Search

Winner of the Restless Books Prize for New Immigrant WritingShortlisted for the Center for Fiction First Novel PrizePriyanka Champaneri's transcendent, prize-winning debut novel brings us inside India's holy city of Banaras, where the manager of a death hostel shepherds the dying who seek the release of a good death, while his own past refuses to let him go.As the dutiful manager of a death hostel in Banaras on the banks of the Ganges, Pramesh Prasad administers to dying Hindu pilgrims who hope to be released from earthly reincarnation. He lives and works contentedly with his wife, Shobha, their young daughter, Rani, the hostel priests, his hapless but winning assistant Mohan, and the constant flow of families with their dying kin. But one day the past arrives in the form of a body pulled from the river—a man with an uncanny resemblance to Pramesh.Called “twins” in their childhood village, he and his cousin Sagar are inseparable until Pramesh leaves to see the outside world and Sagar stays to tend the land. After Pramesh marries Shobha, defying his family's wishes, a rift opens between the cousins that he has willed himself to forget. Yet for Shobha, Sagar's reemergence casts a shadow over the life she's built for her family. Soon, an unwelcome guest takes up residence in the death hostel, the dying mysteriously continue to live, and Pramesh is forced to confront his own ideas about death, rebirth, and redemption.Told in lush, vivid detail and with an unforgettable cast of characters, The City of Good Death is a remarkable debut novel of family and love, memory and ritual, and the ways in which we honor the living and the dead.

In exiled Iranian author Javad Djavahery's captivating English debut, a youthful betrayal during a summer on the Caspian sea has far-reaching consequences for a group of friends as their lives are irrevocably altered by the Revolution.For our unnamed confessor, the summer months spent on the Caspian Sea during the 1970s are a magically transformative experience. There, he is not the “poor relative from the North,” but a welcome guest at his wealthy cousin Nilou's home and the gatekeeper of her affections. He revels in the power of orchestrating the attentions of her many admirers, granting and denying access to her would-be lovers. But in a moment of jealousy and youthful bravado, he betrays and humiliates an unlikely suitor, setting into motion a series of events that will have drastic repercussions for all of them as the country is forever transformed by the Iranian Revolution a few short years later.Over the next twenty years, the lingering effects of that betrayal set the friends on radically different paths in the wake of political, religious, and cultural upheaval. Their surprising final reunion reveals the consequences of revenge and self-preservation as they each must decide whether and how to forget the past. Urgent and gorgeously written, My Part of Her captures the innocence of youth, the folly of love, and the capriciousness of fate as these friends find themselves on opposing sides of the seismic rifts of history.

Based on the true, still-unfolding story of the expelled Chagossians'fight for their homeland, Silence of the Chagos is a powerful exploration of cultural identity, the concept of home, and above all the neverending desire for justice.Every afternoon a woman in a red headscarf walks to the end of the quay and looks out over the water, fixing her gaze “back there”—to Diego Garcia, one of the small islands forming the Chagos archipelago in the Indian Ocean. With no explanation, no forewarning, and only an hour to pack their belongings, the entire population of Diego Garcia was forced on a boat headed to Mauritius. Government officials told Charlesia that the island was “closed;” there was no going back for any of them. Charlesia longs for life on Diego Garcia, where she spent her days harvesting coconuts and her nights dancing to sega music. As she struggles to come to terms with the injustice of her new reality, Charlesia crosses paths with Désiré, a young man born on the one-way journey to Mauritius. Désiré has never set foot on Diego Garcia, but as Charlesia unfolds the dramatic story of their people, he learns of the home he never knew and of the life he might have had.With the Chagos'sovereignty currently being adjudicated by the United Nations Silence of the Chagos is an important and humanizing exploration of the rights of individuals and a reckoning with displacement on a global scale

“In the steppe near Tashkent they came upon a never-ending ladder with wooden rungs and iron rails and that stretched across the earth from horizon to horizon... Whistling and thundering, a snake-like wonder hurtled past them, packed both on the inside and on top with infidels shouting and waving their hands. ‘The End of the World!'thought both Mahmud-Hodja the Sunni and Djebral the Shiite.”Set mainly in Uzbekistan between 1900 and 1980, The Railway introduces to us the inhabitants of the small town of Gilas on the ancient Silk Route. Among those whose stories we hear are Mefody-Jurisprudence, the town's alcoholic intellectual; Father Ioann, a Russian priest; Kara-Musayev the Younger, the chief of police; and Umarali-Moneybags, the old moneylender. Their colorful lives offer a unique and comic picture of a little-known land populated by outgoing Mullahs, incoming Bolsheviks, and a plethora of Uzbeks, Russians, Persians, Jews, Koreans, Tatars, and Gypsies.At the heart of both the town and the novel stands the railway station—a source of income and influence, and a connection to the greater world beyond the town. Rich and picaresque, The Railway is full of color. Sophisticated yet with a naive delight in storytelling, it chronicles the dramatic changes felt throughout Central Asia in the early twentieth century.

After the death of her husband, Akbar Ahmad, Mona finds herself settling ambivalently into a new life. But the calm rhythm of her days—gardening, cooking, spending time with her neighbors and family in Karachi—is upset by the appearance of Salamat Ali, the new tenant in her friend Mrs. Baig's house. Vivacious, friendly, and, at times, impertinent, Salamat Ali is both a breath of fresh air and a disconcerting new presence in Mona's life. When Salamat Ali, encouraged by Mrs. Baig, presents Mona with a marriage proposal, she is forced to reconsider her past with Akbar Ahmad, and envision the future she wishes to make with her new suitor. As Mona negotiates the complex web of tradition-bound in-laws and gossiping, interfering relatives, she finds Salamat Ali waking her to the pleasures of life that thirty years with her dour first husband all but smothered. But if Salamat Ali helps her discover something so new and essential, he also exposes her to the danger of transgressing old traditions.The Story of a Widow is a beautifully observant novel that pays careful attention to the delicate movements of the heart in romantic and family life. But it is equally concerned with the mores of a society whose conventions constrain men and, particularly, women. Gently humorous, profoundly perceptive, and exceedingly clever in its cultural critique, The Story of a Widow is Musharraf Ali Farooqi's modern answer to the Victorian novel.