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Death and Mr. Pickwick is a vast, richly imagined, Dickensian work about the rough-and-tumble world that produced an author who defined an age. Like Charles Dickens did in his immortal novels, Stephen Jarvis has spun a tale full of preposterous characters, shaggy-dog stories, improbable reversals, skulduggery, betrayal, and valor-all true, and all brilliantly brought to life in his unputdownable book.The Posthumous Papers of the Pickwick Club, featuring the fat and lovable Mr. Pickwick and his Cockney manservant, Sam Weller, began as a series of whimsical sketches, the brainchild of the brilliant, erratic, misanthropic illustrator named Robert Seymour, a denizen of the back alleys and grimy courtyards where early nineteenth-century London's printers and booksellers plied their cutthroat trade. When Seymour's publishers, after trying to match his magical etchings with a number of writers, settled on a young storyteller using the pen name Boz, The Pickwick Papers went on to become a worldwide phenomenon, outselling every other book besides the Bible and Shakespeare's plays. And Boz, as the young Charles Dickens signed his work, became, in the eyes of many, the most important writer of his time. The fate of Robert Seymour, Mr. Pickwick's creator, a very different story-one untold before now.Few novels deserve to be called magnificent. Death and Mr. Pickwick is one of them.

A hypnotic novel intertwining the author's past with James Earl Ray's attempt to escape after shooting Martin Luther King Jr.The year is 1968 and James Earl Ray has just shot Martin Luther King Jr. For two months he evades authorities, driving to Canada, securing a fake passport, and flying to London, all while relishing the media's confusion about his location and his image on the FBI's Most Wanted list. Eventually he lands at the Hotel Portugal in Lisbon, where he anxiously awaits a visa to Angola. But the visa never comes, and for his last ten days of freedom, Ray walks around Lisbon, paying for his pleasures and rehearsing his fake identities. Using recently declassified FBI files, Antonio Muñoz Molina reconstructs Ray's final steps through the Portuguese capital, taking us inside his feverish mind, troubled past, and infamous crime. But Lisbon is also the city that inspired Muñoz Molina's first novel, A Winter in Lisbon, and as he returns now, thirty years later, it becomes the stage for and witness to three alternating stories: Ray in 1968 at the center of an international manhunt; a thirty-year-old Muñoz Molina in 1987 struggling to find his literary voice; and the author in the present, reflecting on his life and the form of the novel as an instrument for imagining the world through another person's eyes. Part historical fiction, part fictional memoir, Like a Fading Shadow masterfully explores the borders between the imagined, the reported, and the experienced past in the construction of identity.

A mesmerizing collection of playfully surreal stories from one of Norway's most celebrated writersFirst published in Norway in 2004, Knots is Gunnhild Øyehaug's radical collection of short stories that range from the surreal to the oddly mundane, and prod the discomforts of mental, sexual, and familial bonds.In both precise short-shorts and ruminative longer tales, Øyehaug meanders through the tangled, jinxed, and unavoidable conflicts of love and desire. From young Rimbaud's thwarted passions to the scandalous disappearance of an entire family, these stories do the chilling work of tracing the outlines of what could have been in both the quietly morbid and the delightfully comical. A young man is born with an uncuttable umbilical cord and spends his life physically tethered to his mother; a tipsy uncle makes an uncomfortable toast with unforeseeable repercussions; and a dissatisfied deer yearns to be seen. As one character reflects, “You never know how things might turn out, you never know how anything will turn out, tomorrow the walls might fall down, the room disappear.”Cleverly balancing the sensuous, the surreal, and the comical, Øyehaug achieves a playful familiarity with the absurd that never overreaches the needs of her stories. Full of characters who can't help tying knots in themselves and each other, these tales make the world just a little more strange, and introduce a major international voice of searing vision, grace, and humor.

Named a Best Book of the Year by The Guardian and NPR“A writer who is gifted not just with extraordinary talent but also with a subtle, original, and probing mind.” —Amitav GhoshIn one of the singularly imaginative stories from Kanishk Tharoor's Swimmer Among the Stars, despondent diplomats entertain themselves by playing table tennis in zero gravity—for after rising seas destroy Manhattan, the United Nations moves to an orbiting space hotel. In other tales, a team of anthropologists treks to a remote village to record a language's last surviving speaker intoning her native tongue; an elephant and his driver cross the ocean to meet the whims of a Moroccan princess; and Genghis Khan's marauding army steadily approaches an unnamed city's walls.With exuberant originality and startling vision, Tharoor cuts against the grain of literary convention, drawing equally from ancient history and current events. His world-spanning stories speak to contemporary challenges of environmental collapse and cultural appropriation, but also to the workings of legend and their timeless human truths. Whether refashioning the romances of Alexander the Great or confronting the plight of today's refugees, Tharoor writes with distinctive insight and remarkable assurance. Swimmer Among the Stars announces the arrival of a vital, enchanting talent.

A majestic tale of colonialism and transformation, Patrice Nganang's Mount Pleasant tells the astonishing story of the birth of modern Cameroon, a place subject to the whims of the French and the Germans, yet engaged in a cultural revolution.In 1931, Sara is taken from her family and brought to Mount Pleasant as a gift for Sultan Njoya, a ruler cast into exile by French colonialists. Merely nine years old, she is on the verge of becoming the sultan's 681st wife. But when she is dragged to Bertha, the long-suffering slave charged with training Njoya's brides, Sara's life takes a curious turn. Bertha sees within this little girl her son Nebu, who died tragically years before, and she saves Sara from her fate by disguising her as her son. In Sara's new life as a boy she bears witness to the world of Sultan Njoya---a magical yet vulnerable community of artists and intellectuals---and learns of the sultan's final days in the Palace of All Dreams and the sad fate of Nebu, the greatest artist their culture had ever seen.Seven decades later, a student returns home to Cameroon to learn about the place it once was, and she finds Sara, silent for years, ready to tell her story. But her serpentine tale, entangled by flawed memory and bursts of the imagination, reinvents history anew. The award-winning novelist Patrice Nganang's Mount Pleasant is a lyrical resurrection of early-twentieth-century Cameroon and an elegy to the people swept up in the forces of colonization.

A literary tour de force of a detective's ceaseless hunt for an elusive criminalBy Gaslight is a deeply atmospheric, haunting novel about the unending quest that has shaped a man's life. William Pinkerton is already famous, the son of the most notorious detective of all time, when he descends into the underworld of Victorian London in pursuit of a new lead on the fabled con Edward Shade. William's father died without ever finding Shade, but William is determined to drag the thief out of the shadows.Adam Foole is a gentleman without a past, haunted by a love affair ten years gone. When he receives a letter from his lost beloved, he returns to London to find her. What he learns of her fate, and its connection to the man known as Shade, will force him to confront a grief he thought long-buried.A fog-enshrouded hunt through sewers, opium dens, drawing rooms, and séance halls ensues, creating the most unlikely of bonds: between Pinkerton, the great detective, and Foole, the one man who may hold the key to finding Edward Shade.Steven Price's dazzling, riveting By Gaslight moves from the diamond mines of South Africa to the battlefields of the Civil War, on a journey into a cityscape of grief, trust, and its breaking, where what we share can bind us even against our darker selves.

Elle's 33 Best Books of the YearA Searing Debut Novel from One of the Most Imaginative Minds in FictionChizuru Akitani is the twelve-year-old daughter of the famous violinist and Japanese “Living National Treasure” Hiro Akitani. Overweight and hafu (her mother is white), she is tormented by her classmates and targeted by the most relentless bully of them all, Tomoya Yu. When Chizuru's mother dies suddenly her father offers her no comfort and she is left feeling alone and unmoored. At school, her bully's cruelty intensifies, and in a moment of blind rage, Chizuru grabs a Morimoto letter opener from her teacher's desk and fatally stabs Tomoya Yu in the neck.For the next seven years, Chizuru is institutionalized. Her father visits her just twice before ultimately disowning her. Upon release, Chizuru flees Japan for a new identity and life in the United States. Determined to outrun her murderous past, she renames herself Rio, graduates from nursing school, marries a loving man, and soon has a daughter. But when a mysterious package arrives on her doorstep in Boulder, Colorado, announcing the death of her father, Rio feels compelled to return to Japan for the first time in twenty years, leaving her husband and her daughter confused and bereft. Going back to her homeland, and to the scene of her complicated past, feels like stepping into a strange and familiar dream. When she unexpectedly reconnects with Miss Danny, who had been her beloved teacher at the time of the stabbing, long-kept secrets are unearthed, forcing Rio to confront her past in ways she never imagined, and to decide if she will reveal to her family who she once was.Full of atmospheric and illuminating descriptions of Japan and its culture, Pull Me Under is an affecting exploration of home, identity, and the limits of forgiveness. Kelly Luce has written a bold and psychologically complex first novel that grips and dazzles from start to finish.

Haunted by his actions during World War II, a former Nazi officer turned Catholic bishop attempts to make amends with a Jewish chess champion.SS Obersturmfuhrer Paul Meissner arrives in Auschwitz from the Russian front wounded and fit only for administrative duty. His most pressing task is to improve camp morale, and he establishes a chess club, and allows officers and enlisted men to gamble on the games. Soon Meissner learns that chess is also played among the prisoners, and there are rumors of an unbeatable Jew known as “the Watchmaker.” Meissner's superiors begin to demand that he demonstrate German superiority by pitting this undefeated Jew against the best Nazi players. Meissner finds Emil Clément, the Watchmaker, and a curious relationship arises between them. As more and more games are played, the stakes rise, and the two men find their fates deeply entwined.Twenty years later, the two meet again in Amsterdam—Meissner has become a bishop, and Emil is playing in an international chess tournament. Having lost his family in the horrors of the death camps, Emil wants nothing to do with the ex-Nazi officer despite their history, but Meissner is persistent. “What I hope,” he tells Emil, “is that I can help you to understand that the power of forgiveness will bring healing.” As both men search for a modicum of peace, they recall a gripping tale of survival and trust.A suspenseful meditation on understanding and guilt, John Donoghue's The Death's Head Chess Club is a bold debut and a rich portrait of a surprising friendship.

An absorbing family saga set amid the commotion of the last forty years of Indian historyThe Way Things Were opens with the death of Toby, the Maharaja of Kalasuryaketu, a Sanskritist who has not set foot in India for two decades. Moving back and forth across three sections, between today's Delhi and the 1970s,'80s, and'90s in turn, the novel tells the story of a family held at the mercy of the times. A masterful interrogation of the relationships between past and present and among individual lives, events, and culture, Aatish Taseer's The Way Things Were takes its title from the Sanskrit word for history, itihasa, whose literal translation is'the way things indeed were.'Told in prose that is at once intimate and panoramic, and threaded through with Sanskrit as central metaphor and chorus, this is a hugely ambitious and important book, alive to all the commotion of the last forty years but never losing its brilliant grasp on the current moment.

Inventive, outlandish, and tender fairy tales from a bestselling authorThe fantastic has always been at the edges of Heather O'Neill's work. In her bestselling novels Lullabies for Little Criminals and The Girl Who Was Saturday Night, she transformed the shabbiest streets of Montreal with her beautiful, freewheeling metaphors. She described the smallest of things—a stray cat or a second-hand coat—with an intensity that made them otherworldly.In Daydreams of Angels, O'Neill's first collection of short stories, she gives free reign to her imaginative gifts. In'The Ugly Ducklings,'generations of Nureyev clones live out their lives in a grand Soviet experiment. In'Dear Piglet,'a teenaged cult follower writes a letter to explain the motivation behind her crime. And in another tale, a grandmother reveals where babies come from: the beach, where young mothers-to-be hunt for infants in the surf. Each of these beguiling stories twists the beloved narratives of childhood—fairy tales, storybooks, Bible stories—to uncover the deepest truths of family life.

Long-listed for the 2016 PEN Translation PrizeA New York Times Book Review Editor's ChoiceA dazzling, utterly distinctive saga from the internationally celebrated and controversial novelist Vladimir Sorokin,'the shock jock of Russian letters'(Harper's).'Vladimir Sorokin [is] Russia's most inventive contemporary author... [Gambrell's] translation is as elegant, playful and layered as the original.'—Masha Gessen, The New York Times Book ReviewGarin, a district doctor, is desperately trying to reach the village of Dolgoye, where a mysterious epidemic is turning people into zombies. He carries with him a vaccine that will prevent the spread of this terrible disease, but is stymied in his travels by an impenetrable blizzard. A trip that should last no more than a few hours turns into a metaphysical journey, an expedition filled with extraordinary encounters, dangerous escapades, torturous imaginings, and amorous adventures.Trapped in an existential storm, Vladimir Sorokin's characters fight their way across a landscape that owes as much to Chekhov's Russian countryside as it does to the postapocalyptic terrain of science fiction. Hypnotic, fascinating, and richly drawn, The Blizzard is a seminal work from one of the most inventive authors writing today. Sorokin has created yet another boldly original work, which combines an avant-garde sensibility with a taste for the absurd and the grotesque, all while delivering stinging truths about contemporary life and modern-day Russia.

A searing family drama from one of Latin America's most original voicesOne trip. Two love stories. Three voices.Lito is ten years old and is almost sure he can change the weather when he concentrates very hard. His father, Mario, anxious to create a memory that will last for his son's lifetime, takes him on a road trip in a truck called Pedro. But Lito doesn't know that this might be their last trip: Mario is gravely ill. Together, father and son embark on a journey takes them through strange geographies that seem to meld the different parts of the Spanish-speaking world. In the meantime, Lito's mother, Elena, restlessly seeks support in books, and soon undertakes an adventure of her own that will challenge her moral limits. Each narrative—of father, son, and mother—embodies one of the different ways that we talk to ourselves: through speech, through thought, and through writing. While neither of them dares to tell the complete truth to the other two, their individual voices nonetheless form a poignant conversation.Sooner or later, we all face loss. Andrés Neuman movingly narrates the ways the lives of those who survive loss are transformed; how that experience changes our ideas about time, memory, and our own bodies; and how the acts of reading, and of sex, can serve as powerful modes of resistance. Talking to Ourselves presents a tender yet unsentimental portrait of the workings of love and family; a reflection both on grief and on the consolation of words. Neuman, the author of the award-winning Traveler of the Century, displays his characteristic warmth, bittersweet humor, and wide-ranging intellect, giving us the rich, textured, and strikingly different voices and experiences of three singular characters while presenting, above all, a profound tribute to those who have ever had to care for a loved one.

A dark, gripping coming-of-age tale that explores violence, friendship, family, and what it means to be a manSummer, Palermo, early 1980s. The air hangs hot and heavy. The Mafia-ruled city is a powder keg ready to ignite. In a boxing gym, a fatherless nine-year-old boy climbs into the ring to face his first opponent.So begins On Earth as It Is in Heaven, a sweeping multigenerational saga that reaches back to the collapse of the Italian front in North Africa and forward to young Davidù's quest to become Italy's national boxing champion, a feat that has eluded the other men of his family.But Davide Enia, whose layered, lyrical, nonchronological novel caused a sensation when it was published in Italy in 2012, has crafted an epic that soars in miniature as well. The brutal struggles for dominance among Davidù's all male circle of friends; his strict but devoted grandmother, whose literacy is a badge of honor; his charismatic and manipulative great-uncle, who will become his trainer—the vicious scenes and sometimes unsympathetic characters Enia sketches land hard and true.On Earth as It Is in Heaven is both firmly grounded in what Leonardo Sciascia liked to call'Sicilitude'- the language and mentality of that eternally perplexing island - and devastatingly universal. A meditation on physical violence, love and sex, friendship and betrayal, boxing and ambition, Enia's novel is also a coming-of-age tale that speaks - sometimes crudely, but always honestly - about the joys and terrors of becoming a man.