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Taut, panoramic and powerful; Paper Names is an unforgettable debut about the long shadows of our parents, the ripple effects of our decisions and the ways in which our love transcends difference. Outside a New York apartment building, an attempted mugging alters the lives of three people. Tony, a Chinese-born engineer turned Manhattan doorman, who immigrated to the United States to give his family a better life. His daughter, Tammy, who grapples with the expectations surrounding a first-generation American as she grows into an ambitious young woman. And Oliver, a charming white lawyer with a dark family secret, who is continuously propelled towards Tammy and Tony, whether by fate or his choices. Set in New York and China over three decades, Paper Names explores what it means to be American from three different perspectives. As Tony, Tammy and Oliver each strive for their own American dream, and make sacrifices to attain it, every joyous and heart-breaking twist in their stories begs the question: was it all worth it?'Spectacular... Explosive and riveting, the story whipstitches in and out of time like a golden needle'— Adriana Trigiani, New York Times bestselling author of The Good Left Undone ‘Unblinking, nimble, and written with the kind of clarity one expects from a seasoned author. The word stunning is not hyperbole here'— Brian Castleberry, award-winning author of Nine Shiny Objects ‘With a keen eye for detail, a strong sense of pacing, and a deep understanding of human nature, Susie Luo crafts a moving portrait of two families whose fates intertwine'— Christina Baker Kline, New York Times bestselling author of Orphan Train

From the moment she holds her baby niece, Rose is on a mission. Terrified that her baby niece will fall victim to the sexual abuse rampant in the family, Rose tells us in her own warm, funny, down-to-earth voice, how she reluctantly agrees to join a therapy group, hoping she can find out how to prevent disaster and see that baby Jenny grows up unharmed. In the group, she meets new friends who will become like family: Josie, who “sees” the future; Tammy, with a suspicious bruise on her neck; good and steady Marg, whose father is threatening to burn down her apartment house; and sweet, grieving, spiritual Sally. Rose's own chronic problem, she confesses, is picking wrong men. Josie finds a small magazine picture of a little town in northern Ontario. She sees, with her second sight, a resort hotel to be built in this town and a sunnier life for the group. As they begin to take the first painful steps of emotional recovery, an intense fantasy about this unknown town and dream hotel becomes the secret life of the group. Deep friendships evolve as the women help one another through the roller coasters of their recovery process. Despite setbacks, they cling to their dream of moving up north and running their own hotel.

“Take The Talented Mr. Ripley, cross it with Suspiria, add a dash of La La Land and mix... and this arty psychological stalker novel is what might result.” —The New York Times Book ReviewNamed a Best Book of the Summer by The New York Times, O Magazine, Elle, Town & Country, Tatler, and Publishers Weekly and one of “5 books not to miss” by USA TodayIn small-town Michigan, Abby Graven leads a solitary life. Once a bright student on the cusp of a promising art career, she now languishes in her childhood home, trudging to and from her job as a supermarket cashier. Each day she is taunted from the magazine racks by the success of her former best friend Elise, a rising Hollywood starlet whose life in pictures Abby obsessively scrapbooks. At night, Abby escapes through the films of her favorite director, Auguste Perren, a cult figure known for his creative institute the Rhizome. Inspired by Perren, Abby draws fantastical storyboards based on her often premonitory dreams, a visionary gift she keeps hidden. When Abby encounters Elise again at their high school reunion, she's surprised and warmed that Elise still considers her not only a friend but a brilliant storyteller and true artist. Elise's unexpected faith in Abby reignites in her a dormant hunger, and when Elise offhandedly tells Abby to look her up if she's ever in LA, Abby soon arrives on her doorstep. There, Abby discovers that while Elise is flourishing professionally, she is lonely and disillusioned behind her glossy magazine veneer. Ever the supportive friend, Abby becomes enmeshed in Elise's world, even as she guards her own dark secret and burning desire for greatness. As she edges closer to Elise, the Rhizome, and her own artistic ambitions, the dynamic shifts between the two friends—until Abby can see only one way to grasp the future that awaits her.An electrifying novel by the author of The Wonder Garden, The Paper Wasp is a knife-edge story of dark friendship and twisted ambition against the backdrop of contemporary Hollywood.“[A] page turner... a stunning portrait of a fixated woman and an addictive, modern commentary on an eternal theme of obsession... Lauren Acampora gives us a soul trip/head trip/rarefied LA trip replete with surrealism and social commentary.” —Caroline Kepnes, author of You

When oral historian Ellen Margolis and her girlfriend decide to get married, Ellen realizes that she can't go through with a wedding until she tells her grandmother. There's only one problem: her grandmother is dead. As the two young women beat their own early path toward marriage equality, Ellen's longing to plumb that voluminous silence draws her into a clandestine entanglement with a wily Holocaust survivor—a woman with more to hide than tell—and a secret search for buried history. If there is to be a wedding Ellen must decide: How much do you need to share to be true to the one you love? Set in ebullient, 1990s Dot-com era San Francisco, Paper is White is a novel about the gravitational pull of the past and the words we must find to make ourselves whole.

Sparkling and sophisticated, this sometimes hilarious, sometimes heartbreaking debut novel tells the story of a very messy, very high-profile divorce and the endearingly cynical young lawyer dragooned into handling it. Twenty-nine-year-old Sophie Diehl is happy toiling away as a criminal law associate at an old-line New England firm, where she very much appreciates that most of her clients are trapped behind bars. Everyone at Traynor, Hand knows she abhors face-to-face contact, but one week, with all the big partners out of town, Sophie is stuck handling the intake interview for the daughter of the firm's most important client. After eighteen years of marriage, Mayflower descendant Mia Meiklejohn Durkheim has just been served divorce papers in a humiliating scene at the popular local restaurant, Golightly's. Mia is now locked and loaded to fight her eminent and ambitious husband, Dr. Daniel Durkheim, Chief of the Department of Pediatric Oncology at Mather Medical School, for custody of their ten-year-old daughter Jane. Mia also burns to take him down a peg. Sophie warns Mia that she's never handled a divorce case before, but Mia can't be put off. The way she sees it, it's her first divorce, too. For Sophie, the whole affair will spark a hard look at her own relationships—with her parents, colleagues, friends, lovers, and, most important, herself. A rich, layered novel told entirely through personal correspondence, office memos, e-mails, articles, handwritten notes, and legal documents, The Divorce Papers offers a direct window into the lives of an entertaining cast of characters never shy about speaking their minds. Original and captivating, Susan Rieger's brilliantly conceived and expertly crafted debut races along with wit, heartache, and exceptional comedic timing, as it explores the complicated family dynamic that results when marriage fails—as well as the ever-present risks and coveted rewards of that thing called love.

One of the most sensational incidents in the history of France, the Dreyfus Affair was a landmark federal case involving treason and antisemitism. A controversial documentary about the trial by pioneering filmmaker Georges Méliès caused riots when it was shown in 1899, and was banned from any screening in France for the next three quarters of a century.Who engineered Dreyfus's conviction? Was the man who played him in the film actually murdered by a mob of enraged moviegoers? And why is Jack Kews, a shadowy 20th-century Zola in New York City, so determined to find out?A web of intrigue, menace and betrayal reaches through space and time, as the search for keys to a historic trap hones in on a cache of zealously guarded forgeries and tins of crumbling film stock.'This erudite page-turner takes us from late 19th-century France to the film studios of the great Georges Méliès to the tribulations of a film restorer who finds herself caught up in political intrigue, a century after the famous Affaire Dreyfus. As in her celebrated L. C., Daitch constructs a compelling dialogue with an earlier century that shifts our perspective on our own time.'—Susan Bernofsky, Foreign Words'It's Susan Daitch at her finest! A smart, absorbing study of those at the margins of history who, under her deft pen, turn out to be vital. Fascinating story, captivating writing.'—Deb Olin unferth, Revolution: The Year I Fell In Love and Went to Join the War'... Daitch manages to reveal her characters in a light that makes us wonder if we are seeing them as they are or as another shadowy transparency. While the book is extensive in scope, the writing is sharp and lean.'—The Black Sheep Dances'Daitch has lost none of the bristling intelligence that makes her work so uniquely literary.... Daitch's narrative can certainly be enjoyed as cerebral noir; the cryptic calls and notes delivered to Frances are reminiscent of Paul Auster.'—The Review of Contemporary Fiction'The world Susan Daitch spins is like uncovering a lost history first-hand through the eyes and ears of those who were there. An engrossing novel for the age of censorship and redaction.'—Tottenville Review'Enthusiastically recommended to fans of highbrow, erudite historical fiction. Readers who enjoy the novels of Umberto Eco, for example, will probably also enjoy those of Ms. Daitch.'—New York Journal of Books'Questions of integrity, authenticity and the slipperiness of'truth'in a politicized society animate Susan Daitch's ambitious and highly satisfying novel about France's infamous Dreyfus Affair and its legacy.'—Shelf AwarenessSusan Daitch is the author of four novels—The Lost Civilization of Suolucidir (City Lights), Paper Conspiracies (City Lights), L. C. (Lannan Foundation Selection and NEA Heritage Award), The Colorist—and a collection of short stories, Storytown. Her work has appeared in a variety of publications such as The Pushcart Prize Anthology, The Norton Anthology of Postmodern American Fiction and The Brooklyn Rail. Her work was featured in The Review of Contemporary Fiction along with William Vollman and David Foster Wallace. She taught at Barnard College, Columbia University, and the Iowa Writers'Workshop. She currently teaches at Hunter College.

REESE'S BOOK CLUB PICK INSTANT #1 NEW YORK TIMES BESTSELLEROVER 1 MILLION COPIES SOLD WORLDWIDE THE PAPER PALACE IS: “Filled with secrets, love, lies and a summer beach house. What more could you ask?”—Parade “A deeply emotional love story…the unraveling of secrets, lies and a very complex love triangle.” —Reese Witherspoon (Reese's Book Club July'21 Pick)'Nail-biting.'—Town & Country “A magnificent page-turner.” —Cynthia D'Aprix Sweeney, New York Times bestselling author“[An] irresistible placement of a complicated family in a bewitching place.” —The New York Times A story of summer, secrets, love, and lies: in the course of a singular day on Cape Cod, one woman must make a life-changing decision that has been brewing for decades.“This house, this place, knows all my secrets.” It is a perfect August morning, and Elle, a fifty-year-old happily married mother of three, awakens at “The Paper Palace”—the family summer place which she has visited every summer of her life. But this morning is different: last night Elle and her oldest friend Jonas crept out the back door into the darkness and had sex with each other for the first time, all while their spouses chatted away inside. Now, over the next twenty-four hours, Elle will have to decide between the life she has made with her genuinely beloved husband, Peter, and the life she always imagined she would have had with her childhood love, Jonas, if a tragic event hadn't forever changed the course of their lives. As Heller colors in the experiences that have led Elle to this day, we arrive at her ultimate decision with all its complexity. Tender yet devastating, The Paper Palace considers the tensions between desire and dignity, the legacies of abuse, and the crimes and misdemeanors of families.

La historia d'una dona que viu per la bona literatura en el convuls Beirut dels darrers anys. Després de l'èxit de L'home que explicava històries, Rabih Alameddine torna a triomfar amb aquesta magnífica novel·la que, des de les primeres pàgines, ens trasllada a un pis vell de Beirut. Allà hi trobem Aallija, una dona d'uns seixanta anys, amb els cabells tenyits de blau i una història per explicar. La senyora parla de la seva vida, però quina vida? anys i anys dedicats a llegir els millors llibres i a traduir-los mentre als carrers de Beirut queien bombes i retrunyien els ecos d'una guerra que va convertir molts joves pacífics en espies i sicaris, cosa que va obligar a una dona sola a dormir amb un rifle al costat del llit, per defensar-se dels atacs imprevistos. Som el que llegim, va dir un savi, i Aalija és això: un ésser adorable, fet de paper i, tanmateix, viu, amb un sentit de l'humor moltpeculiar, que es protegeix de tot i de tots a l'ombra d'una jaqueta vella de llana i de la bona literatura, tot buscant en els llibres l'amor que la seva família no li va saber donar. Entrar a casa d'Aalija, estar-hi amb ella i les seves veïnes, compartir la seva por i el seu valor, és una experiència intensa que ens acosta a les dones que ara mateix viuen lesrevoltes de la primavera àrab i mostra, una vegada més, el talent de Rabih Alameddine, un autor que ens retorna el plaer de llegir.

From the New York Times bestselling author of In Five Years and One Italian Summer comes a love story that will define a generation. Being single is like playing the lottery. There's always the chance that with one piece of paper you could win it all.Daphne Bell believes the universe has a plan for her. Every time she meets a new man, she receives a slip of paper with his name and a number on it—the exact amount of time they will be together. The papers told her she'd spend three days with Martin in Paris; five weeks with Noah in San Francisco; and three months with Hugo, her ex-boyfriend turned best friend. Daphne has been receiving the numbered papers for over twenty years, always wondering when there might be one without an expiration. Finally, the night of a blind date at her favorite Los Angeles restaurant, there's only a name: Jake. But as Jake and Daphne's story unfolds, Daphne finds herself doubting the paper's prediction, and wrestling with what it means to be both committed and truthful. Because Daphne knows things Jake doesn't, information that—if he found out—would break his heart. Told with her signature warmth and insight into matters of the heart, Rebecca Serle has finally set her sights on romantic love. The result is a gripping, emotional, passionate, and (yes) heartbreaking novel about what it means to be single, what it means to find love, and ultimately how we define each of them for ourselves. Expiration Dates is the one fans have been waiting for.

‘a compelling, intricate and multifaceted tale'–The Saturday Paper ‘Politica can't make war make sense (what can?), but it does offer a small balm. In her book Kassab looks horror in the eye, dignifies private desires and grieves their loss, and in doing so reminds us what being human looks like.'–Meanjin ‘Like an impressionist painter, Kassab uses words like brushstrokes to build a vivid picture of intertwined lives set against the continuing drumbeat of war. The narrative moves between past, present and future and uses time as an effective device to illustrate how the effects of war linger long after its cessation.'– Books and PublishingA captivating literary journey that delves into the intertwined lives of a town, its people, and a region shaped by revolution and war. The war broke out and she decided to call her dad. Weeks and weeks they do not speak, and the weeks become months and then they are so many years. She imagines herself starting this story. She imagines how she will tell this story later to someone else.We hadn't spoken for years but then the war broke out... As conflict plays out across an unnamed region, its inhabitants deal with the fallout. Families are torn apart and brought together. A divide grows between those on either side of the war, compromises are struck as the toll of violence impacts near and far. We learn about those who are left behind and those who choose to leave in a great scattering. As the stories of those affected play out, they weave together to show the whole of a society in the most extreme of circumstances. Even after the last shot is fired, their world will never recover. From the acclaimed author of The House of Youssef, Australiana and The Lovers comes a powerful new novel that asks again if it's possible to ever measure the personal cost of war.PRAISE FOR POLITICA: ‘In a 2022 interview, Kassab said a responsibility of the novelist is to “write with an eye towards humanity”. And she never falters in this, with Politica always drawing us back to war's immeasurable personal cost.'– The Guardian‘a rewarding tale of real people navigating war, love, loss, poverty and many other challenges, all linked by time and location. The novel asks if it is possible to ever measure the personal cost of war. Through all the stories she creates here, Kassab makes it clear that it can never be.'– The Saturday Paper ‘an evocative literary tale'– Australian Women's Weekly

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school.In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide.Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it.With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However, time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman. It was still, for the most part, the frontier; a landscape of dramatic environment and weather, the vastness of the Nebraska prairie, as well as the many diverse cultures of the local families. Attending the University of Nebraska she published a well received essay on Thomas Carlyle in the Nebraska State Journal and thereafter became a regular contributor to its offerings. After being hired to write for the Home Monthly, in 1896, Cather moved to Pittsburgh. Within a year she became a telegraph editor and drama critic for the Pittsburgh Leader as well as contributing poetry and short fiction to The Library, another local publication. Her first collection of short stories,'The Troll Garden', was published in 1905 and contains several of her most famous including'A Wagner Matinee,''The Sculptor's Funeral,'and'Paul's Case.'As a writer Cather was now taking immense strides forward. By 1912 she had finished her first novel'Alexander's Bridge'which was serialized in McClure's to favourable reviews. Cather now began her Prairie Trilogy:'O Pioneers!'(1913),'The Song of the Lark'(1915), and'My Ántonia'(1918). All three were popular and critical successes nationwide. Throughout the 1910s and 1920s, Cather continued to establish herself as a major American writer and received the Pulitzer Prize in 1922 for her novel'One of Ours'. A determinedly private person, Cather destroyed many old drafts, personal papers, and letters. Her will would also restrict the ability of scholars to quote from personal papers that remained. In 1932, Cather published her final collection of short stories,'Obscure Destinies'which contained the highly regarded'Neighbour Rosicky.'She now began work on'Lucy Gayheart', a novel that was rather darker than those before it. With her career settled as one of America's greatest writers honours began to flow. In 1943 she was elected a Fellow of the American Academy of Arts and Sciences. The following year, 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters. However time was about to settle scores with her. On April 24th, 1947, Willa Siebert Cather died of a cerebral haemorrhage at her home at 570 Park Avenue in Manhattan. She was 73.

The never-before-published novel by Charmian Clift. ‘In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off. Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time — symmetrical anyway, and contained under a thin, radiant, dome shaped cover…'During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become? The End of the Morning is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley. ‘The End of the Morning is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.'— Fiona Wright ‘Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.'— Peter Craven, Sydney Morning Herald ‘Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.'— Richard Cotter, Sydney Arts Guide

The first major book from a longtime legend in underground literature; known by citation and word of mouth, but only now emerging with a work that will earn a broad audience.“Kind Mirrors, Ugly Ghosts is why I want to read. There are few books at all that expand the exploration of family, outsider sex, animal love, therapy and surreal vision and even fewer writers who do it as well as Claire Donato. My mind and heart are thankfully changed forever.” —JAMIE STEWART of Xiu Xiu and author of Anything That Moves “Kind Mirrors, Ugly Ghosts moves and feels like a novel of ideas, yes, but also a lookbook of Rorshachs; a concept cookbook for famished phantoms; a fragmentary tour de force a la Duras. On every page, it lines the mind with vibrant space, as extraordinary in its candor about desire, artifice, and intimacy as it is with wordplay, wit, and social theory. “Death is a mirror of time, and life is not as heavy as it seems,” Donato writes, beckoning us forward through the void of realism as might an imaginary friend we thought we'd lost—or should I say ‘guardian angel'?” —BLAKE BUTLER, author'In Claire Donato's fiction, I am both looking in and being looked at. The depths of desire are on display, laying bare the complexity and the ugliness that often comes with it.'—MOLLY SODA, artist'Claire Donato's prose is at once playful and masterful, charming and haunting—I loved these short stories with huge imaginations.'—CHELSEA HODSON, author of Tonight I'm Someone Else'Love is a source of radical questioning whose only enemy is indifference. Claire Donato's fever dream of a novel goes toe to toe with today's anomie, stretching our only resource left, language, so we can navigate a 21st century landscape of violently changing relationships, with one another, with the natural world, and with our bodies.'—JAMIESON WEBSTER, psychoanalyst and author In the disquieting stories of Kind Mirrors, Ugly Ghosts, a fractaled Claire Donato contemplates grief and disgust in heterosexuality, deconstructing the romance myth and the illicit fantasies which reflect our haunted selves. These fictions are populated with Lynchian characters, draped in memory and the subconscious mind, who imagine their way out of the painful limits of their world: a turtle retreats into its shell and becomes a real girl. A porn addict turns into a baby boy in the arms of his barren cyber-girlfriend. And a digitally-marred depressive joins forces with the ghost of Simone Weil to kill a chicken. Donato's fictions are precise and cutting, seamlessly integrating a vast knowledge of art through sharp criticism and a history of cult traditions: Donnie Darko, Wings of Desire, Daisies, and Twin Peaks and artists including Clarice Lispector, M.F.K. Fisher, Sibylle Baier, and The Velvet Underground. Kind Mirrors, Ugly Ghosts concludes with'Gravity and Grace, the Chicken and the Egg, or: How to Cook Everything Vegetarian', a novella-in-vignettes that frames cooking as an entrypoint to light, awareness, and connection. With associative lyricism and a preternatural ability to gaze into the void with tenderness, Donato relays an indescribably strange perception of our world, in which maniacal grief turns to a gleeful protest before becoming, against all odds, a love letter to what remains. Cover photo: Jimmy DeSana Contact Paper, 1980 Vintage C-print © the Jimmy DeSana Trust Courtesy of the Jimmy DeSana Trust and P·P·O·W, New York

A woman tries to uncover the mysterious fate of a friend in Cambodia in this “very smart” and suspenseful novel (The New York Times Book Review). Liz Headleand is one of London's best-known and most prominent psychiatrists. One day she arrives at work to find a mysterious package, postmarked from Cambodia. Inside, she finds various scraps of paper, a laundry bill from a Bangkok hotel, old newspaper clippings—and pieces of human finger bones. Shocked but intrigued, she realizes the papers belong to her old friend Stephen Cox, a playwright who moved to Cambodia to work on a script about the Khmer Rouge. Convinced Stephen is trying to send her some sort of message, Liz follows the clues in the box to the jungles of Cambodia, risking her life to find her friend. In this thrilling novel, Margaret Drabble continues the trilogy she began in The Radiant Way and A Natural Curiosity, taking us far from the civilized, familiar streets of London, and painting an “urgent, brilliant” portrait of the tumultuous, terror-ridden landscape of Cambodia in the late twentieth century (The Boston Globe). “A tour de force.” —Calgary Herald “Unputdownable... A sojourn within The Gates of Ivory is not something one soon forgets.” —Edmonton Journal

A New York Times Editors'Choice Named a Best New Book of the Year by Harper's Bazaar Named a Best Book of the Summer by Shondaland, SheReads, The Boston Globe, Harper's Bazaar, and Reader's Digest From an acclaimed senior editor at Vanity Fair comes a “laudable” (The New York Times) debut novel about a young journalist who discovers a short story that's inexplicably about her life—leading to an entanglement with the author's widow, daughter, and former best friend.Sal Cannon's life is in shambles. Her relationship is crumbling, and her career in journalism hits a low point after it's revealed that her profile of a playwright is full of inaccuracies. She's close to rock-bottom when she reads a short story by Martin Keller: a much older author she met at a literary event years ago. Much to her shock, the story is about her and the moment they met. When Sal learns the story is excerpted from his unpublished novel, she reaches out to the story's editor—only to learn that Martin is deceased. Desperate to leave her crumbling life behind and to read the manuscript from which the story was excerpted, Sal decides to find Martin's widow, Moira. Moira has made it clear that she doesn't want to be contacted. But soon Sal is on a bus to upstate New York, where she slowly but surely inserts herself into Moira's life. Or is it the other way around? As Sal sifts through Martin's papers and learns more about Moira, the question of muse and artist arises—again and again. Even more so when Martin's daughter's story emerges. Who owns a story? And who is the one left to tell it? The Mythmakers is a nesting doll of a book that grapples with perspective and memory, as well as the batteries between creative ambition and love. It's a “page-turner” (theSkimm) about the trials and tribulations of finding out who you are, at any stage in your life, and how inspiration might find you in the strangest of places.

Dear Edie, I wanted you to know so many things. I wanted to tell you them in person, as you grew up by my side. But it wasn't to be…When Jess gives birth to Edie, it's the happiest day of her life. She knows, from the moment her little girl's hand grasps her finger, that her daughter owns her heart, completely and utterly. And even though Edie's father has left them, and single motherhood isn't easy, her beautiful, innocent child brings her untold joy.But then Jess receives a diagnosis that changes everything. Edie's life – that is just beginning – is interrupted by worried looks, heavy conversations. And Jess must face the possibility of leaving her daughter to grow up without her.Propelled by a ticking clock, Jess knows what she has to do. She begins to put pen to paper, to tell her daughter everything she might need to know.How to love, how to lose, how to forgive, and, most importantly, how to live when you never know how long you have…Readers love Laura Pearson:‘Gorgeous… Tender and beautiful… As hopeful as it is heart-breaking… I loved it.'Amy Beashel, author‘Wow. Seriously. Just beautiful. So many wonderful elements… Such a unique angle… So many memorable characters… Beautiful and utterly affecting.'Louise Beech, author‘Be still my beating heart. I've smiled and I've cried and everything in between. Most importantly I've learned… I'd give it 10 stars if I could.'Nicki's Book Blog‘This beautifully written story of friendship, love, loss and second chances captured my heart… Leaves you feeling warm, hopeful, and satisfied.'Lisa Timoney, author‘Such a treat!… Just beautiful… If you're looking for a charming, warm and moving read, this is the book you need. A beautifully written story about love and longing, and a poignant reminder that it's never too late to follow your heart.'Holly Miller, author‘I adored it. Laura has written a heartbreakingly beautiful story about love in all its different forms. (And she made me cry again, of course). Bravo.'Nikki Smith, author‘Well, I finished this in the same 24 hours as I started it. Oh… what a beautiful story and an amazing cast of characters. Poignant and inspiring!'Jennie Godfrey, author‘Such a poignant story. Brought a lump to my throat in many places.'Karen Angelico, author‘What a beautiful book about truth, love, relationships and how it's never too late to follow your heart… Moving, funny and emotionally clever. Highly recommend!'Alison Stockham, author

A Notable African Book of 2023 (Brittle Paper) Tightly plotted and taboo-breaking, this explosive story takes readers to the roots of religious strife where the smallest of sparks can start a bonfire Nader, an idealistic public prosecutor at the outset of his career, leaves Cairo to start a new posting in rural upper Egypt. On his first night, a mysterious woman named Hoda shows up at his lodgings. She is on the run from an abusive husband and, harboring a dark secret, seeks a new start in this small village and hopes to escape her harrowing past.Nothing is to be easy for Hoda or Nader, and the dramatic circumstances of their first meeting signal the disquiet to come. It is not long before tensions between Copts and Muslims, already on a knife-edge, spiral into a spate of unexplained killings and arson attacks. The locals blame the trouble on the supernatural, and Nader is thrown into a quagmire of sectarian conflict and superstition that no amount of formal training could have prepared him for. His investigations are thwarted at every turn, by uncooperative witnesses and an obstructive police force. As Nader and Hoda each pursue happiness and justice, their parallel journeys struggle against the forces of ignorance, poverty, hatred, and greed. With its echoes of Tawfiq al-Hakim's Diary of a Country Prosecutor, this is a powerful and personal tale of conflict, crime, and upheaval in rural Egypt.

SHORTLISTED FOR THE ERBD LITERATURE PRIZE 2024 A BEST NEW BOOK OF 2023 (THE NEW ARAB) A NOTABLE AFRICAN BOOK OF 2023 (BRITTLE PAPER) An unforgettable and eviscerating novel of human frailty, brutality, and resistance as told through the first-person prison narratives of a man and a womanHistory of Ash is a fictional prison account narrated by Mouline and Leila, who have been imprisoned for their political activities during the so-called Lead Years of the 1970s and 1980s in Morocco, a period that was characterized by heavy state repression. Moving between past and present, between experiences lived inside the prison cell and outside it, in the torture chamber and the judicial system, and the challenges they faced upon their release, Mouline and Leila describe their strategies for survival and resistance in lucid, often searing detail, and reassess their political engagements and the movements in which they are involved. Written with compassion and insight, History of Ash speaks to human brutality, resilience, and the power of the human spirit. It succeeds in both documenting the prison experience and humanizing it, while ultimately holding out the promise of redemption through a new generation.

Named a Best Book of 2023 by Book Riot For fans of The Age of Light and Z comes a “beguiling novel of artistic ambition, perseverance, and friendship” (Katy Hays, New York Times bestselling author) based on the true story of the 20th-century painters and tarot devotees Remedios Varo and Leonora Carrington.In this “unforgettable adventure, and one you don't want to miss” (Patti Callahan Henry, New York Times bestselling author), painter Remedios Varo and her lover, poet Benjamin Peret escape the Nazis by fleeing Paris and arriving at a safe house for artists on the Rivieria. Along with Max Ernst, Peggy Guggenheim, and others, the two anxiously wait for exit papers. As the months pass, Remedios begins to sense that the others don't see her as a fellow artist; they have cast her in the stifling role of a surrealist ideal: the beautiful innocent. She finds refuge in a mysterious bookshop, where she stumbles into a world of occult learning and intensifies an esoteric practice in the tarot that helps her light the bright fire of her creative genius. When travel documents come through, Remedios and Benjamin flee to Mexico where she is reunited with friend and fellow painter Leonora Carrington. Together, the women tap into their creativity, stake their independence, and each find their true loves. But it is the tarot that enables them to access the transcendent that lies on the other side of consciousness and to become the truest Surrealists of all.

'Sixty years later, Jaffe's classic still strikes a chord, this time eerily prescient regarding so many of the circumstances surrounding sexual harassment that paved the way toward the #MeToo movement.'-BuzzfeedWhen Rona Jaffe's superb page-turner was first published in 1958, it changed contemporary fiction forever. Some readers were shocked, but millions more were electrified when they saw themselves reflected in its story of five young employees of a New York publishing company. Almost sixty years later, The Best of Everything remains touchingly—and sometimes hilariously—true to the personal and professional struggles women face in the city. There's Ivy League Caroline, who dreams of graduating from the typing pool to an editor's office; naïve country girl April, who within months of hitting town reinvents herself as the woman every man wants on his arm; and Gregg, the free-spirited actress with a secret yearning for domesticity. Jaffe follows their adventures with intelligence, sympathy, and prose as sharp as a paper cut.

'A terrific collection'Monica Ali, author of Brick Lane and Love Marriage A Most Anticipated Title for Oprah Daily, Essence, BuzzFeed, The Millions and Brittle Paper Full of heart and humour, Gothataone Moeng's first collection, set between the rural village of Serowe and the thrumming capital city of Gaborone, captures a chorus of voices from a country in flux. Meet a young woman who has worn the same mourning clothes for almost a year, and a teenage girl who shies away from the room where her once vibrant aunt lies dying. Elsewhere, watch as a younger sister hides her romantic exploits from her family while her older brother openly flaunts his infidelities, and a traveller returns home laden with confusion and shame. Moeng, part of a new generation of writers coming out of Africa whose work is exploding onto the literary scene, offers us an insight into communities, experiences and landscapes through these cinematic stories peopled with unforgettable female protagonists.'A good short story is a bit of alchemy, showing us so much in so few pages. Gothataone Moeng's debut collection does this over and over.'Rumaan Alam, author of Leave the World Behind

An American woman and her son unearth the buried secrets and past lives of an English manor house in this masterful and riveting novel from New York Times bestselling author Lauren Belfer.“Infused with the brooding, gothic atmosphere of Jane Eyre or Rebecca... a novel that must be savored, one page at a time.”—Melanie Benjamin, author of The Children's Blizzard ONE OF THE BEST BOOKS OF THE YEAR: The New York Times“How many lives can you imagine yourself living?”So Hannah Larson wonders. When a close relative falls ill, Hannah and her young son, Nicky, decide to join him for the summer at Ashton Hall, a historic manor house outside Cambridge, England. Hannah gave up her academic career to raise her beloved child, who is neurodivergent and experiences the world differently from others, and she's grateful to escape her life in New York City, where her marriage has been upended by a devastating betrayal.Soon after their arrival, ever-curious Nicky discovers the skeletal remains of a woman in a forgotten, walled-off wing of the manor, and Hannah is pulled into an all-consuming quest for answers. Working from clues in centuries-old ledgers and the personal papers of the long-departed family, Hannah begins to re-create the Ashton Hall of the Elizabethan era in all its color and conflict. As the secrets of her own life begin to unravel, and the rewards and complications of being Nicky's mother come into focus, Hannah realizes that Ashton Hall's women before her had lives not so different from her own. She confronts what women throughout history have had to do to control their own destinies and protect their children.Rich with passion, strength, and ferocity across the ages, Ashton Hall is a novel that reveals how the most profound hauntings are within ourselves.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Antislavery agitation is rocking Utica in 1835 when a young bride discovers an enslaved family hiding in her shed, setting in motion the exhumation of long-buried family secrets.'This suspenseful novel vividly breathes life into the early years of the United States, and the burden of slavery the young Republic carries with it...This book engrosses the reader and does what historical fiction does best. In bringing the past into sharp focus, it shines a light on our present day. Highly recommended.'--Historical Novels Review, Editor's Choice PickA 2021 Great Group Reads pick, selected by the Women's National Book Association!'Author Sinnott is a Utica native who originated her city's Abolition History Day Celebration, facilitated'Resisting the New Jim Crow'at the National Abolition Hall of Fame and Museum, and is a historical consultant for the Fort Stanwix Underground Railroad History Project. She sensitively grounds her first novel in a white woman's perspective (Sinnott is white) while focusing the action and urgency around the Black Americans whose fate rests in Helen Galway's hands.'--Literary Hub, one of Bethanne Patrick's 5 Books You May Have Missed in July 2021 picks'In this eloquent debut, a diverse cast of characters embodies the political, class, and racial upheavals of its time and milieu, and does it all in living local color...[A] powerful look at the prologue to Emancipation.'--Kirkus Reviews'Potent..The book's descriptions are brutal, urgent, and realistic...In the intricate, relationship-based historical novel The Third Mrs. Galway, characters question civil disobedience and abolitionism; they also learn to be compassionate.'--Foreword Reviews'Utica-area native and local historian Sinnott's deep knowledge of the abolition movement in upstate New York informs this nuanced portrayal of white ambivalence and anti-slavery activism.'--Booklist'Sinnott offers a rich history of the burgeoning abolitionist movement.'--Publishers WeeklyIt's 1835 in Utica, New York, and newlywed Helen Galway discovers a secret: two people who have escaped enslavement are hiding in the shack behind her husband's house. Suddenly, she is at the center of the era's greatest moral dilemma: Should she be a “good wife” and report the fugitives? Or will she defy convention and come to their aid?Within her home, Helen is haunted by the previous Mrs. Galway, recently deceased but still an oppressive presence. Her husband, injured by a drunken tumble off his horse, is assisted by a doctor of questionable ambitions who keeps a close eye on Helen. In charge of all things domestic is Maggie--formerly enslaved by the Galway family and freed when emancipation came to New York eight years earlier.Abolitionists arriving in Utica to found the New York State Anti-Slavery Society are accused by the local papers of being traitors to the Constitution. Everyone faces dangerous choices as they navigate this intensely heated personal and political landscape.

'Like Sophie Macintosh in The Water Cure or Diane Cook in The New Wilderness, Helene Bukowski imagines a pocket landscape where the concerns of our world can be contained and considered, a defamiliarized place that skews increasingly uncanny without ever becoming unrecognizable. Written with precision and poise, Milk Teeth is a moving depiction of survival and perseverance, and of how we might choose new families and communities in the face of an increasingly hostile world.'—Matt Bell, author of Appleseed Skalde writes her thoughts on pieces of paper, making new discoveries and revelations, and finding scraps with which to understand her limited world. Her mother Edith tells her little, preferring the solitude of her room. Their house is full of silence, and secrets. Skalde has only ever known life in the territory, a terrain of farms and forest cut off from the rest of the world. They are isolated further, as decades since Edith's arrival in the territory she is still viewed as an outsider by their remaining neighbors. A heavy fog hangs over the territory, Skalde has never seen blue in the sky her entire childhood― but one day the fog dissipates, and is replaced by an oppressive, perpetual heat. The territory dries out, and its people become increasingly erratic, and desperate. When Skalde finds a girl called Meisis in the forest, Skalde instantly feels she must care for her and brings her in. They form a family unit, in spite of Skalde's increasing frustrations and anger with Edith and the urgent need to keep Meisis hidden. Meisis's presence means there has been a serious breach in security for the territory, and soon neighbors find a way to blame Meisis's arrival on other changes. Beautifully written in immersive, spare prose, Helene Bukowski's debut novel is about what it means to care for one another at the end of the world, about living with the impacts of climate change, and nationalism and the way we view “outsiders.” Jen Calleja's translation from German is a lively rendition of this modern-day fairytale, of three women living on the brink.

Sydney Morning Herald Best Young Australian Novelist Winner of the ABIA Book of the Year Award Winner of the ABIA Award for Literary Fiction of the Year Winner ABA Booksellers Choice Award for Fiction Winner of the MUD Literary Prize Shortlisted for The Readings Prize for New Australian Fiction Shortlisted for The Age Book of the Year for Fiction Shortlisted Indie Book Award for Debut Fiction Shortlisted ABIA Matt Richell Award New Writer of the Year‘set to be one of the year's most talked about books'– Vogue Australia ‘a great read that will become an Australian classic'– Sydney Morning Herald‘an absolute cracker, Love & Virtue lobs right into the current moment with a clarifying light. I hope EVERYONE reads this book.'– Helen Garner, bestselling and award winning author of The First Stone and The Spare Room‘one of the best novels I have read this year... it's clever, pacy and wonderfully thoughtful. Read it!'– Zara McDonald, Shameless PodcastSex. Power. Consent.Whenever I say I was at university with Eve, people ask me what she was like, sceptical perhaps that she could have always been as whole and self-assured as she now appears. To which I say something like: ‘People are infinitely complex.'But I say it in such a way—so pregnant with misanthropy—that it's obvious I hate her. Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power. Initially bonded by their wit and sharp eye for the colleges'mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today. Praise for Love & Virtue ‘Diana Reid will be called the new Sally Rooney – you're certain of it by the end of page one. By the end of this real, raw and startling novel, you know Reid is the talent to whom every smart young novelist who follows her will be compared – or hope to be.'– Meg Mason, author of Sorrow and Bliss ‘Love & Virtue captures the near-erotic thrill of being a young woman, alone and adrift, who finds, in another young woman, an intellectual equal... Like Elena and Lila in Elena Ferrante's My Brilliant Friend, a touchstone for Reid, their spark feels charged, given to exploding.'– Sydney Morning Herald ‘Love & Virtue is an accomplished novel – by turns funny and furious, and full of the plangent longing and confusion of early adulthood.'- The Saturday Paper

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

One of The Globe and Mail's “Summer 2021 books preview: 40 hot reads that will captivate you” One of Maclean's'“20 books you should read this summer” For fans of Nora Ephron and Jennifer Weiner, here is Katherine Ashenburg's witty, contemporary new novel about a forty-something newspaper columnist navigating her bold next chapter, set in Washington against the 2015 US presidential primary.In the autumn of 2015, forty-something journalist Liz is working at a national newspaper in Washington, D.C., where Hillary Clinton's run for the presidency is the talk of the town. The divorced parent of a college-age son, she appears to lead a full, happy life: devoted friends, a job she adores, a breezy dating life. But deep inside, Liz is stalled in neutral, stuck in a clandestine affair with her boss and still brooding on her marriage, which ended in betrayal, hurt and anger ten years ago. Liz's job is to edit “My Turn,” a column of personal essays from readers. Her tidy life is upended when a submission about a marital squabble arrives from Nicole, the woman who had an affair with Liz's husband and is now his wife. Wife Two has no idea that she is sending an essay to Wife One, and Liz keeps this secret as she engages in an increasingly personal critique of the piece. But the existence of the essay destabilizes Liz, and she starts acting erratically—publishing provocative essays that infuriate her colleagues, investing in a pile of unread self-help books about “forgiveness” and indulging in questionable romantic decisions. Soon she is caught in a tangled web of her own making, with no easy escape. A smart, wise and witty novel with moving depths beneath its delightful surface.

Winner of the Prix Robert Walser — a beautiful, unexpected novel from a debut French-Korean author. It's winter in Sokcho, a tourist town on the border between South and North Korea. The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North's watchtowers. A young French-Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape. The two form an uneasy relationship. When she agrees to accompany him on trips to discover an ‘authentic'Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows — the gaudy neon lights, the scars of war, the fish market where her mother works. As she's pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen. An exquisitely crafted debut, Winter in Sokcho is a novel about shared identities and divided selves, vision and blindness, intimacy and alienation. Elisa Shua Dusapin's voice is distinctive and unmistakable.