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Gina Berriault's work as a storywriter of great psychological empathy and extraordinary elegance and subtlety was celebrated widely at the end of her life. Her collection Women in Their Beds, won the PEN/Faulkner Award for fiction, the National Books Critics Prize in fiction and the Rea Prize for lifetime achievement. She has few equals in the history of the American short story. Over the course of her career she also wrote several novels and novellas, and we have here a collection of the three finest, which have each been published before as separate volumes but which have been out of print and unavailable for many years. They each can be counted among her finest work.The Son was first published in 1962, The Conference of Victims in 1966. And The Lights of Earth, first published in 1984, stands easily alongside her greatest achievements. All three are stories about women. In The Son, Vivian believes men run the world and finds meaning only in erotic love. As she envies her son's future, and wishing to share it, she seduces him. Naomi, in Conference of Victims, is thrown nearly out of her mind by her brother's suicide. Only her need to love keeps her alive. When it was first published, Andre Dubus said of The Lights of Earth,'Like her stories, it's masterly. Its central character is a woman, Ilona Lewis, who confronts loss of earthly love. But Ilona's experience is far more complex than losing a man because he has become a celebrity. It involves the hearts of all of us seeking the lights of earth, the soul's blessing in its long, dark night.'

This is a wonderful comic novel, about philosophy, the nature of art, the beauty of the ordinary, and about quirky, complete, night & day victims of obsessive–compulsive disorder. Two charming, over–anxious, germ–phobic friends, Isaac and Greg take a road trip from Boston to Philadelphia. They are both obsessed with Marcel Duchamp, his art and his ideas, and thus the destination has to be the largest collection of Duchamp in the world, The Philadelphia Art Museum, the actual place'The Bride Stripped Bare by Her Bachelors, Even'was to be delivered when it was cracked and broken in shipment. The piece is sometimes known as The Large Glass, and today it sits in the middle of a large gallery proudly displayed in its broken state which Duchamp repaired and then certified had been his intention all along.The two men are driven in a rented disinfected Winnebago by Kelly, a beautiful art scholar who smells like a mixture of lemons and fresh sawdust. They intend to pick up an ancient chocolate grinder, an exact working sculptural copy of one used in a Duchamp painting. Isaac intends to grind his own pure chocolate, which will prevent the build–up or arterial plaque, because his mother died of a stroke. Every action has its own suitable reaction, and then some. Isaac hopes eventually to overcome his devotion to his many obsessions and to re–enter the world, evidently his version of the real world. He is not an unreliable narrator, he is a hyper–reliable narrator, consumed by his own attention and thrilled with the connections he sees everywhere all at once. Of course when he finally gets to the museum he must dress–up as a woman to visit the collection.

We first met Avery in two of the stories featured in Dana Johnson's award–winning collection Break Any Woman Down. As a young girl, she and her family escape the violent streets of Los Angeles to a more gentrified existence in suburban West Covina. This average life, filled with school, trips to 7–Eleven to gawk at Tiger Beat magazine, and family outings to Dodger Stadium, is soon interrupted by a past she cannot escape, personified in the guise of her violent cousin Keith.When Keith moves in with her family, he triggers a series of events that will follow Avery throughout her life: to her studies at USC, to her burgeoning career as a painter and artist, and into her relationship with a wealthy Italian who sequesters her in his glass–walled house in the Hollywood Hills. The past will intrude upon Avery's first gallery show, proving her mother's adage: Every goodbye aint gone. The dual–narrative of Elsewhere, California illustrates the complicated history of African Americans across the rolling basin of Los Angeles.

Mark Perdue has so many problems that when he starts feeling chest pains on the tarmac at LAX, it dawns on him that a heart attack might be an efficient way out. Once an eminent physicist, he hasn't published or had a new idea in a decade. The younger professors at UC Berkeley pity him, and he's taken to using the back staircases to avoid their looks. At home, his wife has been inconsolable since the recent late–term abortion of their afflicted fetus. And he can't deny it any longer—he is decidedly losing his mental faculties to chronic Lyme disease.Now Mark is visiting Los Angeles with his ambitious daughter, Carlotta, so she can attend a'Celebrity Fantasy Vacation,'in which she is promised three days and two nights of the rock star lifestyle. On stage, Carlotta sings her way to a new self–confidence, giving Mark a glimmer of joy in her sense of victory. But then she disappears with her newly acquired paraplegic boyfriend to take an excursion to the Hollywood sign and gets them all arrested, Mark included. Mark now faces a night in jail—and maybe a hint of what he really needs to be happy.

Written with the precision of Cynthia Ozick and the blunt passion of Alice Munro, this riveting story takes place on a landscape—the deserts of Eastern Oregon—itself a deeply important character in this remarkable first novel.Avery is no stranger to the weight of loss, the way it shapes and defines the expanse of a life. The death of her sister, when Avery was just a child herself, engulfed her and her family—a mother driven mad, a father who disappeared, and all the while, neighbors and friends ignoring and surviving. The loss shades Avery's full being, becoming a deep part of her past and her future.As a young woman, Avery's life in Eastern Oregon ranch country is filled with an acquired family: her partner Davis Lovell, a ranch hand and father figure; Lennie, Lovell's daughter; and Davis's grandparents. When Avery suffers the loss of her and Davis's newborn child, it triggers and revives in her a familiar sense of guilt, one she has carried since childhood over the disintegration of her family.

On a distant island, reality show contestants battle for bragging rights and a slot on next week's episode. They've perfected their dramatic roles and are prepared to do whatever it takes to win. There's the take–no–prisoners Marine sergeant, the gay hairdresser, the ruthless lawyer, the brainy poet. But one player refuses to compete—Gloria Hamm, a sullen dental hygienist, voted least likely to win by the show's crew.The higher–ups are desperate for ratings and sensational twists to trump the plots of seasons past. But the producer—haunted by personal tragedies all too real—is losing control of the show and its crew. While he obsesses about Gloria, the crew plots mutiny, a contestant dances with insanity, and disease threatens to halt the show completely. When real catastrophes strike, the producer finds it harder and harder to navigate his surreal landscape, where boundaries of the real, imagined, and orchestrated have blurred beyond recognition.Deus Ex Machina deconstructs our notions of narrative, revealing how tricky it is for any auteur to disappear from his creation. In an age when people will seemingly do anything to be on television, it asks what is the true nature of'reality,'and what is its cost?

At the turn of the twentieth century, Arctic explorer Edward Mackley sets out to reach the North Pole and vanishes into the icy landscape without a trace. He leaves behind a young wife, Emily, who awaits his return for decades, her dreams and devotion gradually freezing into rigid widowhood. A hundred years later, on a sweltering mid–summer's day, Edward's great–grand–niece Julia moves through the old family house, attempting to impose some order on the clutter of inherited belongings and memories from that ill–fated expedition, and taking care to ignore the deepening cracks within her own marriage. But as afternoon turns into evening, Julia makes a discovery that splinters her long–held image of Edward and Emily's romance. The Still Point moves through past, present, and future, with dreams revealing a universal simultaneity to the choices we must all make in the faces of love and passion. Long–listed for the Orange Prize, The Still Point is a powerful literary debut, masterfully told in the language of the heart.

National Book Award FinalistThe basis for Mr. and Mrs. Bridge (1990), starring Paul Newman and Joanne Woodward “A perfect novel... economical, piquant, beautiful, true” that chronicles the lives of a wealthy family in 1930s Kansas through the eyes of its matriarch (Meg Wolitzer, New York Times–bestselling author). In Mrs. Bridge, Evan S. Connell, a consummate storyteller, artfully crafts a portrait using the finest of details in everyday events and confrontations. The novel is comprised of vignettes, images, fragments of conversations, events—all building powerfully toward the completed group portrait of a family, closely knit on the surface but deeply divided by loneliness, boredom, misunderstandings, isolation, sexual longing, and terminal isolation. In this special 50th anniversary edition, we are reminded once again why Mrs. Bridge has been hailed by readers and critics alike as one of the greatest novels in American literature.

Father Duncan MacAskill has spent most of his priesthood as the'Exorcist'—an enforcer employed by his bishop to discipline wayward priests and suppress potential scandal. He knows all of the devious ways that lonely priests persuade themselves that their needs trump their vows, but he's about to be sorely tested himself.While sequestered by his bishop in a small rural parish to avoid an impending public controversy, Duncan must confront the consequences of past cover–ups and the suppression of his own human needs. Pushed to the breaking point by loneliness, tragedy, and sudden self–knowledge, Duncan discovers how hidden obsessions and guilty secrets either find their way to the light of understanding or poison any chance we have for love and spiritual peace.

Jarring yet slyly comic, Waiting for Rescue evokes a world turned upside down after the events of 9/11 as seen through the eyes of a wry and observant American woman who, though far from the path of the hijacked planes, is thrown into turmoil nevertheless. As a teacher in Boston working with health professionals from around the world, her sudden grief and sense of impending violence gradually pervade every facet of her life and change forever her understanding of the'good works'her colleagues and her students believe they do.In Honig's global landscape, the paths of vastly different people crisscross with the narrator's: a Muslim family in America dealing with cancer, then ethnic profiling; an aging researcher hoping to make his mark in bio–terror's next big thing; a feisty girl in Kenya whose parents have AIDS; a nerdy high school teacher who commits a terrible crime that returns to haunt, decades later.Everywhere the author takes us — the classroom and the bedroom, in hallways of hospitals and the offices of ambitious researchers, in the slums of Nairobi and the streets of Boston, at office parties and bedside vigils — events intersect in a unique commentary on the imbalances of our times.

Everyone would agree that Darius Halloway was the most civilized of men, a professor of French literature; a connoisseur of ideas, beautiful women, and fine wine; a perfect guest at life's dinner party. Darius himself would have especially agreed until Emma, waifish and insatiable Emma, leaves her empty clothes hangers rattling in his closet and walks out the door.For a little while, it's not so bad. He's in shock. He thinks she will come back. Other women find his melancholy quite compelling, and there are compensations to be had. But then the sparrows of insomnia start picking at the inside of his skull. Life's little aggravating moments suddenly seem to require him to seek direct retaliation. Soon, all his smoothness and cleverness are directed toward wreaking the most elaborate revenge—until there he is, in the most damning of situations, with his nerves on fire and his heart in his throat.

'Self–styled'writer Grace Cleave has writer's block, and her anxiety is only augmented by her chronic aversion to leaving her home, to be'among people, even for five or ten minutes.'And so it is with trepidation that she accepts an invitation to spend a weekend away from London in the north of England. Once there, she feels more and more like a migratory bird, as the pull of her native New Zealand makes life away from it seem transitory. Grace longs to find her place in the world, but first she must learn to be comfortable in her own skin, feathers and all.From the author of the universally acclaimed An Angel at My Table comes an exquisitely written novel of exile and return, homesickness and belonging. Written in 1963 when Janet Frame was living in London, this is the first publication of a novel she considered too personal to be published while she was alive.

A young Los Angeles real estate developer consumed by power and political ambitions finds his orderly, upwardly mobile life thrown into chaos by the sudden appearance of his nutty mother, who's been deserted by T.'s now out–of–the–closet fatherAfter his mother's suicide attempt and two other deaths, T. finds himself increasingly estranged from his latest project: a retirement community in the middle of the California desert. As he juggles family, business, and social responsibilities, T. begins to nurture a curious obsession with vanishing species. Soon he's living a double life, building sprawling subdivisions by day and breaking into zoos at night to be near the animals. A series of calamities forces T. to a tropical island, where he takes a Conrad–esque journey up a river into the remote jungle. Millet's devastating wit, psychological acuity, and remarkable empathy for flawed humankind contend with her vision of a world slowly murdering itself.

In recent novels, which have been called'hypnotic,''stunning,'and'exhilarating,'David Markson has created his own personal genre. In this new work, The Last Novel, an elderly author (referred to only as'Novelist') announces that since this will be his final effort, he has'carte blanche to do anything he damned well pleases.'Pressed by solitude and age, Novelist's preoccupations inevitably turn to the stories of other artists — their genius, their lack of recognition, and their deaths. Keeping his personal history out of the story as much as possible, Novelist creates an incantatory stream of fascinating triumphs and failures from the lives of famous and not–so–famous painters, writers, musicians, sports figures, and scientists.As Novelist moves through his last years, a minimalist self–portrait emerges, becoming an intricate masterpiece from David Markson's astonishing imagination. Through these startling, sometimes comic, but often tragic anecdotes we unexpectedly discern the entire shape of a man's life.