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“A fierce, big-hearted, unflinching debut”• novel about mothers and daughters, haves and have-nots, and the stark realities behind the American Dream •Celeste Ng, author of Little Fires EverywhereWINNER OF THE GEORGIA AUTHOR OF THE YEAR AWARD FOR FIRST NOVEL • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE AND REAL SIMPLE A waitress at the Betsy Ross Diner, Elsie hopes her nickel-and-dime tips will add up to a new life. Then she meets Bashkim, who is at once both worldly and naïve, a married man who left Albania to chase his dreams—and wound up working as a line cook in Waterbury, Connecticut. Back when the brass mills were still open, this bustling factory town drew one wave of immigrants after another. Now it's the place they can't seem to leave. Elsie, herself the granddaughter of Lithuanian immigrants, falls in love quickly, but when she learns that she's pregnant, Elsie can't help wondering where Bashkim's heart really lies, and what he'll do about the wife he left behind. Seventeen years later, headstrong and independent Luljeta receives a rejection letter from NYU and her first-ever suspension from school on the same day. Instead of striking out on her own in Manhattan, she's stuck in Connecticut with her mother, Elsie—a fate she refuses to accept. Wondering if the key to her future is unlocking the secrets of the past, Lulu decides to find out what exactly her mother has been hiding about the father she never knew. As she soon discovers, the truth is closer than she ever imagined. Told in equally gripping parallel narratives with biting wit and grace, Brass announces a fearless new voice with a timely, tender, and quintessentially American story. Praise for Brass“Lustrous... a tale alive with humor and gumption, of the knotty, needy bond between a mother and daughter... [Brass] marks the arrival of a writer whose work will stand the test of time.”—O: The Oprah Magazine“An exceptional debut novel, one that plumbs the notion of the American Dream while escaping the clichés that pursuit almost always brings with it... [Xhenet] Aliu delivers a living, breathing portrait of places left behind.”—The Boston Globe “The writing blazes on the page.... So much about the book is also extraordinarily timely, especially when it focuses on class and culture, and what they really mean.”—San Francisco Chronicle“Aliu is witty and unsparing in her depiction of the town and its inhabitants, illustrating the granular realities of the struggle for class mobility.”—The New Yorker

NEW YORK TIMES BESTSELLER • An unforgettable cast of small-town characters copes with love and loss in this “compulsively readable” (San Francisco Chronicle) novel from the Pulitzer Prize–winning author of Olive Kitteridge and My Name is Lucy Barton“This book, this writer, are magnificent.”—Ann PatchettWINNER OF THE STORY PRIZE • A BEST BOOK OF THE YEAR: The New York Times, The Washington Post, USA Today, People, NPR, Entertainment Weekly, Newsday, The Seattle Times, Esquire, The Guardian, Kirkus Reviews, Publishers WeeklyIn Anything Is Possible, Elizabeth Strout explores the whole range of human emotion through the intimate dramas of people struggling to understand themselves and others. Here are two sisters: One trades self-respect for a wealthy husband while the other finds in the pages of a book a kindred spirit who changes her life. A grown daughter longs for mother love even as she comes to accept her mother's happiness in a foreign country. And Lucy Barton returns to visit her siblings after seventeen years of absence. Reverberating with the deep bonds of family, and the hope that comes with reconciliation, Anything Is Possible “confirms Strout as one of our most grace-filled, and graceful, writers” (The Boston Globe).

#1 NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • A simple hospital visit becomes a portal to the tender relationship between mother and daughter in this “spectacular” (The Washington Post) novel by the Pulitzer Prize–winning author of Olive Kitteridge and The Burgess Boys. “An aching, illuminating look at mother-daughter devotion.”—PeopleA BEST BOOK OF THE YEAR: Time, The Washington Post, The New York Times Book Review, NPR, San Francisco Chronicle, Minneapolis Star Tribune, St. Louis Post-Dispatch, Miami Herald, The Guardian Slate, BookPage, LibraryReads, Kirkus ReviewsLucy Barton is recovering slowly from what should have been a simple operation. Her mother, to whom she hasn't spoken for many years, comes to see her. Gentle gossip about people from Lucy's childhood in Amgash, Illinois, seems to reconnect them, but just below the surface lie the tension and longing that have informed every aspect of Lucy's life: her escape from her troubled family, her desire to become a writer, her marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable.

For fans of Gillian Flynn, Scott Smith, and Daniel Woodrell comes a gripping, suspenseful novel about two mysterious disappearances a generation apart.INTERNATIONAL THRILLER WRITERS AWARD WINNER AND BARRY AWARD NOMINEE FOR BEST FIRST NOVEL • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BOOKPAGE The town of Henbane sits deep in the Ozark Mountains. Folks there still whisper about Lucy Dane's mother, a bewitching stranger who appeared long enough to marry Carl Dane and then vanished when Lucy was just a child. Now on the brink of adulthood, Lucy experiences another loss when her friend Cheri disappears and is then found murdered, her body placed on display for all to see. Lucy's family has deep roots in the Ozarks, part of a community that is fiercely protective of its own. Yet despite her close ties to the land, and despite her family's influence, Lucy—darkly beautiful as her mother was—is always thought of by those around her as her mother's daughter. When Cheri disappears, Lucy is haunted by the two lost girls—the mother she never knew and the friend she couldn't save—and sets out with the help of a local boy, Daniel, to uncover the mystery behind Cheri's death. What Lucy discovers is a secret that pervades the secluded Missouri hills, and beyond that horrific revelation is a more personal one concerning what happened to her mother more than a decade earlier. The Weight of Blood is an urgent look at the dark side of a bucolic landscape beyond the arm of the law, where a person can easily disappear without a trace. Laura McHugh proves herself a masterly storyteller who has created a harsh and tangled terrain as alive and unforgettable as the characters who inhabit it. Her mesmerizing debut is a compelling exploration of the meaning of family: the sacrifices we make, the secrets we keep, and the lengths to which we will go to protect the ones we love. Praise for The Weight of Blood “[An] expertly crafted thriller.”—Entertainment Weekly, “The Must List” “Haunting... [a] riveting debut.”—Los Angeles Times “Laura McHugh's atmospheric debut... conjures a menacingly beautiful Ozark setting and a nest of poisonous family secrets reminiscent of Daniel Woodrell's Winter's Bone.”—Vogue “Fantastic... a mile-a-minute thriller.”—The Dallas Morning News

Bitter in the Mouth is a brilliant, virtuosic novel about a young woman's search for identity and the true meaning of family from the author of The Sweetest Fruits“What I know about you, little girl, would break you in two” are the prophetic last words that Linda Hammerick's grandmother says to her. Growing up in small-town North Carolina in the 1970s and'80s, Linda already knows that she is profoundly different from everyone else, including the members of her own family. She can “taste” words. In this and in other ways, her body is a mystery to her. Linda's awkward girlhood is nonetheless enlivened and emboldened by her dancing great-uncle Harper, and Kelly, her letter-writing best friend. Linda makes her way north to college and then to New York City, trying her best to leave her past behind her like “a pair of shoes that no longer fit.” But when a family tragedy compels her to return home, Linda uncovers the startling secrets of her past. Monique Truong's acclaimed novel questions our assumptions about what it means to be a family and to be a friend, to be foreign and to be familiar, to be connected to and disconnected from our bodies, our histories, ourselves.

NEW YORK TIMES BESTSELLER • A “hypnotically interesting” (The Washington Post Book World) novel from the Pulitzer Prize–winning author of Miller's Valley “[Anna Quindlen] writes passionately... painstakingly uncovering all the intensity, suspicion and primitive love that bonds mothers and daughters.”—The Boston Globe Ellen Gulden is enjoying her career as a successful magazine writer in New York City when she learns that her mother, Kate, is dying of cancer. Ellen's father insists that she quit her job and return home to become a caregiver. A high-powered career woman, Ellen has never felt she had much in common with her mother, a homemaker and the heart of their family. Yet as Ellen begins to spend time with Kate, she discovers many surprising truths, not only about herself, but also about the woman she thought she knew so well. Later, when Ellen is accused of the mercy killing of her mother, she must not only defend her own life but make a difficult choice—either accept responsibility for an act she did not commit or divulge the name of the person she believes committed a painful act of love.

In a single week, a family leaves behind its past and a daughter awakens to the future in Emily Chenoweth's intimate and beautifully crafted debut novel.In the winter of 1990, Helen Hansen–counselor, wife, and mother in the prime of her life–is diagnosed with an inoperable brain tumor. The following August, Helen, her husband, Elliott, and their daughter, Abby, a freshman in college, take a trip to northern New Hampshire, where Helen will be able to say goodbye to a lifetime of friends. Ensconced in a historic resort in the White Mountains–a place where afternoon cocktails are served on the veranda and men are expected to wear jackets after six–the Hansens and their guests must improvise their own rituals of remembrance and reconnection.For Elliott, the trip is a parting gift to his beloved wife, as well as some needed respite from the caretaking duties that have become his main work. For Helen and the procession of old friends who come to pay their respects, the days offer a poignant celebration of a dear, too-brief life. And for Abby, still unaware that her mother's cancer is terminal, the week brings a surprising conflict between loyalty and desire as, drawn by the youthful, spirited hotel staff, she finds herself caught between the affections of two very different young men.Heartbreaking and luminous, Hello Goodbye deftly explores a family's struggle with love and loss, as a summer vacation becomes an occasion for awakening rather than farewell, and life inevitably blossoms in the face of death.

BONUS: This edition contains an excerpt from Elizabeth Berg's Once Upon a Time, There Was You.In this novel, beloved bestselling author Elizabeth Berg weaves a beautifully written and richly resonant story of a mother and daughter in emotional transit. Helen Ames–recently widowed, coping with loss and grief, unable to do the work that has always sustained her–is beginning to depend far too much on her twenty-seven-year-old daughter, Tessa, and is meddling in her life, offering unsolicited and unwelcome advice. Helen's problems are compounded by her shocking discovery that her mild-mannered and loyal husband was apparently leading a double life. The Ameses had painstakingly saved for a happy retirement, but that money disappeared in several large withdrawals made by Helen's husband before he died. In order to support herself and garner a measure of much needed independence, Helen takes an unusual job that ends up offering far more than she had anticipated. And then a phone call from a stranger sets Helen on a surprising path of discovery that causes both mother and daughter to reassess what they thought they knew about each other, themselves, and what really makes a home and a family.

It is 1981. Jean Landing secretly plans to flee her beloved Jamaica–the only home her family has ever known, a place now rife with political turmoil. But before she can make her final preparations, she receives devastating news: Lana, her sister, is dead. The country's state of emergency leaves no time to arrange a proper funeral. Even Jean's mother, Monica, who hadn't spoken to Lana in more than a decade, cannot fully embrace her grief. The tragedy only underscores Jean's need to leave an island that holds no promise of a future. Her harrowing journey to freedom across a battered landscape takes Jean through a terrain of memories: of her childhood, with a detached mother at odds with an adoring father, of her complex bond with Lana, and of the friends and lovers who have shaped and shared her days. Epic in scope, The True History of Paradise poignantly portrays the complexities of family and racial identity in a troubled Eden.

NATIONAL BESTSELLER • A smart, comic page-turner “executed with nerve and wit” (The New York Times Book Review) following a Silicon Valley family in free fall over the course of one eventful summer, from the New York Times bestselling author of Watch Me Disappear “Addictive... [an] unapologetically soapy mix of teen sex, quarter-life crises, food porn and mean-girl politics... a summery, old-fashioned page-turner.”—SalonWhen Paul Miller's pharmaceutical company goes public, making his family IPO millionaires, his wife, Janice, is sure this is the windfall she's been waiting years for—until she learns, via messengered letter, that her husband is divorcing her (for her tennis partner!) and cutting her out of the new fortune. Meanwhile, four hundred miles south in Los Angeles, the Millers'older daughter, Margaret, has been dumped by her newly famous actor boyfriend and left in the lurch by an investor who promised to revive her fledgling post-feminist magazine, Snatch. Sliding toward bankruptcy and dogged by creditors, she flees for home where her younger sister Lizzie, 14, is struggling with problems of her own. Formerly chubby, Lizzie has been enjoying her newfound popularity until some bathroom graffiti alerts her to the fact that she's become the school slut.The three Miller women retreat behind the walls of their Georgian colonial to wage battle with divorce lawyers, debt collectors, drug-dealing pool boys, mean girls, country club ladies, evangelical neighbors, their own demons, and each other, and in the process, they become achingly sympathetic characters we can't help but root for, even as the world they live in epitomizes everything wrong with the American Dream.

Panoramic in scope, Away is the epic and intimate story of young Lillian Leyb, a dangerous innocent, an accidental heroine. When her family is destroyed in a Russian pogrom, Lillian comes to America alone, determined to make her way in a new land. When word comes that her daughter, Sophie, might still be alive, Lillian embarks on an odyssey that takes her from the world of the Yiddish theater on New York's Lower East Side, to Seattle's Jazz District, and up to Alaska, along the fabled Telegraph Trail toward Siberia. All of the qualities readers love in Amy Bloom's work–her humor and wit, her elegant and irreverent language, her unflinching understanding of passion and the human heart–come together in the embrace of this brilliant novel, which is at once heartbreaking, romantic, and completely unforgettable.

From the start of Elizabeth McKenzie's beguiling fiction debut, we are drawn into the offbeat worldview of sharp-eyed, intrepid Ann Ransom. Stop That Girl chronicles Ann's colorful coming-of-age travails, from her childhood in a disjointed family through her tender adolescence and beyond. Along the way, she discovers the absurdities that lurk around every corner of a young woman's life, by way of oafish neighbors, overzealous boyfriends, prurient vegetable salesmen, sour landlords, and an iconoclast grandmother, known even to her family as Dr. Frost. Keenly funny and highly original, Stop That Girl is a brilliant examination of the exigencies of love and the fragile fabric of family, and heralds the emergence of a remarkable new voice in fiction.

'Why don't you just die?'Boyd Schaeffer asks her husband, Russell, one night during a fight. The next day, he does just that. Russell was rich, sensitive, charming, but always unreliable and it is not clear to Boyd what emotional legacy his untimely death has bequeathed her. Boyd already has a complicated relationship to death. A former obstetrician, she fled both her profession and New York City when one of her patients died. Back then, she'd escaped with Russell to settle in Minnesota. Now, she embarks (along with her small daughter) on a journey into the underworld—ajourney of grief, self-reproach, and self-discovery so profound and surprising that her individual life in its quiet midwestern setting takes on the universal lineaments of myth. Boyd's companions on this journey into the shadow world between existence and nonexistence include a lonely undertaker; an unconventional embalmer, who demonstrates his trade for her; and her own daughter, who offers a child's instinctive wisdom about life's mysteries. With their help and her own persistence and courage, Boyd begins to understand that endings are often also beginnings, that the Book of Life and Death is constantly being rewritten before our eyes.