first book in the Walter Presents library: a fast-paced comic mystery enriched by a deep love of booksReaders always find themselves in a book, one way or anotherIn the small town of Crozon in Brittany, a library houses manuscripts that were rejected for publication: the faded dreams of aspiring writers. Visiting while on holiday, young editor Delphine Despero is thrilled to discover a novel so powerful that she feels compelled to bring it back to Paris to publish it.The book is a sensation, prompting fevered interest in the identity of its author – apparently one Henri Pick, a now-deceased pizza chef from Crozon. Sceptics cry that the whole thing is a hoax: how could this man have written such a masterpiece? An obstinate journalist, Jean-Michel Rouche, heads to Brittany to investigate.By turns funny and moving, The Mystery of Henri Pick is a fast-paced comic mystery enriched by a deep love of books - and of the authors who write them.Novelist, screenwriter and director David Foenkinos was born in 1974. He is the author of fourteen novels that have been translated into forty languages. Several of his works have been adapted for film, including Delicacy (2011). The Mystery of Henri Pick is the first title in a new collaboration with Channel 4's Walter Presents.