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'The Yellow Wallpaper'by Charlotte Perkins Gilman is a mesmerizing and unsettling exploration of the female psyche and the stifling constraints of 19th-century society. The story is narrated by a woman suffering from what her husband and physicians diagnose as'nervous depression.'She is confined to a room in her home and prescribed a treatment of complete rest.As the protagonist spends her days in isolation, she becomes increasingly obsessed with the room's yellow wallpaper. Her descent into madness is vividly portrayed through her journal entries, revealing a haunting journey of unraveling sanity.Gilman's writing is a poignant critique of the patriarchal norms that suppressed women's voices and autonomy during her time. The novella serves as a powerful feminist statement, highlighting the devastating effects of the'rest cure'and the silencing of women's inner struggles.'The Yellow Wallpaper'is a psychological masterpiece that continues to resonate with readers, scholars, and feminists alike. It offers a chilling portrayal of the intersection of mental health, gender, and societal expectations.Step into the haunting world of'The Yellow Wallpaper'and experience the eerie and thought-provoking narrative that challenges the status quo and illuminates the resilience of the human spirit. Charlotte Perkins Gilman's work remains a timeless exploration of the female experience and the importance of self-expression.ABOUT THE AUTHORCharlotte Perkins Gilman (1860-1935) was a pioneering American feminist, writer, and social reformer. Born in Hartford, Connecticut, Gilman is best known for her influential works of feminist literature, including the short story'The Yellow Wallpaper.'Gilman's writing often addressed gender inequality and the stifling effects of the traditional roles assigned to women in society.'The Yellow Wallpaper'is a powerful portrayal of a woman's descent into madness as a result of the oppressive treatment and confinement she experiences at the hands of her physician husband. In addition to her literary achievements, Gilman was an advocate for women's rights and believed in economic independence for women. She wrote extensively on topics related to feminism, including her book'Women and Economics.'Gilman's legacy as a feminist thinker and writer continues to be celebrated today, as her works remain relevant in discussions of gender equality, mental health, and social reform. She played a significant role in advancing the feminist movement and challenging societal norms of her time.

From the New York Times bestselling author of In Five Years and One Italian Summer comes a love story that will define a generation. Being single is like playing the lottery. There's always the chance that with one piece of paper you could win it all.Daphne Bell believes the universe has a plan for her. Every time she meets a new man, she receives a slip of paper with his name and a number on it—the exact amount of time they will be together. The papers told her she'd spend three days with Martin in Paris; five weeks with Noah in San Francisco; and three months with Hugo, her ex-boyfriend turned best friend. Daphne has been receiving the numbered papers for over twenty years, always wondering when there might be one without an expiration. Finally, the night of a blind date at her favorite Los Angeles restaurant, there's only a name: Jake. But as Jake and Daphne's story unfolds, Daphne finds herself doubting the paper's prediction, and wrestling with what it means to be both committed and truthful. Because Daphne knows things Jake doesn't, information that—if he found out—would break his heart. Told with her signature warmth and insight into matters of the heart, Rebecca Serle has finally set her sights on romantic love. The result is a gripping, emotional, passionate, and (yes) heartbreaking novel about what it means to be single, what it means to find love, and ultimately how we define each of them for ourselves. Expiration Dates is the one fans have been waiting for.

‘a compelling, intricate and multifaceted tale'–The Saturday Paper ‘Politica can't make war make sense (what can?), but it does offer a small balm. In her book Kassab looks horror in the eye, dignifies private desires and grieves their loss, and in doing so reminds us what being human looks like.'–Meanjin ‘Like an impressionist painter, Kassab uses words like brushstrokes to build a vivid picture of intertwined lives set against the continuing drumbeat of war. The narrative moves between past, present and future and uses time as an effective device to illustrate how the effects of war linger long after its cessation.'– Books and PublishingA captivating literary journey that delves into the intertwined lives of a town, its people, and a region shaped by revolution and war. The war broke out and she decided to call her dad. Weeks and weeks they do not speak, and the weeks become months and then they are so many years. She imagines herself starting this story. She imagines how she will tell this story later to someone else.We hadn't spoken for years but then the war broke out... As conflict plays out across an unnamed region, its inhabitants deal with the fallout. Families are torn apart and brought together. A divide grows between those on either side of the war, compromises are struck as the toll of violence impacts near and far. We learn about those who are left behind and those who choose to leave in a great scattering. As the stories of those affected play out, they weave together to show the whole of a society in the most extreme of circumstances. Even after the last shot is fired, their world will never recover. From the acclaimed author of The House of Youssef, Australiana and The Lovers comes a powerful new novel that asks again if it's possible to ever measure the personal cost of war.PRAISE FOR POLITICA: ‘In a 2022 interview, Kassab said a responsibility of the novelist is to “write with an eye towards humanity”. And she never falters in this, with Politica always drawing us back to war's immeasurable personal cost.'– The Guardian‘a rewarding tale of real people navigating war, love, loss, poverty and many other challenges, all linked by time and location. The novel asks if it is possible to ever measure the personal cost of war. Through all the stories she creates here, Kassab makes it clear that it can never be.'– The Saturday Paper ‘an evocative literary tale'– Australian Women's Weekly

Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.An author's ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.Story. Poems. Story. Within these boundaries come all manner of invention and cast of characters. And, of course, each author has their own way of revealing their own chapter and verse.

Why do we hold on to things we don't need? “A beautifully assured debut that is part love story, part psychological slow-burner” (Emma Jane Unsworth, international bestselling author of Animals). Miriam is twenty-nine; temping, living with a flatmate who is no longer a friend, and still trying to find her place in life. To move forward, she decides to dispose of the many possessions that anchor her in the past. When Erik, an artist and photographer in his mid-forties, hires Miriam to help clear out his book-filled, paper-packed home, she begins to feel drawn to him, despite his obsessive hoarding and the fact that he's still haunted by his previous marriage. But can there be a happy ending for the troubled pair? This powerful, moving novel explores the unlikely relationship between two very different people—and explores deep questions about fear, freedom, and attachment. “Weaves its way through the cracks of our everyday perceptions to skilfully explore complex issues around illness, grief and longing.... Combining exquisite descriptions with scalpel-sharp human insights, this is a book to languish in, and emerge from deeply moved. It marks the arrival of an elegant and thrilling new voice in literary fiction.” —Emma Jane Unsworth “A simply riveting and unfailingly entertaining read.” —Midwest Book Review “A strong debut novel.” —The Manchester Review

A stunning debut from an award-winning writer, about loss, isolation, folklore, and the joy and dissonance of finding oneself by exploring life outside one's communityIn 1938, a dead whale washes up on the shores of remote Welsh island. For Manod, who has spent her whole life on the island, it feels like both a portent of doom and a symbol of what may lie beyond the island's shores. A young woman living with her father and her sister (to whom she has reluctantly but devotedly become a mother following the death of their own mother years prior), Manod can't shake her welling desire to explore life beyond the beautiful yet blisteringly harsh islands that her hardscrabble family has called home for generations.The arrival of two English ethnographers who hope to study the island culture, then, feels like a boon to her—both a glimpse of life outside her community and a means of escape. The longer the ethnographers stay, the more she feels herself pulled towards them, reckoning with a sensual awakening inside herself, despite her misgivings that her community is being misconstrued and exoticized.With shimmering prose tempered by sharp wit, Whale Fall tells the story of what happens when one person's ambitions threaten the fabric of a community, and what can happen when they are realized. O'Connor paints a portrait of a community and a woman on the precipice, forced to confront an outside world that seems to be closing in on them.

Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.An author's ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.Story. Poems. Story. Within these boundaries come all manner of invention and cast of characters. And, of course, each author has their own way of revealing their own chapter and verse.

Edith Nesbit was born on the 15th August 1858 in Kennington, then part of Surrey. Due to the health issues and tuberculosis of her sister Mary, Nesbit's early life was one of constant changes of house both in England and on the continent.At age 17, Nesbit met Hubert Bland and they married three years later―whilst she was 7 months pregnant. Bland also kept his affair with another woman going throughout their marriage and the two children of that relationship were raised by Nesbit as well as her own three with Bland.Together they were founder members of the Fabian Society in 1884 naming their son Fabian in its honour. They also edited the Society's journal; ‘Today'. Nesbit was an active lecturer and prolific writer on socialism during those years but gradually her work for them dwindled as her career as a children's writer grew. Her most famous success was ‘The Railway Children'but she was also very prolific and greatly accomplished in poetry, short stories―especially her macabre ghost and supernatural stories―and novels for adults. In February 1917, some three years after the death of Bland she married Thomas ‘the Skipper'Tucker in Woolwich, where he was a ship's engineer on the Woolwich Ferry.Edith Nesbit died from lung cancer on the 4th May 1924 at her house ‘The Long Boat'at Jesson, St Mary's Bay, New Romney in Kent. She was 65.

The never-before-published novel by Charmian Clift. ‘In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off. Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time — symmetrical anyway, and contained under a thin, radiant, dome shaped cover…'During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become? The End of the Morning is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley. ‘The End of the Morning is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.'— Fiona Wright ‘Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.'— Peter Craven, Sydney Morning Herald ‘Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.'— Richard Cotter, Sydney Arts Guide

Six has always been a number we group things around – Six of the best, six of one half a dozen of another, six feet under, six pack, six degrees of separation and a sixth sense are but a few of the ways we use this number.Such is its popularity that