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'Perhaps the luminous novel is this thing that I started writing today; just now. Maybe these sheets of paper are a warm-up exercise. […] But it's quite possible that if I go on writing – as I usually do – with no plan; although this time I know very well what I want to say; things will start to take shape; to come together. I can feel the familiar taste of a literary adventure in my throat. I'll take that as confirmation; then; and start describing what I think was the beginning of my spiritual awakening – though nobody should expect religious sermons at this point; they'll come later. It all began with some ruminations prompted by a dog.'A writer attempts to complete the novel for which he has been awarded a big fat Guggenheim grant; though for a long time he succeeds mainly in procrastinating – getting an electrician to rewire his living room so he can reposition his computer; buying an armchair; or rather; two:'In one; you can't possibly read: it's uncomfortable and your back ends up crooked and sore. In the other; you can't possibly relax: the hard backrest means you have to sit up straight and pay attention; which makes it ideal if you want to read.'Insomniacs; romantics and anyone who's ever written (or failed to write) will fall in love with this compelling masterpiece told by a true original; with all his infuriating faults; charming wit and intriguing musings.

Dark, profane, and hilarious, yet ultimately humane, these ten stories are the latest and best of Robin McLean's reports from the eternal battlefront that is the United States. Ranging across the continent, from Alaska to Missouri, from the flatlands to the mountains, each tale is a snapshot of the political, racial, and sexual undercurrents roiling contemporary life, and each finds a way into the nerves and blood that pulse beneath the question of how to live a decent life. Here you'll find stolen children living life to the fullest on the run and on the road, soldiers guarding empty frontiers, and rugged individualists brought low by an uncaring nature. You'll find prehistoric beasts rubbing talons with hustlers as well as death machines lurking beneath the bucolic countryside. Here you'll find hatred, friendship, and pitch-black humor all seething in the same stew. Get'em Young, Treat'em Tough, Tell'em Nothing marries the sardonic moral and political explorations of a Flannery O'Connor to the surreal, scuzzy wit of a Denis Johnson. It is a brazen State of the Union for a nation on the edge.

Completed by Robert Aickman in 1975; but never before published in the USA; Go Back at Once is a delicious; delirious comic fantasy about the joys and terrors experienced by two young women seeking to escape the degradations of our technological and conformist age by fleeing to a chaotic; poet-ruled utopia.

When a high-schooler is plucked from her dreary town and set loose in the world of London modeling; this fairy-tale transformation risks destroying not only her; but everyone in her orbit. A biting look at the privation and resentment lurking behind any real-life Cinderella story; Fit is at once a classic work of kitchen-sink realism as well as an uncanny anatomy of the unforgiving rules that govern our stratified world.

The Turkish variety are prized for their enlarged leaf bud; that's where we put the heroin... Ayla has a plan. There's a stash of heroin; just waiting to be imported. No one seems sure what to do with it; but Ayla's a gardener; and she knows. From secretive men's clubs to spotless living rooms; Keeping the House is an electrifying debut that lifts the lid on a covert world. But just as it offers a fresh take on the London drug trade and its machinery; it tells the story of three women in one house: a grandmother; a mother; and the daughter; each dealing with the intricacies and reverberations of community; migration and love.

Nine-year old Marina swears like a sailor and thinks like a novelist; but that doesn't make growing up any less of a mystery. While her mother is in the hospital with a grave but unnamed illness; Marina spends the summer with her grandmother; waiting to hear whether she'll ever get to go home or be bundled off; newly orphaned; to a convent school. There are no rules here; but that also means there are no easy ways to fend off the visions of sex and violence that both torment and titillate the girl. Presenting a fresh; vivid take on the coming-of-age novel; Oldladyvoice reimagines childhood through the eyes of its one-of-a-kind; hilarious; perceptive; and endearing narrator.

Permafrost's no-bullshit lesbian narrator is an uninhibited lover, a no-hope employee, and a some-time suicidal student of her own dislocated self. As she tries to break out of the roles set for her by a controlling, overprotective mother, a relentlessly positive sister, and a society which imposes a gut-wrenching pressure to conform, she contemplates the so-called will to live when that life is given, rather than chosen. Attempting to bridge the gap between the perennially frozen reaches of her outer shell and the tender core of her being, watching her relationships with family fracture and her many lovers come and go, the protagonist's reservations about staying alive become ever more pressing. Passionate, urgent and breathtakingly forthright, this fiction debut from Catalan poet Eva Baltasar was a word-of-mouth hit in its own language and is a gift for readers in English.

Through war and its aftermaths, a woman fights to keep her daughters safe. As a girl she sees her village sacked and her beloved father and brothers flee. Her life in danger, she joins the rebellion in the hills, where her comrades force her to give up the baby she conceives. Years later, having outlived countless men, she leaves to find her lost daughter, travelling across the Atlantic with meagre resources. She returns to a community riven with distrust, fear and hypocrisy in the wake the revolution. Hernandez'narrators have the level gaze of ordinary women reckoning with extraordinary hardship. Denouncing the ruthless machismo of combat with quiet intelligence, Slash and Burn creates a suspenseful, slow-burning revelation of rural life in the aftermath of political trauma.

A young woman in Buenos Aires spies three women in the house opposite her family's home. Intrigued, she begins to watch them. She imagines them as accomplices to an unknown crime, as troubled spinsters contemplating suicide, or as players in an affair with dark and mysterious consequences. Lange's imaginative excesses and almost hallucinatory images make this uncanny exploration of desire, domestic space, voyeurism and female isolation a twentieth-century masterpiece. Too long viewed as Borges's muse, Lange is today recognised in the Spanish-speaking world as a great writer and is here translated into English for the first time, to be read alongside Virginia Woolf, Clarice Lispector and Marguerite Duras.

'Neither the old man nor Boga ever said more than was needed. And yet they understood each other perfectly.'Over the course of a season, Boga and the old man work side by side on the sandbanks of the Paraná Delta, cutting reeds to sell to local basketweavers. But when the old man falls sick and dies, Boga abandons himself entirely to the river and the life of solitary drifting he has long yearned for. Echoes of John Berger sound throughout the evocative prose of this great Argentinan writer. A twentieth-century classic, Southeaster is a central work in Haroldo Conti's oeuvre.

Hana Doda is an ambitious lite