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Mixing satire, farce, and dystopia, the stories in John Kessel's The Presidential Papers deconstruct the character and politics of five imagined presidents, some of whom bear striking resemblance to individuals who have occupied the Oval Office over the last thirty years. Who are these men and what makes them so funny, when they are not terrifying? How damaged does a person need to be to seek such power, why do we vote for them, and what do they think about the 1959 Washington Senators? In'The Franchise,'aging career minor leaguer George H.W. Bush faces ace New York Giants pitcher Fidel Castro in the 1959 World Series.'The Last American'outlines the career of the final president of the United States and his thirty-three years in office. Can the megalomaniac President of the Solar System evade the consequences of his moronic rule in the original play'A Brief History of the War with Venus'? In our Outspoken Interview we learn about crossing Mary Shelley with Jane Austen, about having classic SF writer James Gunn as a mentor, about being a spy in the English department, and about industrial capitalism, immigrants, and Buffalo, New York.

The New York Times bestselling author of In Five Years and One Italian Summer returns with “a romantic gem” (Laura Dave, New York Times bestselling author) about a young woman who decides to finally live for herself rather than rely on the universe for answers.Daphne Bell believes the universe has a plan for her. Every time she meets a new man, she receives a slip of paper with his name and a number on it—the exact amount of time they will be together. The papers told her she'd spend three days with Martin in Paris; five weeks with Noah in San Francisco; and three months with Hugo, her ex-boyfriend turned best friend. Daphne has been receiving the numbered papers for over twenty years, always wondering when there might be one without an expiration. Finally, the night of a blind date at her favorite Los Angeles restaurant, there's only a name: Jake. But as Jake and Daphne's story unfolds, Daphne finds herself doubting the paper's prediction, and wrestling with what it means to be both committed and truthful. Because Daphne knows things Jake doesn't, information that—if he found out—would break his heart. “Daphne's sometimes heart-wrenching, often heartwarming search for meaningful relationships, both romantic and platonic, is sure to inspire” (Publishers Weekly, starred review) new and longtime fans of Rebecca Serle.

SHORTLISTED FOR THE UNIVERSITY OF QUEENSLAND FICTION BOOK AWARD ‘a compelling, intricate and multifaceted tale'–The Saturday Paper ‘Politica can't make war make sense (what can?), but it does offer a small balm. In her book Kassab looks horror in the eye, dignifies private desires and grieves their loss, and in doing so reminds us what being human looks like.'–Meanjin ‘Like an impressionist painter, Kassab uses words like brushstrokes to build a vivid picture of intertwined lives set against the continuing drumbeat of war. The narrative moves between past, present and future and uses time as an effective device to illustrate how the effects of war linger long after its cessation.'– Books and PublishingA captivating literary journey that delves into the intertwined lives of a town, its people, and a region shaped by revolution and war. The war broke out and she decided to call her dad. Weeks and weeks they do not speak, and the weeks become months and then they are so many years. She imagines herself starting this story. She imagines how she will tell this story later to someone else.We hadn't spoken for years but then the war broke out... As conflict plays out across an unnamed region, its inhabitants deal with the fallout. Families are torn apart and brought together. A divide grows between those on either side of the war, compromises are struck as the toll of violence impacts near and far. We learn about those who are left behind and those who choose to leave in a great scattering. As the stories of those affected play out, they weave together to show the whole of a society in the most extreme of circumstances. Even after the last shot is fired, their world will never recover. From the acclaimed author of The House of Youssef, Australiana and The Lovers comes a powerful new novel that asks again if it's possible to ever measure the personal cost of war.PRAISE FOR POLITICA: ‘In a 2022 interview, Kassab said a responsibility of the novelist is to “write with an eye towards humanity”. And she never falters in this, with Politica always drawing us back to war's immeasurable personal cost.'– The Guardian‘a rewarding tale of real people navigating war, love, loss, poverty and many other challenges, all linked by time and location. The novel asks if it is possible to ever measure the personal cost of war. Through all the stories she creates here, Kassab makes it clear that it can never be.'– The Saturday Paper ‘an evocative literary tale'– Australian Women's Weekly

'Mesmerising... the work of a writer possessed of a rare power and vision'Daily Telegraph One evening, Gillis - a young Scottish minister who technically doesn't believe in god - falls into a hole left by a recently dug up elm tree and discovers an ancient disembodied hand in the soil. He's about to rebury it when the hand... beckons to him. He spirits it back to his manse and gives it pen and paper, whereupon it begins to doodle scratchy and anarchic visions. Somewhere, in the hand's deep history, there lies a story of the Scottish reformation, of art and violence, and of its owner long since dead. But for Gillis, there lies only opportunity: to reinvent himself as a prophet, proclaim the hand a miracle and use it for reasons both sacred and profane... to impress his ex-girlfriend, and to lead himself and his country out of inertia and into a dynamic, glorious future.

Evelyn May Clowes was born on 7th May 1872 in Cotgrave, Nottinghamshire. Growing up in genteel circumstances, her early childhood was spent at Charlton Down House near Cheltenham, Gloucestershire, and her teenage years near Heythrop in the Cotswolds. She was educated at home by governesses, excelling at German, Latin, Greek, shorthand, landscape painting, and fabric and wallpaper design.In 1897 she went to Mauritius as companion to her cousin Caroline and in 1898 married Maurice Wilhemn Wiehe, the owner of a sugar plantation. She gave birth to two stillborn children. After a few years of marriage, she found life difficult and returned to England. Shortly afterwards she went by herself to Australia, arriving in June 1902 and gave birth to a son a few months later. She lived in Melbourne for about eight years. To earn a living she took on a wide and varied range of jobs; she edited a woman's fashion paper, wrote short stories and articles, made blouses, designed embroideries, tilled gardens, acted as a housekeeper, and did other artistic work. Her health was not strong, but she undertook any kind of work which would provide a living for herself and her infant son. This gained her an experience of life which was readily put to use in her literary works.Her first book, ‘The Garden of Contentment', was published in 1902 under her pen-name Elinor Mordaunt. It was the first of many works that covered fiction, short stories, travel and autobiography.She changed her name by deed poll to Evelyn May Mordaunt on 1st July 1915 and gained a further reputation as a writer of short stories for magazines which display both her humour and sense of tragedy. Travel was always high on her priority and the experiences used not only for pleasure but in her writings and, as travel books, ideas in themselves. On 27th January 1933 at Tenerife, in the Canary Islands, she married a retired barrister from Gloucestershire. In her own words, the marriage ‘ended in tragedy.'Elinor Mordaunt died on 25th June 1942 at the Radcliffe Infirmary, Oxford. She was 70.

A tender and fierce novel that asks what we do when faced with things we don't understand. Is our impulse to destroy or connect?Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming … Water is life, and water can be death. Three women give birth in different countries and different decades. In the near future, they become neighbours in a coastal town in Aotearoa New Zealand. Single parent Keri has her hands full with four-year-old tearaway Walty and teen Wairere, a strange and gifted child, who always picks up on things that aren't hers to worry about. They live next door to Janet, a white woman with an opinion about everything, and new arrival Sera, whose family are refugees from ecological devastation in Europe. When Janet's son Conor arrives home without warning, sporting a fresh buzzcut and a new tattoo, the quiet tension between the neighbours grows, but no one suspects just how extreme Conor has become. No one except Wairere, who can feel the danger in their midst, and the swamp beneath their street, watching and waiting.PRAISE FOR THE MIRES ‘a novel of real complexity and power, in which care and connection are centred, and the interwoven nature of belonging, place and ecology is brought alive in affecting and productive new ways'– The Saturday Paper ‘The Mires is about the monsters we've created and the power we have to stop them. A truly magnificent novel.'– Shankari Chandran, author of Chai Time at Cinnamon Gardens ‘a courageous book that shines a light on the darkest human behaviour and shows how the best of humanity can emerge from devastation, and triumph over hatred and violence'– Artshub ‘An immersive, unnerving novel about the hatred that can rise up out of the locked, curtained rooms in our neighbourhoods, and the comfort that can be found in another's home. A story about people and the land they share. The memories stored in the water and peat. I read this book with equal measures of worry and hope.'– Becky Manawatu, author of Auē ‘The Mires is an enchanting novel: poignant, earnest and lyrical, this story will settle in your bones.'– Maxine Beneba Clarke, author of The Hate Race

The never-before-published novel by Charmian Clift. ‘In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off. Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time — symmetrical anyway, and contained under a thin, radiant, dome shaped cover…'During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become? The End of the Morning is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley. ‘The End of the Morning is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.'— Fiona Wright ‘Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.'— Peter Craven, Sydney Morning Herald ‘Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.'— Richard Cotter, Sydney Arts Guide

From acclaimed Japanese author Sanaka Hiigari comes a heartwarming, life-affirming novel about a magical photo studio, where people go after they die to view key moments from their life—and relive one precious memory before they pass into the afterlife.The hands and pendulum of the old wooden clock on the wall were motionless. Hirasaka cocked his head to listen, but the silence inside the photo studio was almost deafening. His leather shoes sank softly into the aging red carpet as he strode over to the arrangement of flowers on the counter and carefully adjusted the angle of the petals... This is the story of the peculiar and magical photo studio owned by Mr. Hirasaka, a collector of antique cameras. In the dimly lit interior, a paper background is pulled down in front of a wall, and in front of it stands a single, luxurious chair with an armrest on one side. On a stand is a large bellows camera. On the left is the main studio; photos can also be taken in the courtyard. Beyond its straightforward interior, however, is a secret. The studio is, in fact, the door to the afterlife, the place between life and death where those who have departed have a chance—one last time—to see their entire life flash before their eyes via Mr. Hirasaka's'spinning lantern of memories.'We meet Hatsue, a ninety-two year old woman who worked as a nursery teacher, the rowdy Waniguchi, a yakuza overseer in his life who is also capable of great compassion, and finally Mitsuru, a young girl who has died tragically young at the hands of abusive parents. Sorting through the many photos of their lives, Mr. Hirasaka also offers guests a second gift: a chance to travel back in time to take a photo of one particular moment in their lives that they wish to cherish in a special way. Full of charm and whimsy, The Lantern of Lost Memories will sweep you away to a world of nostalgia, laughter, and love.

“A diverse and glorious selection... a gift of imagination, wit, and wonder. The collection is filled with miniature masterpieces.... This must-have anthology is a treasure trove not to be missed.” —Library Journal (starred review)The prestigious annual story anthology, featuring prize-winning stories by Kate DiCamillo, Jess Walter, Dave Eggers, Allegra Goodman, Jai Chakrabarti, Francisco Gonzalez, and more.Continuing a century-long tradition of cutting-edge literary excellence, this year's edition contains twenty prizewinning stories chosen from the thousands published in magazines over the previous year. Guest editor Amor Towles has brought his own refreshing perspective to the prize, selecting stories by an engaging mix of celebrated names and emerging voices. The winning stories are accompanied by an introduction by Towles, observations from the winning writers on what inspired them, and an extensive resource list of magazines that publish short fiction.THE WINNING STORIES“Roy,” Emma Binder“The Soccer Balls of Mr. Kurz,” Michele Mari (translated from the Italian by Brian Robert Moore)“Orphans,” Brad Felver“The Home Visit,” Morris Collins“The Import,” Jai Chakrabarti“Didi,” Amber Caron“Serranos,” Francisco González“Hiding Spot,” Caroline Kim“Junior,” Katherine D. Stutzman“My Good Friend,” Juliana Leite (translated from the Portuguese by Zoë Perry)'The Castle of Rose Tellin,” Kate DiCamillo'Rain,” Colin Barrett“Marital Problems,” Robin Romm“The Last Grownup,” Allegra Goodman“The Honor of Your Presence,” Dave Eggers“The Paper Artist,” E. K. Ota“The Room-Service Waiter,” Tom Crewe“Seeing Through Maps,” Madeline ffitch“The Dark,” Jess Walter“Mobilization,” Allegra Hyde

A Contemporary Classics hardcover edition of Virginia Woolf's fantastical novel about an Elizabethan nobleman who lives for three centuries and transitions into a woman. With a new introduction by Jeanette Winterson.Woolf's most lighthearted novel is a playful and exuberant romp through history. As a teenage nobleman, Orlando spends his days in revelry at the colorful Tudor court of Queen Elizabeth and his nights in writing earnest poetry. A favorite of the elderly queen, he falls in love with and is jilted by a wayward Russian princess. Two kings later, having reached his thirties, Orlando is sent to serve as ambassador to Constantinople, where he awakens one day to find himself in the body of a woman. The Lady Orlando takes this circumstance in stride and returns to England, where she engages in love affairs with both men and women, consorts with the famous poets of each age, finds happiness with an unconventional husband, and at last achieves publication of her own epic poem in the year 1928, the same year that Woolf published her novel. With its blend of fantastical adventure and satirical wit, Orlando was an immediate popular and critical success, one whose status as a classic has only grown with time. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

The first major book from a longtime legend in underground literature; known by citation and word of mouth, but only now emerging with a work that will earn a broad audience.“Kind Mirrors, Ugly Ghosts is why I want to read. There are few books at all that expand the exploration of family, outsider sex, animal love, therapy and surreal vision and even fewer writers who do it as well as Claire Donato. My mind and heart are thankfully changed forever.” —JAMIE STEWART of Xiu Xiu and author of Anything That Moves “Kind Mirrors, Ugly Ghosts moves and feels like a novel of ideas, yes, but also a lookbook of Rorshachs; a concept cookbook for famished phantoms; a fragmentary tour de force a la Duras. On every page, it lines the mind with vibrant space, as extraordinary in its candor about desire, artifice, and intimacy as it is with wordplay, wit, and social theory. “Death is a mirror of time, and life is not as heavy as it seems,” Donato writes, beckoning us forward through the void of realism as might an imaginary friend we thought we'd lost—or should I say ‘guardian angel'?” —BLAKE BUTLER, author'In Claire Donato's fiction, I am both looking in and being looked at. The depths of desire are on display, laying bare the complexity and the ugliness that often comes with it.'—MOLLY SODA, artist'Claire Donato's prose is at once playful and masterful, charming and haunting—I loved these short stories with huge imaginations.'—CHELSEA HODSON, author of Tonight I'm Someone Else'Love is a source of radical questioning whose only enemy is indifference. Claire Donato's fever dream of a novel goes toe to toe with today's anomie, stretching our only resource left, language, so we can navigate a 21st century landscape of violently changing relationships, with one another, with the natural world, and with our bodies.'—JAMIESON WEBSTER, psychoanalyst and author In the disquieting stories of Kind Mirrors, Ugly Ghosts, a fractaled Claire Donato contemplates grief and disgust in heterosexuality, deconstructing the romance myth and the illicit fantasies which reflect our haunted selves. These fictions are populated with Lynchian characters, draped in memory and the subconscious mind, who imagine their way out of the painful limits of their world: a turtle retreats into its shell and becomes a real girl. A porn addict turns into a baby boy in the arms of his barren cyber-girlfriend. And a digitally-marred depressive joins forces with the ghost of Simone Weil to kill a chicken. Donato's fictions are precise and cutting, seamlessly integrating a vast knowledge of art through sharp criticism and a history of cult traditions: Donnie Darko, Wings of Desire, Daisies, and Twin Peaks and artists including Clarice Lispector, M.F.K. Fisher, Sibylle Baier, and The Velvet Underground. Kind Mirrors, Ugly Ghosts concludes with'Gravity and Grace, the Chicken and the Egg, or: How to Cook Everything Vegetarian', a novella-in-vignettes that frames cooking as an entrypoint to light, awareness, and connection. With associative lyricism and a preternatural ability to gaze into the void with tenderness, Donato relays an indescribably strange perception of our world, in which maniacal grief turns to a gleeful protest before becoming, against all odds, a love letter to what remains. Cover photo: Jimmy DeSana Contact Paper, 1980 Vintage C-print © the Jimmy DeSana Trust Courtesy of the Jimmy DeSana Trust and P·P·O·W, New York

Jacques Heath Futrelle was born on the 9th April 1875 in Pike County, Georgia.His early career was as a journalist. Initially he worked for the Atlanta Journal where he began their sports section. This was followed by work for the New York Herald, the Boston Post and the Boston American. At the latter, in 1905, he published the serialized version of his short story ‘The Problem of Cell 13'who's main character was Professor Augustus S. F. X. Van Dusen, commonly known as ‘The Thinking Machine', a detective, who used logic to solve crimes.In 1895 he married Lily May Peel with whom he had two children.In 1906 buoyed by the success of his short stories he left the paper to write novels. Such was his success that he had a house, ‘Stepping Stones', designed and built with a harbor view at Scituate, Massachusetts, where the family would spend most of their time together.On April 15th, 1912 he was returning from Europe as a first-class passenger aboard the Titanic when it stuck an iceberg. He refused to board a lifeboat but insisted that Lily did. She acquiesced and remembered the last she saw of him he was smoking a cigarette on deck with John Jacob Astor IV. His body was never recovered.

When a catastrophic wildfire suddenly rips through a woman's hometown, she thinks she is lucky to have survived... until she finds a dead woman in her driveway, clutching a piece of paper with her name on it....The blaze came out of nowhere one summer afternoon, a wall of fire fed by blustering wind. Yet, somehow, Alison is alive. She rode out the fire on the damp tiles of her bathroom, her entire body swaddled in a wet woolen blanket. As flames crackled around her, the bitter char of eucalyptus settled in the back of her throat, each breath more desperate than the last. The wildfire that devastated the Victoria countryside Alison calls home sets in motion a chain of events that threatens to obliterate her carefully constructed life. When Alison emerges from her sheltering place, she spots a soot-covered cherry red car in her driveway, and in it, a dead woman. Alison has never met Simone Arnold in her life... or so she thinks. So what is Simone doing here? As Alison searches for answers across Australia's scorched bushlands, she soon learns that the fire isn't the only threat she's facing....

Richard Horatio Edgar Wallace was born on the 1st April 1875 in Greenwich, London. Leaving school at 12 because of truancy, by the age of fifteen he had experience; selling newspapers, as a worker in a rubber factory, as a shoe shop assistant, as a milk delivery boy and as a ship's cook. By 1894 he was engaged but broke it off to join the Infantry being posted to South Africa. He also changed his name to Edgar Wallace which he took from Lew Wallace, the author of Ben-Hur. In Cape Town in 1898 he met Rudyard Kipling and was inspired to begin writing. His first collection of ballads, The Mission that Failed! was enough of a success that in 1899 he paid his way out of the armed forces in order to turn to writing full time. By 1904 he had completed his first thriller, The Four Just Men. Since nobody would publish it he resorted to setting up his own publishing company which he called Tallis Press. In 1911 his Congolese stories were published in a collection called Sanders of the River, which became a bestseller. He also started his own racing papers, Bibury's and R. E. Walton's Weekly, eventually buying his own racehorses and losing thousands gambling. A life of exceptionally high income was also mirrored with exceptionally large spending and debts. Wallace now began to take his career as a fiction writer more seriously, signing with Hodder and Stoughton in 1921. He was marketed as the ‘King of Thrillers'and they gave him the trademark image of a trilby, a cigarette holder and a yellow Rolls Royce. He was truly prolific, capable not only of producing a 70,000 word novel in three days but of doing three novels in a row in such a manner. It was in, estimating that by 1928 one in four books being read was written by Wallace, for alongside his famous thrillers he wrote variously in other genres, including science fiction, non-fiction accounts of WWI which amounted to ten volumes and screen plays. Eventually he would reach the remarkable total of 170 novels, 18 stage plays and 957 short stories.Wallace became chairman of the Press Club which to this day holds an annual Edgar Wallace Award, rewarding ‘excellence in writing'. Diagnosed with diabetes his health deteriorated and he soon entered a coma and died of his condition and double pneumonia on the 7th of February 1932 in North Maple Drive, Beverly Hills. He was buried near his home in England at Chalklands, Bourne End, in Buckinghamshire.

••THE PHENOMENAL TOP TEN BESTSELLER••'An absorbing story of musical rivalry and ambition'SUNDAY TIMES, Best historical fiction'Enthralling, passionate, vivid. The Instrumentalist is a marvel'KIRAN MILLWOOD HARGRAVE'Historical fiction as it should be written'MAIL ON SUNDAY'A captivating narrative as tightly tuned as a thriller'DAILY TELEGRAPH'A compassionate coming-of-age tale … Constable understands the power music has to sustain us'OBSERVER_________________________________________Anna Maria may have no name, no fortune, no family. But she has her ambition, and her talent.Her best hope lies in her teacher, Antonio Vivaldi. Soon she is his star pupil.But as Anna Maria's star rises, not everyone is happy. Because Anna Maria's shining light is threatening to eclipse that of her mentor…She will leave her mark, whatever it takes. And her story will be heard._________________________________________'Had me spellbound from start to finish'EMMA STONEX'A story of musical rivalry which will completely capture your imagination'ELODIE HARPER'Remarkable … A vivid and nuanced portrait of a groundbreaking woman'NEW YORK TIMES'I was swept away by this searing portrait of ambition and betrayal'ELIZABETH MACNEAL'A fascinating story of music, ambition, and womanhood in eighteenth-century Venice'CHARMAINE WILKERSON'Viscerally transports you to eighteenth-century Venice and revives the lost story of a phenomenal woman'MARIE CLAIRE'Fans of Jessie Burton's The Miniaturist will adore it'I PAPER••An Observer Debut Novelist of 2024••

Why do we hold on to things we don't need? “A beautifully assured debut that is part love story, part psychological slow-burner” (Emma Jane Unsworth, international bestselling author of Animals). Miriam is twenty-nine; temping, living with a flatmate who is no longer a friend, and still trying to find her place in life. To move forward, she decides to dispose of the many possessions that anchor her in the past. When Erik, an artist and photographer in his mid-forties, hires Miriam to help clear out his book-filled, paper-packed home, she begins to feel drawn to him, despite his obsessive hoarding and the fact that he's still haunted by his previous marriage. But can there be a happy ending for the troubled pair? This powerful, moving novel explores the unlikely relationship between two very different people—and explores deep questions about fear, freedom, and attachment. “Weaves its way through the cracks of our everyday perceptions to skilfully explore complex issues around illness, grief and longing.... Combining exquisite descriptions with scalpel-sharp human insights, this is a book to languish in, and emerge from deeply moved. It marks the arrival of an elegant and thrilling new voice in literary fiction.” —Emma Jane Unsworth “A simply riveting and unfailingly entertaining read.” —Midwest Book Review “A strong debut novel.” —The Manchester Review

•• Includes the 2024 Caine Prize-shortlisted story,'Animals'••••An Oprah Daily and Brittle Paper Most Anticipated Book of 2024•• A searing, unflinching collection of stories set in Nigeria that explores community expectations, familial strife and the struggle for survival. A one-eyed chicken, a chimpanzee forgotten in a cage, a tormented daughter searching for a link to past lives. Everday madness and monsters are explored against the backdrop of an indifferent Lagos in Uche Okonkwo's dynamic debut collection. Across ten evocative stories, A Kind of Madness dips in and out of the lives of Nigerians, weaving through their lunacy and longing, unravelling the tensions between mothers and daughters, husbands and wives, best friends, siblings and more. Brimming with vitality, these bites of mundane madness mark the arrival of an extraordinary new talent in fiction and will leave you hungering for more. Perfect for fans of Love in Colour by Bolu Babalola, Unaccustomed Earth by Jhumpa Lahiri and Nearly All the Men in Lagos are Mad by Damilare Kuku.'Okonkwo is a storming and brilliant writer and it was a pleasure to step into her world'- Daisy Johnson, author of Fen and The Hotel'Crackling with energy and alive to our whole kaleidoscope of feeling, these stories will rip you open and light up your insides'- Saba Sams, author of Send Nudes'Steady-handed and gut-punching. I'm in awe of this mad collection, this necessary writer'- NoViolet Bulawayo, author of Glory'These stories feel rich and alive, embodied and uninhibited'- Jonathan Escoffery, author of If I Survive You'Okonkwo's voice is absorbing. I was immersed in the familiar world of these tender, playfully haunting, darkly funny stories. Okonkwo is a writer to watch'- Chinelo Okparanta, author of Under the Udala Trees'An adeptly crafted, highly expressive, arresting collection'- LaToya Watkins, author of Holler, Child'Like Jhumpa Lahiri, Okonkwo's mastery of the form is as rich as some of the short story's best practitioners and deserves every recognition it is sure to get'- Chigozie Obioma, author of An Orchestra of Minorities'Touched my heart. Uche Okonkwo's stories are among the very best'- Sidik Fofana, author of Stories from the Tenants Downstairs'Hilarious and heartbreaking... A delightful debut'- Jennifer Nansubuga Makumbi, author of A Girl is a Body of Water'Okonkwo has a Chekhovian eye for the tangle of internal motivations and assumptions that steer her characters... Readers will be eager for more of Okonkwo's artful writing'- Publishers Weekly (Starred Review)'This collection explores how relationships, traditions and hardships can drive us to different kinds of madness. Be it mental illness, broken promises or unmet expectations, life's complexities are the main characters in these striking and insightful stories'- Ms Magazine'Intense and masterfully evocative... In delicately chiselled prose, Okonkwo successfully reveals the intricate contours of humanity and the Nigerian life'- Republic'Surprising, illuminating, and deeply human'- Booklist'Vi

The never-before-published novel by Charmian Clift.‘ In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off.Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time — symmetrical anyway, and contained under a thin, radiant, dome shaped cover...'During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become?The End of the Morning is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley.‘ The End of the Morning is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.'— Fiona Wright‘ Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.'— Peter Craven, Sydney Morning Herald‘ Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.'— Richard Cotter, Sydney Arts Guide

Jacques Heath Futrelle was born on the 9th April 1875 in Pike County, Georgia.His early career was as a journalist. Initially he worked for the Atlanta Journal where he began their sports section. This was followed by work for the New York Herald, the Boston Post and the Boston American. At the latter, in 1905, he published the serialized version of his short story ‘The Problem of Cell 13'who's main character was Professor Augustus S. F. X. Van Dusen, commonly known as ‘The Thinking Machine', a detective, who used logic to solve crimes.In 1895 he married Lily May Peel with whom he had two children.In 1906 buoyed by the success of his short stories he left the paper to write novels. Such was his success that he had a house, ‘Stepping Stones', designed and built with a harbor view at Scituate, Massachusetts, where the family would spend most of their time together.On April 15th, 1912 he was returning from Europe as a first-class passenger aboard the Titanic when it stuck an iceberg. He refused to board a lifeboat but insisted that Lily did. She acquiesced and remembered the last she saw of him he was smoking a cigarette on deck with John Jacob Astor IV. His body was never recovered.

Jacques Heath Futrelle was born on the 9th April 1875 in Pike County, Georgia.His early career was as a journalist. Initially he worked for the Atlanta Journal where he began their sports section. This was followed by work for the New York Herald, the Boston Post and the Boston American. At the latter, in 1905, he published the serialized version of his short story ‘The Problem of Cell 13'who's main character was Professor Augustus S. F. X. Van Dusen, commonly known as ‘The Thinking Machine', a detective, who used logic to solve crimes.In 1895 he married Lily May Peel with whom he had two children.In 1906 buoyed by the success of his short stories he left the paper to write novels. Such was his success that he had a house, ‘Stepping Stones', designed and built with a harbor view at Scituate, Massachusetts, where the family would spend most of their time together.On April 15th, 1912 he was returning from Europe as a first-class passenger aboard the Titanic when it stuck an iceberg. He refused to board a lifeboat but insisted that Lily did. She acquiesced and remembered the last she saw of him he was smoking a cigarette on deck with John Jacob Astor IV. His body was never recovered.

“Astonishingly beautiful... It's a revelation.”—Jenny Offill, New York Times bestselling author of WeatherOne of Electric Literature's “75 Books by Women of Color to Read in 2024”From the National Book Award-winning translator, an atmospheric and wise debut novel of a young Brazilian woman's first year in America, a continent away from her lonely mother, and the relationship they build over Skype calls across bordersIn a small dorm room at a liberal arts college in Vermont, a young woman settles into the warm blue light of her desk lamp before calling the mother she left behind in northeastern Brazil. Four thousand miles apart and bound by the angular confines of a Skype window, they ask each other a simple question: what's the news?Offscreen, little about their lives seems newsworthy. The daughter writes her papers in the library at midnight, eats in the dining hall with the other international students, and raises her hand in class to speak in a language the mother cannot understand. The mother meanwhile preoccupies herself with natural disasters, her increasingly poor health, and the heartbreaking possibility that her daughter might not return to the apartment where they have always lived together. Yet in the blue glow of their computers, the two women develop new rituals of intimacy and caretaking, from drinking whiskey together in the middle of the night to keeping watch as one slides into sleep. As the warm colors of New England autumn fade into an endless winter snow, each realizes that the promise of spring might mean difficult endings rather than hopeful beginnings.Expanded from a story originally published in The New Yorker, and in elegant prose that recalls the work of Sigrid Nunez, Katie Kitamura, and Rachel Khong, Bruna Dantas Lobato paints a powerful portrait of a mother and a daughter coming of age together and apart and explores the profound sacrifices and freedoms that come with leaving a home to make a new one somewhere else.

A witty, layered and compelling novel about a woman with Down Syndrome, exploring textile art, sibling relationships, good intentions gone awry, and friendships.What is intellectual disability? Ask Bruno, who is at his wits'end trying to predict what his sister, Mina, will do next. Ask Iris, who is entranced by the wildly inventive embroidery Mina creates. Ask Gabriela, who loves Mina and disagrees when Bruno uses Mina's constant demands as an excuse not to have a child. Meet Mina in her overstuffed Montreal apartment, surrounded by her treasures. She knows she is the best paper sorter at the recycling plant where she works. She is proud to be diabetic but equally happy to cheat on her diet. The colours she stitches hum with life. Colours in Her Hands is a nuanced and thought-provoking novel about family, about art, about questioning the way the world treats those who are different. With an unforgettable voice, Mina navigates the labyrinth that society sets for her with dignity, inventiveness, and aplomb.

Liz, born in China and raised in Montreal, is about to land in Germany for a summer physics internship at the end of her freshman year. Eager for a new beginning, she hopes to break free of her unrealized childhood dream of becoming a pianist, a dead-end romantic relationship, and the tug of war between her Chinese and Canadian identities. In Germany, she meets fellow intern Haider, an Indian Muslim from Toronto, and they fall in love against expectations. But summer doesn't last forever. Once they return to Canada, culture clashes and family disapproval threaten to pull them apart. As her sense of self is pushed dangerously close to a tipping point, Liz must summon the courage to survive the chaos that her life has become. Lili Zeng holds a PhD in biophysics from McGill University. She has several peer-reviewed papers under her name and has given a dozen scientific and public outreach talks. Also a classically trained pianist, she has won numerous music competitions and soloed with prestigious chamber and symphony orchestras. She was born in Guangzhou, China, and moved to Montreal, Canada, with her parents as a child. Dear Haider is Lili's first novel. Praise and reviews “Lili Zeng's slow-burn account of Liz's summer student internship lays the foundation for a rollercoaster ride filled with often unexpected life adventures as Liz steps into a new chapter of her life. Zeng's awe-inspiring debut novel is a fearless and courageous narrative of first love, loss, despair, and ultimately of hope and healing. Truly, a testament to the resilience and enduring faith of the human spirit!” — Mary Anne Levasseur, caregiver and youth mental health advocate “A very sincere and touching story about a young girl exploring herself and love. It candidly shows the protagonist Liz, a Montreal-based Chinese immigrant's step-by-step adventures and inner doubts, conflicts and struggles in her love with a white youth and an Indian youth. Some of the real presentation and reflections on racial differences and chasm are a valuable and even most fascinating part of this story.” — Xiaodan He, filmmaker, A Touch of Spring “When Liz sets off to continue her studies in Europe, her path seems clear––until unexpected love is both a distraction and a portal. But to what? A coming of age story of the struggle with one's own sense of self as it expands and contracts against the expectations of the larger world.” — Leila Marshy, author of Philistine

DREAMS, ROBOTS AND REVOLUTION COLLIDE WHEN A CRANE OPERATOR'S CO-WORKERS GET PAID TO BE OBSOLETE. In the glittering solarpunk metropolis of Toronto 2045, astral projecting crane operator Auden Black clings to a world increasingly dominated by machines. As robot aloos replace his fellow workers and friends are bottom lined, paid to be replaced, Auden's crane becomes both refuge and watchtower. Witness a future where ad-projecting systems blur reality, virtual lives offer escape from unemployment, and the human spirit is tested against the relentless march of progress.Through Auden's eyes, experience life suspended between techno-optimistic utopia and dystopian horror at losing one's purpose, where every sunrise brings new challenges to what it means to be human in an automated age.After all, what are we if we don't work?

Written by the author of the beloved Anne of Green Gables series, The Blue Castle is L. M. Montgomery's sophomore adult novel and a classic tale of romance.By society's standards, twenty-nine year old Valancy Stirling is an old maid. Ostracized by the community and infantilized by her family, Valancy feels complete powerless with her only means of escapism being the poetic nature books of her favorite author, John Foster, and her fantasies of a'Blue Castle.'That is until the day that Valancy goes to see a doctor. While he isn't able to diagnose her at the time, she receives a letter just a few days later that rocks the foundation of her life: she has a heart ailment and it's terminal.Oddly comforted by the news, Valancy takes the opportunity to break away from her family and live what little life she has left on her own terms. Finally pursuing her own happiness, Valancy sets out on a journey of self-discovery and begins to build a new home, make new friends, and find a lover who provides a warmth and kindness that she has never felt before.Professionally typeset with a stunning new cover, this edition of The Blue Castle is a classic romance reimagined for modern readers.Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Many of the stories in this volume deal with the life of a young boy growing up in Galicia, in the far east of the Austro-Hungarian Empire in the mid-1800s. They depict the poverty and difficult conditions in the region at that time. Although autobiographical in nature, Ivan Franko wrote that the stories could not unreservedly be considered a part of his autobiography, because in all of them he had allowed himself a fair amount of creative freedom. Franko's stories often deal with people's struggles with their own conscience, agonizing over the morality of their actions. From those of a young boy having killed a bird, to those of a prisoner having killed a cellmate. After his second arrest for his strident socialist views in 1880, Franko wrote the deeply psychological novella “Down and Out in Boryslav” in one night under extremely difficult conditions. In it he showed how different people reacted to being unjustly incarcerated. From the torment imposed on children by Catholic schools of the time to the inner monologue of a burglar being punished by his victim, when reading Franko's prose, one has the stark impression of a director's movie camera shooting scene after scene. The interests and aspirations of the common people were the cause to which Ivan Franko devoted all of his many and varied talents. Throughout his literary career his creative effort was invariably focused on working-class people and their struggle for a better future. This book has been published with the support of the Translate Ukraine Translation Program.

Although the two main characters in A Dream of Annapurna are Italian and the novel is set partly in Tuscany, in many ways this is an international novel, with people from France, Italy, America, Russia, Switzerland, Spain, China, and Nepal playing small but important parts in the story. The settings, too, range from Italy to New York, Paris to Kathmandu, and the lower slopes of Annapurna. The novel is both historical and contemporary, spanning a period of sixty years, from 1955 to 2015, and combining both real-life and fictional characters. The major themes of the novel are universally human and include youth, ambition, age, friendship, fear, bravery, and love. Overshadowing these human characteristics is an implacable natural world. The mighty mountain Annapurna, long the focus of the protagonists'dreams, comes to loom physically over them, but even the permanence of the natural world is threatened by the horrific earthquake which hit Kathmandu on 25 April 2015.

A Fight for Lost Innocence Detective Auby Midnight is retired. Or so he imagines. Jaded and transformed by a long career of witnessing degeneracy, tragedy, and true evil, he reflects on the place that first nurtured him: Paradise Cove, Lake Texoma, and the rich, endearing memories of mischief, adventure, and friendship that shaped his childhood. That is, until the day a violent feud brought irrevocable trauma for his best friend, Sunny. Now Sunny implores the wearied Auby to right the wrongs of the past and return to the case that has haunted him and his childhood friends for years. Older, wiser, and far more experienced, they set out to defeat the evil that stole their innocence and restore the magic of Paradise Cove. Inspired by the author's own life events as a sixth-generation Texan and a former member of the Dallas Police Department with decades of experience under his belt, Hermit of Paradise explores meaning, morality, and the fight to stay human in the face of a grim and complicated world.

How do we write about the singular experience of parenthood? Written in a'state of attachment', or'under the influence'of fatherhood, Childish Literature is an eclectic guide for novice parents, showing how the birth and growth of a child changes not only the present and the future, but also reshapes our perceptions of the past. Shifting from moving dispatches from his son's first year of existence, to a treatise on'football sadness', to a psychedelic narrative where a man tries, mid-magic mushroom trip, to re-learn the subtle art of crawling, this latest work from Alejandro Zambra shows how children shield adults from despondency, self-absorption and the tyrannies of chronological time. At once a chronicle of fatherhood, a letter to a child and a work of fiction, Childish Literature is the latest, virtuosic addition to the oeuvre of one of the most exciting Latin American writers in recent decades.

Thoughtful, beautifully written and brimming with tenderness, this is the story of two young women who make a life changing connection in Ethiopia. Sylvie is filled with hope and joy but her dreams are destroyed when a disastrous childbirth leaves her broken both emotionally and physically, facing rejection and isolation. Juliet is a feisty surgeon in London, about to embark on an extraordinary, rollercoaster of discovery in Africa.This heart-wrenching, intelligent novel could be described as Gray's Anatomy on tour to Africa: an insecure female surgeon with a complicated and evolving love life; an Ethiopian patient with a powerfully moving tragedy in her background, greatly in need of help; and an unfolding drama which brings them both together.A compelling life-story set in Ethiopia and London, written with exceptional grace.Published with the support of global best-selling writer Alexander McCall Smith.Proceeds from this book go to the Uganda Childbirth Injury Fund https://www.ucif.co.uk/

A groundbreaking new translation of the only historical novel by noted Polish writer Bolesław Prus. “... unique in world literature of the nineteenth century”--Czesław Miłosz Imbued with poetry, leavened with humor, and graced with moments of transcendent beauty, Pharaoh offers a compelling picture of life at every level of ancient Egyptian society. As the story unfolds, Egypt is experiencing internal stresses and external threats that will culminate in the fall of its Twentieth Dynasty and New Kingdom. The young Pharaoh Ramses learns that challenging power leaves him vulnerable to seduction, defamation, intimidation and even assassination. The ultimate lesson learned by Ramses is the power of knowledge. Prus is a distinctive voice in world literature and was Joseph Conrad's favorite Polish writer. This new edition of Christopher Kasparek's translation of Pharaoh vividly brings this extraordinary novel to life. It includes a detailed foreword and annotations, based on extensive research and textual refinements, that will enhance the reader's appreciation not only for ancient Egypt, but also for Prus'composition process. Pharaoh has been translated into twenty-three languages and was adapted as a 1966 Polish feature film.

Someone has taken a trip and taken photographs of that trip and someone else has been invited to watch a slideshow of the trip taken. There is a road, there is an abstract painting, there is a viewer who wishes he could live in a televised loop of a sunset and another who wonders why people are fat. Tribulations of a Westerner in the Western World is a stunning first book by Vincent Dachy, a narrated slideshow of inner and outer geographies complete with 52 black and white photographs taken by the author.

Abandoned as a child, Melanie Forsythe seeks stability and belonging after her mom's boyfriend is left to raise her. Despite her raw deal, Melanie grows up to have a good head on her shoulders and a strong bond with her stepdad. But her dream of having a family of her own is shattered when she suffers tragedy and betrayal. Finding herself at an unexpected crossroads, Melanie must rely on the lessons given to her by someone who owed her nothing but gave her everything.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these mo