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From the author of the'wrenching and exhilarating'All Things Cease to Appear comes a gripping literary thriller about a man reckoning with the mysterious death of his former roommate (Wall Street Journal). Julian Ladd and Rye Adler cross paths as photography students in the exclusive Brodsky Workshop. When Rye needs a roommate, Julian moves in, and a quiet, compulsive envy takes root, assuring, at least in his own mind, that he will never achieve Rye's certain success. Both men are fascinated with their beautiful and talented classmate, Magda, whose captivating images of her Polish neighborhood set her apart, and each will come to know her intimately – a woman neither can possess and only one can love. Twenty years later, long after their paths diverge, Rye is at the top of his field, famous for his photographs of celebrities and far removed from the downtrodden and disenfranchised subjects who'd secured his reputation as the eye of his generation. When Magda reenters his life, asking for help only he can give, Rye finds himself in a broken landscape of street people and addicts, forcing him to reckon with the artist he once was, until his search for a missing boy becomes his own desperate fight to survive. Months later, when Julian discovers Rye's obituary, the paper makes it sound like a suicide. Despite himself, Julian attends the funeral, where there is no casket and no body. This sudden reentry into a world he thought he left behind forces Julian to question not only Rye's death, but the very foundations of his life. In this eerie and evocative novel, Elizabeth Brundage establishes herself as one of the premiere authors of literary fiction at work today.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866.His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies'Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).Le Gallienne joined the staff of The Star newspaper in 1891, and also wrote for various other papers under the pseudonym ‘Logroller'. He contributed to the short-lived but influential quarterly periodical The Yellow Book, published between 1894 and 1897.His first wife, Mildred Lee, died in 1894 leaving their daughter, Hesper, in his care. In 1897 he married the Danish journalist Julie Norregard. However, the marriage would not be a success. She left him in 1903 and took their daughter Eva to live in Paris. They were eventually divorced in June 1911.Le Gallienne now moved to the United States and became resident there. On 27th October 1911, he married Mrs. Irma Perry, whose marriage to her first cousin, the painter and sculptor Roland Hinton Perry, had been dissolved in 1904. Le Gallienne and Irma had known each other for many years and had written an article together a few years earlier in 1906. Le Gallienne and Irma lived in Paris from the late 1920s, where Irma's daughter Gwen was by then an established figure in the expatriate bohème. Le Gallienne also added a regular newspaper column to the frequent publication of his poems, essays and other articles.By 1930 Le Gallienne's book publishing career had virtually ceased. During the latter years of that decade Le Gallienne lived in Menton on the French Riviera and, during the war years, in nearby Monaco. His house was commandeered by German troops and his handsome library was nearly sent back to Germany as bounty. Le Gallienne managed a successful appeal to a German officer in Monaco which allowed him to return to Menton to collect his books. To his credit Le Gallienne refused to write propaganda for the local German and Italian authorities, and financially was often in dire need. On one occasion he collapsed in the street due to hunger.Richard Thomas Gallienne died on 15th September 1947. He is buried in Menton in a grave whose lease is, at present, due to expire in 2023.

“Willy Vlautin is not known for happy endings, but there's something here that defies the downward pull. In the end, Lynette is pure life force: fierce and canny and blazing through a city that no longer has space for her, and it's all Portland's loss.”—Portland Monthly MagazineAward-winning author Willy Vlautin explores the impact of trickle-down greed and opportunism of gentrification on ordinary lives in this scorching novel that captures the plight of a young woman pushed to the edge as she fights to secure a stable future for herself and her family.Barely thirty, Lynette is exhausted. Saddled with bad credit and juggling multiple jobs, some illegally, she's been diligently working to buy the house she lives in with her mother and developmentally disabled brother Kenny. Portland's housing prices have nearly quadrupled in fifteen years, and the owner is giving them a good deal. Lynette knows it's their last best chance to own their own home—and obtain the security they've never had. While she has enough for the down payment, she needs her mother to cover the rest of the asking price. But a week before they're set to sign the loan papers, her mother gets cold feet and reneges on her promise, pushing Lynette to her limits to find the money they need.Set over two days and two nights, The Night Always Comes follows Lynette's frantic search—an odyssey of hope and anguish that will bring her face to face with greedy rich men and ambitious hustlers, those benefiting and those left behind by a city in the throes of a transformative boom. As her desperation builds and her pleas for help go unanswered, Lynette makes a dangerous choice that sets her on a precarious, frenzied spiral. In trying to save her family's future, she is plunged into the darkness of her past, and forced to confront the reality of her life.A heart wrenching portrait of a woman hungry for security and a home in a rapidly changing city, The Night Always Comes raises the difficult questions we are often too afraid to ask ourselves: What is the price of gentrification, and how far are we really prepared to go to achieve the American Dream? Is the American dream even attainable for those living at the edges? Or for too many of us, is it only a hollow promise?

Sydney Morning Herald Best Young Australian Novelist Winner of the ABIA Book of the Year Award Winner of the ABIA Award for Literary Fiction of the Year Winner ABA Booksellers Choice Award for Fiction Winner of the MUD Literary Prize Shortlisted for The Readings Prize for New Australian Fiction Shortlisted for The Age Book of the Year for Fiction Shortlisted Indie Book Award for Debut Fiction Shortlisted ABIA Matt Richell Award New Writer of the Year‘set to be one of the year's most talked about books'– Vogue Australia ‘a great read that will become an Australian classic'– Sydney Morning Herald‘an absolute cracker, Love & Virtue lobs right into the current moment with a clarifying light. I hope EVERYONE reads this book.'– Helen Garner, bestselling and award winning author of The First Stone and The Spare Room‘one of the best novels I have read this year... it's clever, pacy and wonderfully thoughtful. Read it!'– Zara McDonald, Shameless PodcastSex. Power. Consent.Whenever I say I was at university with Eve, people ask me what she was like, sceptical perhaps that she could have always been as whole and self-assured as she now appears. To which I say something like: ‘People are infinitely complex.'But I say it in such a way—so pregnant with misanthropy—that it's obvious I hate her. Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power. Initially bonded by their wit and sharp eye for the colleges'mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today. Praise for Love & Virtue ‘Diana Reid will be called the new Sally Rooney – you're certain of it by the end of page one. By the end of this real, raw and startling novel, you know Reid is the talent to whom every smart young novelist who follows her will be compared – or hope to be.'– Meg Mason, author of Sorrow and Bliss ‘Love & Virtue captures the near-erotic thrill of being a young woman, alone and adrift, who finds, in another young woman, an intellectual equal... Like Elena and Lila in Elena Ferrante's My Brilliant Friend, a touchstone for Reid, their spark feels charged, given to exploding.'– Sydney Morning Herald ‘Love & Virtue is an accomplished novel – by turns funny and furious, and full of the plangent longing and confusion of early adulthood.'- The Saturday Paper

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

•••A TIME MAGAZINE, LITHUB, WHITE REVIEW BEST BOOK OF 2021•••'200 pages of serious entertainment.'―The Times The Life of the Mind opens with Dorothy sitting on a library toilet, checking her phone and examining the'thick, curdled knots of string'coming out of her body. No one but her boyfriend knows that she's had a miscarriage, not even her therapists–Dorothy has two of them. An adjunct professor of English in New York City with no hope of finding a permanent position, Dorothy's stuck, unable to envision the future or cut ties with the past.'What did you call it,'she asks herself,'when a life stopped developing, but it didn't end?'Christine Smallwood's debut is a campus novel like no other. Piercingly intelligent and darkly hilarious, it moves from a classroom to an underwater puppet show, from a conference in Las Vegas to a karaoke party. It is a discomforting glimpse into the head of a brilliant woman on the edge, it is a novel about endings: of youth, of professional aspiration, of possibility, of the illusion that our minds can ever free us from the tyranny of our bodies.

A Buzzfeed Best Book of the MonthFrom popular historical fiction author David Liss (A Conspiracy of Paper) comes the tale of a clueless young man embroiled in a deadly supernatural mystery in Victorian London. Rooted in strange conspiracies and secret societies, this absurdist comedic romp combines strange bedfellows with murderous creatures, resulting in an unexpectedly delightful consequences.“Intricate plotting, exquisite pacing, crackling suspense, and fascinating historical rabbit hole revelations.”—Shelf AwarenessThomas's problems are more serious than those of a typical young Victorian gentleman. His elder brother may be sabotaging the family's bank. His childhood friend has died under mysterious circumstances. Far worse, leaves are sprouting on Thomas's skin. Perhaps it is all the fault of the long-rumored “Peculiarities” lurking in London's grey fog?Proper society scoffs at the notion of magic, even as it seeps into their buildings, transfiguring the rich and poor alike. If Thomas is going to save the family business —and stop turning into a tree—he'll need help from some rather improper companions. Desperate for counsel, he seeks the advice of a lycanthropic medium and London's unacceptable occult society, including a strange fellow named Aleister Crowley.

Una gran novel·la d'amor i d'exili Pau Casals, admirat arreu del món pel seu humanisme i el seu compromís polític, va prometre que no tornaria a posar els peus a Catalunya mentre Franco fos viu. I tanmateix, l'hivern del 1955, per primera i única vegada des de l'inici del seu exili, va tornar a Catalunya. Per què ho va fer? Quin motiu poderós el va empènyer a incomplir la seva promesa? Estimat Pablo vol respondre aquest interrogant. Maria Jaén recupera en aquesta novel·la la figura de Francesca Vidal, sovint ignorada o menystinguda en les biografies del músic. Amb una escriptura carregada d'emoció, l'autora retorna a Vidal la veu silenciada i reivindica el seu paper fonamental al costat de Pau Casals. «T'escric, Pablo estimat, perquè hi ha coses que és millor dir-les en silenci i a raig, sense que l'altre escolti ni interrompi. Escriure't em resulta més fàcil que dir-te el que et vull dir de viva veu. Vull que quedi escrit que, a les portes de la mort, sí, a les portes de la mort, perquè malgrat el que digui el metge sé que aviadet me n'aniré al calaix, a les portes de la mort, doncs, i en aquest penós exili, decideixo rebel·lar-me.»

Beloved writer Sean Dietrich—also known as Sean of the South—will warm your heart with this rich and nostalgic tale of a small-town sheriff, a mysterious little girl, and a good-hearted community pulling together to help her.Folks in Moab live for ice cream socials, baseball, and the local paper's weekly gossip column. Sheriff Winston Browne has watched over Moab with a generous eye for a decade, and by now he's used to handling the daily dramas that keep life interesting for Moab's quirky residents.But just after Winston receives some terrible, life-altering news, a seemingly mute runaway with no clear origin arrives in Moab. The residents do what they believe is right and take her in—until two suspicious strangers arrive and begin looking for her. Suddenly Winston has a child in desperate need of protection—as well as a secret of his own to keep.With the help of Moab's goodhearted townsfolk, the humble and well-meaning Winston Browne still has some heroic things to do. He finds romance, family, and love in unexpected places. He stumbles upon adventure, searches his soul, and grapples with the past. In doing so, he just might discover what a life well-lived truly looks like.Sometimes ordinary people do the most extraordinary things of all.Praise for The Incredible Winston Browne:“Sean Dietrich has written a home run of a novel with The Incredible Winston Browne. Every bit as wonderful as its title implies, it's the story of Browne—a principled, baseball-loving sheriff—a precocious little girl in need of help, and the community that rallies around them. This warm, witty, tender novel celebrates the power of friendship and family to transform our lives. It left me nostalgic and hopeful, missing my grandfathers, and eager for baseball season to start again. I loved it.” —Ariel Lawhon, New York Times bestselling author of I Was Anastasia“Make no mistake. [The Incredible Winston Browne] is a classic story, told by an expert storyteller.” —Shawn Smucker, author of Light from Distant StarsStand-alone historical novel set in the 1950sIncludes discussion questions for book clubsAlso from Sean Dietrich: Stars of Alabama

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866.His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies'Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).Le Gallienne joined the staff of The Star newspaper in 1891, and also wrote for various other papers under the pseudonym ‘Logroller'. He contributed to the short-lived but influential quarterly periodical The Yellow Book, published between 1894 and 1897.His first wife, Mildred Lee, died in 1894 leaving their daughter, Hesper, in his care. In 1897 he married the Danish journalist Julie Norregard. However, the marriage would not be a success. She left him in 1903 and took their daughter Eva to live in Paris. They were eventually divorced in June 1911.Le Gallienne now moved to the United States and became resident there. On 27th October 1911, he married Mrs. Irma Perry, whose marriage to her first cousin, the painter and sculptor Roland Hinton Perry, had been dissolved in 1904. Le Gallienne and Irma had known each other for many years and had written an article together a few years earlier in 1906. Le Gallienne and Irma lived in Paris from the late 1920s, where Irma's daughter Gwen was by then an established figure in the expatriate bohème. Le Gallienne also added a regular newspaper column to the frequent publication of his poems, essays and other articles.By 1930 Le Gallienne's book publishing career had virtually ceased. During the latter years of that decade Le Gallienne lived in Menton on the French Riviera and, during the war years, in nearby Monaco. His house was commandeered by German troops and his handsome library was nearly sent back to Germany as bounty. Le Gallienne managed a successful appeal to a German officer in Monaco which allowed him to return to Menton to collect his books. To his credit Le Gallienne refused to write propaganda for the local German and Italian authorities, and financially was often in dire need. On one occasion he collapsed in the street due to hunger.Richard Thomas Gallienne died on 15th September 1947. He is buried in Menton in a grave whose lease is, at present, due to expire in 2023.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866.His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies'Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).Le Gallienne joined the staff of The Star newspaper in 1891, and also wrote for various other papers under the pseudonym ‘Logroller'. He contributed to the short-lived but influential quarterly periodical The Yellow Book, published between 1894 and 1897.His first wife, Mildred Lee, died in 1894 leaving their daughter, Hesper, in his care. In 1897 he married the Danish journalist Julie Norregard. However, the marriage would not be a success. She left him in 1903 and took their daughter Eva to live in Paris. They were eventually divorced in June 1911.Le Gallienne now moved to the United States and became resident there. On 27th October 1911, he married Mrs. Irma Perry, whose marriage to her first cousin, the painter and sculptor Roland Hinton Perry, had been dissolved in 1904. Le Gallienne and Irma had known each other for many years and had written an article together a few years earlier in 1906. Le Gallienne and Irma lived in Paris from the late 1920s, where Irma's daughter Gwen was by then an established figure in the expatriate bohème. Le Gallienne also added a regular newspaper column to the frequent publication of his poems, essays and other articles.By 1930 Le Gallienne's book publishing career had virtually ceased. During the latter years of that decade Le Gallienne lived in Menton on the French Riviera and, during the war years, in nearby Monaco. His house was commandeered by German troops and his handsome library was nearly sent back to Germany as bounty. Le Gallienne managed a successful appeal to a German officer in Monaco which allowed him to return to Menton to collect his books. To his credit Le Gallienne refused to write propaganda for the local German and Italian authorities, and financially was often in dire need. On one occasion he collapsed in the street due to hunger.Richard Thomas Gallienne died on 15th September 1947. He is buried in Menton in a grave whose lease is, at present, due to expire in 2023.

One of The Globe and Mail's “Summer 2021 books preview: 40 hot reads that will captivate you” One of Maclean's'“20 books you should read this summer” For fans of Nora Ephron and Jennifer Weiner, here is Katherine Ashenburg's witty, contemporary new novel about a forty-something newspaper columnist navigating her bold next chapter, set in Washington against the 2015 US presidential primary.In the autumn of 2015, forty-something journalist Liz is working at a national newspaper in Washington, D.C., where Hillary Clinton's run for the presidency is the talk of the town. The divorced parent of a college-age son, she appears to lead a full, happy life: devoted friends, a job she adores, a breezy dating life. But deep inside, Liz is stalled in neutral, stuck in a clandestine affair with her boss and still brooding on her marriage, which ended in betrayal, hurt and anger ten years ago. Liz's job is to edit “My Turn,” a column of personal essays from readers. Her tidy life is upended when a submission about a marital squabble arrives from Nicole, the woman who had an affair with Liz's husband and is now his wife. Wife Two has no idea that she is sending an essay to Wife One, and Liz keeps this secret as she engages in an increasingly personal critique of the piece. But the existence of the essay destabilizes Liz, and she starts acting erratically—publishing provocative essays that infuriate her colleagues, investing in a pile of unread self-help books about “forgiveness” and indulging in questionable romantic decisions. Soon she is caught in a tangled web of her own making, with no easy escape. A smart, wise and witty novel with moving depths beneath its delightful surface.

Grandchildren of the Ghetto (1892) is a novel by Israel Zangwill. Raised in London by parents from Latvia and Poland, Zangwill understood the plight of the city's Jewish community firsthand. Having risen through poverty to become an educator and author, he dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. “People who have been living in a Ghetto for a couple of centuries, are not able to step outside merely because the gates are thrown down, nor to efface the brands on their souls by putting off the yellow badges. The isolation imposed from without will have come to seem the law of their being.” As a Jewish immigrant who grew up in poverty in London, Israel Zangwill knows that the condition of life in the ghetto changes not just lives, but mentalities. Even if the Jews living in squalor on the East End of London were given the same rights as native Britons, they would still live with fear and doubt every day of their lives. In the second novel of his Ghetto series, Zangwill explores the day-to-day existence of these very people, illuminating their hopes and their dreams, illustrating their struggle to uphold traditions threatened by assimilation and the increasing secularism of modern life. A new generation experiences wealth and comfort beyond the wildest dreams of those who came before them. But what will they do with their newfound privilege? The tales of Jewish life in Grandchildren of the Ghetto earned Zangwill comparisons to Dickens upon publication and helped to establish him as an author with a gift for intensive character study and a passion for political themes. This edition of Israel Zangwill's Grandchildren of the Ghetto is a classic of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A “boisterous and high-spirited debut” (Kirkus starred review)“that enthralls the reader through their every twist and turn” (Publishers Weekly starred review), named one of the Most Anticipated Books for Brittle Paper, The Millions, and The Rumpus, penned by a finalist for the AKO Caine PrizeIn her powerful, genre-bending debut story collection, Nana Nkweti's virtuosity is on full display as she mixes deft realism with clever inversions of genre. In the Caine Prize finalist story “It Takes a Village, Some Say,” Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In “The Devil Is a Liar,” a pregnant pastor's wife struggles with the collision of western Christianity and her mother's traditional Cameroonian belief system as she worries about her unborn child.In other stories, Nkweti vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa, and in a mermaid tale about a Mami Wata who forgoes her power by remaining faithful to a fisherman she loves.

'Perhaps the luminous novel is this thing that I started writing today; just now. Maybe these sheets of paper are a warm-up exercise. […] But it's quite possible that if I go on writing – as I usually do – with no plan; although this time I know very well what I want to say; things will start to take shape; to come together. I can feel the familiar taste of a literary adventure in my throat. I'll take that as confirmation; then; and start describing what I think was the beginning of my spiritual awakening – though nobody should expect religious sermons at this point; they'll come later. It all began with some ruminations prompted by a dog.'A writer attempts to complete the novel for which he has been awarded a big fat Guggenheim grant; though for a long time he succeeds mainly in procrastinating – getting an electrician to rewire his living room so he can reposition his computer; buying an armchair; or rather; two:'In one; you can't possibly read: it's uncomfortable and your back ends up crooked and sore. In the other; you can't possibly relax: the hard backrest means you have to sit up straight and pay attention; which makes it ideal if you want to read.'Insomniacs; romantics and anyone who's ever written (or failed to write) will fall in love with this compelling masterpiece told by a true original; with all his infuriating faults; charming wit and intriguing musings.

Delia is a confident young woman who works as a housekeeper for a small family. Every morning, she gets up before everyone else and makes breakfast for each family member, then starts on her cleaning tasks. Despite her close relationship with the family she works for, Delia feels that she has more potential and does not like working a housemaid. She feels disrespected by some members in the family, and wants to try to find another job. After meeting with her friend, Minnie, Delia decides that she will quit her job. She wakes up the next morning and refuses to make the breakfast as usual. Instead, she tells the family of her decision and asked for the wages she's due. Even though the family protests, Delia gets her wages and goes off to live with Minnie. However, Delia soon learns that the world is not kind to working women, and she struggles to find a well-paying job. Poor and unsure what to do, Delia remains optimistic and fights to find the best place for her. Set in the early 1900s, The Diary of Delia is an intimate account of life as a poor working woman. Featuring detailed descriptions of landscapes, customs and dialects, The Diary of Delia acts a valuable and entertaining historical source. With animate and memorable characters, Onoto Watanna creates a historical narrative that still feels fresh and compelling to a modern audience. First published in 1907, Onoto Watanna's The Diary of Delia is rarely found in print. This special edition features a stunning cover design and is printed in an easy-to-read font. With these accommodations, this edition of The Diary of Delia caters to contemporary readers by restoring the novel to modern standards while preserving the original intimacy of Onoto Watanna's work. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

'An eerily familiar reflection of our current moment... It continues to haunt me'NATASHA BROWN, I PAPER BOOKS OF THE YEAR'I will go wherever she takes me. A phenomenal book'DAISY JOHNSON'A brilliant, scalding novel... sharp, intricately layered, impossible to forget'MEGAN HUNTER'Stunning... beautifully written and deeply unsettling'BOOKSELLER, EDITOR'S CHOICECHOSEN AS A 2021 BOOK TO LOOK OUT FOR BY OBSERVER, INDEPENDENT, FINANCIAL TIMES, EVENING STANDARD, GRAZIA, STYLIST, ELLE THE NATIONAL, FIVE BOOKS AND BUROA couple drive from London to coastal Provence. Anya is preoccupied with what she feels is a relationship on the verge; unequal, precarious. Luke, reserved, stoic, gives away nothing. As the sun sets one evening, he proposes, and they return to London engaged. But planning a wedding does little to settle Anya's unease. As a child, she escaped from Sarajevo, and the idea of security is as alien now as it was then. When social convention forces Anya to return, she begins to change. The past she sought to contain for as long as she can remember resurfaces, and the hot summer builds to a startling climax.Lean, sly and unsettling, Asylum Road is about the many borders governing our lives: between men and women, assimilation and otherness, nations, families, order and chaos. What happens, and who do we become, when they break down?

A dying man brings his oldest friends together for one last beach blowout in this witty, heartfelt novel from the author of Last Couple Standing.“A delightful novel about the meaning of friendship and how we dream of being remembered by those closest to us... a fabulous vacation of a book!”—Amanda Eyre Ward, New York Times bestselling author of The JetsettersAt just thirty-five, reclusive billionaire Robbie Malcolm is a renowned financial prognosticator, a celebrated philanthropist, and a mathematical genius. Also, he's dying, which is a fact he's carefully concealing from the world. As he takes stock, Robbie realizes that his wealth means nothing if he can't help the people who matter most. So he invites his oldest friends—Blair, Cat, and Wade—to their beloved Fenwick Island on the coast of Delaware to share his secret and to reveal plans for each of them that he believes will change their lives forever. However, Robbie isn't the only one with secrets. The bonds the friends formed as teenagers still exist, but adulthood has brought a whole new set of complications, like unrequited loves, marriages on the brink, and so much unfulfilled potential. Robbie's plans may look good on paper, but are they any match for the utter disaster that is real life? As everything comes to light over a wild weekend full of surprises, Robbie learns there are still some things money can't buy, and a group of friends who thought their best years were behind them realize just how much they have to look forward to.

New York Times Bestseller • One of the Best Books of the Year by Time magazine, the Chicago Tribune, the Boston Globe, and Esquire, and one of Oprah's 15 Favorite Books of the YearFrom the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival.'Not just Wright's masterwork, but also a milestone in African American literature... One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from it, above- or belowground, we are all human.'(Gene Seymour, CNN.com)“The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century'list that doesn't start and end with Richard Wright is laughable. It might very well be Wright's most brilliantly crafted, and ominously foretelling, book.”—Kiese LaymonFred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city's sewer system.This is the devastating premise of Richard Wright's scorching novel, The Man Who Lived Underground, written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers. Now, for the first time, by special arrangement between the Library of America and the author's estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author's grandson, contributes an afterword.

Miguel de Cervantes Saavedra (1547–1616 NS) was a Spanish writer. Despite spending much of his life in poverty and obscurity, he is generally considered to be the most important writer in the Spanish language and one of the world's most significant novelists. The majority of his work was put to paper during the three years leading up to his death, thanks to the support of Count of Lemos which rendered working unnecessary. First published in two parts in 1605 and 1615, “The Ingenious Gentleman Don Quixote of La Mancha” revolves around Alonso Quixano, a noble from La Mancha who has read so many chivalric romances that he loses his mind and resolves to become a knight-errant. “Don Quixote” is commonly hailed as the first modern novel as well as one of the pinnacles of world literature, constituting a must read for all lovers of the written word. Other notable works by this author include: “La Galatea (1585) and “Los trabajos de Persiles y Sigismunda” (1617). Read & Co. Classics is proud to be republishing this novel now in a brand new edition complete with an introductory biography by James Fitzmaurice-Kelly.

Trafalgar (1873) is a novel by Benito Pérez Galdós. Published toward the beginning of Pérez Galdós'career, Trafalgar is the first in of 46 historical novels in the author's monumental, career spanning series of National Episodes. Set during the bloody naval battle of Trafalgar in 1805, Pérez Galdós'novel is a story of heroism, growth, and adventure that manages to find humanity in history. “Always eager to mimic the greater world around us, we boys too had our squadrons of little ships, roughly hewn in wood, with sails of paper or of rag, which we navigated with the greatest deliberation and gravity in the pools of Puntales or La Caleta.” At fourteen, the young orphan Gabriel de Araceli gets the chance to leave boyhood games behind when his master, a retired naval officer, receives a letter requesting his return to service. Together, Gabriel and Don Alonso set out to join a Spanish Armada preparing to enter into battle with the British Royal Navy. Painstakingly researched by its author, Trafalgar is a detailed fictional retelling of one history's most iconic conflicts. This edition of Benito Pérez Galdós's Trafalgar is a classic of Spanish literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Shortlisted for the International Prize for Arabic Fiction 2016. In the wake of resettlement from the desert to the hills overlooking Jerusalem, aging Bedouin patriarch Mannan wants his son Muhammad al-Asghar (the Youngest) to take on leadership and hold the clan together. But the youngest of eighteen sons is unable to follow in his father's footsteps. Like others in the al-Abd al-Lat clan, he is torn between old customs and new choices. Muhammad al-Asghar is married—with affection and loyalty—to open-minded Sanaa, a childless divorcee. He works as a clerk in a sharia court, recording marriage contracts and divorce papers. But he wants to become a writer and gets drawn into stories: of his mate, of unhappy co-wives in the sharia court, of his storytelling mother Wadha (his father's sixth wife), of his brothers and relatives. Listening to them, he becomes aware of the impossibility of equality for women in a clan culture caught in the grip of a suffocating foreign occupation, following the Palestinian exodus of 1948. And while he fails to bring the clan together, as his father had hoped, he manages to honor Mannan's legacy request and record the life of the clan. A family album imbued with disaster, warmth and humor, Praise for the Women of the Family captures vivid snapshots of shifting intimate bonds, taken in the shadow of the patriarch by a youngest son, in search of his ­people's story. The Al-Abd al-Lat clan has left the desert and is preparing to leave its Bedouin customs behind. Some of the women of the clan are drawn to the allure of modern life, while others scorn it and fear the loss of their traditional lifestyle and values. When Rasmia accompanies her husband to a party, Najma wears a dress and Sana gets a tan on her white legs, they set malicious tongues wagging. Meanwhile, Wadha, the sixth wife of Mannan, the chief of the clan, still believes that the washing machine and television are inhabited by evil spirits. Set in the tumultuous time after the nakba (the Palestinian exodus from what is now Israel), Praise for the Women in the Family portrays the rapid advance of modernity and the growing conflict in 1950s Palestine. It also reveals the impossibility of political equality in a society that treats its women unjustly and denies them the right to dignity and equality with men.

A DAZZLING MYSTERY SET IN THE WORLD OF LEBANON'S BOOK PUBLISHING INDUSTRY--Farid Abou Cha'r arrives in Beirut on a hot summer morning with his manuscript, looking for a publisher. He is turned down by all of them—“nobody reads anymore,” he is told. Instead, he accepts a job as a proofreader at the famous old print house “Karam Bros.,” allegedly established in 1908. Disappointed by the menial tasks of checking catalogs and ad copy, Farid secretly hopes that his book will eventually be published. His manuscript never leaves his side until one day it disappears and then reemerges, beautifully printed. Farid soon realizes that the expensive paper it's printed on is the same that the company is using to manufacture fake twenty-euro bills, and that the person who printed the book is none other than his boss's wife. Entangled in a police investigation and an illicit flirtation, Farid discovers that the Karam Bros. print house is not what it seems. Douaihy dizzies the reader with an intricate play of appearances and deception, and as always, portrays Lebanese society with exquisite irony.

When Stephanie finds a hand-written story in a box of old papers, the path her life is to take becomes clear. Haunted by the true tale of a duel that took place 200 years ago, a ritual as tragic in its inevitability as it is in its futility, she is determined to harness its ghoulish beauty for her own ends.A Melancholy Event is a tale of obsession, of a story that inhabits and infects the landscape, drawing the characters in this novel into its own world.

Quan es compleixen 125 anys de la publicació, el debat transhumanístic torna aquest clàssic a l'actualitat. L'illa del doctor Moreau és una de les novel·les més pertorbadores que mai s'hagin escrit. Tal com va escriure Margaret Atwood:'Quan l'has llegit, difícilment pots oblidar-la'. Jorge Luis Borges, parlant de les primeres obres de Wells, va dir-ne:'És un mirall que revela la idiosincràcia del lector i és també un mapa del món'. A l'oceà Pacífic un vaixell s'enfonsa i un dels nàufrags, Edward Prendick, és rescatat per un petit mercant que està transportant una càrrega d'animals vius —gossos, conills, una llama, una puma— fins a una illa encara sense nom. Per atzar Prendick és desembarcat també a l'illa, i allà anirà descobrint amb horror els experiments inimaginables que el doctor Moreau està practicant amb animals. Wells no va ser un mer pioner de la ciència ficció, sinó un visionari amb una escriptura enormement eficaç que interpel·la el lector sobre el paper de la ciència i sobre els límits ètics en l'alteració de la natura.

Winner of the Prix Robert Walser — a beautiful, unexpected novel from a debut French-Korean author. It's winter in Sokcho, a tourist town on the border between South and North Korea. The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North's watchtowers. A young French-Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape. The two form an uneasy relationship. When she agrees to accompany him on trips to discover an ‘authentic'Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows — the gaudy neon lights, the scars of war, the fish market where her mother works. As she's pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen. An exquisitely crafted debut, Winter in Sokcho is a novel about shared identities and divided selves, vision and blindness, intimacy and alienation. Elisa Shua Dusapin's voice is distinctive and unmistakable.

The scientist Roithamer has dedicated the last six years of his life to “the Cone,” an edifice of mathematically exact construction that he has erected in the center of his family's estate in honor of his beloved sister. Not long after its completion, he takes his own life. As an unnamed friend pieces together—literally, from thousands of slips of papers and one troubling manuscript—the puzzle of Rotheimer's breakdown, what emerges is the story of a genius ceaselessly compelled to correct and refine his perceptions until the only logical conclusion is the negation of his own soul. Considered by many critics to be Thomas Bernhard's masterpiece, Correction is a cunningly crafted and unforgettable meditation on the tension between the desire for perfection and the knowledge that it is unattainable.

Shortlisted for the 2021 Crime Writers of Canada Award for Best Crime Novel From the Giller-nominated author of Y comes How a Woman Becomes a Lake, a taut, suspenseful novel about the dark corners of a small town, and the secrets that lurk within...It's New Year's Day and the residents of a small fishing town are ready to start their lives anew. Leo takes his two young sons out to the lake to write resolutions on paper boats. That same frigid morning, Vera sets out for a walk with her dog along the lake, leaving her husband in bed with a hangover.But she never returns. She places a call to the police saying she's found a boy in the woods, but the call is cut short by a muffled cry. Did one of Leo's sons see Vera? What are they hiding about that day? And why are they so scared of their own father?Told from shifting perspectives, How a Woman Becomes a Lake is a compelling, lyrical novel about family, new beginnings, and costly mistakes, and asks, what do you do when the people who are meant to love you the most, fail?

A NEW YORK TIMES BESTSELLERLONGLISTED FOR THE BOOKER PRIZESHORTLISTED FOR THE DUBLIN LITERARY AWARDSHORTLISTED FOR THE PRIX FEMINA AND THE PRIX MEDICISSHORTLISTED FOR THE GOLDSBORO BOOKS GLASS BELL AWARDWINNER OF THE PRIX DU MEILLEUR LIVRES ETRANGERWINNER OF THE 2020 NATIONAL JEWISH BOOK AWARDS CHOSEN AS A BOOK OF 2020 BY THE SUNDAY TIMES, OBSERVER, GUARDIAN, i PAPER, FINANCIAL TIMES, NEW STATESMAN, SCOTSMAN, IRISH TIMES, BBC.COM, WATERSTONES.COM'A wondrous book. It left me hopeful; this is its gift'Elizabeth Strout'An empathy engine... It is, itself, an agent of change'New York Times Book Review'A quite extraordinary novel'Kamila Shamsie______________________How do we continue living once we have lost our reason to live?Rami and Bassam live in the city of Jerusalem – but exist worlds apart, divided by an age-old conflict. And yet they have one thing in common. Both are fathers; both are fathers of daughters – and both daughters are now lost.When Rami and Bassam meet, and tell one another the story of their grief, the most unexpected thing of all happens: they become best of friends. And their stories become one story, a story with the power to heal – and the power to change the world.______________________'The book goes anywhere and everywhere. It is a delirious and thrilling improvisation, a jazz solo spun out of that meeting … A spectacular structure of stories about everything'Bryan Appleyard, Sunday Times

WINNER OF THE GOLD IPPY AWARD FOR BEST NORTHEAST FICTION Michael Quinn is not well equipped for his odyssey through New England's dangerous underworld. In fact, he isn't well equipped for much. Michael's only goal was to become an editorial writer at the Portland Daily, a milestone he achieved just as the paper was picking up momentum toward irrelevance. Middle-aged, romantically unattached, distant from his only child, and in search of love through the missed connections classifieds, Michael thinks these are his only problems. Returning to Boston after his father dies unexpectedly, Michael's journey home forces him into conflict with unresolved family issues, denial, and the revelation that his father had ties to organized crime. Michael inherits some unfinished family business that places him as the unwitting linchpin in a major criminal conspiracy. His journey brings danger and betrayal, but also self-discovery and the possibility of a windfall of cash.

La vida de la Xuela, de mare caribenya i pare escocès, està marcada per la mort de la mare en el moment del part i el posterior abandonament per part del pare, que la deixa a càrrec d'una dona que gestiona una bugaderia. L'abandó inicial que viurà la protagonista marcarà el desconcert amb què durant tota la seva vida viurà els moments més quotidians. La Xuela ben aviat decidirà no tenir fills i lluitarà per mantenir-se fidel als seus principis d'autonomia i llibertat. Aquest llibre ens ofereix un retrat atípic d'una dona que es rebel·la davant de totes les facetes de l'existència, però sobretot davant del paper que la societat i la família assignen a la dona. És, alhora, una denúncia de les condicions de submissió del poble caribeny enfront del poder colonial anglès.

Blame it on my father. He was a great bloke and all that but he was also one hell of a contrary bugger. He'd contradict anything anyone said just for the hell of it. He'd even disagree on the weather which, let's face it, is the one thing upon which everyone always agrees.Anyway, along with the old man's bloody gout and his double chin, I've clearly inherited his predilection for looking at the flip side of just about everything. So while the rest of the world strains to hear the latest news on the perils of smoking, I'm the one saying, “yes, but what are the benefits?”But I haven't just been pondering my own queries: friends and readers of my columns in magazine and newspapers have asked me such posers as Do TV Detector Vans Really Work, Why Do I Need A Cigarette Before I Can Have A Crap, Is It True That Keith Richards Used To Get His Blood Entirely Replaced, Are You Better Off Running Or Walking Through The Rain, Do Two Wrongs Make A Right, What's The Kindest Way To Tell A Friend That They Have Halitosis, Do Women Who Live/work Together Menstruate At The Same Time and Why Is A Red Herring Red?

As Myne continues her busy life as an apprentice blue shrine maiden, some good news changes everything: Her mother is pregnant! Naturally, Myne immediately sets out to make a picture book for her future little sibling.But there's still so much she doesn't know about the temple that doing anything is a struggle. She's forced into the education of a shrine maiden and has her hands full with her new attendants. She has a mountain of work as the orphanage director, too.As always Myne has bitten off more than she can chew, but she charges forward with her love of books giving her strength. And as it becomes clear that someone with her level of mana will not continue to go unnoticed, the door to the world of nobles opens and the plot escalates dramatically!Winter approaches, and a blizzard is about to fall upon this biblio-fantasy!

The masterpiece of one of the most important and overlooked British women writers of the twentieth century, with a new introduction by Melissa Harrison;'Isabel Colegate has no rival'(The Times)'If you are curious as to why Britain is still ruled by a tiny cadre of not-very-introspective aristo-capitalists, Orlando King is essential reading'Sunday Times'Colegate's sharp-eyed trilogy about a young man on the make in 1930s London feels particularly resonant right now, given its acute take on male privilege and power'i paper, Summer Reading Picks 2020'An extraordinary achievement'Frances Wilson, Times Literary Supplement, Summer Reading Picks 2020Orlando King is a trilogy about a beautiful young man, raised in a remote and eccentric wilderness, arriving in 1930s London and setting the world of politics ablaze. In a time of bread riots and hunger marches, with the spectre of Fascism casting an ever lengthening shadow over Europe, Orlando glidingly cuts a swathe through the thickets of business, the corridors of politics, the pleasure gardens of the Cliveden set, acquiring wealth, adulation, a beautiful wife, and a seat in Parliament. But the advent of war brings with it Orlando's downfall; and his daughter Agatha, cloistered with him in his banishment, is left to pick through the rubble of his smoking, ruined legacy. Elegant and muscular, powerful and razor-sharp, Orlando King is a bildungsroman, Greek tragedy and political saga all in one; a glittering exorcism of the inter-war generation's demons to rival the work of Evelyn Waugh and Muriel Spark.

Ogadinma Or, Everything Will be All Right is a tale of departure, loss and adaptation; of mothers whose experience at the hands of controlling men leave them with burdens they find too much to bear. After an unwanted pregnancy leaves her exiled from her family in Kano, thwarting her plans to go to university, seventeen-year-old Ogadinma is sent to her aunt's in Lagos. When a whirlwind romance with an older man descends into indignity, she is forced to channel her strength and resourcefulness to escape a fate that appears all but inevitable.A feminist classic in the making, Ukamaka Olisakwe's sophomore novel introduces a heroine for whom it is impossible not to root and announces the author as a gifted chronicler of the patriarchal experience.Illuminates a fascinating time in Nigeria's recent past, as the novel's heroine struggles against the shackles of a Church-dominated patriarchal society amid rising political turmoil· Written by a rising star of Nigeria's vibrant literature scene, a finalist for the 2019 Brittle Paper Award for Creative Nonfiction and established screenwriter· An exquisitely written bildungsroman that will appeal equally to readers of literary fiction and a new adult audience

A new annotated translation of the keystone of Balzac's Comédie Humaine—a sweeping narrative of corrupted idealism in a cynical urban milieu Lost Illusions is an essential text within Balzac's Comédie Humaine, his sprawling, interconnected fictional portrait of French society in the 1820s and 1830s comprising nearly one hundred novels and short stories. This novel, published in three parts between 1837 and 1843, tells the story of Lucien de Rubempré, a talented young poet who leaves behind a scandalous provincial life for the shallow, corrupt, and cynical vortex of modernity that was nineteenth-century Paris—where his artistic idealism slowly dissipates until he eventually decides to return home. Balzac poured many of his thematic preoccupations and narrative elaborations into Lost Illusions, from the contrast between life in the provinces and the all-consuming world of Paris to the idealism of poets, the commodification of art, the crushing burden of poverty and debt, and the triumphant cynicism of hack journalists and social climbers. The novel teems with characters, incidents, and settings, though perhaps none so vivid as its panoramic and despairing view of Paris as the nexus of modernity's cultural, social, and moral infection. For Balzac, no institution better illustrates the new reality than Parisian journalism: “amoral, hypocritical, brazen, dishonest, and murderous,” he writes. In this new translation, Raymond N. MacKenzie brilliantly captures the tone of Balzac's incomparable prose—a style that is alternatingly impassioned, overheated, angry, moving, tender, wistful, digressive, chatty, intrusive, and hectoring. His informative annotations guide the modern reader through the labyrinth of Balzac's allusions.

The H. G. Wells Collection includes five novels: The Time Machine, The Island of Doctor Moreau, The Invisible Man, The War of the Worlds, and The First Men in the Moon. This set is limited to 1000 copies. H. G. Wells is credited with the popularisation of time travel in 1895 with The Time Machine, introducing the idea of time being the'fourth dimension'a decade before the publication of Einstein's first Relativity papers. In 1896, he imagined a mad scientist creating human-like beings from animals in The Island of Doctor Moreau, which created a growing interest in animal welfare throughout Europe. In 1897 with The Invisible Man, Wells shows how a formula could render one invisible, recognizing that an invisible eye would not be able to focus, thus rendering the invisible man blind. With The War of the Worlds in 1898, Wells established the idea that an advanced civilization could live on Mars, popularising the term'martian'and the idea that aliens could invade Earth. With The First Men in the Moon, Wells developed antigravity, a development that we are still dreaming about to this day.

Originally published as a 20-episode serial between March 1852 and September 1853, “Bleak House” is a novel by English author Charles Dickens. The story centres around Esther Summerson, the novel's heroine and omniscient narrator, and a long-running legal case in the Court of Chancery which arises as a result of conflicting wills. Though brimming with arguably exaggerated satire, “Bleak House” helped further a judicial reform movement which led to legal reform in the 1870s. A classic example of Dickens's much-celebrated literature not to be missed by fans and collectors of his timeless work. Charles John Huffam Dickens (1812–1870) was an English writer and social critic famous for having created some of the world's most well-known fictional characters. His works became unprecedentedly popular during his life, and today he is commonly regarded as the greatest Victorian-era novelist. Although perhaps better known for such works as “Oliver Twist” or “A Christmas Carol”, Dickens first gained success with the 1836 serial publication of “The Pickwick Papers”, which turned him almost overnight into an international literary celebrity thanks to his humour, satire, and astute observations concerning society and character. This classic work is being republished now in a new edition complete with an introductory chapter from “Appreciations and Criticisms of the Works of Charles Dickens” by G. K. Chesterton.

Originally published as a serial from 1855 to 1857, Dickens's novel “Little Dorrit” tells the story of Amy Dorrit, the youngest child of her family born and raised in a debtors prison whose life is changed when she meets Arthur Clennam, returning home from a 20-year absence. “Little Dorrit” heavily criticises societal shortcomings of the time, in particular the existence of debtors prisons—where Dickens's own father was incarcerated. This classic work is being republished now in a new edition complete with an introductory chapter from “Appreciations and Criticisms of the Works of Charles Dickens” by G. K. Chesterton. Charles John Huffam Dickens (1812–1870) was an English writer and social critic famous for having created some of the world's most well-known fictional characters. His works became unprecedentedly popular during his life, and today he is commonly regarded as the greatest Victorian-era novelist. Although perhaps better known for such works as “Oliver Twist” or “A Christmas Carol”, Dickens first gained success with the 1836 serial publication of “The Pickwick Papers”, which turned him almost overnight into an international literary celebrity thanks to his humour, satire, and astute observations concerning society and character.

Charles Dickens's last completed novel, “Our Mutual Friend” is the story of “Noddy” Boffin, a common clerk who becomes “the Golden Dustman” after he inherits a dust-heap where the aristocracy throw their refuge. A brutal satire and social analysis, “Our Mutual Friend” is a masterpiece that explores the allure and curse of money while demonstrating all the themes the author is famous for. Charles John Huffam Dickens (1812–1870) was an English writer and social critic famous for having created some of the world's most well-known fictional characters. His works became unprecedentedly popular during his life, and today he is commonly regarded as the greatest Victorian-era novelist. Although perhaps better known for such works as “Oliver Twist” or “A Christmas Carol”, Dickens first gained success with the 1836 serial publication of “The Pickwick Papers”, which turned him almost overnight into an international literary celebrity thanks to his humour, satire, and astute observations concerning society and character. This classic work is being republished now in a new edition complete with an introductory chapter from “Appreciations and Criticisms of the Works of Charles Dickens” by G. K. Chesterton.

An innocent man's gripping personal account of terrifying confinement by the Moroccan military during the reign of a formidable twentieth-century despot In 1967 Tahar Ben Jelloun, a peaceful young political protestor, was one of nearly a hundred other hapless men taken into punitive custody by the Moroccan army. It was a time of dangerous importance in Moroccan history, and they were treated with a chilling brutality that not all of them survived. This powerful portrait of the author's traumatic experience, written with a memoirist's immediacy, reveals both his helpless terror and his desperate hope to survive by drawing strength from his love of literature. Shaken to the core by his disillusionment with a brutal regime, unsure of surviving his ordeal, he stole some paper and began to secretly write, with the admittedly romantic idea of leaving some testament behind, a veiled denunciation of the evils of his time. His first poem was published after he was unexpectedly released, and his vocation was born.

Eighteen strange, whimsical, and philosophical tales by the Russian master of the weird, all now in English for the very first time.When Comrade Punt does not wake up one Moscow morning--he has died--his pants dash off to work without him. The ambitious pants soon have their own office and secretary. So begins the first of eighteen superb examples of Sigizmund Krzhizhanovsky's philosophical and phantasmagorical stories. Where the stories included in two earlier NYRB collections (Memories of the Future and Autobiography of a Corpse) are denser and darker, the creations in Unwitting Street are on the lighter side: an ancient goblet brimful of self-replenishing wine drives its owner into the drink; a hypnotist's attempt to turn a fly into an elephant backfires; a philosopher's free-floating thought struggles against being'enlettered'in type and entombed in a book; the soul of a politician turned chess master winds up in one of his pawns; an unsentimental parrot journeys from prewar Austria to Soviet Russia.

Our reissue of Bel Kaufman's classic 1964 novel timelessly depicts the shambolic joys and myriad frustrations of a young teacher. With an introduction by Diane Ravitch and a foreword by Gabbie Stroud. Sylvia Barrett arrives at New York City's Calvin Coolidge High fresh from earning literature degrees at Hunter College and eager to shape young minds. Instead she encounters broken windows, a lack of supplies, a stifling bureaucracy, and students with no interest in Chaucer. Her bumpy yet ultimately rewarding journey is depicted through an extraordinary collection of correspondence: sternly worded yet nonsensical administrative memos, furtive notes of wisdom from teacher to teacher, ‘polio consent slips', and student homework assignments that unwittingly speak from the heart. Up the Down Staircase stands as the seminal novel of a beleaguered public school system that is redeemed by teachers who love to teach and students who long to be recognised. It is poignant, devastating, laugh-out-loud funny, and — in our current moment of debate around the future of education — more relevant than ever.

A high school girl, her father, and her math teacher: through this unlikely trio, Leah Hager Cohen charts the complexities of the human heart as only she can.Esker (she prefers to go solely by her last name) is a thirty-one-year-old high school teacher at the Prospect School in Brooklyn who, after various heartbreaks and disappointments, has found a quiet resolve in her lonely spinster routine. But when a mysterious fall leaves her star math student injured and housebound until exams, Esker begins tutoring the precocious teenager at home. And soon, much against her will, she begins falling edgily, haltingly in love with the girl's father. Charged with Esker's own irreverence and wit, Heart, You Bully, You Punk sweeps us irresistibly into her profound and wistful struggle to unite the rest of her self with her unruly heart.

Vagablonde is a darkly humorous, rollercoaster ride through the Los Angeles music scene about a woman who wants two things, the first is to live without psychotropic medication, and the second is to experience success as an artist. A cautionary tale about viral fame, Vagablonde speaks directly to our time in biting detail. Prue Van Teesen is thriving. That is, her life looks good on paper. She has an easy government job, a nice girlfriend, and a budding music career. When Prue is introduced to producer Jax Jameson, they instantly click. Prue soon joins Jax in his “Kingdom,” a collective of musicians and artists who share Prue's aesthetic sensibilities and lust for escapism. Soon, she's off her meds, closing her law practice, and becoming entangled with a suspect crew of heavy drug users. But the group they form, Shiny AF, is starting to take off and Prue is on the precipice of getting everything she thought she wanted. So, why is she still so miserable?