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George Robert Gissing was born on November 22nd, 1857 in Wakefield, Yorkshire.He was educated at Back Lane School in Wakefield. Gissing loved school. He was enthusiastic with a thirst for learning and always diligent. By the age of ten he was reading Dickens, a lifelong hero.In 1872 Gissing won a scholarship to Owens College. Whilst there Gissing worked hard but remained solitary. Unfortunately, he had run short of funds and stole from his fellow students. He was arrested, prosecuted, found guilty, expelled and sentenced to a month's hard labour in 1876. On release he decided to start over. In September 1876 he travelled to the United States. Here he wrote short stories for the Chicago Tribune and other newspapers. On his return home he was ready for novels. Gissing self-published his first novel but it failed to sell. His second was acquired but never published. His writing career was static. Something had to change. And it did. By 1884 The Unclassed was published. Now everything he wrote was published. Both Isabel Clarendon and Demos appeared in 1886. He mined the lives of the working class as diligently as any capitalist. In 1889 Gissing used the proceeds from the sale of The Nether World to go to Italy. This trip formed the basis for his 1890 work The Emancipated. Gissing's works began to command higher payments. New Grub Street (1891) brought a fee of £250. Short stories followed and in 1895, three novellas were published; Eve's Ransom, The Paying Guest and Sleeping Fires. Gissing was careful to keep up with the changing attitudes of his audience. Unfortunately, he was also diagnosed as suffering from emphysema. The last years of his life were spent as a semi-invalid in France but he continued to write. 1899; The Crown of Life. Our Friend the Charlatan appeared in 1901, followed two years later by The Private Papers of Henry Ryecroft. George Robert Gissing died aged 46 on December 28th, 1903 after catching a chill on a winter walk.

George Gissing (1857-1903) was an English author who also worked as a teacher. Gissing wrote over 20 novels including New Grub Street, The Nether World, and The Odd Women. This edition of The Private Papers of Henry Ryecroft includes a table of contents.

Carrigan approaches the millennium New Year craving climax and culmination. What he finds instead is constant anti-climax, and lack of definitional consequence for his failures and failings and genius. A conceptual heir to Fitzgerald's This Side of Paradise, this novel explores everything from Carrigan's past in the spelling bee as a contemptuous 12-year-old, to his father's death in Ireland years before, to the depth of mystery, violence, and secrecy that he returns to, both existentially, and literally, as he becomes 21, and then 22, without proper fanfare or notice.

George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.

From the best-selling author of The Secret in Their Eyes, an adventure about friendship, soccer, and good humor When Alejandro “Mono” dies of cancer, his brother and two closest friends, a tight-knit group since childhood, are left to figure out how to take care of his young daughter, Guadalupe. They want to give her all the love they felt for Mono and secure her future, but there isn't a single peso left in the bank. Mono invested all of his money in a promising soccer player whose talents haven't panned out, and the three hundred thousand dollars Mono spent on his transfer is soon to be lost for good. How do you sell a forward who can't score a goal? How do you negotiate in a world whose rules you don't know? How do you maintain relationships when repeated failures create fissures in lifelong loyalties? Fernando, Mauricio, and Ruso pool the few resources in their arsenal to come up with strategies—from harebrained to inspired—in their desperate attempt to recoup Mono's investment for Guadalupe. Following the lives of four distinct characters, who, despite their great differences, still manage to find solace and pride in one another, Papers in the Wind is a tribute to friendship and proof that love and humor can triumph over sadness.

La historia d'una dona que viu per la bona literatura en el convuls Beirut dels darrers anys. Després de l'èxit de L'home que explicava històries, Rabih Alameddine torna a triomfar amb aquesta magnífica novel·la que, des de les primeres pàgines, ens trasllada a un pis vell de Beirut. Allà hi trobem Aallija, una dona d'uns seixanta anys, amb els cabells tenyits de blau i una història per explicar. La senyora parla de la seva vida, però quina vida? anys i anys dedicats a llegir els millors llibres i a traduir-los mentre als carrers de Beirut queien bombes i retrunyien els ecos d'una guerra que va convertir molts joves pacífics en espies i sicaris, cosa que va obligar a una dona sola a dormir amb un rifle al costat del llit, per defensar-se dels atacs imprevistos. Som el que llegim, va dir un savi, i Aalija és això: un ésser adorable, fet de paper i, tanmateix, viu, amb un sentit de l'humor molt peculiar, que es protegeix de tot i de tots a l'ombra d'una jaqueta vella de llana i de la bona literatura, tot buscant en els llibres l'amor que la seva família no li va saber donar. Entrar a casa d'Aalija, estar-hi amb ella i les seves veïnes, compartir la seva por i el seu valor, és una experiència intensa que ens acosta a les dones que ara mateix viuen les revoltes de la primavera àrab i mostra, una vegada més, el talent de Rabih Alameddine, un autor que ens retorna el plaer de llegir.

The celebrated career of Georges-Olivier Châteaureynaud is well known to readers of French literature. This comprehensive collection—the first to be translated into English—introduces a distinct and dynamic voice to the Anglophone world. In many ways, Châteaureynaud is France's own Kurt Vonnegut, and his stories are as familiar as they are fantastic.A Life on Paper presents characters who struggle to communicate across the boundaries of the living and the dead, the past and the present, the real and the more-than-real. A young husband struggles with self-doubt and an ungainly set of angel wings in “Icarus Saved from the Skies,” even as his wife encourages him to embrace his transformation. In the title story, a father's obsession with his daughter leads him to keep her life captured in 93,284 unchanging photographs. While Châteaureynaud's stories examine the diffidence and cruelty we are sometimes capable of, they also highlight the humanity in the strangest of us and our deep appreciation for the mysterious.Georges-Olivier Châteaureynaud is the author of eight novels and almost one hundred short stories, and he is a recipient of the prestigious Prix Renaudot and the Bourse Goncourt de la nouvelle. His work has been translated into twelve languages.Edward Gauvin has published Châteaureynaud's work in AGNI Online, Conjunctions, Words Without Borders, The Café Irreal, and The Brooklyn Rail. The recipient of a residency from the Banff International Literary Translation Centre, he translates graphic novels for Tokyopop, First Second Books, and Archaia Studios Press.

This collection of exploratory pieces, short stories, and reflections was originally published in Zurich in 1936. It was the last volume Robert Musil published before his sudden death in 1942. Musil had begun to fathom the impossibility of com- pleting his monumental masterpiece The Man Without Qualities and this volume reveals a radically different aspect of his work. Musil observes a fly's tragic struggle with flypaper, the laughter of a horse; he peers through microscopes and telescopes, dissecting both large and small. Musil's quest for the essential is a voyage into the minute.

In 1836 the 23-year-old Dickens was invited by his publishers to write `a monthly something'illustrated by sporting plates. Thus the Pickwick Club was born: its supposed `papers'soom outgrew their origins and became a brilliantly comic novel, still among Dicken's most popular works. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In his uproarious first novel Martin Amis, author of the bestselling London Fields, gave us one of the most noxiously believable -- and curiously touching -- adolescents ever to sniffle and lust his way through the pages of contemporary fiction. On the brink of twenty, Charles High-way preps desultorily for Oxford, cheerfully loathes his father, and meticulously plots the seduction of a girl named Rachel -- a girl who sorely tests the mettle of his cynicism when he finds himself falling in love with her.

George Augustus Sala was born in born in New Street, London, on 24th November 1828.He was a precocious child. Having learnt French he wrote a French tragedy ‘Fredegonde'before he turned 10. From 1839 to 1842 he studied in Paris alongside fellow pupil Alexandre Dumas.At 15, now a capable draughtsman and an insatiable reader, he was allowed to follow his own path.Stints as a clerk were followed by an engagement to draw railway plans during the railway mania of 1845. His mother and brother then introduced him to the Princess's Theatre, where they were professionally engaged, and he was given occasional work as a scene-painter.He began his literary career in 1848 with articles to a struggling weekly paper called ‘Chat.'They were eagerly accepted, and he was appointed editor on a miniscule salary.In 1850 came his first publication; a comic illustrated guidebook for continental tourists; ‘Practical Exposition of J. M. W. Turner's Picture, Hail, Rain, Steam, and Speed.'In 1851 a rather more promising opportunity offered itself. Charles Dickens accepted ‘The Key of the Street,'for his periodical ‘Household Words.'For the next 5 years Sala would write an essay or story every week.Sala published his first novel in 1860, ‘The Baddington Peerage: A Story of the Best and Worst Society'.He was eager to build on the thriving periodical market and followed in the footsteps of Dickens and Thackeray with the founding of ‘Temple Bar.'The first issue was December 1860 and in the second he began a serialization of ‘The Seven Sons of Mammon', followed by perhaps his best work ‘The Strange Adventures of Captain Dangerous'.In 1863 Sala undertook his first tour as a ‘special'foreign correspondent of the ‘Daily Telegraph.'He was in America from November 1863 to December 1864, reporting on the progress of the civil war.A long series of expeditions followed across Europe and the United States before Australia and India.During Sala's last years his energies were slowed by frequent illness. While continuing work for the ‘Daily Telegraph'and his ‘Echoes of the Week,'he lived mainly in Brighton.George Augustus Sala died from nervous exhaustion, after a long illness, at Brighton on 8th December 1895.

Arthur Conan Doyle was born in Edinburgh, Scotland on 22nd May 1859. His childhood was blighted by his father's heavy drinking which for some years broke up the family. Fortunately, wealthy uncles were willing to support them by paying for education and clothing. He was accepted at the University of Edinburgh to study medicine and also began to write short stories the first, ‘The Haunted Grange of Goresthorpe', was published in Blackwood's Magazine. Despite several other stories and some articles in the British Medical Journal his medical studies took priority.When these finished he was appointed as Doctor on the Greenland whaler ‘Hope of Peterhead'in 1880 and then, after graduation, as ship's surgeon on the SS Mayumba on its voyage to West Africa.1882 saw a move to Plymouth and his own independent practice. With few patients he resumed writing and completed his first novel, ‘The Mystery of Cloomber', although most of his output was short stories based on his experiences at sea. He married Louisa Hawkins in 1885. However, two years later he met and fell in love with Jean Elizabeth Leckie, though they remained platonic out of respect for, and loyalty to, his wife.His literary career suddenly burst into life in November 1886 with ‘A Study In Scarlet', the first of the fabulously successful Sherlock Holmes stories. With two children to support he now revisited his haphazard commercial arrangements and curtailed everything save for commissions from the Strand Magazine. As a sportsman he was remarkably proficient. He was goalkeeper for Portsmouth Association Football Club and played ten first-class cricket matches for the Marylebone Cricket Club as well as captain of the Crowborough Beacon Golf Club in East Sussex. In 1891 tired of writing Holmes stories, he began a series of historical novels and even went so far as to apparently kill off Holmes in a lethal brawl with his arch-nemesis Moriarty.Despite heavy and sustained criticism he continued to write in support of the Boer War, a fact he thought contributed to his knighthood in 1902. The following year to great relief and acclaim he brought Sherlock Holmes back from the dead in his first outing for a decade.Sadly, his wife Louisa died from TB in 1906 and, a year later, he at last married Jean. During the War and for several years after family deaths had left him depressed. In a search for solace and answers he alighted upon spiritualism and, such was his interest, that he wrote several books on the subject.On 7th July 1930 Conan Doyle was discovered in the hall of Windlesham Manor, his house in East Sussex, clutching his chest dying of a heart attack. He was 71.

Albert Paine was a late 19th and early 20th century American author who remains best known today for collaborating with Mark Twain on a number of books.

Henry James was one of the greatest and most prolific American authors ever to have lived.Henry James believed that the short novel was the perfect literary form, and his achievements here brilliantly display his mastery of it. Noted literary critic Philip Rahv has collected ten of James's most important short novels to make one distinguished volume. Accompanied by Rahv's informative commentary and keen insights, this collection contains the following classics:MADAME DE MAUVESDAISY MILLERAN INTERNATIONAL EPISODETHE SIEGE OF LONDONLADY BARBERINATHE AUTHOR OF BELTRAFFIOTHE ASPERN PAPERSTHE PUPILTHE TURN OF THE SCREWTHE BEAST IN THE JUNGLESkyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

One man's affliction is another's gift, and Kenny Hopewell's'special gift'is a terrible memory and virtually no sense of direction. Entrusted by a family friend to deliver a plea for help that might keep his hometown mill from closing, Kenny misses his ride and sets out on foot across an isolated rural area between Lake Ontario and the Adirondacks. Along the way he meets and comes to terms with some of the denizens of this lonely landscape—the Casimir family, who survive on the outskirts of the law; Johnny Percy, a Vietnam veteran still defending his family's abandoned homestead; and Gunnar Molshoc, a well-driller and'witcher'—refugees, like him, from the decay of rural America in the 1980s.Meanwhile, several characters at the local college are struggling to define the college's role in the mill fight and to rescue the soul of higher education. John Harlan is an instructor attempting to write a meaningful dissertation that won't threaten his chances at tenure; Ernest Guppy's notion of himself as a political comic is driving his wife off the deep end; and college president Baxter McAdam and his administrative vice president are locked in a withering campaign to force each other out of power.The novel's setting, a fictional county in upstate New York, is like a braided rug: smooth on the top, all knots underneath. Chained to a dying farm economy and losing its youth to greener pastures, it's the sort of place where refugees from Brooklyn might live next to Amish farmers, who might live next to Italian millworkers, who might live next to a bigot whose house was once a stop on the Underground Railroad. Like so many rural American communities, it has the feel of a self-inflicted wound, and as Kenny comes to understand, sometimes you have to feel pain just to know you're still alive.

The New York Times bestselling author of In Five Years and One Italian Summer returns with “a romantic gem” (Laura Dave, New York Times bestselling author) about a young woman who decides to finally live for herself rather than rely on the universe for answers.Daphne Bell believes the universe has a plan for her. Every time she meets a new man, she receives a slip of paper with his name and a number on it—the exact amount of time they will be together. The papers told her she'd spend three days with Martin in Paris; five weeks with Noah in San Francisco; and three months with Hugo, her ex-boyfriend turned best friend. Daphne has been receiving the numbered papers for over twenty years, always wondering when there might be one without an expiration. Finally, the night of a blind date at her favorite Los Angeles restaurant, there's only a name: Jake. But as Jake and Daphne's story unfolds, Daphne finds herself doubting the paper's prediction, and wrestling with what it means to be both committed and truthful. Because Daphne knows things Jake doesn't, information that—if he found out—would break his heart. “Daphne's sometimes heart-wrenching, often heartwarming search for meaningful relationships, both romantic and platonic, is sure to inspire” (Publishers Weekly, starred review) new and longtime fans of Rebecca Serle.

SHORTLISTED FOR THE UNIVERSITY OF QUEENSLAND FICTION BOOK AWARD ‘a compelling, intricate and multifaceted tale'–The Saturday Paper ‘Politica can't make war make sense (what can?), but it does offer a small balm. In her book Kassab looks horror in the eye, dignifies private desires and grieves their loss, and in doing so reminds us what being human looks like.'–Meanjin ‘Like an impressionist painter, Kassab uses words like brushstrokes to build a vivid picture of intertwined lives set against the continuing drumbeat of war. The narrative moves between past, present and future and uses time as an effective device to illustrate how the effects of war linger long after its cessation.'– Books and PublishingA captivating literary journey that delves into the intertwined lives of a town, its people, and a region shaped by revolution and war. The war broke out and she decided to call her dad. Weeks and weeks they do not speak, and the weeks become months and then they are so many years. She imagines herself starting this story. She imagines how she will tell this story later to someone else.We hadn't spoken for years but then the war broke out... As conflict plays out across an unnamed region, its inhabitants deal with the fallout. Families are torn apart and brought together. A divide grows between those on either side of the war, compromises are struck as the toll of violence impacts near and far. We learn about those who are left behind and those who choose to leave in a great scattering. As the stories of those affected play out, they weave together to show the whole of a society in the most extreme of circumstances. Even after the last shot is fired, their world will never recover. From the acclaimed author of The House of Youssef, Australiana and The Lovers comes a powerful new novel that asks again if it's possible to ever measure the personal cost of war.PRAISE FOR POLITICA: ‘In a 2022 interview, Kassab said a responsibility of the novelist is to “write with an eye towards humanity”. And she never falters in this, with Politica always drawing us back to war's immeasurable personal cost.'– The Guardian‘a rewarding tale of real people navigating war, love, loss, poverty and many other challenges, all linked by time and location. The novel asks if it is possible to ever measure the personal cost of war. Through all the stories she creates here, Kassab makes it clear that it can never be.'– The Saturday Paper ‘an evocative literary tale'– Australian Women's Weekly

The phenomenon of human potential is never beyond our sight. An opportunity is always offered to people. Sometimes in a mysterious way. Whoever ignores or rejects it will never truly experience life's journey. Staying on the same path is to constantly relive the same day. That's why exploration embodies mankind's natural need to deal with the secrets below the surface. Although the facts about us as human beings speak in an understandable language, this doesn't mean we're not an enigma to ourselves. Understanding oneself is a very demanding process, similar to an autopsy. Not a physical autopsy, but a spiritual one. Discovering the anatomy of one's soul cannot be done abruptly. Moments of inspiration will make the realization of whether we are controlled by our consciousness or our subconsciousness easier. Hiding behind a heavy veil until the very end is not truly living. Sometimes a mere piece of paper under a windshield wiper with just three words and a phone number can change your life instantly. The hero of this novel who only refers to himself as “The Recorder” dared to call a number left on a piece of paper beneath his windscreen wiper. He sensed an opportunity. A few weeks later, a telegram arrived: IT'S TIME. IT'S YOUR TURN NOW. MOVE NOW! A trip to an unknown estate marks the beginning of an adventure, and he begins writing the history of his life.

The final part of The History of The Lord of the Rings, Sauron Defeated: The End Of The Third Age is J.R.R. Tolkien's enthralling account of the writing of the Book of the Century which contains many additional scenes and includes the unpublished Epilogue in its entirety.In the first section of Sauron Defeated Christopher Tolkien completes his fascinating study of The Lord of the Rings. Beginning with Sam's rescue of Frodo from the Tower of Cirith Ungol, and giving a very different account of the Scouring of the Shire, this section ends with versions of the hitherto unpublished Epilogue, in which, years after the departure of Bilbo and Frodo from the Grey Havens, Sam attempts to answer his children's questions.The second section is an edition of The Notion Club Papers. These mysterious papers, discovered in the early years of the twenty-first century, report the discussions of an Oxford club in the years 1986-7, in which after a number of topics, the centre of interest turns to the legend of Atlantis, the strange communications received by other members of the club from the past, and the violent irruption of the legend into the North-west of Europe.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school.In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide.Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it.With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However, time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

“This is Raymond Chandler for feminists.” ―Sharma Shields, author of The Cassandra“An expressive and striking story that examines what one does for family and for oneself.” ―Kirkus ReviewsJane's a very brave boy. And a very difficult girl. She'll become a remarkable woman, an icon of her century, but that's a long way off. Not my fault, she thinks, dropping a bloody crowbar in the irrigation ditch after Daddy. She steals Momma's Ford and escapes to Depression-era San Francisco, where she fakes her way into work as a newspaper copy boy. Everything's looking up. She's climbing the ladder at the paper, winning validation, skill, and connections with the artists and thinkers of her day. But then Daddy reappears on the paper's front page, his arm around a girl who's just been beaten into a coma one block from Jane's newspaper―hit in the head with a crowbar. Jane's got to find Daddy before he finds her, and before everyone else finds her out. She's got to protect her invented identity. This is what she thinks she wants. It's definitely what her dead brother wants.

'Smart and smarting, Banks's incisive stories reveal the sharp tensions and chaotic impassivities of modern life. A triumph.'– Eley Williams, author of Attrib.'We do have a complaints procedure. You will find paper and a pen (chained) to the shelf by the bin. Write your concerns and then place them in the bin. PLEASE NOTE: We do not allow items to be placed in the bin. Please do not write on the paper.'A lonely woman invites danger between tedious dates; a station guard plays a bloody game of heads-or-tails; an office cleaner sneaks into a forbidden room hiding grim secrets. Compelling and provocative, Annabel Banks's debut short fiction collection draws deeply upon the human need to be in control — no matter how devastating the cost.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Peregrine Island is the recipient of the following 10 literary awards: 2017 Winner of the New York City Big Book Award for Mystery 2017 Best Book Awards Finalist in General Fiction for Fiction, for Literary, and for Mystery & Suspense 2017 Winner of the National Indie Excellence Award for Regional Fiction: Northeast 2017 Distinguished Favorite in Literary Fiction by Independent Press Awards 2017 International Book Awards Finalist for Literary Fiction 2017 National Indie Excellence Award Finalist for Fiction 2017 Bronze Award for US Northeast Fiction from the Independent Publisher (IPPY) Book Awards 2018 Reader Views Literary Award Finalist and Honorable Mention for Adult - Fiction 2018 A Reader's Favorite literary fiction award winner 2018 Semifinalist, Somerset Award for Literary Fiction, Chanticleer International Book Awards ~~~~~ Literary Mystery Highlights an Heirloom Painting on Long Island Sound and the Relationships between Three Generations of Women Part “who-done-it” and part family drama, this award-winning novel reveals that neither people nor paintings are always what they appear to be. Contradictory relationships within troubled families are nothing new, but the award-winning psychological novel written by well-known journalist Diane B. Saxton elevates these relationships and the mysterious heirloom painting that both exposes and unites them to an art form. Peregrine Island interweaves the stories of three generations of women, one valuable painting, the artist who created it, and those who would do anything to possess it – including kill. Lush with sensory details, this psychologically complex mystery novel is set on a private island in the middle of Long Island Sound. It begins when the family's lives are turned upside-down one summer by so-called art experts, who appear on the doorstep of their isolated home to appraise a favorite heirloom painting. When incriminating papers along with two other paintings are discovered behind the painting in question, the appraisal turns into a full-fledged investigation and detectives are called into the case—but not by the family whose members grow increasingly antagonistic toward one another. During the course of the inquiry and as the summer progresses, the family members discover new secrets about one another and new facts about their past. Above all, they learn that neither people nor paintings can be taken at face value. The Peregrine family's lives are turned upside down one summer when so-called'art experts'appear on the doorstep of their Connecticut island home to appraise a favorite heirloom painting. When incriminating papers, as well as other paintings, are discovered behind the art work in question, the appraisal turns into a full-fledged investigation. Antagonism mounts between grandmother, mother, and child, who begin to suspect one another, as well as the shady newcomers in their midst, of foul play. As the summer progresses and the Peregrines discover facts about their past in the course of the investigation, they learn that people―including them―are not always who they appear to be.

Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a'temporary nervous depression – a slight hysterical tendency', a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. The room's windows are barred to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate. The story depicts the effect of understimulation on the narrator's mental health and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper.'It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw – not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper – the smell!... The only thing I can think of that it is like is the color of the paper! A yellow smell.'

Within twenty years there has gradually appeared in our country a variety of Japanese objects conspicuous for their novelty and beauty,—lacquers, pottery and porcelain, forms in wood and metal, curious shaped boxes, quaint ivory carvings, fabrics in cloth and paper, and a number of other objects as perplexing in their purpose as the inscriptions which they often bore. Most of these presented technicalities in their work as enigmatical as were their designs, strange caprices in their ornamentation which, though violating our hitherto recognized proprieties of decoration, surprised and yet delighted us. The utility of many of the objects we were at loss to understand; yet somehow they gradually found lodgment in our rooms, even displacing certain other objects which we had been wont to regard as decorative, and our rooms looked all the prettier for their substitution. We found it difficult to formulate the principles upon which such art was based, and yet were compelled to recognize its merit. Violations of perspective, and colors in juxtaposition or coalescing that before we had regarded as inharmonious, were continually reminding us of Japan and her curious people. Slowly our methods of decoration became imbued with these ways so new to us, and yet so many centuries old to the people among whom these arts had originated. Gradually yet surely, these arts, at first so little understood, modified our own methods of ornamentation, until frescos wall-papers, wood-work and carpets, dishes and table-cloth metal work and book-covers, Christmas cards and even railroad advertisements were decorated, modelled, and designed after Japanese style. It was not to be wondered at that many of our best artists,—men like Coleman, Vedder, Lafarge, and others,—had long fore recognized the transcendent merit of Japanese decorative art. It was however somewhat remarkable that the public at large should come so universally to recognize it, and in so short a time.

This remarkable gathering of previously unpublished writings shines new light on the On the Road author's life, from his French Canadian childhood to his meteoric rise to literary fame Edited and published with unprecedented access to the Kerouac archives, The Unknown Kerouac presents two lost novels, The Night Is My Woman and Old Bull in the Bowery, which Kerouac wrote in French during the especially fruitful years of 1951 and 1952. Discovered among his papers in the mid-nineties, they have been translated into English for the first time by Jean-Christophe Cloutier, who incorporates Kerouac's own partial translations. Also included are two journals from the heart of this same crucial period. In Private Philologies, Riddles, and a Ten-Day Writing Log, Kerouac recounts a brief stay in Denver—where he works on an early version of On the Road, reads dime novels, and even rides in a rodeo—and shows him contemplating writers like Chaucer and Joyce and playing with riddles and etymologies. Journal 1951, begun during a stay in a Bronx VA hospital, charts, in ecstatic, moving, and self-revealing pages, the wave of insights and breakthroughs that led Kerouac to the most singular transformation of American prose style since Hemingway. This landmark volume is rounded out with the memoir Memory Babe, a poignant evocation of childhood play and reverie in a robust immigrant community, in which Kerouac uncannily retrieves and distills the subtlest sense impressions. And finally, in an interview with his longtime friend and fellow Beat John Clellon Holmes and in the late fragment Beat Spotlight Kerouac reflects on his meteoric career and unlooked for celebrity. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Winner of the McKitterick First Novel Award. Shortlisted for the Bollinger Everyman Wodehouse Prize for Comic Fiction.'One of the most remarkable books ever written on the subject of Wales'– Jan Morris on Lloyd Jones'extraordinary debut novel, Mr Vogel. Acclaimed novelist Iain Sinclair, meanwhile, has described it as'the tour-guide Wales has been waiting for.'One of the most original and engaging novels to appear from – and about – Wales in recent years, Mr Vogel is all the more remarkable for the author's own amazing story. Following a bout of alcoholism which nearly killed him, Lloyd decided to recuperate by walking around Wales. It was this epic walk which inspired Lloyd to write Mr Vogel,'an astonishing mixture of fantasy, philosophy and travel'(Jan Morris). The novel begins with the discovery, in the attic of a second-hand bookshop, of an account of a lame man's mysterious quest – the so-called'Vogel Papers'; the account tells of an unnamed colonial outpost, a land which resembles Wales but which is somehow skewed. Our guide, a Welshman, becomes obsessed with the Vogel Papers: his investigations take him across three continents and around his homeland – from Anglesey to Pembrokeshire, from Bangor to the Black Mountains – in search of a strange man known only as Mr Vogel. Accompanied by his reprobate friends Paddy and Waldo, as well as a motley crowd of academics, osteopaths and famous writers (not to mention a piglet and a couple of teddybears), our narrator gradually nears the end of his search. Only then does it become clear that the real Mr Vogel was never very far away after all. Mr Vogel is a story of one man's dream of freedom, love and friendship. Compelling and warm-hearted, it is at once a novel, an anthology and a memoir; above all it is a reflection on the importance of hope and a celebration of Wales'culture, landscape and people. In the words of Iain Sinclair,'Stop what you're doing and listen to this mongrel monologue!'

It is a sin to write this. It is a sin to think words no others think and to put them down upon a paper no others are to see. It is base and evil. It is as if we were speaking alone to no ears but our own. And we know well that there is no transgression blacker than to do or think alone. We have broken the laws. The laws say that men may not write unless the Council of Vocations bid them so. May we be forgiven! But this is not the only sin upon us. We have committed a greater crime, and for this crime there is no name. What punishment awaits us if it be discovered we know not, for no such crime has come in the memory of men and there are no laws to provide for it. It is dark here. The flame of the candle stands still in the air. Nothing moves in this tunnel save our hand on the paper. We are alone here under the earth. It is a fearful word, alone. The laws say that none among men may be alone, ever and at any time, for this is the great transgression and the root of all evil. But we have broken many laws. And now there is nothing here save our one body, and it is strange to see only two legs stretched on the ground, and on the wall before us the shadow of our one head. The walls are cracked and water runs upon them in thin threads without sound, black and glistening as blood. We stole the candle from the larder of the Home of the Street Sweepers. We shall be sentenced to ten years in the Palace of Corrective Detention if it be discovered. But this matters not. It matters only that the light is precious and we should not waste it to write when we need it for that work which is our crime. Nothing matters save the work, our secret, our evil, our precious work. Still, we must also write, for—may the Council have mercy upon us!—we wish to speak for once to no ears but our own. Our name is Equality 7-2521, as it is written on the iron bracelet which all men wear on their left wrists with their names upon it. We are twenty-one years old. We are six feet tall, and this is a burden, for there are not many men who are six feet tall. Ever have the Teachers and the Leaders pointed to us and frowned and said:'There is evil in your bones, Equality 7-2521, for your body has grown beyond the bodies of your brothers.'But we cannot change our bones nor our body. We were born with a curse. It has always driven us to thoughts which are forbidden. It has always given us wishes which men may not wish. We know that we are evil, but there is no will in us and no power to resist it. This is our wonder and our secret fear, that we know and do not resist. We strive to be like all our brother men, for all men must be alike. Over the portals of the Palace of the World Council, there are words cut in the marble, which we repeat to ourselves whenever we are tempted.

Thomas Love Peacock was born on October 18th 1785 in Weymouth, Dorset. His education was never completed and mainly self-taught Thomas was made a clerk with Ludlow Fraser Company, merchants in the City of London in 1800. For Thomas life was work and the nurturing of his writing. When time allowed he would visit the Reading Room of the British Museum to study classic literature. In 1804 and 1806 he published two volumes of poetry, The Monks of St. Mark and Palmyra. By 1809 he has also published his great poem ‘The Genius of the Thames'. Peacock travelled to North Wales in January 1810 where he visited Maentwrog and met his future wife, Jane Gryffydh. By September 1815 had settled at Great Marlow and wrote Headlong Hall in 1815. It was published the following year. With this work Peacock found the true field for his literary gift in the satiric novel. Peacock continued to produce; the satirical novels Melincourt in 1817 and Nightmare Abbey in 1818. At the beginning of 1819, Peacock was summoned to London for probation with the East India Company. Peacock's test papers earned the commendation,'Nothing superfluous and nothing wanting.'This career was to run alongside his literary one for several decades. Peacock married Jane Griffith or Gryffydh in 1820. They went on to have four children. In 1820 Peacock wrote The Four Ages of Poetry, which argued that poetry's relevance was being eclipsed by science, a claim which provoked Shelley's Defence of Poetry. In the winter of 1825–6 he wrote Paper Money Lyrics and other Poems'during the prevalence of an influenza to which the beautiful fabric of paper-credit is periodically subject.'In 1829 he published The Misfortunes of Elphin, and in 1831 Crotchet Castle, the most mature and perhaps most appreciated of his works. By 1836 his official career was crowned by his appointment as Chief Examiner of Indian Correspondence. In about 1852 towards the end of Peacock's service in the India office, his taste for leisure and appetite for writing returned and with it his entertaining and scholarly Horæ Dramaticæ. In 1860 came the publication of his last novel; Gryll Grange. Later, that same year he added the appendix of Shelley's letters, a matter of great literary importance. Thomas Love Peacock died at Lower Halliford, on 23rd January, 1866, from injuries sustained in a fire in attempting to save his library. He is buried in the new cemetery at Shepperton.

Thomas Love Peacock was born on October 18th 1785 in Weymouth, Dorset. His education was never completed and mainly self-taught Thomas was made a clerk with Ludlow Fraser Company, merchants in the City of London in 1800. For Thomas life was work and the nurturing of his writing. When time allowed he would visit the Reading Room of the British Museum to study classic literature. In 1804 and 1806 he published two volumes of poetry, The Monks of St. Mark and Palmyra. By 1809 he has also published his great poem ‘The Genius of the Thames'. Peacock travelled to North Wales in January 1810 where he visited Maentwrog and met his future wife, Jane Gryffydh. By September 1815 had settled at Great Marlow and wrote Headlong Hall in 1815. It was published the following year. With this work Peacock found the true field for his literary gift in the satiric novel. Peacock continued to produce; the satirical novels Melincourt in 1817 and Nightmare Abbey in 1818. At the beginning of 1819, Peacock was summoned to London for probation with the East India Company. Peacock's test papers earned the commendation,'Nothing superfluous and nothing wanting.'This career was to run alongside his literary one for several decades. Peacock married Jane Griffith or Gryffydh in 1820. They went on to have four children. In 1820 Peacock wrote The Four Ages of Poetry, which argued that poetry's relevance was being eclipsed by science, a claim which provoked Shelley's Defence of Poetry. In the winter of 1825–6 he wrote Paper Money Lyrics and other Poems'during the prevalence of an influenza to which the beautiful fabric of paper-credit is periodically subject.'In 1829 he published The Misfortunes of Elphin, and in 1831 Crotchet Castle, the most mature and perhaps most appreciated of his works. By 1836 his official career was crowned by his appointment as Chief Examiner of Indian Correspondence. In about 1852 towards the end of Peacock's service in the India office, his taste for leisure and appetite for writing returned and with it his entertaining and scholarly Horæ Dramaticæ. In 1860 came the publication of his last novel; Gryll Grange. Later, that same year he added the appendix of Shelley's letters, a matter of great literary importance. Thomas Love Peacock died at Lower Halliford, on 23rd January, 1866, from injuries sustained in a fire in attempting to save his library. He is buried in the new cemetery at Shepperton.

Thomas Love Peacock was born on October 18th 1785 in Weymouth, Dorset. His education was never completed and mainly self-taught Thomas was made a clerk with Ludlow Fraser Company, merchants in the City of London in 1800. For Thomas life was work and the nurturing of his writing. When time allowed he would visit the Reading Room of the British Museum to study classic literature. In 1804 and 1806 he published two volumes of poetry, The Monks of St. Mark and Palmyra. By 1809 he has also published his great poem ‘The Genius of the Thames'. Peacock travelled to North Wales in January 1810 where he visited Maentwrog and met his future wife, Jane Gryffydh. By September 1815 had settled at Great Marlow and wrote Headlong Hall in 1815. It was published the following year. With this work Peacock found the true field for his literary gift in the satiric novel. Peacock continued to produce; the satirical novels Melincourt in 1817 and Nightmare Abbey in 1818. At the beginning of 1819, Peacock was summoned to London for probation with the East India Company. Peacock's test papers earned the commendation,'Nothing superfluous and nothing wanting.'This career was to run alongside his literary one for several decades. Peacock married Jane Griffith or Gryffydh in 1820. They went on to have four children. In 1820 Peacock wrote The Four Ages of Poetry, which argued that poetry's relevance was being eclipsed by science, a claim which provoked Shelley's Defence of Poetry. In the winter of 1825–6 he wrote Paper Money Lyrics and other Poems'during the prevalence of an influenza to which the beautiful fabric of paper-credit is periodically subject.'In 1829 he published The Misfortunes of Elphin, and in 1831 Crotchet Castle, the most mature and perhaps most appreciated of his works. By 1836 his official career was crowned by his appointment as Chief Examiner of Indian Correspondence. In about 1852 towards the end of Peacock's service in the India office, his taste for leisure and appetite for writing returned and with it his entertaining and scholarly Horæ Dramaticæ. In 1860 came the publication of his last novel; Gryll Grange. Later, that same year he added the appendix of Shelley's letters, a matter of great literary importance. Thomas Love Peacock died at Lower Halliford, on 23rd January, 1866, from injuries sustained in a fire in attempting to save his library. He is buried in the new cemetery at Shepperton.

Novelist, poet, playwright, essayist, literary critic and artist, D. H. Lawrence had an immense influence on twentieth century literature, in spite of his short and often persecuted life. His novels represent an extended reflection on the dehumanising effects of modernity and industrialisation, establishing his name as one of the great imaginative novelists of his generation. For the first time in publishing history, this comprehensive eBook presents Lawrence's complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 12) • Beautifully illustrated with images relating to Lawrence's life and works• Concise introductions to the novels and other texts• All 12 novels, with individual contents tables• Images of how the books were first published, giving your eReader a taste of the original texts• Excellent formatting of the texts• All 68 short stories, with many rare stories appearing in digital print for the first time• Special chronological and alphabetical contents tables for the poetry and the short stories• Easily locate the poems or short stories you want to read• All the plays, with separate contents tables• All the travel writing books• 7 poetry collections, including rare books available in no other digital collection• Includes many rare non-fiction essays and collections• Also includes ‘A STUDY OF THOMAS HARDY'– explore Lawrence's critique of the famous author• The rare school textbook Lawrence wrote when struggling financially• Includes Part I and Part II of PHOENIX: THE POSTHUMOUS PAPERS OF D. H. LAWRENCE – spends hours exploring this collection of literary papers that chart Lawrence's genius• Features a bonus biography by Lawrence's wife's – first time in digital print'explore the great writer's literary life!• Lawrence's translations of Italian novels and short stories• Also features Lawrence's paintings• UPDATED with two drafts of ‘Lady Chatterley's Lover': The First Lady Chatterley; John Thomas and Lady Jane• Ordering of texts into chronological order and literary genres CONTENTS: The NovelsThe White Peacock (1911)The Trespasser (1912)Sons and Lovers (1913)The Rainbow (1915)Women in Love (1920)The Lost Girl (1920)Mr Noon (1921)Aaron's Rod (1922)Kangaroo (1923)The Boy in the Bush (1924)The Plumed Serpent (1926)Lady Chatterley's Lover (1928)The First Lady ChatterleyJohn Thomas and Lady Jane The Short StoriesThe Complete Short StoriesList of Short Stories in Alphabetical Order The PlaysThe Daughter-in-Law (1913)The Widowing of Mrs. Holroyd (1914)Touch and Go (1920)David (1926)The Fight for Barbara (1933)A Collier's Friday Night (1934)The Married Man (1940)The Merry-Go-Round (1941) The Poetry CollectionsD.H. Lawrence's Poetry: A Brief IntroductionLove Poems and Others (1913)Amores (1916)Look! We Have Come Through! (1917)New Poems (1918)Bay: A Book of Poems (1919)Birds Beasts and Flowers (1923)Imagist Poetry (1923)Pansies (1929)Nettles (1930)Last Poems (1932)More Pansies (1932) The PoemsList of Poems in Chronological OrderList of Poems in Alphabetical Order The Travel WritingTwilight in Italy (1916)Sea and Sardinia (1921)Mornings in Mexico (1927)Sketches of Etruscan Places (1932) and more -- too many to list

Death and Mr. Pickwick is a vast, richly imagined, Dickensian work about the rough-and-tumble world that produced an author who defined an age. Like Charles Dickens did in his immortal novels, Stephen Jarvis has spun a tale full of preposterous characters, shaggy-dog stories, improbable reversals, skulduggery, betrayal, and valor-all true, and all brilliantly brought to life in his unputdownable book.The Posthumous Papers of the Pickwick Club, featuring the fat and lovable Mr. Pickwick and his Cockney manservant, Sam Weller, began as a series of whimsical sketches, the brainchild of the brilliant, erratic, misanthropic illustrator named Robert Seymour, a denizen of the back alleys and grimy courtyards where early nineteenth-century London's printers and booksellers plied their cutthroat trade. When Seymour's publishers, after trying to match his magical etchings with a number of writers, settled on a young storyteller using the pen name Boz, The Pickwick Papers went on to become a worldwide phenomenon, outselling every other book besides the Bible and Shakespeare's plays. And Boz, as the young Charles Dickens signed his work, became, in the eyes of many, the most important writer of his time. The fate of Robert Seymour, Mr. Pickwick's creator, a very different story-one untold before now.Few novels deserve to be called magnificent. Death and Mr. Pickwick is one of them.

This fiftieth-anniversary edition commemorates Joseph Heller's masterpiece with a new introduction; critical essays and reviews by Norman Mailer, Alfred Kazin, Anthony Burgess, and others; rare papers and photos; and much more. Nominated as one of America's best-loved novels by PBS's The Great American Read. Now a Hulu limited series starring Christopher Abbott, George Clooney, Kyle Chandler, and Hugh Laurie.Fifty years after its original publication, Catch-22 remains a cornerstone of American literature and one of the funniest—and most celebrated—books of all time. In recent years it has been named to “best novels” lists by Time, Newsweek, the Modern Library, and the London Observer. Set in Italy during World War II, this is the story of the incomparable, malingering bombardier, Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy—it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he's assigned, he'll be in violation of Catch-22, a hilariously sinister bureaucratic rule: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes a formal request to be removed from duty, he is proven sane and therefore ineligible to be relieved. This fiftieth-anniversary edition commemorates Joseph Heller's masterpiece with a new introduction by Christopher Buckley; a wealth of critical essays and reviews by Norman Mailer, Alfred Kazin, Anthony Burgess, and others; rare papers and photos from Joseph Heller's personal archive; and much more. Here, at last, is the definitive edition of a classic of world literature.

Take the sumptuousness of Molly Peacock's own #1 bestselling The Paper Garden, the extraordinary creative variety of The Bedside Book of Birds, and the cat-nip-for-language-geeks appeal of Eats, Shoots and Leaves, and wrap it around tales rich with wisdom and humanity, and you get Alphabetique: the most gorgeous gift book of the season. Molly Peacock has written a new classic, a book of magical tales inspired by the lives of the letters of the alphabet. Alphabetique, or Tales from the Lives of the Letters is one-of-a-kind, but nevertheless fits perfectly with Molly Peacock's extraordinary body of work, drawing on the same wellsprings of creativity and artistry as her poetry and her nonfiction, especially The Paper Garden. These 26 charming, incisive, sensual stories of love, yearning, and self-discovery are complimented by Kara Kosaka's layered, jewel-bright collages.

A woman tries to uncover the mysterious fate of a friend in Cambodia in this “very smart” and suspenseful novel (The New York Times Book Review). Liz Headleand is one of London's best-known and most prominent psychiatrists. One day she arrives at work to find a mysterious package, postmarked from Cambodia. Inside, she finds various scraps of paper, a laundry bill from a Bangkok hotel, old newspaper clippings—and pieces of human finger bones. Shocked but intrigued, she realizes the papers belong to her old friend Stephen Cox, a playwright who moved to Cambodia to work on a script about the Khmer Rouge. Convinced Stephen is trying to send her some sort of message, Liz follows the clues in the box to the jungles of Cambodia, risking her life to find her friend. In this thrilling novel, Margaret Drabble continues the trilogy she began in The Radiant Way and A Natural Curiosity, taking us far from the civilized, familiar streets of London, and painting an “urgent, brilliant” portrait of the tumultuous, terror-ridden landscape of Cambodia in the late twentieth century (The Boston Globe). “A tour de force.” —Calgary Herald “Unputdownable... A sojourn within The Gates of Ivory is not something one soon forgets.” —Edmonton Journal

'Horse riding, sword fighting, fistfights, escapes, chases... If anyone is looking for a successor to James Bond, Flashy is the one.'—The New York TimesIn Volume II of the Flashman Papers, Flashman tangles with femme fatale Lola Montez and the dastardly Otto Von Bismarck in a battle of wits which will decide the destiny of a continent. In this volume of The Flashman Papers, Flashman, the arch-cad and toady, matches his wits, his talents for deceit and malice, and above all his speed in evasion against the most brilliant European statesman and against the most beauiful and unscrupulous adventuress of the era. From London gaming-halls and English hunting-fields to European dungeons and throne-rooms, he is involved in a desperate succession of escapes, disguises, amours and (when he cannot avoid them) hand-to-hand combats. All the while, the destiny of a continent rests on his broad and failing shoulders.

Three “sly, self-knowing, and hilarious” novellas from the highly acclaimed author of The Lost Language of Cranes (The New York Times). Here are three novellas of escape and exile, touching and funny and at times calculatedly outrageous. In “Saturn Street,” a disaffected LA screenwriter delivers lunches to homebound AIDS patients, only to find himself falling in love with one of them. In “The Wooden Anniversary,” Nathan and Celia—familiar characters from Leavitt's story collections—reunite after a five-year separation. And in'The Term-Paper Artist,'a writer named David Leavitt, hiding out at his father's house in the aftermath of a publishing scandal, experiences literary rejuvenation when he agrees to write term papers for UCLA undergraduates in exchange for sex. “Confessional, audacious and outrageous... This is classic Leavitt—writing with subtlety, maturity and compassion about the complexity and fragility of human relationships.” —Los Angeles Times Book Review

From the author of The Italian Teacher, this acclaimed debut novel set in Rome follows the topsy-turvy lives of the denizens of an English language newspaper.NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • The Economist • NPR • Slate • The Christian Science Monitor • Financial Times • The Plain Dealer • Minneapolis Star Tribune • St. Louis Post-Dispatch • The Kansas City Star • The Globe and Mail • Publishers Weekly Look in the back of the book for a conversation between Tom Rachman and Malcolm GladwellFifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff's personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family's quirky newspaper.As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper's rich history is revealed, including the surprising truth about its founder's intentions.Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents.