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From the internationally bestselling author of The Essex Serpent—soon to be an Apple TV+ Series“A beautiful, dream-like, unsettling narrative in which every word, like a small jewel, feels carefully chosen, considered and placed. Rarely do debut novels come as assured and impressive as this one.”—Sarah Waters, New York Times bestselling author of The Paying GuestsElegant, sinister and psychologically complex, After Me Comes the Flood is the haunting debut novel by Sarah Perry, the bestselling author of The Essex Serpent and Melmoth.One hot summer's day, John Cole decides to shut his bookshop early, and possibly forever, and drives out of London to see his brother. When his car breaks down on an isolated road, he goes looking for help and finds a dilapidated house. As he approaches, a laughing woman he's never seen before walks out, addresses him by name and explains she's been waiting for him. Entering the home, John discovers an enigmatic clan of residents all of whom seem to know who he is, and also claim they have been awaiting his arrival. They seem to be waiting for something else, too—something final....Written before Sarah Perry's ascension to an internationally bestselling author, After Me Comes the Flood is a spectacular novel of obsession, conviction, and providence.

From the best-selling author of How To Write an Autobiographical Novel, Alexander Chee's award-winning debut is'One of the great queer novels... of our time.'—Brandon Taylor, GQTwelve-year-old Fee is a shy Korean-American boy growing up in Maine whose powerful soprano voice wins him a place as section leader of the first sopranos in his local boys choir. But when, on a retreat, Fee discovers how the director treats the boys he makes section leader, he is so ashamed, he says nothing of the abuse, not even when Peter, Fee's best friend, is in line to be next. The director is eventually arrested, and Fee tries to forgive himself for his silence. But when Peter takes his own life, Fee blames only himself. Years later, after he has carefully pieced a new life together, Fee takes a job at a private school near his hometown. There he meets a young student, Arden, who, to his shock, is the picture of Peter—and the son of his old choir director. Told with “the force of a dream and the heft of a life” (Annie Dillard), this is a haunting, lyrically written debut novel that marked Chee “as a major talent whose career will bear watching” (Publisher's Weekly).

This novel of sorrow and suspense, set in rural Montana, is “a complex and powerful story—put Black River on the must-read list” (The Seattle Times). Wes Carver returns to his hometown—Black River, Montana—with two things: his wife's ashes and a letter from the parole board. The convict who once held him hostage during a prison riot is up for release. For years, Wes earned his living as a correction officer and found his joy playing the fiddle. But the uprising shook Wes's faith and robbed him of his music; now he must decide if his attacker should walk free. With “lovely rhythms, spare language, tenderness, and flashes of rage,” S. M. Hulse shows us the heart and darkness of an American town, and one man's struggle to find forgiveness in the wake of evil (Los Angeles Review of Books).

A “hilarious and addictive” novel about a grandmother who just wants to be left alone, from the author of Starting Out in the Evening (San Francisco Chronicle). Named a Best Book of the Year by NPR, the San Francisco Chronicle, Salon, and The Millions, and a Best Fiction Book of the Year by the Christian Science Monitor · Finalist for the Kirkus Prize · Meet Florence Gordon: blunt, brilliant, cantankerous, passionate, feminist icon to young women, invisible to almost everyone else. At seventy-five, Florence has earned her right to set down the burdens of family and work and shape her legacy at long last. But just as she begins to write her long-deferred memoir, her son Daniel returns to New York from Seattle with his wife and daughter, and they embroil Florence in their dramas, clouding the clarity of her days and threatening her well-defended solitude. And then there's her left foot, which is starting to drag… With humor and a tender respect for humanity in all its flaws, Brian Morton introduces a constellation of unforgettable characters—chief among them Florence, who can humble the fools surrounding her with one barbed line, but eventually finds there are realities even she cannot outwit. “Morton's intelligent, layered portrait of a feisty, independent older woman is an absolute joy to read, not only for its delightful wit but also for its dignified appraisal of aging and living life on one's own terms.”—Booklist(starred review) “Exquisitely crafted…Witty, nuanced and ultimately moving.”—Maureen Corrigan, NPR's Fresh Air “Smart, funny, and compassionate…a treat.”— People “It's such a cliché to say a book makes you laugh and cry, but this one does, in the deftest way.” —Emily Gould, Paste “Deliciously sharp and deeply sympathetic…a truly gifted novelist.”—Adam Kirsch, Tablet “Morton's intelligent, layered portrait of a feisty, independent older woman is an absolute joy to read, not only for its delightful wit but also for its dignified appraisal of aging and living life on one's own terms.”—Booklist (starred review) “Exquisitely crafted…Witty, nuanced and ultimately moving.”—Maureen Corrigan, NPR's Fresh Air “Smart, funny, and compassionate…a treat.”— People “It's such a cliché to say a book makes you laugh and cry, but this one does, in the deftest way.” —Emily Gould, Paste “Deliciously sharp and deeply sympathetic…a truly gifted novelist.”—Adam Kirsch, Tablet

In this Booker Prize–nominated “dream of a novel,” ordinary middle-class lives converge and collide one summer day in England (The Times). In delicate, intricately observed close-up, this novel makes us privy to the private lives of residents of a quiet street over the course of a single day, to the hopes, fears, and unspoken despairs of a diverse community: a single father with painfully scarred hands; a group of young club-goers just home from an all-night rave, sweetly high and mulling over vague dreams; and the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love. What eventually unites them is an utterly surprising and terrible twist of fate that shatters their everyday, ordinary tranquility, and all that they take for granted. A prose poem of a novel with a mystery at its center that “recalls To The Lighthouse or Mrs. Dalloway” (The Times), If Nobody Speaks of Remarkable Things was the recipient of the Somerset Maugham Award and the Betty Trask Award, and was named one of the best books of the year by the Los Angeles Times. It is, in the words of Ali Smith, “a tremendous read.” “A wonderful evocation of the beauty and horror of the literally everyday.” —Booklist (starred review) “Absolutely resplendent... does for urban England what John Cheever did for Westchester County.” —Bookpage

Everything is over for Simon Axler, the protagonist of Philip Roth's startling new book. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent, and his assurance. His Falstaff and Peer Gynt and Vanya, all his great roles,'are melted into air, into thin air.'When he goes onstage he feels like a lunatic and looks like an idiot. His confidence in his powers has drained away; he imagines people laughing at him; he can no longer pretend to be someone else.'Something fundamental has vanished.'His wife has gone, his audience has left him, his agent can't persuade him to make a comeback. Into this shattering account of inexplicable and terrifying self-evacuation bursts a counterplot of unusual erotic desire, a consolation for a bereft life so risky and aberrant that it points not toward comfort and gratification but to a yet darker and more shocking end. In this long day's journey into night, told with Roth's inimitable urgency, bravura, and gravity, all the ways that we convince ourselves of our solidity, all our life's performances—talent, love, sex, hope, energy, reputation—are stripped off. The Humbling is Roth's thirtieth book.

Like Rip Van Winkle returning to his hometown to find that all has changed, Nathan Zuckerman comes back to New York, the city he left eleven years before. Alone on his New England mountain, Zuckerman has been nothing but a writer: no voices, no media, no terrorist threats, no women, no news, no tasks other than his work and the enduring of old age.Walking the streets like a revenant, he quickly makes three connections that explode his carefully protected solitude. One is with a young couple with whom, in a rash moment, he offers to swap homes. They will flee post-9/11 Manhattan for his country refuge, and he will return to city life. But from the time he meets them, Zuckerman also wants to swap his solitude for the erotic challenge of the young woman, Jamie, whose allure draws him back to all that he thought he had left behind: intimacy, the vibrant play of heart and body.The second connection is with a figure from Zuckerman's youth, Amy Bellette, companion and muse to Zuckerman's first literary hero, E. I. Lonoff. The once irresistible Amy is now an old woman depleted by illness, guarding the memory of that grandly austere American writer who showed Nathan the solitary path to a writing vocation.The third connection is with Lonoff's would-be biographer, a young literary hound who will do and say nearly anything to get to Lonoff's “great secret.” Suddenly involved, as he never wanted or intended to be involved again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities.Haunted by Roth's earlier work The Ghost Writer, Exit Ghost is an amazing leap into yet another phase in this great writer's insatiable commitment to fiction.

An old man recounts the raucous adventure of his life through war, obsession and the 20th century in this “rapturous and melancholy new novel” (The New York Times).An old American who lives in Brazil is writing his memoirs. Call him Oscar Progresso—or whatever else you like. He sits in a mountain garden in Niterói, overlooking the ocean. As he reminisces and writes, placing the pages carefully in his antproof case, an epic adventure unfolds. We learn that he was a World War II ace who was shot down twice, an investment banker who met with popes and presidents, and a man who was never not in love.But that doesn't begin to cover our narrator's immense and fascinating journey through the 20th century. He was also the thief of the century, a murderer, and a protector of the innocent. All his life he waged a valiant, losing, one-man battle against the world's most insidious enslaver: coffee. The acclaimed author of Winter's Tale and A soldier of the Great War, Mark Helprin now offers “a tour de force that combines adventure, romance and an overview of the 20th century into a bittersweet narrative” (Publishers Weekly, starred review).

“A stunning and satisfying volume” of short stories about women and their relationships, from a winner of the Katherine Anne Porter Prize (Booklist). This collection of short fiction deals with the struggles between mothers and their wayward daughters, the often preposterous bonds that tie men and women together, and the complex games masters and servants play with one another. Whether describing a mother mired in senile dementia in “Ma,” a young girl's loss of innocence with an itinerant knife-sharpener in “Under the House,” or a young woman incapable of conventional love in “An Error of Desire,” Lynn Freed portrays the absurdity, the delusions, the dramas, and the dignity of her characters'lives. “Women's relationships—with their mothers, their lovers, their culture and their own sexuality—are the subject of the 14 stories in this fine collection. Freed... creates achingly real women and lovingly rendered misfits, and she reports straightforwardly and without judgment on their unconventional urges and questionable decisions.” —Publishers Weekly

Money and conscience are at the heart of Cynthia Ozick's masterly first novel, narrated by a nameless young woman and set in the private world of wealthy New York, the dire landscape of postwar Europe, and the mythical groves of a Shakespearean isle. Beginning in the 1930s and extending through four decades, Trust is an epic tale of the narrator's quest for her elusive father, a scandalous figure whom she has never known. In a provocative afterword, Ozick reflects on how she came to write the novel and discusses the cultural shift in the nature of literary ambition in the years since.

A “perceptive, affectionate, and often very funny” novel about old college friends at a thirty-year reunion, by the author of The Things They Carried (Boston Herald). From a National Book Award winner who's been called “the best American writer of his generation” (San Francisco Examiner), July, July tells the story of ten old friends who attended Darton Hall College together back in 1969, and now reunite for a summer weekend of dancing, drinking, flirting, reminiscing—and regretting. The three decades since graduation have brought marriage and divorce, children and careers, hopes deferred and replaced. This witty, heart-rending novel about men and women who came into adulthood at a moment when American ideals and innocence began to fade, a New York Times Notable Book, is “deeply satisfying” (O, the Oprah Magazine) and “almost impossible to put down” (Austin American-Statesman). “A symphony of American life.” —All Things Considered, NPR

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past--a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts of his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where conflicting moralities and ideological divisions are made manifest through public denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the'human stain'that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I Married a Communist.