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An Esquire Best Book of Summer • A collection of glittering, surprising, darkly funny stories of people testing the boundaries of their lives—from the award-winning author of Dual Citizens, who is'spoken of in the same reverent breath as Lorrie Moore and Joy Williams'(Heidi Julavits, author of The Folded Clock).In the mordantly funny'Money, Geography, Youth,'Vanessa arrives home from a gap year volunteering in Ghana to find that her father is engaged to her childhood best friend. Unable to reconcile the girl she went to dances with in the eighth grade and the woman in her father's bed, Vanessa turns to a different old friendship for her own, unique diversion. In the subversive'The Brooks Brothers Guru,'Amanda drives to upstate New York to rescue her gawky cousin from a cult, only to discover clean-cut, well-dressed men living in a beautiful home, discussing the classics, and drinking sophisticated cocktails, moving her to wonder what freedoms she might willingly trade away for a life of such elegant comfort. And in'The Universal Particular,'Tamar welcomes her husband's young stepcousin into their home, imagining they are saving this young woman from Somalia by way of Stockholm, only to find their cool suburban life of potlucks and air-conditioning knocked askew in ways they cannot quite understand. Populated with imperfect families, burned potential, and inescapable old flames, the thirteen stories in We Want What We Want are, each one, diamond-sharp—sparkling with pain, humor, and beauty.

A New York Times Notable Book of 2019 selection, a New York Times Editors'Choice book, and longlisted for the Story Prize—from the bestselling, highly acclaimed National Book Award nominee, She Was Like That is a “piercing, intimate, and exquisite” (Publishers Weekly) collection of new and selected stories that capture “the joys and anxieties of motherhood” (Star Tribune, Minneapolis).In these twelve deft, acutely funny, and often heartbreaking stories, “Walbert captures with an unusual combination of restraint and rhapsody” (The New York Times) the questions women ask themselves and the definitions assigned to them as wives, mothers, and daughters. Her characters are searchers, uneasy in one way or another. They yearn for connection. In the riveting opening story “M&M World,” a woman is plunged into panic when she briefly loses one of her daughters at the vast and over-stimulating Times Square store. In “Slow the Heart,” a single mother tries to ease tension at the dinner table with Roses and Thorns, the game she knows the Obamas played in the White House. In “Radical Feminists,” a woman skating with her two children encounters the man who derailed her career years earlier. And in the poignant, “A Mother Is Someone Who Tells Jokes,” a mother reflects on the nursery school project that preceded her son's autism diagnosis. This is a deeply moving, resonant collection from a writer “rightly celebrated for her ability to capture the variety and vulnerability of women's lives with a combination of lyricism and brawn” (NPR).

Rediscover the masterful stories of a midcentury artist whose multifaceted portraits of women were generations ahead of her time“A stunning, crystalline collection.” —VogueNancy Hale was considered one of the preeminent short story artists of her era, a prolific writer whose long association with The New Yorker rivaled that of her contemporary John Cheever. But few readers today will recognize her name. Acclaimed author Lauren Groff has selected twenty-five of Hale's best stories, presented here in the first career-spanning edition of this astonishingly gifted writer's work. These stories seem ahead of their time in their depiction of women--complicated characters, sometimes fragile, possibly wicked, often remarkable in their apparent ordinariness, from an adolescent girl in Connecticut driven into delirium over her burgeoning sexuality in'Midsummer,'to a twenty-something New Yorker experiencing culture shock during a visit to a friend's house in Virginia in'That Woman,'to a New England widow in search of alcohol while babysitting her grandson in'Flotsam.'Other stories touch on memories of childhood, the intense trauma of electroshock therapy, and the spectre of white supremacy. Haunting, vivid, and subversive in the best sense, Where the Light Falls is nothing less than a major literary rediscovery.

From the New York Times–bestselling author of Hunger and Bad Feminist, a powerful short story collection exploring the Haitian diaspora experience.In Ayiti, a married couple seeking boat passage to America prepares to leave their homeland. A young woman procures a voodoo love potion to ensnare a childhood classmate. A mother takes a foreign soldier into her home as a boarder, and into her bed. And a woman conceives a daughter on the bank of a river while fleeing a horrific massacre, a daughter who later moves to America for a new life but is perpetually haunted by the mysterious scent of blood. Roxane Gay is an award-winning literary voice praised for her fearless and vivid prose, and her debut collection Ayiti exemplifies the raw talent that made her “one of the voices of our age” (National Post, Canada).Praise for Ayiti“Highly dimensioned characters and unforgettable moments.... Dismantling the glib misconceptions of her complex ancestral home, Gay cuts and thrills. Readers will find her powerful first book difficult to put down.” —Booklist“The themes explored in Gay's nonfiction, such as the transactional nature of violence and the ways in which stereotypes of poverty add another layer of dehumanization, are just as potent here. Even her more lyrical mode is filtered through a keen sense of the lost promise of one country and the blinkered privilege of the other. It's Gay's unflinching directness—the sense that her characters are in the room with you, telling it like it is—that makes her irresistible.” —Vogue“A set of brief, tart stories mostly set amid the Haitian-American community and circling around themes of violation, abuse, and heartbreak... This book set the tone that still characterizes much of Gay's writing: clean, unaffected, allowing the (often furious) emotions to rise naturally out of calm, declarative sentences. That gives her briefest stories a punch even when they come in at two pages or fewer, sketching out the challenges of assimilation in terms of accents, meals, or ‘What You Need to Know About a Haitian Woman'.... This debut amply contains the righteous energy that drives all her work.” —Kirkus Reviews

The New York Times–bestselling author of Bad Feminist shares a collection of stories about hardscrabble lives, passionate loves and vexed human connection. The women in these stories live lives of privilege and of poverty, are in marriages both loving and haunted by past crimes or emotional blackmail. A pair of sisters, grown now, have been inseparable ever since they were abducted together as children, and must negotiate the elder sister's marriage. A woman married to a twin pretends not to realize when her husband and his brother impersonate each other. A stripper putting herself through college fends off the advances of an overzealous customer. A black engineer moves to Upper Michigan for a job and faces the malign curiosity of her colleagues and the difficulty of leaving her past behind. From a girls'fight club to a wealthy subdivision in Florida where neighbors conform, compete, and spy on each other, Roxanne Gay delivers a wry, beautiful, haunting vision of modern America with her “signature wry wit and piercing psychological depth” (Harper's Bazaar).

NATIONAL BESTSELLER • “A raucous, whip-smart collection of stories featuring retro-feminist ladies who lunch.” —Elle Meet the women of American Housewife. They wear lipstick, pearls, and sunscreen, even when it's cloudy. They casserole. They pinwheel. And then they kill a party crasher, carefully stepping around the body to pull cookies from the oven. Taking us from a haunted pre-war Manhattan apartment building to the unique initiation ritual of a book club, these twelve delightfully demented stories are a refreshing and wicked answer to the question: “What do housewives do all day?”

From a prizewinning, beloved young author, a provocative collection that explores the lives of colorful, intrepid women in history. “These stories linger in one's memory long after reading them” (Star Tribune, Minneapolis).The fascinating characters in Megan Mayhew Bergman's “collection of stories as beautiful and strange as the women who inspired them” (Kirkus Reviews, starred review) are defined by their creative impulses, fierce independence, and sometimes reckless decisions. In “The Siege at Whale Cay,” cross-dressing Standard Oil heiress Joe Carstairs seduces Marlene Dietrich. In “A High-Grade Bitch Sits Down for Lunch,” aviator and writer Beryl Markham lives alone in Nairobi and engages in a battle of wills with a stallion. In “Hell-Diving Women,” the first integrated, all-girl swing band sparks a violent reaction in North Carolina. Other heroines, born in proximity to the spotlight, struggle to distinguish themselves: Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's wild niece, Dolly; Edna St. Vincent Millay's talented sister, Norma; James Joyce's daughter, Lucia. Almost Famous Women offers an elegant and intimate look at artists who desired recognition. “By assiduously depicting their intimacy and power struggles, Bergman allows for a close examination of the multiplicity of women's experiences” (The New York Times Book Review). The world wasn't always kind to the women who star in these stories, but through Mayhew Bergman's stunning imagination, they receive the attention they deserve. Almost Famous Women is “addictive and tantalizing, each story whetting our appetite for more” (Atlanta Journal-Constitution).