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A stunning collection of stories from “one of the foremost chroniclers of the American South” (The Washington Post), including the novella “Light in the Piazza”—featuring an introduction by Afia Atakora, author of Conjure Women Over the course of a fifty-year career, Elizabeth Spencer wrote masterly, lyrical fiction about southerners. An outstanding storyteller who was unjustly denied a Pulitzer for her anti-racist novel The Voice at the Back Door despite being the unanimous choice of the judges, she is recognized as one of the most accomplished writers of short fiction, infusing her work with elegant precision and empathy. The Southern Woman collects the best of Spencer's short stories, displaying her range of place—the agrarian South, Italy in the decade after World War II, the gray-sky North, and, finally, the contemporary Sun Belt.The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance

The annual—and essential—collection of the newest voices in short fiction, selected this year by Nana Kwame Adjei-Brenyah, Kali Fajardo-Anstine, and Beth Piatote.Who are the most promising short story writers working today? Where do we look to discover the future stars of literary fiction? This book will offer a dozen answers to these questions.The stories collected here represent the most recent winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, which recognizes twelve writers who have made outstanding debuts in literary magazines in the previous year. They are chosen by a panel of distinguished judges, themselves innovators of the short story form: Nana Kwame Adjei-Brenyah, Kali Fajardo-Anstine, and Beth Piatote. Each piece comes with an introduction by its original editors, whose commentaries provide valuable insight into what magazines are looking for in their submissions, and showcase the vital work they do to nurture literature's newest voices.

“Relentlessly thrilling... an orgy of the unpredictable.” —New York Times Book Review“Like Thomas Pynchon taking on late capitalism.... surrealistic, granular in its details, and concerned with social entropy and desperate attempts at communion.” —Wall Street JournalFrom a major new international voice, mesmerizing, inventive fiction that probes the tender places where human longings push through the cracks of a breaking world.Under Cancún's hard blue sky, a beach boy provides a canvas for tourists'desires, seeing deep into the world's underbelly. An enigmatic encounter in Copenhagen takes an IT consultant down a rabbit hole of speculation that proves more seductive than sex. The collapse of a love triangle in London leads to a dangerous, hypnotic addiction. In the Nevada desert, a grieving man tries to merge with an unearthly machine.After the Sun opens portals to our newest realities, haunting the margins of a globalized world that's both saturated with yearning and brutally transactional. Infused with an irrepressible urgency, Eika's fiction seems to have conjured these far-flung characters and their encounters in a single breath. Juxtaposing startling beauty with grotesquery, balancing the hyperrealistic with the fantastical—“as though the worlds he describes are being viewed through an ultraviolet filter,” in one Danish reviewer's words—he has invented new modes of storytelling for an era when the old ones no longer suffice.

A new collection of electric, searing stories from award-winning, bestselling author Juan Gabriel Vásquez. The characters in Songs for the Flames are men and women touched by violence—sometimes directly, sometimes only in passing—but whose lives are changed forever, consumed by fire and by unexpected encounters and unyielding forces. A photographer becomes obsessed with the traumatic past that an elegant woman, a fellow guest staying at a countryside ranch, would rather leave behind. A military reunion forces a soldier to confront a troubling history, both personal and on a larger scale. And in a tour-de-force piece, the search for a book leads a writer to the fascinating story of why a woman is buried next to a graveyard, rather than in it—and the remarkable account of her journey from France to Colombia as a child orphan.Juan Gabriel Vásquez returns to stories with these nine morally complex tales, fresh proof of his narrative versatility and his profound understanding of the lives of others. There's a romantic wistfulness that combusts with the realities of dangerous histories, both personal and political, to throw these characters into the flames from which they either emerge purified, reborn, or burned and destroyed.

A bestselling and award-winning debut collection from one of South Korea's most prominent young writers.In crisp, unembellished prose, Eun-young Choi paints intimate portraits of the lives of young women in South Korea, balancing the personal with the political. In the title story, a fraught friendship between an exchange student and her host sister follows them from adolescence to adulthood. In'A Song from Afar,'a young woman grapples with the death of her lover, traveling to Russia to search for information about the deceased. In'Secret,'the parents of a teacher killed in the Sewol ferry sinking hide the news of her death from her grandmother. In the tradition of Sally Rooney, Banana Yoshimoto, and Marilynne Robinson--writers from different cultures who all take an unvarnished look at human relationships and the female experience--Choi Eunyoung is a writer to watch.

Wayne Koestenbaum's first book of short fiction: a collection of whimsical, surreal, baroque, ribald, and heartbreaking fables.In his first book of short fiction--a collection of whimsical, surreal, baroque, ribald, and heartbreaking fables--Wayne Koestenbaum takes the gloom and melancholy of our own terrifying political moment and finds subversive solace by overturning the customary protocols of tale-telling. Characters and narrators wander into strange locales; the difference between action and thinking, between reality and dream, grows moot in a heightened yet burlesque manner. The activities in The Cheerful Scapegoat are a cross between a comedy of manners and a Sadean orgy. Language has its own desires: figures of speech carry an erotic charge that straddles the line between slapstick and vertigo. Punishment hangs over every dialogue--but in the fable-world of The Cheerful Scapegoat, abjection comes with an undertaste of contentment. The tchotchkes of queer culture--codes and signifiers--get scrambled together in these stories and then blown up into an improbable soufflé. Koestenbaum's fables travel in circles, slipping away from their original point and leading the reader to a paradisiacal suspension of fixed categories. Intensified sentences and curlicue narratives scheme together mesmerically to convince the reader to abandon old ways of thinking and to take on a commitment to the polymorphous, the wandering, the tangential. Koestenbaum's fables--emergency bulletins uttered in a perverse vernacular of syntactic pirouettes--alert us to the necessity of pushing language into new contortions of exactitude and ecstatic excess.

'Explore a world where the supernatural is an accepted element of everyday life and the horror is mined from the realities of existing.'— New York Public Library Best Books of the Year World Fantasy Award finalist British Fantasy Award finalist Ladies of Horror Fiction Award winner Crawford Award shortlist“Am I dead?” Mebuyen sighs. She was hoping the girl would not ask. Spells and stories, urban legends and immigrant tales: the magic in Isabel Yap's debut collection jumps right off the page, from the friendship and fear building in “A Canticle for Lost Girls” to the joy in “A Spell for Foolish Hearts” to the terrifying tension of the urban legend “Have You Heard the One About Anamaria Marquez.”

LONGLISTED FOR THE NATIONAL BOOK AWARD AND THE STORY PRIZEAward-winning author Elizabeth McCracken is an undisputed virtuoso of the short story, and this new collection features her most vibrant and heartrending work to dateIn these stories, the mysterious bonds of family are tested, transformed, fractured, and fortified. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children's game-show villainess ushers in the New Year with her deadbeat half brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken traces how our closely held desires—for intimacy, atonement, comfort—bloom and wither against the indifferent passing of time. Her characters embark on journeys that leave them indelibly changed—and so do her readers. The Souvenir Museum showcases the talents of one of our finest contemporary writers as she tenderly takes the pulse of our collective and individual lives.

Wartime tales of disquiet and dread from Jean Ray, author of Cruise of Shadows and progenitor of the “Belgian School of the Strange”During the Occupation, severed from contact with France and other countries, Belgian publishing turned inward, and forgotten authors such as Jean Ray were given new leases on literary life. Embracing the influence of American pulp fiction, Ray's short stories found a new audience during World War II, and gave voice to a realm of fear and unease that blended fantasy with a Catholic heritage and a distinctly bourgeois everyday.Circles of Dread, Ray's fourth short-story collection, was first published in 1943, the same year that saw the appearance of his best-known work, the novel Malpertuis. This collection's portholes onto sinister fantasy include such stories as “The Marlyweck Cemetery,” “The Inn of the Specters” and “The Story of the Wûlkh.” Ray takes the reader from the quiet streets of Ghent to the scrambled streets of London to the Flinders river in Australia, with tales spun from such materials as the iron hand of Götz von Berlichingen, the black mirror of John Dee, a Moustiers ceramic plate and the shifting, extradimensional menace of a predatory cemetery.Alternately referred to as the “Belgian Poe” and the “Flemish Jack London,” Jean Ray (1887-1964) delivered tales and novels of horror under the stylistic influence of Dickens and Chaucer. His alleged lives as an alcohol smuggler on Rum Row in the Prohibition Era, an executioner in Venice and a Chicago gangster in fact covered over a more prosaic existence as a manager of a literary magazine that led to a prison sentence, during which he wrote some of his most memorable tales.

Footsteps in an abandoned holiday resort as the cold weather settles in; a knock on the door of a hut in the middle of an isolated bog; a lane in Rotterdam perceptible to only one inhabitant in the city. In Cruise of Shadows, Jean Ray began to fully explore the trappings of the ghost story to produce a new brand of horror tale: one that described the lineaments of a universe adjacent to this one, in which objects sweat hatred and fear, and where the individual must face the unknown in utter isolation. First published in 1931, two years after he served his prison sentence for embezzling funds for his literary magazine, Ray's second story collection failed to find the success of his first one, Whiskey Tales, but has emerged over the years as a key publication in the Belgian School of the Strange. It has remained unavailable in its integral form even in French until recently, however, though it contains some of Ray's most anthologized and celebrated stories, including two of his best known, “The Mainz Psalter” and “The Shadowy Alley.” This is the book's first English translation, and the second of the volumes of Ray's books to be published by Wakefield Press.Alternately referred to as the “Belgian Poe” and the “Flemish Jack London,” Jean Ray (1887–1964) delivered tales of horror under the stylistic influence of his most cherished authors, Charles Dickens and Geoffrey Chaucer. A pivotal figure in what has come to be known as the “Belgian School of the Strange,” Ray authored some 6,500 texts in his lifetime.

Originally published in French in 1925, Whiskey Tales immediately established the reputation of the Belgian master of the weird, Jean Ray (1887–1964), whose writings in the coming years would come to chart out a literary meeting ground between H.P. Lovecraft and Charles Dickens. A commercial success, the collection earned Ray the appellation of the'Belgian Poe.'A year later, however, the author would be arrested on charges of embezzlement and serve two years in prison, where he would write some of his best stories.Something of a prequel to later collections such as Cruise of Shadows or Circles of Terror (both forthcoming from Wakefield Press), Whiskey Tales finds Ray embracing the modes of adventure and horror fiction adopted by such contemporaries as Pierre Mac Orlan and Maurice Renard. Taking us from ship's prow to port, from tavern to dead-end lane, these early tales are ruled by the spirits of whiskey and fog, each element blurring the borders between humor and horror, the sentimental and the sinister, the real and the imagined.A handful of these stories first appeared in English in Weird Tales in the 1930s, but the majority of this collection has never been translated. This first complete English-language edition is the first in many volumes of Jean Ray's books that Wakefield Press will be bringing out over the coming seasons.

Myths and legends jostle with the contemporary in these stories where social issues of our times resonate with the inevitability of the past. The lyricism of Carnatic ragas permeate the pages of this quiet and powerful book in which love is rendered in all its immeasurable avatars—parental, carnal, platonic, romantic, divine. There is the woman who reinvents the notion of love in a unique way that amalgamates technology and spirituality through the internet; a man full of love who can sing Bulleh Shah and the woman who has lost her all in the 1984 anti-Sikh riots; the woman in the title story who stands by her deaf daughter but understands why her husband must leave the home they have built with love all these years; the man who finds out what it is to be a woman after a dip in the pond... These short stories are shorn of sentimentality but have a deep understanding of what it means to live, to love and to die. CS Lakshmi, writing under the pseudonym Ambai, has been a significant voice in Indian literature for the past four decades. A Red-necked Green Bird is the writer's seventh collection of short stories.

2021 Big Other Book Award Fiction Finalist A visceral, stark, and deadpan collection of stories that brilliantly fuse humor with horror Horses Dream of Money is a daring collection of tales, darkly humorous, that eerily channels the surreal and sinister mood of the times. Preoccupied with the fault lines between life and death, and veering often into horror, Angela Buck brings a raw energy and witty sobriety to these accounts of human life and connection with the intimacy of fireside-storytelling, gimlet-eyed revelry in bloodletting, and a masterful sleight of hand between the fantastical and the quotidian. “The Solicitor” reinvents the coming-of-age story as a romance-for-hire between a girl and her “solicitor,” a man whose services are demanded by her mother and enforced by a cruel master. “Coffin-Testament” is a fabulous futuristic account of the extinction of human life on earth written 1,667 years later by a group of lady robots channeling Sir Thomas Browne to muse on their own mortality. “The Bears at Bedtime” documents a compound of cuddly kind worker-bears and their ruthless doings. “Bisquit” imagines today's precariat as a lovable horse who is traded from one master to another until a horse race brings his maddeningly repetitive adventures to a violent conclusion.

The definitive collection of a twentieth-century master of the short story, whose unforgettable inventions revolutionized the formThe short stories of Donald Barthelme, revered by the likes of Thomas Pynchon and George Saunders, are gems of invention and pathos that have dazzled and delighted readers since the 1960s. Here, for the first time, these essential stories are preserved as they were published in Barthelme's original collections, beginning with Come Back, Dr. Caligari (1964), a book that made a generation of readers sit up and take notice. Collected Stories also includes the work that appeared for the first time in Barthelme's two retrospective anthologies, Sixty and Forty, as well as a selection of uncollected stories.Discover, in this comprehensive gathering, Barthelme's unique approach to fiction, his upside-down worlds that are nonetheless grounded in fundamental human truths, his scrambled visions of history that yield unexpected insights, and his genius for dialogue, parody, and collage, which was for him'the central principle of all art in the twentieth century.'Engage with sophisticated works of fiction that, often in just the space of a few pages, wrest profundities out of what might first seem merely ephemeral, even trivial. And experience, along with Barthelme's imaginative and frequently subversive ideas, the pleasures of a consummate stylist whose sentences are worth marveling at and savoring. Introduced with a sharp and discerning essay by editor Charles McGrath and annotation that clarifies Barthelme's freewheeling, wide-ranging allusions, the landmark volume is a desert-island edition for fans and the ideal introduction to new readers eager to find out why, as Dave Eggers writes, Barthelme's'every sentence... makes me want to stop and write something of my own. He fires all of my synapses and connects them in new ways.'

The carefully crafted, subtle, and humorous stories in Packaged Lives show Zangana at her best as a fiction writer. She portrays her subjects keenly, sensitively, and lovingly but without compromise. Iraqis living in exile come to life in her narratives as men and women who are caught between two worlds. They cannot return to their homeland and are forced to wait for news of Iraq from afar. At the same time, they are unable to fully adjust to life in Britain and make a new home for themselves. The question'What is home?'is at the heart of each story in this collection. Her protagonists, who are stuck in ready-made lives, or'packaged lives,'struggle to set themselves free from a web of relationships in which they are entangled. Art, poetry, and nature provide lines of escape. The relief may be fleeting, but the peace of mind and serenity are reached through the moment of epiphany at the end of each story, a much-needed balm.

A beguiling new selection of Katherine Mansfield's finest stories, focused on her mysterious, complex portrayals of relationships between womenKatherine Mansfield was one of the true pioneers of the short story. Her style shifts subtly between the comic and the tragic, as calm surfaces are punctured by moments of disruption, insight and strange beauty.This new collection gathers together the best of Mansfield's work exploring different facets of relationships between women. From complex expressions of desire and connection to shared experiences of frustration and release, these stories capture fleeting movements of feeling with unmatched precision.

These prizewinning stories champion the everyday person who tries to do his or her best in demanding and even demeaning situations.The stories in A Common Person and Other Stories, R. M. Kinder's third short-story collection and the winner of the Richard Sullivan Prize in Short Fiction, expose the disruption in our modern life and the ever-present threat of violence, and, most importantly, they capture the real heroism of everyday people. The characters in these stories, most set deep in the middle of America, seem to invite trouble through their concern for others: a neighbor's mistreated dog, a boy standing up to a bully, a woman who faces cancer and the loss of love. Kinder's characters struggle with conflicts common to us all—to treat humans and animals with compassion, to open minds and hearts to diversity, all while balancing the welfare of the individual and the larger community. The characters aren't always loveable, but they have their moments of grace—they accept responsibility and take stands. These stories, by turns humorous, unsettling, and utterly believable, expose the dangers of ordinary life as their characters perform acts of defiance, determination, and connection. The memorable characters in A Common Person and Other Stories are, like us, doing the best they can, and that is often remarkable and admirable. Considered closely, Kinder shows us, no person is common.

“What is in the bag behind the Devil's chair? Knowledge of some kind? Surely something a little girl did not know should be left alone. I've been criticized— and sometimes admired—for what some readers see as my affinity with cruelty, both in my depictions of it and my supposed infliction of it on characters.” In The Devil's Treasure—aptly subtitled A Book of Stories and Dreams—the iconic author Mary Gaitskill has created a chimerical hybrid of fiction, memoir, essay, criticism, and visual art that transcends categorization. This collage of four novels (one a work in progress), interspersed with and thematically linked by a single short story, then woven together with the author's commentary, is a kind of director's cut revealing the personal and societal forces that inform each individual piece of work, an ongoing, passionate exploration of core human emotions and experience, the ideally, sometimes quixotically high and grossly, confusedly low. With the stylistic daring and preternatural acuity that has made her one of America's most original writers, Gaitskill has created a layered vision of modern life that simultaneously blends the huge prehistoric creatures that swim at the bottom of our collective ocean with a family that picnics on the beach while a podcast natters about politics and a perhaps dangerously curious child explores the lapping waves.

From the author of the “enthralling” (New York Times Book Review) and “beautiful” (Washington Post) debut novel The Vexations comes an exciting new story collection that is “perfect for fans of George Saunders and Karen Russell” (Booklist), moving boldly between the real and the surrealA New York Times Book Review Editors'ChoiceLonglisted for the Joyce Carol Oates PrizeFollowing her “marvelous” (Wall Street Journal) first novel, Caitlin Horrocks returns with a much-anticipated collection of short stories. In her signature, genre-defying style, she explodes our notions of what a story can do and where it can take us. Life Among the Terranauts demonstrates all the inventiveness that won admirers for Horrocks's first collection. In “The Sleep,” reprinted in Best American Short Stories, residents of a town in the frigid Midwest decide to hibernate through the bitter winters. In the title story, half a dozen people move into an experimental biodome for a shot at a million dollars, if they can survive two years. And in “Sun City,” published in The New Yorker, a young woman meets her grandmother's roommate in the wake of her death and attempts to solve the mystery of whether the two women were lovers.As the Boston Globe noted of her first collection, Horrocks is a master of “wild yet delicately handled satire,” a “sprightly heartbreak” in which she is able to “mingle a note of tenderness in the desolation.” With its startling range—from Norwegian trolls to Peruvian tour guides—Life Among the Terranauts once again dazzles readers, cementing Horrocks's reputation as one of the premier young writers of our time.

A powerful and “stunning” (Publishers Weekly, starred review) selection of the best of John Edgar Wideman's short stories over his fifty-year career, representing the wide range of his intellectual and artistic pursuits.When John Edgar Wideman won the PEN Malamud Award in 2019, he joined a list of esteemed writers—from Eudora Welty to George Saunders—all of whom are acknowledged masters of the short story. Wideman's commitment to short fiction has been lifelong, and here he gathers a representative selection from throughout his career, stories that “have a wary, brooding spirit, a lonely intelligence…[and] air the problem of consciousness, including the fragile contingency of our existence” (The New York Times). Wideman's stories are grounded in the streets and the people of Homewood, the Pittsburgh neighborhood of his childhood, but they range far beyond there, to the small western towns of Wyoming and historic Philadelphia, the contemporary world and the ancient past. He explores the interior lives of his characters, and the external pressures that shape them. These stories are as intellectually intricate as they are rich with the language and character. “Wideman has been compared to William Faulkner and James Baldwin…[these] prove that he is every bit as masterful a cartographer of the American spirit as his forebears'(Esquire). Comprised of thirty-five stories drawn from past collections (American Histories, Briefs, God's Gym, All Stories Are True, Fever, and Damballah), and an introductory essay by the National Book Critics Circle board member and scholar Walton Muyumba, this volume of Wideman's selected stories celebrates the lifelong significance of this major American writer's essential contribution to a form—illuminating the ways that he has made it his own. “If there were any doubts Wideman belongs to the American canon, this puts them to bed” (Publishers Weekly, starred review).

“These fantastic, angelic stories and fairytales are full of astonishing characters and their longing, love, empathy, and strangeness.” —Deb Olin Unferth, award-winning author of Barn 8What power does misery play in daily life?In this sorrowful yet intriguing collection of stories, Aimee Pogson explores journeys of suffering through magical realism. A preschool teacher contends with the stream of salmon that keep appearing on her windowsill, in her closet, tucked in her shoes. An invisible boy swallows nails, buttons, and tree bark in a misguided attempt to grow stronger. Spirits cling to a Ouija board, restlessly hoping that someone will remove it from the closet and ask them a question. A young girl who has an existential crisis burns her Barbie dolls at the stake. And a short, dancing man manipulates the melody of molecules in an attempt to bring his loved ones back to life.While sadness weighs heavy in The Sadness of Spirits, Pogson's writing provokes strong emotions, leaving the reader with hope and admiration as the characters are awakened to the nuance and possibility melancholy can bring.

A powerful climate crisis story about love and loss that offers a glimpse of a tangible future in which water is commodified and vulnerable to sabotage that is'close to perfect,''imaginative and far reaching,'and'very human and deadly serious'(The Guardian).Water is commodified. The Water Train that serves the city increasingly at risk of sabotage.As news breaks that construction of a gigantic Ice Dock will displace more people than first thought, protestors take to the streets and the lives of several individuals begin to interlock. A nurse on the brink of an affair. A boy who follows a stray dog out of the city. A woman who lies dying. And her husband, a marksman: a man forged by his past and fearful of the future, who weighs in his hands the possibility of death against the possibility of life.From one of the most celebrated writers of his generation, Stillicide is a moving story of love and loss and the will to survive, and a powerful glimpse of the tangible future.

A collection of horror–inspired flash fiction, featuring over 40 new stories from literary, horror, and emerging writers—edited by Lincoln Michel and Nadxieli Nieto, the twisted minds behind Tiny Crimes: Very Short Tales of Mystery and MurderIn this playful, inventive collection, leading literary and horror writers spin chilling tales in only a few pages. Each slim, fast–moving story brings to life the kind of monsters readers love to fear, from brokenhearted vampires to Uber–taking serial killers and mind–reading witches. But what also makes Tiny Nightmares so bloodcurdling—and unforgettable—are the real–world horrors that writers such as Samantha Hunt, Brian Evenson, Jac Jemc, Stephen Graham Jones, Lilliam Rivera, Kevin Brockmeier, and Rion Amilcar Scott weave into their fictions, exploring how global warming, racism, social media addiction, and homelessness are just as frightening as, say, a vampire's fangs sinking into your neck. Our advice? Read with the hall light on and the bedroom door open just a crack. Featuring new stories from Samantha Hunt, Jac Jemc, Stephen Graham Jones, Rion Amilcar Scott, and more!

From the celebrated, award-winning translators of Anna Karenina and The Brothers Karamazov: a lavish volume of stories by one of the most influential short fiction writers of all time. Anton Chekhov left an indelible impact on every literary form in which he wrote, but none more so than short fiction. Now, renowned translators Richard Pevear and Larissa Volokhonsky give us their renderings of fifty-two Chekhov stories. These stories, which span the complete arc of his career, reveal the extraordinary variety and unexpectedness of his work, from the farcically comic to the darkly complex, showing that there is no one single type of “Chekhov story.” They are populated by a remarkable range of characters who come from all parts of Russia and all walks of life, including landowners, peasants, soldiers, farmers, teachers, students, hunters, shepherds, mistresses, wives, and children. Taken together, they demonstrate how Chekhov democratized the form. Included in this volume are tales translated into English for the first time, including “Reading” and “An Educated Blockhead.” Early stories such as “Joy,” “Anguish,” and “A Little Joke” sit alongside such later works as “The Siren,” “Big Volodya and Little Volodya,” “In the Cart,” and “About Love.” In its range, in its narrative artistry, and in its perceptive probing of the human condition, this collection promises profound delight.

“The lessons and the antidotes and the essays that went into Consider This were originally written for The Cult website. The stories that went into Burnt Tongues were exercises based on those lessons. So if you like Consider This, please check out Burnt Tongues and see how those lessons were put into practice.” —Chuck Palahniuk Transgressive fiction authors write stories some are afraid to tell. Stories with taboo subjects, unique voices, shocking images—nothing safe or dry. Burnt Tongues is a collection of transgressive stories selected by a rigorous nomination and vetting process and hand-selected by Chuck Palahniuk, bestselling author of Fight Club, as the best of The Cult workshop. These stories run the gamut from horrific and fantastic to humorous and touching, but each leaves a lasting impression. Some may say even a scar.

SHORTLISTED FOR THE 2021 TRILLIUM BOOK AWARDS From the bestselling author of The Saturday Night Ghost Club and Canada Reads-finalist Precious Cargo comes this supremely satisfying collection of stories.Reminiscent of Stephen King's brilliantly cinematic short stories that went on to inspire films such as The Shawshank Redemption and Stand by Me, here's a collection crackling with Craig Davidson's superb craft and kinetic energy: in the visceral, crystalline, steel-tipped prose; in the psychological perspicacity; and in the endearing humour.Set in in the Niagara Falls of Davidson's imagination known as'Cataract City,'the superb stories of Cascade shine a shimmering light on this slightly seedy, slightly magical, slightly haunted place. The six gems in this collection each illuminate familial relationships in a singular way: A mother and her infant son fight to survive a car-crash in a remote wintry landscape outside of town. Fraternal twins at a juvenile detention center reach a dangerous crisis point in their entwined lives. A pregnant social worker grapples with the prospect of parenthood as a custody case takes a dire turn. A hard-boiled ex-firefighter goes after a serial arsonist with a flair for the theatrical even as his own troubled sister is drawn towards the flames. These are just some of the unforgettable characters animating this stellar collection of tales--Davidson's first in 15 years, since Rust and Bone, which inspired a Golden Globe-nominated film.

To the millions of readers who have found themselves entranced by Jack Whyte's historical novels over the past twenty years, this first collection of Jack Whyte short stories might seem like a radical change of direction, if not an absolute contradiction in terms. But that simply isn't true. There is no change of direction on Whyte's part in these shorter tales, merely an adjustment of focus, from the panoramic perspective to the personal, intimate viewpoint. The ten stories featured here are distilled from all the elements that have earned Whyte a worldwide readership among lovers of epic historical fiction, an audience that has remained loyal to him for decades. The people they deal with are real – credible and utterly, convincingly human – and the existential realities that govern their lives are as demanding and immutable as such things have always been. Yesterday's battles are no different from those of tomorrow.

A hilarious collection of overlapping stories that explores the dark zone between artistic ambition and its achievement by the author of Early Work.Bookended by the misadventures of Leslie, an aspiring writer who moves form New York to Missoula, Montana, hoping to shake off lingering depression, this story collection follows young people pushed hard against—and often crashing into—their limits as not only would-be Tolstoys but also functioning, feeling human beings. As Martin's characters age out of punk shows and all-night benders and into book clubs and elaborate weddings, they find that neither family life nor community ties can quite shore up the dam against despair. Has redemption through art ever been more than a pipe dream? Could writing the perfect sentence ever make such broken lives turn out right? Or is it time to sell the books and head for the barricades? Whatever the case, Andrew Martin's winsome malcontents can be counted on to make agonized indecision cool again for the twenty-first century.Praise for Cool for AmericaLong-listed for the Story Prize“Fun, irresistible, smart and wise... Shot through with flashes of crackling lucidity.” —Nathan Deuel, Los Angeles Times“Simultaneously sharp and self-lacerating and generous and agreeable.” —Matthew Schneier, The New York Times Book Review

From the author of the “sophisticated and erudite” Peculiar Ground (Boston Globe) comes a collection of classic, witty fables, elegantly updated for our modern times.It's in the nature of myth to be infinitely adaptable.Each of these startlingly original stories is set in modern Britain. Their characters include a people-trafficking gang-master and a prostitute, a migrant worker and a cocksure estate agent, an elderly musician doubly befuddled by dementia and the death of his wife, a pest-controller suspected of paedophilia and a librarian so well-behaved that her parents wonder anxiously whether she'll ever find love.They're ordinary people, preoccupied, as we all are now, by the deficiencies of the health service, by criminal gangs and homelessness, by the pitfalls of dating in the age of #metoo. All of their stories, though, are inspired by ones drawn from Graeco-Roman myth, from the Bible or from folk-lore.The ancients invented myths to express what they didn't understand. These witty fables, elegantly written and full of sharp-eyed observation of modern life, are also visionary explorations of potent mysteries and strange passions, charged with the hallucinatory beauty and horror of their originals.

ONE OF NPR'S BEST BOOKS OF 2020 LONGLISTED FOR THE 2021 JOYCE CAROL OATES PRIZEA lush, glittering short story collection exploring female obsession and desire by an award-winning author Roxane Gay calls'a consummate storyteller.'From Kentucky to the California desert, these forty-two short stories -- ranging from the 80's and 90's to present day -- expose the hearts of girls and women in moments of obsessive desire and fantasy, wildness and bad behavior, brokenness and fearlessness, and more.On a hot July night, teenage girls sneak out of the house to meet their boyfriends by the train tracks. Members of a cult form an unsettling chorus as they proclaim their adoration for the same man. A woman luxuriates in a fantasy getaway to escape her past. A love story begins over cabbages in a grocery store, and a laundress's life is consumed by her obsession with a baseball star. After the death of a sister, two high school friends kiss all night and binge-watch Winona Ryder movies.Leesa Cross-Smith's sensuous stories -- some long, some gone in a flash, some told over text and emails -- drench readers in nostalgia for summer nights and sultry days. They recall the intense friendships of teenage girls and the innate bonds between mothers, the first heady rush of desire, and the pure exhilaration of womanhood, all while holding up the wild souls of women so they can catch the light.

This rich and accomplished collection showcases the range of a writer at the height of her powers. From the complex stories of artistic influence and the exhilaration and fright of solitude, to the incendiary rage of a betrayed young wife who sacrifices everything for revenge, to the struggles for independence of the three women who surrounded Ezra Pound like subservient stars, these fictions seize the reader's attention while slashing stereotypes.This Sallie Bingham Reader captures the spirit of the author's illustrious writing career via short stories, a novella, and a play.

New translations of the six greatest short stories by Joseph Roth, collected in a beautiful editionJoseph Roth's sensibility--both clear-eyed and nostalgic, harshly realistic and tenderly humane--produced some of the most distinctive fiction of the twentieth century. This collection of his most essential stories, in exquisite new translations by Ruth Martin, showcases the astonishing range and power of his short stories and novellas.In prose of aching beauty and precision, Roth shows us isolated souls pursuing lost ideals and impossible desires. Forced to remove a bust of the fallen Austrian emperor from his house, an eccentric old count holds a funeral for it and intends to be buried in the same plot himself; a humble coral merchant, dissatisfied with his life and longing for the sea, chooses to adulterate his wares with false coral, with catastrophic results; young Fini, just entering the haze of early sexuality, falls into an unsatisfying relationship with an older musician. With the greatest craft and sensitivity, Roth unfolds the many fragilities of the human heart.

“I know of no writer on either side of the Atlantic who is better at exploring the human spirit under assault than Billy O'Callaghan.”—Robert Olen ButlerThe prizewinning Irish short-story writer and author of the highly praised novel, My Coney Island Baby, delivers his most accomplished book of short fiction to date—a poignant story collection that “grips from the opening page” (Bernard MacLaverty). These are twelve poignant, quietly dazzling, and carefully crafted stories that explore the resiliency of the human heart and its ability to keep beating in the wake of bereavement, violence, lost love, and incomparable trauma and grief. Spanning a century and two continents, from the muddy fields of Ireland to a hotel room in Paris, a dingy bar in Segovia to an airplane bound for Taipei, The Boatman and Other Stories follows an unforgettable cast of characters. Three gunshots on the Irish border define the course of a young man's life; a writer clings fast to a star-crossed affair with a woman who has never been fully within his reach; a fisherman accustomed to hard labor rolls up his sleeves to dig a grave for his child; and a pair of newlyweds embark on their first adventure, living wild on the deserted Beginish Island. Ranging from the elegiac to the brutally confrontational, these densely layered tales reveal the quiet heroism and gentle dignity of ordinary life. Billy O'Callaghan is a master celebrant of the smallness of the human flame against the dark: its strength and its steady brightness.

'A lightning bolt of a literary debut.'---Adam Johnson, Pulitzer Prize winner'Enchanting and so neatly planed they feel made by time, these stories mark the debut of a writer to watch.'---John Freeman, Literary HubLast One Out Shut Off the Lights is an evocative portrait of the last-chance towns of southwest Louisiana, where oil development, industrial pollution, dying wetlands, and the ever-present threat of devastating hurricanes have eroded their inhabitants'sense of home. These eleven piercing stories feature indelible characters struggling to find a foothold in a world that is forever washing out from under them, people who must reckon with their ambivalence about belonging to a place so continually in flux. In a collection whose resonant echoes abound, we meet a reluctant teenage mother who stows her baby in a closet to steal a night out; a spiteful retiree who sabotages his neighbor in the wake of a hurricane; a Pentecostal singer in a children's theater company who confronts the cultish leader of her troupe; a community of elderly Cajuns who conspire with a family of Sudanese immigrants to hide an escaped cow from the authorities; and a desperate young woman who tries to drag her brother to Mexico for surgery, determined to save his life and her own. As Lauren Groff did for the state of Florida in her recent collection Florida, Stephanie Soileau demonstrates that Louisiana is as much a state of mind as it is a place on the map. A love letter to the Cajun language, life rhythms, and customs that still make the region unique, Last One Out Shut Off the Lights is also a powerful reminder of the treacherous escape routes that bedevil anyone longing to leave home, and the traps that remain for those who desire to return.

I've been happy since the morning. Delighted, even. Everything seems so splendidly transient to me. That dust, from which thou art and unto which thou shalt return — it tempts me. And that's why I wander about these roads, these woods, among the nearby houses, from which waft the aromas of fried pork chops, chicken soup, fish, diapers, steamed potatoes for the pigs; I lose my eye-sight, and regain it again. I don't know what life is, Ola, but I'm holding on to it. Thus speaks the narrator of Rafał Wojasiński's novel Olanda. Awarded the prestigious Marek Nowakowski Prize for 2019, Olanda introduces us to a world we glimpse only through the window of our train, as we hurry from one important city to another: a provincial world of dilapidated farmhouses and sagging apartment blocks, overgrown cemeteries and village drunks; a world seemingly abandoned by God — and yet full of the basic human joy of life itself. Our English translation of Olanda, which includes the radio play Old Man Kalina, brings one of Poland's great contemporary writers of fiction to the wider world for the first time. These narratives may not contain the entire world, just like a village at the end of a dirt road running through ponds, that floods after a heavy rain, does not contain all that may be found in Warsaw. But the world they contain is an intriguing one, in which everyone, from aging beauties through gravedigger philosophers, defrocked seminarians and even the occasional politician, is welcome.

In the spirit of Muriel Spark and Walker Percy, The Age of Infidelity's eleven stories embrace the comic, the absurd, and the dead serious. Faithless parents betray their children, the young betray the old, and lovers betray each other--but somehow these characters cling to hope. Aging white cheerleaders shout through an online megaphone, remembering a time when racial equality seemed almost possible; a teenager endures her father's abandonment as her mother's psychotic episodes pick up pace; an old couple on the lam from the Constitutional Guard of the future hides out in a garage reminiscent of our consumerist past. In an age many call post-religious, these characters want to believe in something, but they're not always sure what that something is. Set in landscapes from the small-town South to New York City, from a parched Midwest to a deserted Dublin, these stories time-travel from our Jim Crow past to an imagined future of warehouses for the aged where robots do the nursing. With what the Washington Post describes as her'distinctive brutal elegance,'Valerie Sayers writes playfully, powerfully, and musically. These stories form an album riffing on our age, the Age of Infidelity.

An underemployed chef is pulled into the escalating violence of his neighbour's makeshift porn channel. An elderly piano student is forced to flee her home village when word gets out that she's fucked her thirty-something teacher. A hose pumping cava through the maquette of a giant penis becomes a murder weapon in the hands of a disaffected housewife. In this collection from the winner of Sweden's August Prize, Lina Wolff gleefully wrenches unpredictability from the suffocations of day-to-day life, shatters balances of power without warning, and strips her characters down to their strangest and most unstable selves. Wicked, discomfiting, delightful and wry, delivered with the deadly wit for which Wolff is known, Many People Die Like You presents the uneasy spectacle of people in solitude, and probes, with savage honesty, the choices we make when we believe no one is watching … or when we no longer care.

Nikolai Gogol's novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol's peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature.These stories showcase Gogol's vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol's characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso's translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.

Witty, inventive, and profound, Where the Wild Ladies Are is a contemporary feminist retelling of traditional ghost stories by one of Japan's most exciting writers. In a company run by the mysterious Mr Tei, strange things are afoot – incense sticks lead to a surprise encounter; a young man reflects on his mother's death; a foxlike woman finally finds her true calling. As female ghosts appear in unexpected guises, their gently humorous encounters with unsuspecting humans lead to deeper questions about emancipation and recent changes in Japanese women's lives.

A Pulitzer Prize Finalist: This collection of moving short stories is “a treasure trove of lush scene setting in faraway times and places” (Alexis Burling, San Francisco Chronicle).On a fateful flight, a balloonist makes a discovery that changes her life forever. A telegraph operator finds an unexpected companion in the middle of the Amazon. A doctor is beset by seizures, in which he is possessed by a second, perhaps better, version of himself. And in Regency London, a bare-knuckle fighter prepares to face his most fearsome opponent, while a young mother seeks a miraculous cure for her ailing son.At times funny and irreverent, always moving and deeply urgent, these stories—among them a National Magazine Award and a Pushcart Prize winner—cap a fifteen-year project. From the Nile's depths to the highest reaches of the atmosphere, from volcano-racked islands to an asylum on the outskirts of Rio de Janeiro, these are tales of ecstasy, epiphany, and what the New York Times Magazine called the'struggle for survival... hand to hand, word to word,'by'one of the finest prose stylists in American fiction.'A Library Journal Best Book of 2020

A finalist for the National Book Critics Circle Award and the PEN Open Book Award, and winner of the 2020 Giller Prize, this revelatory story collection honors characters struggling to find their bearings far from home, even as they do the necessary'grunt work of the world.'A failed boxer painting nails at the local salon. A woman plucking feathers at a chicken processing plant. A housewife learning English from daytime soap operas. A mother teaching her daughter the art of worm harvesting. In her stunning debut story collection, O. Henry Award winner Souvankham Thammavongsa focuses on characters struggling to make a living, illuminating their hopes, disappointments, love affairs, acts of defiance, and above all their pursuit of a place to belong. In spare, intimate prose charged with emotional power and a sly wit, she paints an indelible portrait of watchful children, wounded men, and restless women caught between cultures, languages, and values. As one of Thammavongsa's characters says,'All we wanted was to live.'And in these stories, they do—brightly, ferociously, unforgettably.Unsentimental yet tender, taut and visceral, How to Pronounce Knife announces Souvankham Thammavongsa as one of the most striking voices of her generation. “As the daughter of refugees, I'm able to finally see myself in stories.” —Angela So, Electric Literature

Double Toil and Trouble is the first new volume of fiction in more than a decade by beloved Arkansas writer Donald Harington (1935–2009). Featuring the long-lost suspense novel of the title and four previously unpublished or uncollected stories, this volume adds several new chapters to the saga of Stay More, the fictional Ozarks village that serves as the setting for more than a dozen other Harington novels. Edited by longtime Harington scholar Brian Walter, Double Toil and Trouble also includes an appendix featuring the author's spirited correspondence with the editor who originally inspired the title novel, providing an insider's look at the American literary scene and Harington's own early assessment of his work. Spanning several decades of the author's career, this volume gives readers a Harington who is at once familiar and fresh as he experiments with new formal possibilities, only to once again endear the vagaries of love, life, and folk language to us.

Fresh translations of Tolstoy's four richest shorter works by the award-winning Boris DralyukTolstoy's stories contain many of the most acutely observed moments in his monumental body of work. This new selection of his shorter works, sensitively translated by the award-winning Boris Dralyuk, showcases the peerless economy with which Tolstoy could render the passions and conflicts of a life.These are works that take us from a self-interested judge's agonising deathbed to the bristling social world of horses in a stable yard, from the joyful vanity of youth to the painful doubts of sickness and old age. With unwavering precision, Tolstoy's eye brings clarity and richness to the simplest materials.

In the title novella, Cotman imagines a group of near-immortals living in Pittsburgh in an uneasy truce with Lord Decay. Their truce is threatened when one of them takes pity on a young woman who knows their secret. In “Among the Zoologists,” a game writer on their way to a convention falls in with a group of rogue Darwinists whose baggage contains a great mystery. A volleyball tournament devolves into nightmare and chaos in “Mine.” In Cotman's hands, the conventions of genres from fairytales to Victorian literature to epic fantasy and horror give shape to marvelously new stories.

'These immersive linked stories grapple with Ukrainian history through the waning years of the USSR and birth pangs of democracy... Reva's characters spark off the page as they confront a brutal bureaucratic past with the only tool they possess—hope.'—O, The Oprah MagazineA brilliant and bitingly funny collection of stories united around a single crumbling apartment building in Ukraine, inspired by the author and her family's own experiences.A bureaucratic glitch omits an entire building, along with its residents, from municipal records. So begins Reva's'darkly hilarious'(Anthony Doerr) intertwined narratives, nine stories that span the chaotic years leading up to and immediately following the fall of the Soviet Union. But even as the benighted denizens of 1933 Ivansk Street weather the official neglect of the increasingly powerless authorities, they devise ingenious ways to survive. In'Bone Music,'an agoraphobic recluse survives by selling contraband LPs, mapping the vinyl grooves of illegal Western records into stolen X-ray film. A delusional secret service agent in'Letter of Apology'becomes convinced he's being covertly recruited to guard Lenin's tomb, just as his parents, not seen since he was a small child, supposedly were. Weaving the narratives together is the unforgettable, chameleon-like Zaya: a cleft-lipped orphan in'Little Rabbit,'a beauty-pageant crasher in'Miss USSR,'a sadist-for-hire to the Eastern Bloc's newly minted oligarchs in'Homecoming.'Good Citizens Need Not Fear tacks from moments of intense paranoia to surprising tenderness and back again, exploring what it is to be an individual amid the roiling forces of history. Reva brings the black absurdism of early Shteyngart and the sly interconnectedness of Anthony Marra's Tsar of Love and Techno to a'bang-on brilliant'(Miriam Toews) collection that is'fearless and thrilling'(Bret Anthony Johnston), and as clever as it is heartfelt.

Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854 in Dublin, Ireland. The son of Dublin intellectuals Oscar proved himself an outstanding classicist at Trinity College and then at Oxford. Wilde moved to London and its fashionable cultural and social circles. With his biting wit, flamboyant dress, and glittering conversation, Wilde became one of the most well-known personalities of his day.His only novel, ‘The Picture of Dorian Gray'was published in 1890 and he then moved on to writing for the stage with ‘Salome'in 1891. His society comedies were enormous hits and turned him into one of the most successful writers of late Victorian London.Whilst his masterpiece, ‘The Importance of Being Earnest', was on stage in London, Wilde had the Marquess of Queensberry, the father of his lover, Lord Alfred Douglas, prosecuted for libel. The trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency. He was convicted and imprisoned for two years hard labour. It was to break him.On release he left for France and there he wrote his last work, ‘The Ballad of Reading Gaol'in 1898. He died destitute in Paris at the age of forty-six sipping champagne a friend had brought with the line ‘Alas I am dying beyond my means'.

Zsófia Ban's Night School: A Reader for Adults uses a textbook format to build an encyclopedia of life—subject by subject, from self-help to geography to chemistry to French. With subtle irony, Ban's collection of “lectures” guides readers through the importance and uses of the power of Nohoo (or “know-how”), tells of the travels of young Flaubert to Egypt with his friend Maxime, and includes a missive from Laika the dog minutes before being blasted off into space, never to be seen again. A wildly clever book that makes our all-too-familiar world appear simultaneously foreign and untamed, and brings together lust, taboos, and the absurd in order to teach us the art of living.

An anonymous writer stays up late into the night penning personal and inappropriate letters to a local public official. A new father and cook at a Montreal café chronicles the tyrannical rise of a new manager. An eccentric young student, in trying to carve out a space for herself, deals an existential blow to her roommate. Dead Flowers is a collection of stories featuring characters who have become estranged from the trajectory of their lives, yet must grapple with youth, love, isolation, drugs, friendship and the changing of seasons. These are stories of peripheral tragedies, moral ambivalence and compromise, chance and how we are shaped by what finds us.

From the bestselling author of P.S., I Love You, a fiercely feminist story collection that illuminates, sometimes in fantastical ways, how women of all kinds navigate the world today—now an Apple TV+ series from the creators of GLOW starring Nicole Kidman, Cynthia Erivo, Merritt Wever, and Alison Brie!In this singular and imaginative story collection, Cecelia Ahern explores the endless ways in which women blaze through adversity with wit, resourcefulness, and compassion. Ahern takes the familiar aspects of women's lives—the routines, the embarrassments, the desires—and elevates these moments to the outlandish and hilarious with her astute blend of magical realism and social insight.One woman is tortured by sinister bite marks that appear on her skin; another is swallowed up by the floor during a mortifying presentation; yet another resolves to return and exchange her boring husband at the store where she originally acquired him. The women at the center of this curious universe learn that their reality is shaped not only by how others perceive them, but also how they perceive the power within themselves.By turns sly, whimsical, and affecting, these thirty short stories are a dynamic examination of what it means to be a woman in this very moment. Like women themselves, each story can stand alone; yet together, they have a combined power to shift consciousness, inspire others, and create a multi-voiced Roar that will not be ignored.Includes a Reading Group Guide.

'Superb'-- Vogue'What makes Schweblin so startling as a writer, however, what makes her rare and important, is that she is impelled not by mere talent or ambition but by vision.'-- New York TimesA powerful, eerily unsettling story collection from a major international literary star.The brilliant stories in Mouthful of Birds burrow their way into your psyche and don't let go. Samanta Schweblin haunts and mesmerizes in this extraordinary collection featuring women on the edge, men turned upside down, the natural world at odds with reality. We think life is one way, but often, it's not -- our expectations for how people act, love, fear can all be upended. Each character in Mouthful of Birds must contend with the unexpected, whether a family coming apart at the seams or a child transforming or a ghostly hellscape or a murder. Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blurs.