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Stories of characters who face tragedies alongside their canine companions. Noley Reid's fourth book, Origami Dogs, is a testament to her mastery of the form. Here, dogs rove the grounds of their companions'emotions. The creatures in this short story collection often act subtly, serving as witnesses without language, exacerbating tension and providing relief to the human characters. Sometimes they are central to the stories'plots, such as in the lead story, “Origami Dogs,” which focuses on Iris Garr, a dog breeder's teenage daughter, as she begins noticing odd birth defects in new litters and realizes she must confront her mother, whom she loves yet cannot help but resent. In some stories, teens struggle toward womanhood or wrestle with sexuality and queerness, confronting parents who are unable to provide the care or support they need. In other stories, Reid's characters are adults striving to be better spouses, parents, or both, and are often grappling with life-changing events—like a new disability or the loss of a child. Despite the gravitas of these tragedies, with Reid's touch, they feel alive, present, and painfully close. Reid brings us to her characters in the fierce damp aftermath of calamity and asks us to dwell with them until new possibilities arrive. At these tipping points, the characters of Origami Dogs stand ready with their dogs (or memories of them), to take the next step. By turns tender, moving, and devastating, this story collection is a celebration of the bond of devotion possible between humans and dogs, and it presents an intimate rendering of the lives we share.

Moving between Cuba and the U.S., the stories in Are We Ever Our Own trace the paths of the women of the far-flung Armando Castell family. Related but unknown to each other, these women are exiles, immigrants, artists, outsiders, all in search of a sense of self and belonging. The owner of a professional mourning service investigates the disappearance of her employees. On the eve of the Cuban revolution, a young woman breaks into the mansion where she was once a servant to help the rebels and free herself. A musician in a traveling troupe recounts the last day she saw her father. Linked by theme and complex familial bonds, these stories shift across genres and forms to excavate the violence wreaked on women's bodies and document the attempt to create something meaningful in the face of loss. They ask: who do we belong to? What, if anything, belongs to us?

Winner of the O. Henry Prize for the story'The Mad People of Paris'These revelatory short stories tread the line between surrealism and realism with strange, appealing characters who take on a sacrifice in spite of themselves.A followup to his first novel, The Night (winner of the Rive Gauche à Paris Prize for foreign books in 2016), this collection of short stories by Venezuelan literary star Rodrigo Blanco Calderón features a taxidermist painter, a blind man lost in Mexico City, a female motorcyclist who rides naked through the night, a foreigner who learns a language making confessions in Paris churches, and a dying pilot who finds peace in a reading of Antoine de Saint-Exupéry. Impeccable and masterful in his storytelling, Blanco Calderón constructs a nocturnal cast of characters who become the victims and executioners of a sacrifice in the midst of a floundering Venezuela, others with the threat of terrorism in France, or in a Mexico symbolizing the first shots of the revolution.

LONGLISTED FOR THE EDGE HILL PRIZE 2022SHORTLISTED FOR SHORT STORY OF THE YEAR AT THE IRISH BOOK AWARDS 2022SHORTLISTED FOR ALCS TOM-GALLON TRUST AWARD'Unsettling, unpredictable, and brilliant'Roddy Doyle'In sumptuous and evocative prose, Sheila Armstrong writes stories that are unnerving and unsettling. Stories which make you go, wait, wait, what was that?'Claire Fuller, author of Unsettled GroundOn a boat offshore, a fisherman guts a mackerel as he anxiously awaits a midnight rendezvous.Villagers, one by one, disappear into a sinkhole beneath a yew tree.A nameless girl is taped, bound and put on display in a countryside market.A man returning home following the death of his mother finds something disturbing among her personal effects.A dazzling and disquieting collection of stories, how to gut a fish places the bizarre beside the everyday and then elegantly and expertly blurs the lines. An exciting new Irish writer whose sharp and lyrical prose unsettles and astounds in equal measure, Sheila Armstrong's exquisitely provocative stories carve their way into your mind and take hold.'Dark, devilishly well written and full of atmosphere, How to Gut a Fish is one of the most original and affecting short story collections I've read in years'Jan Carson, author of The Fire Starters

NEW YORK TIMES BESTSELLER • “One of our most inventive purveyors of the form returns with pitch-perfect, genre-bending stories that stare into the abyss of our national character.... An exquisite work from a writer whose reach is galactic.”—Oprah Daily Booker Prize winner George Saunders returns with his first collection of short stories since the New York Times bestseller Tenth of December. ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, NPR, Time, USA Today, The Guardian, Esquire, Newsweek, Kirkus Reviews, Booklist, Library JournalThe “best short-story writer in English” (Time) is back with a masterful collection that explores ideas of power, ethics, and justice and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose—wickedly funny, unsentimental, and exquisitely tuned—Saunders continues to challenge and surprise: Here is a collection of prismatic, resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality.“Love Letter” is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the (not too distant, all too believable) future, that reminds us of our obligations to our ideals, ourselves, and one another. “Ghoul” is set in a Hell-themed section of an underground amusement park in Colorado and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his reality. In “Mother's Day,” two women who loved the same man come to an existential reckoning in the middle of a hailstorm. In “Elliott Spencer,” our eighty-nine-year-old protagonist finds himself brainwashed, his memory “scraped”—a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. And “My House”—in a mere seven pages—comes to terms with the haunting nature of unfulfilled dreams and the inevitability of decay.Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention Saunders does, even in the most absurd of circumstances.

'You go through life convinced you're going to get diabetes like your old man and one day you choke to death on chicken gristle, and the autopsy shows your blood sugars were perfect.'The seventeen stories in Elaine McCluskey's latest collection, Rafael Has Pretty Eyes, follow characters who have reached a four-way stop in life; some are deciding whether to follow the signs or defy them; others find a sinkhole forming beneath their feet.A former fast-talking, big-bucks radio host now lives as a divorced payday loaner working in a strip mall; a football wide receiver at a small Canadian university works the night shift as a bouncer while recovering from his third concussion; a well-liked city councilor is arrested on a packed bus. As one character puts it,'life is just one extended series of anecdotes strung together until they kill you.'Set in the Maritimes but transcending regional boundaries, McCluskey's stories are experimental, sometimes provocative, and often about those living on the margins. Smart, compassionate and unsparing, Rafael Has Pretty Eyes explores the absurdity and interconnectedness of a life adrift.

Finalist for the Republic of Consciousness PrizeFamily Album is Ecuadorian author Gabriela Alemán's rollicking follow-up to her acclaimed English-language debut, Poso Wells.Alemán is known for her spirited and sardonic take on the fatefully interconnected—and often highly compromised—forces at work in present-day South America, and particularly in Ecuador. In this collection of eight hugely entertaining short stories, she teases tropes of hardboiled detective fiction, satire, and adventure narratives to recast the discussion of national identity. A muddy brew of pop-culture and pop-folklore yields intriguing, lesser-known episodes of contemporary Ecuadorian history, along with a rich cast of unforgettable characters whose intimate stories open up onto a vista of Ecuador's place on the world stage.From a pair of deep-sea divers using Robinson Crusoe's map of a shipwreck to locate sunken treasure in the Galápagos Archipelago, to a night with the husband of Ecuador's most infamous expat, Lorena Bobbitt, this series of cracked “family portraits” provides a cast of picaresque heroes and anti-heroes in stories that sneak up on a reader before they know what's happened: they've learned a great deal about a country whose more well known exports—soccer, coffee and cocoa—mask an intriguing national story that's ripe for the telling.One of The Millions Most Anticipated Books for 2022!'Ecuadorian writer Alemán's sparkling collection (after the novel Poso Wells) brims with humor and adventure.'—Publishers Weekly'Plays with tropes ranging from the Robinson Crusoe story to the classic betrayed-wife setup to wrestle with the impossible-to-decode oddness of human life, which old stories can only hide for so long.'—Lily Meyer, NPR'It takes a rare and talented writer to create a cast of characters who each feel so unique, distinct, and whose stories unravel unexpectedly while also feeling inevitable, exactly right. Thoughtful and subversive, with Family Album, Alemán has given us a gift.'—Jean Kyoung Frazier, author of Pizza Girl'Divers, adventurers, wrestlers, athletes: a diverse array of people come to light in these stories to insist again and again in challenging the weight of the written letter. Gabriela Alemán's stories inhabit the past to work through its possible versions. Her characters understand that History is a form of desire and the truth is not a house but a patina covering a place that has ceased to exist.'—Yuri Herrera, author of A Silent Fury: The El Bordo Mine Fire'Gabriela Alemán's stories unravel a rich and intriguing universe in which nothing, and no one, is what it seems.'—Pilar Quintana, author of The Bitch'These stories are like lizards lying on rocks in the sun. When you try to pick one up it darts away and disappears. Sometimes a tail comes off in your hand or the thing bites your fingers and drops of blood decorate the rock. Best read while listening to Julio Jaramillo sing'Amor sin Esperanza'and'Hojas Muertas.''—Barry Gifford, author of Sailor & Lula: The Complete Novels'Gabriela Alemán writes beautiful, sly, enigmatic stories originating in a rogues gallery of real life legends, including El Santo and John Wayne Bobbitt, as well as lesser known and invented souls, all of them struggling against the silent—or is it hostile?—backdrop of Ecuador's past and present. Family Album is a mordantly funny and haunting collection.'—Zachary

A short story collection exploring cultural complexities in China, the Chinese diaspora in America, and the world at large.In a vibrant and illuminating follow-up to her award-winning story collection, Useful Phrases for Immigrants, May-lee Chai's latest collection Tomorrow in Shanghai explores multicultural complexities through lenses of class, wealth, age, gender, and sexuality—always tracking the nuanced, knotty, and intricate exchanges of interpersonal and institutional power. These stories transport the reader, variously: to rural China, where a city doctor harvests organs to fund a wedding and a future for his family; on a vacation to France, where a white mother and her biracial daughter cannot escape their fraught relationship; inside the unexpected romance of two Chinese-American women living abroad in China; and finally, to a future Chinese colony on Mars, where an aging working-class woman lands a job as a nanny. Chai's stories are essential reading for an increasingly globalized world.

A stunning short story collection that takes the reader into the heart of the Creole community in late-nineteenth-century New Orleans, from a key poet and journalist of the Harlem Renaissance—featuring an introduction by Danielle Evans, the award-winning author of The Office of Historical Corrections“[Dunbar-Nelson]'s airy, easy eloquence is a pleasure.”—The New York Times This vivid collection transports readers to New Orleans, from the delights of Mardi Gras on Bourbon Street, to the quiet Bayou where lovers meet, and to fish fries on the shore of the Mississippi Sound. Alice Dunbar-Nelson focuses the struggles and joys of the Creole community in these intimate stories featuring unforgettable characters. In the title story, Manuela goes to the Wizened One for a charm when her lover strays; in “Little Miss Sophie,” a young woman goes to extreme lengths to get back a ring she pawned; in “M'sieu Fortier's Violin,” a talented musician finds himself at a loss when his greatest passion is taken away; and in “The Fisherman of Pass Christian,” Annette, an aspiring opera singer, falls in love with a beautiful fisherman who has a secret. Together these stories provide a unique window into the world of everyday Creole Louisianians. This edition also features a selection of stories from Dunbar-Nelson's first collection, Violets and Other Tales, which beautifully compliments The Goodness of St. Rocque, making it the essential text for readers looking to discover this underappreciated writer.The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

Each story in Mohamed Makhzangi's unique collection Animals in Our Days features a different animal species and its fraught relationship with humans—water buffalo in a rural village gone mad from electric lights, brass grasshoppers purchased in a crowded Bangkok market, or ghostly rabbits that haunt the site of a long-ago brutal military crackdown. Other stories tell of bear-trainers in India and of the American invasion of Iraq as experienced by a foal, deer, and puppies.Originally published in 2006, Makhzangi's stories are part of a long tradition of writings on animals in Arabic literature. In this collection, animals offer a mute testament to the brutality and callousness of humanity, particularly when modernity sunders humans from the natural environment. Makhzangi is one of Egypt's most perceptive and nuanced authors, merging a writer's empathy with a scientist's curiosity about the world.Like Barbara Kingsolver's Flight Behavior, Haruki Murakami's The Elephant Vanishes, or J. M. Coetzee's Lives of Animals, Makhzangi's stories trace the numinous, almost supernatural, connections between our species and others. In these resonant, haunting tales, Animals in Our Days foregrounds our urgent need to reacquire the sense of awe, humility, and respect that once characterized our relationship with animals.

In einem Start-up-Büro verliert ein Werbetexter den Verstand. Unter der Stadt verstopfen Fettberge die Kanalisation, während sich in einer Sozialbausiedlung ein unerwünschter Mitbewohner in eine Kröte verwandelt. Der berühmteste Elvis-Imitator des World Wide Webs nimmt sein letztes YouTube-Video auf und jeden Monat gehen elternlose Jugendliche mit Fahrrädern und Kanthölzern auf Menschenjagd. Und immer wieder taucht eine bedrohliche, stetig wachsende Untergrundbewegung auf, die die Sozialen Medien mit einer einzigen Frage flutet: »Do you like scary movies?« Die Geschichten in »Supermilch« erzählen von einer unruhigen, nervösen Zeit: von der Transformation der Arbeitswelt, von digitalem Alltag und der Zerstörung der Natur. Die Menschen sind überfordert von ihrer Lohnarbeit, die doch angeblich mehr sein soll als nur Arbeit. Sie sind ermüdet von der beständigen Suche nach der besten Version ihrer selbst und können doch nicht davon lassen. Sie haben Angst, aber können nicht sagen wovor. Einen normalen Tag herumzubringen, scheint in dieser Welt das Einfachste und Schwerste zugleich zu sein. Also stürzen sich ihre Bewohner in Privatobsessionen, suchen ihr Glück im Ausstieg, steigern sich in obskure Internet-Phänomene hinein oder wählen sinnlose Gewalt als letztes Mittel. »Supermilch« wirft einen Blick in die Zukunft – und die ist bedrohlich, flimmernd und weird.

From one of our most preeminent writers, a tale that captures the shifting meanings of the past and how our experience colors those meanings, now alongside four previously uncollected storiesIn Antiquities, Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now-defunct (for thirty-four years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage--in particular, his illustrious cousin, the renowned archaeologist Sir William Matthew Flinders Petrie--he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island. Included alongside this wondrous tale, touched by unsettling irony and with the elusive flavor of a Kafka parable, are four additional stories in Cynthia Ozick's brilliant, distinctive voice, weaving myth and mania, history and illusion: The Coast of New Zealand, The Bloodline of the Alkanas, Sin, and A Hebrew Sibyl.

In these dense and startling stories, Maya Sonenberg telescopes seasons, decades, and generations in candid depictions of women's family lives.What happens when the urge to ditch your family outpaces the desire to love them? The stories in Bad Mothers, Bad Daughters, winner of the Richard Sullivan Prize in Short Fiction, attempt to answer this question, heading straight for the messiness of domestic relationships and the constraints society places on women as they navigate their obligations. Daughters desert their rheumy-eyed elders in dusty museums, steal a mother's favorite teacup, or consider throwing their dead parents'nostalgia-riddled belongings out the window. Mothers conclude that they love one child more than their others. Fathers puzzle over a wife's inability to balance family and career or accuse a partner of blaming their child for her own misdeeds. Women mourn the children they decided not to have and fret over the legacy they'll leave the children they do have. But sometimes the generations reconcile or siblings manage to rescue each other. Love tears these people apart, but it mends them too.The emotions expressed in these stories are combustible, both fraught and nuanced, uncontrollable and common, but above all often ignored or hushed because we're not supposed to be bored by our children or annoyed with our aged parents, even as we love them. The careful shapes of these stories adapted from fairy tales, verse, letters, or newspaper announcements, the surprise of their wordplay, and the blaze of their lyrical sentences allow them to dig into and contain all those messy emotions at the same time. In these works, constraint creates both understanding and fire.

WINNER OF THE 26TH ANNUAL DANUTA GLEED LITERARY AWARDSHORTLISTED FOR THE 2022 SCOTIABANK GILLER PRIZEKIRKUS REVIEWS BEST BOOKS OF 2022THE GLOBE 100: THE BEST BOOKS OF 2022CBC BOOKS: THE BEST CANADIAN FICTION OF 2022Featured on CBC's The Next Chapter with Shelagh RogersTIME MAGAZINE'S 10 BEST FICTION BOOKS OF 2022LITHUB BEST REVIEWED SHORT STORY COLLECTIONS 2022LITHUB BEST REVIEWED SCI-FI, FANTASY AND HORROR OF 2022LONGLISTED FOR THE 2023 JOYCE CAROL OATES PRIZESHORTLISTED FOR THE WILLIAM SAROYAN INTERNATIONAL PRIZE FOR WRITINGThe debut collection from PEN/Hemingway Award finalist and ‘propulsive storyteller'(NYT Book Review), with stories that are by turns poignant and pulpy In the twelve unforgettable tales of Lesser Known Monsters of the 21st Century, the strange is made familiar and the familiar strange, such that a girl growing wings on her legs feels like an ordinary rite of passage, while a bug-infested house becomes an impossible, Kafkaesque nightmare. Each story builds a new world all its own: a group of children steal a haunted doll; a runaway bride encounters a sea monster; a vendor sells toy boxes that seemingly control the passage of time; an insomniac is seduced by the Sandman. These visions of modern life wrestle with themes of death and technological consequence, guilt and sexuality, as they unmask the contradictions that exist within all of us.'Lesser Known Monsters of the 21st Century is one of those rare collections that never suffers from which-one-was-that-again? syndrome. Every story here lights a flame in the memory, shining brighter as time goes by rather than dimming. Kim Fu writes with grace, wit, mischief, daring, and her own deep weird phosphorescent understanding.'– Kevin Brockmeier, author of The Ghost Variations: One Hundred Stories'When a collection is evocative of authors as disparate as Ray Bradbury and Stephanie Vaughn, the only possible unifier can be originality: and that's what a reader finds in Kim Fu's Lesser Known Monsters of the 21st Century. The strangest of concepts are tempered by grounded, funny dialogue in these stories, which churn with big ideas and craftily controlled antic energy.'– Naben Ruthnum, author of A Hero of Our Time'How I loved the cool wit of these speculative stories! Filled with wonder and wondering, they're haunted too by loss and loneliness, their imaginative reach profoundly rooted in the human condition.'– Peter Ho Davies, author of A Lie Someone Told You About Yourself'Precise, elegant, uncanny, and mesmerizing – each story in this collection is a crystalline gem. Kim Fu's talent is singularly inventive, her every sentence a surprise and an adventure.'– Danya Kukafka, author of Notes on an Execution'Lesser Known Monsters of the 21st Century is for the adventurous reader – someone willing to walk into a story primed for cultural critique and suddenly come across a plot for murder, or to consider the dangers of sea monsters alongside those posed by twenty-first-century ennui. Each story is spectacularly smart, hybrid in genre, and bold with intention. The monsters here are not only fantastical figures brought to life in hyper-reality but also the strangest parts of the human heart. This book is as moving as it is monumental.'– Lucy Tan, author of What We Were Promised'Kim Fu's Lesser Known Monsters of the 21st Century crushes the coal-dark zeitgeist b

Playful, shape-shifting and emotionally charged, Happy Stories, Mostly is a collection of twelve stories that queer the norm. Inspired by Simone Weil's concept of'decreation', and often drawing on Batak and Christian cultural elements, these tales put queer characters in situations and plots conventionally filled by hetero characters. The stories talk to each other, echo phrases and themes, and even shards of stories within other stories, passing between airports, stacks of men's lifestyle magazines and memories of Toy Story 3, such that each one almost feels like a puzzle piece of a larger whole, but with crucial facts – the saddest ones, the happiest ones – omitted, forgotten, unbearable. A blend of science fiction, absurdism and alternative-historical realism, Happy Stories, Mostly is a powerful puff of fresh air, aimed at destabilising the heteronormative world and exposing its underlying absences.

“Moniz sings of Florida, girlhood, family, loss, and the glorious, ecstatic, devastating human body. A gorgeous debut from a wickedly talented new writer.” —Lauren Groff, New York Times–bestselling authorNamed a Best Book of the Year by The Atlantic, TIME, Washington Independent Review of Books, Kirkus, Chicago Public Library, Library Journal, Literary Hub, Audible, Largehearted Boy, Entropy, Millions, and Tampa Bay TimesSet among the cities and suburbs of Florida, each story in Milk Blood Heat delves into the ordinary worlds of young girls, women, and men who find themselves confronted by extraordinary moments of violent personal reckoning. These intimate portraits of people and relationships scour and soothe and blast a light on the nature of family, faith, forgiveness, consumption, and what we may, or may not, owe one another.A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family's church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father's ashes and are forced to face the troubling reality of how he continues to shape them.Wise and subversive, spiritual and seductive, Milk Blood Heat forms an ouroboros of stories that bewitch with their truth, announcing the arrival of a bright new literary star.“A fresh feel for the intensity and contradictions of girlhood sings across tough stories.” —Entertainment Weekly

A new collection of electric, searing stories from award-winning, bestselling author Juan Gabriel Vásquez. The characters in Songs for the Flames are men and women touched by violence—sometimes directly, sometimes only in passing—but whose lives are changed forever, consumed by fire and by unexpected encounters and unyielding forces. A photographer becomes obsessed with the traumatic past that an elegant woman, a fellow guest staying at a countryside ranch, would rather leave behind. A military reunion forces a soldier to confront a troubling history, both personal and on a larger scale. And in a tour-de-force piece, the search for a book leads a writer to the fascinating story of why a woman is buried next to a graveyard, rather than in it—and the remarkable account of her journey from France to Colombia as a child orphan.Juan Gabriel Vásquez returns to stories with these nine morally complex tales, fresh proof of his narrative versatility and his profound understanding of the lives of others. There's a romantic wistfulness that combusts with the realities of dangerous histories, both personal and political, to throw these characters into the flames from which they either emerge purified, reborn, or burned and destroyed.

“Relentlessly thrilling... an orgy of the unpredictable.” —New York Times Book Review“Like Thomas Pynchon taking on late capitalism.... surrealistic, granular in its details, and concerned with social entropy and desperate attempts at communion.” —Wall Street JournalFrom a major new international voice, mesmerizing, inventive fiction that probes the tender places where human longings push through the cracks of a breaking world.Under Cancún's hard blue sky, a beach boy provides a canvas for tourists'desires, seeing deep into the world's underbelly. An enigmatic encounter in Copenhagen takes an IT consultant down a rabbit hole of speculation that proves more seductive than sex. The collapse of a love triangle in London leads to a dangerous, hypnotic addiction. In the Nevada desert, a grieving man tries to merge with an unearthly machine.After the Sun opens portals to our newest realities, haunting the margins of a globalized world that's both saturated with yearning and brutally transactional. Infused with an irrepressible urgency, Eika's fiction seems to have conjured these far-flung characters and their encounters in a single breath. Juxtaposing startling beauty with grotesquery, balancing the hyperrealistic with the fantastical—“as though the worlds he describes are being viewed through an ultraviolet filter,” in one Danish reviewer's words—he has invented new modes of storytelling for an era when the old ones no longer suffice.

Praised as “utterly remarkable” and “deeply resonant” by Pulitzer Prize-winning authors Viet Thanh Nguyen and Robert Olen Butler, a bold and brilliant debut collection, in the vein of The Refugees, which dramatizes the Chinese diaspora across the globe over the past hundred years.Set on five continents and spanning decades, We Two Alone traces the arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life, pretending to be a girl to play organized hockey in Canada in the 1920s. A Canadian couple is caught when Shanghai succumbs to violence during the Second Sino-Japanese War. A family sttempts to buy a home in South Africa in the early years of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.From the vulnerable and disenfranchised to the educated and privileged, the characters in this extraordinary collection embody the diversity of the Chinese diaspora past and present. In these deeply affecting stories, Jack Wang subverts expectations as he captures the hope, pain, and sacrifices of the millions who journey into the unknown to create better lives, and explores the shifting boundaries of morality, the intimacies and failings of love, and the choices circumstances force us to make.

The definitive collection of a twentieth-century master of the short story, whose unforgettable inventions revolutionized the formThe short stories of Donald Barthelme, revered by the likes of Thomas Pynchon and George Saunders, are gems of invention and pathos that have dazzled and delighted readers since the 1960s. Here, for the first time, these essential stories are preserved as they were published in Barthelme's original collections, beginning with Come Back, Dr. Caligari (1964), a book that made a generation of readers sit up and take notice. Collected Stories also includes the work that appeared for the first time in Barthelme's two retrospective anthologies, Sixty and Forty, as well as a selection of uncollected stories.Discover, in this comprehensive gathering, Barthelme's unique approach to fiction, his upside-down worlds that are nonetheless grounded in fundamental human truths, his scrambled visions of history that yield unexpected insights, and his genius for dialogue, parody, and collage, which was for him'the central principle of all art in the twentieth century.'Engage with sophisticated works of fiction that, often in just the space of a few pages, wrest profundities out of what might first seem merely ephemeral, even trivial. And experience, along with Barthelme's imaginative and frequently subversive ideas, the pleasures of a consummate stylist whose sentences are worth marveling at and savoring. Introduced with a sharp and discerning essay by editor Charles McGrath and annotation that clarifies Barthelme's freewheeling, wide-ranging allusions, the landmark volume is a desert-island edition for fans and the ideal introduction to new readers eager to find out why, as Dave Eggers writes, Barthelme's'every sentence... makes me want to stop and write something of my own. He fires all of my synapses and connects them in new ways.'

The carefully crafted, subtle, and humorous stories in Packaged Lives show Zangana at her best as a fiction writer. She portrays her subjects keenly, sensitively, and lovingly but without compromise. Iraqis living in exile come to life in her narratives as men and women who are caught between two worlds. They cannot return to their homeland and are forced to wait for news of Iraq from afar. At the same time, they are unable to fully adjust to life in Britain and make a new home for themselves. The question'What is home?'is at the heart of each story in this collection. Her protagonists, who are stuck in ready-made lives, or'packaged lives,'struggle to set themselves free from a web of relationships in which they are entangled. Art, poetry, and nature provide lines of escape. The relief may be fleeting, but the peace of mind and serenity are reached through the moment of epiphany at the end of each story, a much-needed balm.

After moving from Peru north of the Arctic circle to begin graduate school, Claudia Ulloa Donoso began blogging about insomnia. Not hers, necessarily – the blog was never defined as fact or fiction. Her blog posts became the bones of Little Bird, short stories with a nod to fervent self-declaration of diary entries and the hallucinatory haze of sleeplessness. Blending narration and personal experience, the stories in Little Bird stretch reality, a sharp-shooting combination of George Saunders and Samanta Schweblin. Characters real and unreal, seductive, shape-changing, and baffling come together in smooth prose that, ultimately, defies fact and fiction.

Wartime tales of disquiet and dread from Jean Ray, author of Cruise of Shadows and progenitor of the “Belgian School of the Strange”During the Occupation, severed from contact with France and other countries, Belgian publishing turned inward, and forgotten authors such as Jean Ray were given new leases on literary life. Embracing the influence of American pulp fiction, Ray's short stories found a new audience during World War II, and gave voice to a realm of fear and unease that blended fantasy with a Catholic heritage and a distinctly bourgeois everyday.Circles of Dread, Ray's fourth short-story collection, was first published in 1943, the same year that saw the appearance of his best-known work, the novel Malpertuis. This collection's portholes onto sinister fantasy include such stories as “The Marlyweck Cemetery,” “The Inn of the Specters” and “The Story of the Wûlkh.” Ray takes the reader from the quiet streets of Ghent to the scrambled streets of London to the Flinders river in Australia, with tales spun from such materials as the iron hand of Götz von Berlichingen, the black mirror of John Dee, a Moustiers ceramic plate and the shifting, extradimensional menace of a predatory cemetery.Alternately referred to as the “Belgian Poe” and the “Flemish Jack London,” Jean Ray (1887-1964) delivered tales and novels of horror under the stylistic influence of Dickens and Chaucer. His alleged lives as an alcohol smuggler on Rum Row in the Prohibition Era, an executioner in Venice and a Chicago gangster in fact covered over a more prosaic existence as a manager of a literary magazine that led to a prison sentence, during which he wrote some of his most memorable tales.

Footsteps in an abandoned holiday resort as the cold weather settles in; a knock on the door of a hut in the middle of an isolated bog; a lane in Rotterdam perceptible to only one inhabitant in the city. In Cruise of Shadows, Jean Ray began to fully explore the trappings of the ghost story to produce a new brand of horror tale: one that described the lineaments of a universe adjacent to this one, in which objects sweat hatred and fear, and where the individual must face the unknown in utter isolation. First published in 1931, two years after he served his prison sentence for embezzling funds for his literary magazine, Ray's second story collection failed to find the success of his first one, Whiskey Tales, but has emerged over the years as a key publication in the Belgian School of the Strange. It has remained unavailable in its integral form even in French until recently, however, though it contains some of Ray's most anthologized and celebrated stories, including two of his best known, “The Mainz Psalter” and “The Shadowy Alley.” This is the book's first English translation, and the second of the volumes of Ray's books to be published by Wakefield Press.Alternately referred to as the “Belgian Poe” and the “Flemish Jack London,” Jean Ray (1887–1964) delivered tales of horror under the stylistic influence of his most cherished authors, Charles Dickens and Geoffrey Chaucer. A pivotal figure in what has come to be known as the “Belgian School of the Strange,” Ray authored some 6,500 texts in his lifetime.

Originally published in French in 1925, Whiskey Tales immediately established the reputation of the Belgian master of the weird, Jean Ray (1887–1964), whose writings in the coming years would come to chart out a literary meeting ground between H.P. Lovecraft and Charles Dickens. A commercial success, the collection earned Ray the appellation of the'Belgian Poe.'A year later, however, the author would be arrested on charges of embezzlement and serve two years in prison, where he would write some of his best stories.Something of a prequel to later collections such as Cruise of Shadows or Circles of Terror (both forthcoming from Wakefield Press), Whiskey Tales finds Ray embracing the modes of adventure and horror fiction adopted by such contemporaries as Pierre Mac Orlan and Maurice Renard. Taking us from ship's prow to port, from tavern to dead-end lane, these early tales are ruled by the spirits of whiskey and fog, each element blurring the borders between humor and horror, the sentimental and the sinister, the real and the imagined.A handful of these stories first appeared in English in Weird Tales in the 1930s, but the majority of this collection has never been translated. This first complete English-language edition is the first in many volumes of Jean Ray's books that Wakefield Press will be bringing out over the coming seasons.

Myths and legends jostle with the contemporary in these stories where social issues of our times resonate with the inevitability of the past. The lyricism of Carnatic ragas permeate the pages of this quiet and powerful book in which love is rendered in all its immeasurable avatars—parental, carnal, platonic, romantic, divine. There is the woman who reinvents the notion of love in a unique way that amalgamates technology and spirituality through the internet; a man full of love who can sing Bulleh Shah and the woman who has lost her all in the 1984 anti-Sikh riots; the woman in the title story who stands by her deaf daughter but understands why her husband must leave the home they have built with love all these years; the man who finds out what it is to be a woman after a dip in the pond... These short stories are shorn of sentimentality but have a deep understanding of what it means to live, to love and to die. CS Lakshmi, writing under the pseudonym Ambai, has been a significant voice in Indian literature for the past four decades. A Red-necked Green Bird is the writer's seventh collection of short stories.

Fifteen vivid stories set in Europe and Mansfield's native New Zealand populate this selection of tales inspired by the complex nature of the human condition. The author delivers an insightful look at modern behavior post-World War I. The Garden Party and Other Stories features multiple tales highlighting the highs and lows of contemporary life. The title story, “The Garden Party,” centers on a wealthy young woman struggling with the concept of mortality, while “The Daughters of the Late Colonel” follows two sisters debating their livelihood after their father's death. These stories present bold questions and internal conflicts that profoundly affect each character. This selection is an enduring part of Katherine Mansfield's legacy. Written during her final years, The Garden Party and Other Stories is one of her most viable and celebrated works. It's a delightful collection of short stories fueled by the intricacies of human nature. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Garden Party and Other Stories is both modern and readable. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“One of Russia's best living writers... Her tales inhabit a borderline between this world and the next.” —The New York TimesAt first glance, the stories in The New Adventures of Helen seems simple, even child-like, but a deep reading reveals satire and darkness manifested through classic fairy tale tropes characteristically upended by Petrushevskaya. These “adult fairy tales” ask deep questions about gender, love, history, memory, and the future, taking place in times between history and the now. These stories, quirky but yet inspired by a confident hopefulness, will inspire and provoke English-speaking readers across the globe.

Love stories wherein people ask themselves: what is love? In How Other People Make Love, Thisbe Nissen chronicles the lives and choices of people questioning the heteronormative institution of marriage. Not best-served by established conventions and conventional mores, these people—young, old, gay, straight, midwestern, coastal—are finding their own paths in learning who they are and how they want to love and be loved, even when those paths must be blazed through the unknown. Concerning husbands and wives, lovers and leavers, Nissen's stories explore our search for connection and all the ways we undercut it, unwittingly and intentionally, when we do find it. How do we hold ourselves together—to function, work, and survive—while endlessly yearning to be undone, unraveled, and laid bare, however untenable and excruciating? How Other People Make Lovecontains nine stories.'Win's Girl'features a single woman who works at an Iowa slaughterhouse and uses the insurance money from a car accident to update the electric system in her dead parents'old house, only to be unwittingly embroiled with a shady electrician who ultimately forces her to stand up for herself. In'Home Is Where the Heart Gives Out and We Arouse the Grass,'a young woman flees after cheating on her husband and winds up at a Nebraska roadside motel populated by participants in a regional dog show who help her decide what to do next. In'Unity Brought Them Together,'a young man heads to his favorite New York coffee shop intending to finish the Christmas cards his vacationing fiancée insists on sending, but winds up meeting another displaced young midwestern man there and going home with him instead. All these stories explore the question,'how do we love?'as well as the answers we find, discard, follow, banish, and cling to in all our humanness and desperation. How Other People Make Love asserts that there aren't right and wrong ways to love; there are only our very complicated and contradictory human hearts, minds, bodies, and desires—all searching for something, whether we know what that is or not. These are stories for anyone who has ever loved or been loved.

Winner of the LA Times/Ray Bradbury PrizeNineteen sparkling stories that weave between the lands of the living and the lands of the dead. Spirits Abroad is an expanded edition of Zen Cho's Crawford Award winning debut collection with nine added stories including Hugo Award winner “If at First You Don't Succeed, Try, Try Again.” A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate metaphor for the Chinese diaspora.

A powerful and “stunning” (Publishers Weekly, starred review) selection of the best of John Edgar Wideman's short stories over his fifty-year career, representing the wide range of his intellectual and artistic pursuits.When John Edgar Wideman won the PEN Malamud Award in 2019, he joined a list of esteemed writers—from Eudora Welty to George Saunders—all of whom are acknowledged masters of the short story. Wideman's commitment to short fiction has been lifelong, and here he gathers a representative selection from throughout his career, stories that “have a wary, brooding spirit, a lonely intelligence…[and] air the problem of consciousness, including the fragile contingency of our existence” (The New York Times). Wideman's stories are grounded in the streets and the people of Homewood, the Pittsburgh neighborhood of his childhood, but they range far beyond there, to the small western towns of Wyoming and historic Philadelphia, the contemporary world and the ancient past. He explores the interior lives of his characters, and the external pressures that shape them. These stories are as intellectually intricate as they are rich with the language and character. “Wideman has been compared to William Faulkner and James Baldwin…[these] prove that he is every bit as masterful a cartographer of the American spirit as his forebears'(Esquire). Comprised of thirty-five stories drawn from past collections (American Histories, Briefs, God's Gym, All Stories Are True, Fever, and Damballah), and an introductory essay by the National Book Critics Circle board member and scholar Walton Muyumba, this volume of Wideman's selected stories celebrates the lifelong significance of this major American writer's essential contribution to a form—illuminating the ways that he has made it his own. “If there were any doubts Wideman belongs to the American canon, this puts them to bed” (Publishers Weekly, starred review).

O. Henry delivers a popular selection of character-driven stories that capture the humor and heart of everyday citizens as they face unusual or extraordinary circumstances. He offers a unique point-of-view creating a dynamic narrative full of twists and turns.Sixes and Sevens features 25 of O. Henry's most notable works. This includes “The Last of the Troubadours,” “Makes the Whole World Kin,” and “The Duplicity of the Hargraves.” Each story is more captivating than the next with surprising developments that keep readers guessing. Henry pulls from America's vast history and landscape to create these remarkable tales. He offers a contemporary take on timeless conflicts, fears and struggles. With Sixes and Sevens, O. Henry creates a distinct world balancing realism and escapism. He's a masterful storyteller who infuses elements of humor, irony and drama. His writings are full of entertaining circumstances and delightful characters that make for an enjoyable read. With an eye-catching new cover, and professionally typeset manuscript, this edition of Sixes and Sevens, is both modern and readable. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Rolling Stones is a vast selection of O. Henry's later works covering a variety of topics such as fear, heartache, friendship, love and even murder. It's a worthy addition to his legacy of memorable characters and unpredictable plots. Rolling Stones was originally published in 1912, just two years after O. Henry's untimely death. This collection consists of complete and incomplete stories that were revised prior to their release. For example: “The Dream”, initially unfinished, was accompanied by an outline with the author's intended ending. The book also contains “A Ruler of Men,”'The Atavism of John Tom Little Bear,'and “The Marquis and Miss Sally.”Rolling Stones is one of the final entries in O. Henry's impressive bibliography. It's another group of innovative stories that captivate readers'hearts and minds. This book is an homage to Henry's literary past, solidifying his lasting legacy. With an eye-catching new cover, and professionally typeset manuscript, this edition of Rolling Stones is both modern and readable. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally published in 1917, Waifs and Strays is a premier selection of short stories released seven years after the author's untimely death at age 47. The book contains 12 memorable tales including “Confessions of a Humorist,''The Detective Detector,'and'The Sparrows in Madison Square.'In Waifs and Strays, O. Henry brings humor to unconventional stories with unforgettable characters. With'The Detective Detector” he spoof's the world's most famous consultant Sherlock Holmes, while “Hearts and Hands” centers the unusual dynamic between a convict, a marshal and a beautiful woman. There's also “The Cactus” in which a man recalls the errors of a past relationship and “A Little Talk About Mobs,” where two men debate New York's gangster scene.Waifs and Strays is a compelling collection of stories that are humorous, thrilling and most importantly, entertaining. O. Henry creates diverse narratives that stir the imagination and keep readers guessing. Each tale is an attention-grabber full of memorable moments. With an eye-catching new cover, and professionally typeset manuscript, this edition of Waifs and Strays is both modern and readable. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A dark and incisive collection of speculative short stories set in an alternate future of interstellar space travel, robots, mythical creatures, and the uncanny.'Newland easily engages readers with complex world-building, well-shaded characters, and stories as entertaining as they are meaningful. It's no small feat to so immediately and repeatedly appeal to readers'hearts and minds, and Newland's mastery of short-format storytelling is sure to impress. Speculative fiction fans won't be able to put this down.'—Publishers Weekly, starred review'Newland's writing is in league with a host of SF subgenres, from pulpy space opera to N.K. Jemisin–style Afrofuturism to Jeff VanderMeer–esque eco-fiction. But his chief skill is weaving those tropes into stories that are both wildly speculative and on the news... Wide-ranging and deeply imaginative; Newland is equally at home in council flats and deep space.'—Kirkus Reviews In his exquisite first collection of speculative fiction, Courttia Newland envisages an alternate future as lived by the African diaspora.Kill parties roam the streets of a post-apocalyptic world; a matriarchal race of mer creatures depends on interbreeding with mortals to survive; mysterious seeds appear in cities across the world, growing into the likeness of people in their vicinity.Through transfigured bodies and impossible encounters, Newland brings a sharp, fresh eye to age-old themes of the human capacity for greed, ambition, and self-destruction, but ultimately of our strength and resilience.

The annual—and essential—collection of the newest voices in short fiction, selected this year by Nana Kwame Adjei-Brenyah, Kali Fajardo-Anstine, and Beth Piatote.Who are the most promising short story writers working today? Where do we look to discover the future stars of literary fiction? This book will offer a dozen answers to these questions.The stories collected here represent the most recent winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, which recognizes twelve writers who have made outstanding debuts in literary magazines in the previous year. They are chosen by a panel of distinguished judges, themselves innovators of the short story form: Nana Kwame Adjei-Brenyah, Kali Fajardo-Anstine, and Beth Piatote. Each piece comes with an introduction by its original editors, whose commentaries provide valuable insight into what magazines are looking for in their submissions, and showcase the vital work they do to nurture literature's newest voices.

From the author of the “enthralling” (New York Times Book Review) and “beautiful” (Washington Post) debut novel The Vexations comes an exciting new story collection that is “perfect for fans of George Saunders and Karen Russell” (Booklist), moving boldly between the real and the surrealA New York Times Book Review Editors'ChoiceLonglisted for the Joyce Carol Oates PrizeFollowing her “marvelous” (Wall Street Journal) first novel, Caitlin Horrocks returns with a much-anticipated collection of short stories. In her signature, genre-defying style, she explodes our notions of what a story can do and where it can take us. Life Among the Terranauts demonstrates all the inventiveness that won admirers for Horrocks's first collection. In “The Sleep,” reprinted in Best American Short Stories, residents of a town in the frigid Midwest decide to hibernate through the bitter winters. In the title story, half a dozen people move into an experimental biodome for a shot at a million dollars, if they can survive two years. And in “Sun City,” published in The New Yorker, a young woman meets her grandmother's roommate in the wake of her death and attempts to solve the mystery of whether the two women were lovers.As the Boston Globe noted of her first collection, Horrocks is a master of “wild yet delicately handled satire,” a “sprightly heartbreak” in which she is able to “mingle a note of tenderness in the desolation.” With its startling range—from Norwegian trolls to Peruvian tour guides—Life Among the Terranauts once again dazzles readers, cementing Horrocks's reputation as one of the premier young writers of our time.

NEW YORK TIMES EDITORS'CHOICE • A collection of raucous stories that offer a “vibrant and true mosaic” (The New York Times) of New Orleans, from the critically acclaimed author of We Cast a Shadow SHORTLISTED FOR THE ERNEST J. GAINES AWARD • LONGLISTED FOR THE STORY PRIZE • ONE OF THE BEST BOOKS OF THE YEAR—Garden & Gun, Electric Lit • “Every sentence is both something that makes you want to laugh in a gut-wrenching way and threatens to break your heart in a way that you did not anticipate.”—Robert Jones, Jr., author of The Prophets, in The Wall Street Journal Maurice Carlos Ruffin has an uncanny ability to reveal the hidden corners of a place we thought we knew. These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture.In “Beg Borrow Steal,” a boy relishes time spent helping his father find work after coming home from prison; in “Ghetto University,” a couple struggling financially turns to crime after hitting rock bottom; in “Before I Let Go,” a woman who's been in NOLA for generations fights to keep her home; in “Fast Hands, Fast Feet,” an army vet and a runaway teen find companionship while sleeping under a bridge; in “Mercury Forges,” a flash fiction piece among several in the collection, a group of men hurriedly make their way to an elderly gentleman's home, trying to reach him before the water from Hurricane Katrina does; and in the title story, a young man works the street corners of the French Quarter, trying to achieve a freedom not meant for him.These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian, written by a lifelong resident of New Orleans and one of our finest new writers.

An NPR Best Book of 2021NYPL 10 Best Books for Adults, 2021A story collection, in the vein of Carmen Maria Machado, Kelly Link, and Nana Kwame Adjei-Brenyah, spanning worlds and dimensions, using strange and speculative elements to tackle issues ranging from class differences to immigration to first-generation experiences to xenophobia What does it mean to be other? What does it mean to love in a world determined to keep us apart?These questions murmur in the heart of each of Brenda Peynado's strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one story, suburban families perform oblations to cattlelike angels who live on their roofs, believing that their “thoughts and prayers” will protect them from the world's violence. In another, inhabitants of an unnamed dictatorship slowly lose their own agency as pieces of their bodies go missing and, with them, the essential rights that those appendages serve. “The Great Escape” tells of an old woman who hides away in her apartment, reliving the past among beautiful objects she's hoarded, refusing all visitors, until she disappears completely. In the title story, children begin to levitate, flying away from their parents and their home country, leading them to eat rocks in order to stay grounded. With elements of science fiction and fantasy, fabulism and magical realism, Brenda Peynado uses her stories to reflect our flawed world, and the incredible, terrifying, and marvelous nature of humanity.

These prizewinning stories champion the everyday person who tries to do his or her best in demanding and even demeaning situations.The stories in A Common Person and Other Stories, R. M. Kinder's third short-story collection and the winner of the Richard Sullivan Prize in Short Fiction, expose the disruption in our modern life and the ever-present threat of violence, and, most importantly, they capture the real heroism of everyday people. The characters in these stories, most set deep in the middle of America, seem to invite trouble through their concern for others: a neighbor's mistreated dog, a boy standing up to a bully, a woman who faces cancer and the loss of love. Kinder's characters struggle with conflicts common to us all—to treat humans and animals with compassion, to open minds and hearts to diversity, all while balancing the welfare of the individual and the larger community. The characters aren't always loveable, but they have their moments of grace—they accept responsibility and take stands. These stories, by turns humorous, unsettling, and utterly believable, expose the dangers of ordinary life as their characters perform acts of defiance, determination, and connection. The memorable characters in A Common Person and Other Stories are, like us, doing the best they can, and that is often remarkable and admirable. Considered closely, Kinder shows us, no person is common.

'Explore a world where the supernatural is an accepted element of everyday life and the horror is mined from the realities of existing.'— New York Public Library Best Books of the Year World Fantasy Award finalist British Fantasy Award finalist Ladies of Horror Fiction Award winner Crawford Award shortlist“Am I dead?” Mebuyen sighs. She was hoping the girl would not ask. Spells and stories, urban legends and immigrant tales: the magic in Isabel Yap's debut collection jumps right off the page, from the friendship and fear building in “A Canticle for Lost Girls” to the joy in “A Spell for Foolish Hearts” to the terrifying tension of the urban legend “Have You Heard the One About Anamaria Marquez.”

A fearless, darkly playful debut exploring the many impossible choices that accompany 21st century femaleness. What is the right way to handle an abusive partner? An unexpected pregnancy? A toxic friendship? Chronic unemployment? Gender dysphoria? A family member going to war? A disability? Anger? Loneliness?Finding themselves in disempowering, frightening, or otherwise unendurable circumstances, the girls, women, and non-binary characters in Maria Adelmann's stories look for ways to free themselves into new lives or, at the very least, new states of feeling. Sometimes they do this by hurting someone else or getting hurt; sometimes by submitting, other times by mounting a rebellion. With a special talent for pressing the sharp up against the tender, Adelmann explores the many pathways through the titular condition.Ranging in style from the magical to the terrifying to the calm tones of a self-help manual, Girls of a Certain Age captures the spectrum of strategies we apply to the pain of life, strategies that we persist in pretending might actually work.

One more journey to the universe of Roberto Bolaño, an essential voice of contemporary Latin American literatureCowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas. In'Cowboy Graves,'Arturo Belano--Bolaño's alter ego--returns to Chile after the coup to fight with his comrades for socialism.'French Comedy of Horrors'takes the reader to French Guiana on the night after an eclipse where a seventeen year old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in'Fatherland,'a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead.These three fiercely original tales bear the signatures of Bolaño's extraordinary body of work, echoing the strange characters and uncanny scenes of his triumphs, while deepening our reverence for his gifts.

A new story collection from “one of Europe's most exciting writers” (New York Times Book Review) deftly evokes and explores the shifts that occur when the world grows dark.Snowed in at a remote artists'residency in Vermont, Peter recalls another Christmas some thirty years earlier, when he met Marcia by chance on a trip to New York City. Only now, in this eerie, isolated place, does he begin to see the consequences of their brief affair through a series of connections. When Hubert asks Sabrina to model for a sculpture, she's flattered and happy to help. But facing the finished product, looking at herself from previously hidden angles, disturbs her, and she becomes determined to follow her double after it's sold to a collector. Uneasy in his own skin and with the humdrum life set out for him, David decides to rob a bank. He already has a mask for the purpose, but won't be using it today. He's heard that bank robbers often study the scene for weeks before they strike. So he's started to lurk. We think we know our world, but then the familiar suddenly turns strange, and even frightening. In these powerfully affecting, minutely constructed stories, Peter Stamm illustrates how fragile our reality really is, how susceptible to tricks of the heart and mind.

A bestselling and award-winning debut collection from one of South Korea's most prominent young writers.In crisp, unembellished prose, Eun-young Choi paints intimate portraits of the lives of young women in South Korea, balancing the personal with the political. In the title story, a fraught friendship between an exchange student and her host sister follows them from adolescence to adulthood. In'A Song from Afar,'a young woman grapples with the death of her lover, traveling to Russia to search for information about the deceased. In'Secret,'the parents of a teacher killed in the Sewol ferry sinking hide the news of her death from her grandmother. In the tradition of Sally Rooney, Banana Yoshimoto, and Marilynne Robinson--writers from different cultures who all take an unvarnished look at human relationships and the female experience--Choi Eunyoung is a writer to watch.

LONGLISTED FOR THE NATIONAL BOOK AWARD AND THE STORY PRIZEAward-winning author Elizabeth McCracken is an undisputed virtuoso of the short story, and this new collection features her most vibrant and heartrending work to dateIn these stories, the mysterious bonds of family are tested, transformed, fractured, and fortified. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children's game-show villainess ushers in the New Year with her deadbeat half brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken traces how our closely held desires—for intimacy, atonement, comfort—bloom and wither against the indifferent passing of time. Her characters embark on journeys that leave them indelibly changed—and so do her readers. The Souvenir Museum showcases the talents of one of our finest contemporary writers as she tenderly takes the pulse of our collective and individual lives.

'It's just the real inexplicable gorgeous brilliant thing this book. I love it in a way I usually reserve for people.'--Max PorterA dazzling, prizewinning short story collection that showcases a bold new talentEley Williams has been a literary sensation ever since this collection of experimental short fiction was published in the UK. Lauded as'elegant'(The Guardian) and'exhilarating'(Vanity Fair), Attrib. and Other Stories won the James Tait Black Prize, was longlisted for the Dylan Thomas Prize, and was named a best book of the year by The Guardian.Attrib. presents a cast of unforgettable characters standing at the precipice of emotional events (a disastrous breakup, a successful date, an unexpected arrival) and finding it fiendishly impossible to express themselves. With intimate, irreverent, and playful prose, Eley Williams rejoices in both the possibilities and limitations of language, as well as the very human need to be known and understood--despite our own best efforts.Original and inventive in the vein of Lydia Davis, Deborah Eisenberg, and Amy Hempel, these stories are'emotionally delicate and tenderly introspective'(New Statesman) and'an absolute must-read'(The London Magazine).

'A major talent'Hilary Mantel Shortlisted for the Edge Hill Short Story Prize Whether seeking knowledge, riches, or a better life, the characters in these stories are united by a quest for lasting value, as they ask how we should treat our world, our work, our selves, and each other. A vainglorious mine owner dreams of harnessing all of nature to the machinery of commerce. Two ladies of a certain age hunt rare butterflies in a pre-First World War Europe already experiencing the first bites of biodiversity loss. A climate campaigner must choose between personal happiness and political action. A rural Welsh community is fascinated and angered by glimpses of its invisible, wealthy neighbours. Exact and lyrical, compassionate, and full of wit and truth, this debut collection from Jo Lloyd, winner of the BBC National Short Story Award, announces a fresh new voice with a sensibility all her own.

A stunning story cycle that explores the fractured lives of families in a Jersey Shore beach town from the bestselling, New York Times Notable author.Faith, a mother of two young children, Cece and Connor, is in need of summer childcare. As a member of a staid old beach club in her town and a self-made business consultant, she is appalled when her brother-in-law sends her an unruly, ill-mannered teenager named Lee-Ann who appears more like a wayward child than competent help. What begins as a promising start to a redemptive relationship between the two ends in a tragedy that lands Faith in a treatment facility, leveled by trauma.Years later, Faith and her mother, Irene, visit Cece in college. A fresh-faced student with a shaved head and new boyfriend, Cece has become a force of her own. Meanwhile, her grandmother, Irene, is in the early stages of dementia. She slips in and out of clarity, telling lucid tales of her own troubled youth. Faith dismisses her mother's stories as bids for attention. The three generations of women hover between wishful innocence and a more knowing resilience against the cruelty that hidden secrets of the past propel into the present.Including stories from an array of characters orbiting Faith's family, The Ocean House weaves an exquisite world of complicated family tales on the Jersey Shore. In ever-tender and elegant prose, Mary-Beth Hughes masterfully explores the emotional consequences of loss and the saving graces of love.“[The Ocean House] accrues a rich, novelistic sweep and leaves readers with a vertiginous sense of contingency.” —The New York Times

2021 Big Other Book Award Fiction Finalist A visceral, stark, and deadpan collection of stories that brilliantly fuse humor with horror Horses Dream of Money is a daring collection of tales, darkly humorous, that eerily channels the surreal and sinister mood of the times. Preoccupied with the fault lines between life and death, and veering often into horror, Angela Buck brings a raw energy and witty sobriety to these accounts of human life and connection with the intimacy of fireside-storytelling, gimlet-eyed revelry in bloodletting, and a masterful sleight of hand between the fantastical and the quotidian. “The Solicitor” reinvents the coming-of-age story as a romance-for-hire between a girl and her “solicitor,” a man whose services are demanded by her mother and enforced by a cruel master. “Coffin-Testament” is a fabulous futuristic account of the extinction of human life on earth written 1,667 years later by a group of lady robots channeling Sir Thomas Browne to muse on their own mortality. “The Bears at Bedtime” documents a compound of cuddly kind worker-bears and their ruthless doings. “Bisquit” imagines today's precariat as a lovable horse who is traded from one master to another until a horse race brings his maddeningly repetitive adventures to a violent conclusion.