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The final installment in the “hilarious and steamy” (PopSugar) Regency Vows series follows the heir to a dukedom and a young widow, once very much in love, as they reunite years later to fake an engagement for the benefit of her sister.West, the Marquess of Weston, and Sophie, Lady Fitzwilliam Bridewell, have lately been spending a considerable amount of time together. But West and Sophie are not new acquaintances. In fact, years ago, they had once been nearly engaged until West's almost fatal curricle accident and his meddling father threw them off course. Now recently widowed, Sophie has put aside all thoughts of romance. But when her widowed sister, Alexandra, mentions a fondness for an earl, Sophie realizes that she may be holding her sister back. Alexandra won't move forward with an engagement until Sophie, too, settles down again, and so Sophie approaches West with a plan. They will announce their engagement and break things off once Alexandra is happily married. It'll be simple. After all, it's not like she is going to fall for West a second time, not when Sophie has sworn not to risk her heart again.

“Bridgerton fans will like this one.” —Julia Quinn, #1 New York Times bestselling author The Regency Vows series that is “sure to delight Bridgerton fans” (USA TODAY) returns with this story about a viscount and his irascible new wife who hopes to chase her husband from their shared home so that she can finally get some peace and quiet—only to find that his company is not as onerous as she thought.Viscount Penvale has been working for years to buy back his ancestral home, Trethwick Abbey, from his estranged uncle. And so he's thrilled when his uncle announces that he is ready to sell but with one major caveat—Penvale must marry his uncle's ward, Jane Spencer. When the two meet in London, neither is terribly impressed. Penvale finds Jane headstrong and sharp-tongued. Jane finds him cold and aloof. Nevertheless, they agree to a marriage in name only and return to the estate. There, Jane enlists her housekeeper for a scheme: to stage a haunting so that Penvale will return to London, leaving her to do as she pleases at Trethwick Abbey. But Penvale is not as easily scared as his uncle and as their time together increases, Jane realizes that she might not mind her husband's company all that much. With her trademark “arch sense of humor and a marvelously witty voice” (Entertainment Weekly), Martha Waters crafts another delightful romp for all historical romance fans.

“Sure to delight Bridgerton fans.” —USA TODAY The “sweet, sexy, and utterly fun” (Emily Henry, author of People We Meet on Vacation) Regency Vows series continues with a witty, charming, and joyful novel following a seasoned debutante and a rakish theater owner as they navigate a complicated marriage of convenience. Lady Emily Turner has been a debutante for six seasons now and should have long settled into a suitable marriage. However, due to her father's large debts, her only suitor is the persistent and odious owner of her father's favorite gambling house. Meanwhile, Lord Julian Belfry, the second son of a marquess, has scandalized society as an actor and owner of a theater—the kind of establishment where men take their mistresses, but not their wives. When their lives intersect at a house party, Lord Julian hatches a plan to benefit them both. With a marriage of convenience, Emily will use her society connections to promote the theater to a more respectable clientele and Julian will take her out from under the shadows of her father's unsavory associates. But they soon realize they have very different plans for their marriage—Julian wants Emily to remain a society wife, while Emily discovers an interest in the theater. But when a fleeing actress, murderous kitten, and meddlesome friends enter the fray, Emily and Julian will have to confront the fact that their marriage of convenience comes with rather inconvenient feelings. With “an arch sense of humor and a marvelously witty voice that rivals the best of the Regency authors” (Entertainment Weekly), Martha Waters crafts another fresh romantic comedy that for fans of Julia Quinn and Evie Dunmore.

Named a best romance of the year by Entertainment Weekly Named a most anticipated romance by Oprah Daily, Marie Claire, BuzzFeed, PopSugar, and more! “There was no romance novel more fun this year than this extremely witty enemies-with-benefits confection.” —Entertainment Weekly The author of the “hilarious...joyful, elegant” (Publishers Weekly, starred review) To Have and to Hoax returns with an effervescent, charming, and swoon-worthy novel about a man and woman who never agree on anything—until they agree to a no-strings-attached affair in this Regency-era romp.The widowed Diana, Lady Templeton and Jeremy, Marquess of Willingham are infamous among English high society as much for their sharp-tongued bickering as their flirtation. One evening, an argument at a ball turns into a serious wager: Jeremy will marry within the year or Diana will forfeit one hundred pounds. So shortly after, just before a fortnight-long house party at Elderwild, Jeremy's country estate, Diana is shocked when Jeremy appears at her home with a very different kind of proposition. After his latest mistress unfavorably criticized his skills in the bedroom, Jeremy is looking for reassurance, so he has gone to the only woman he trusts to be totally truthful. He suggests that they embark on a brief affair while at the house party—Jeremy can receive an honest critique of his bedroom skills and widowed Diana can use the gossip to signal to other gentlemen that she is interested in taking a lover. Diana thinks taking him up on his counter-proposal can only help her win her wager. With her in the bedroom and Jeremy's marriage-minded grandmother, the formidable Dowager Marchioness of Willingham, helping to find suitable matches among the eligible ladies at Elderwild, Diana is confident her victory is assured. But while they're focused on winning wagers, they stand to lose their own hearts. With Martha Waters's signature “cheeky charm and wonderfully wry wit” (Booklist, starred review), To Love and to Loathe is another clever and delightful historical rom-com that is perfect for fans of Christina Lauren and Evie Dunmore.

Named a Best Romance of April by Goodreads, Popsugar, Bustle, and more! “A laugh out loud Regency romp—if you loved the Bridgertons, you'll adore To Have and to Hoax!” —Lauren Willig, New York Times bestselling author In this fresh and hilarious historical rom-com, an estranged husband and wife in Regency England feign accidents and illness in an attempt to gain attention—and maybe just win each other back in the process.Five years ago, Lady Violet Grey and Lord James Audley met, fell in love, and got married. Four years ago, they had a fight to end all fights, and have barely spoken since. Their once-passionate love match has been reduced to one of cold, detached politeness. But when Violet receives a letter that James has been thrown from his horse and rendered unconscious at their country estate, she races to be by his side—only to discover him alive and well at a tavern, and completely unaware of her concern. She's outraged. He's confused. And the distance between them has never been more apparent. Wanting to teach her estranged husband a lesson, Violet decides to feign an illness of her own. James quickly sees through it, but he decides to play along in an ever-escalating game of manipulation, featuring actors masquerading as doctors, threats of Swiss sanitariums, faux mistresses—and a lot of flirtation between a husband and wife who might not hate each other as much as they thought. Will the two be able to overcome four years of hurt or will they continue to deny the spark between them? With charm, wit, and heart in spades, To Have and to Hoax is a fresh and eminently entertaining romantic comedy—perfect for fans of Jasmine Guillory and Julia Quinn.

Au sud de Londres, dans une villa triste et silencieuse, la vie est sur le point de changer pour la veuve Wray et sa «?vieille?» fille de vingt-six ans. La Grande Guerre a fait des ravages, les temps sont durs, elles doivent se résigner à sous-louer un étage de leur demeure pour éponger leurs dettes. Les nouveaux occupants, un couple de jeunes mariés, secouent les habitudes de la maisonnée et apportent avec eux gramophone et joie de vivre. Mais quand le désir des unes s'enflamme et que la rancœur des autres instille son venin, la table est mise pour le drame. Avec le doigté et la malice qui la caractérisent, l'auteure de L'Indésirable livre le récit d'un amour aux limites du convenable où sensualité et obsession esquissent un funeste et envoûtant pas de deux. Traduit de l'anglais par Alain Defossé

The New York Times bestselling novel that has been called “a tour de force” (Wall Street Journal), “unputdownable” (The Washington Post), “a delicious hothouse of a novel” (USA Today), “effortless” (The Economist), “seductive” (Vanity Fair) and “pitch perfect” (Salon) “Superb, bewitching…Forget about Fifty Shades of Grey; this novel is one of the most sensual you will ever read, and all without sacrificing either good taste or a'G'rating” – NPR “One of the year's most engrossing and suspenseful novels…a love affair, a shocking murder, and a flawless ending … Will keep you sleepless for three nights straight and leave you grasping for another book that can sustain that high.” — Entertainment Weekly (A rating)“Volcanically sexy, sizzingly smart, plenty bloody and just plain irresistible.'—USA Today (4 stars)It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa—a large, silent house now bereft of brothers, husband, and even servants—life is about to be transformed as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.With the arrival of Lilian and Leonard Barber, a modern young couple of the “clerk class,” the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances's life—or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be.Short-listed for the Man Booker Prize three times, Sarah Waters has earned a reputation as one of our greatest writers of historical fiction, and here she has delivered again. A love story, a tension-filled crime story, and a beautifully atmospheric portrait of a fascinating time and place, The Paying Guests is Sarah Waters's finest achievement yet.

Kyoto 1978. Fourteen-year-old Sarah Rexford returns to Japan with her mother for the first time in five years, to stay with the family at her mother's childhood home. Having begun her teenage years in America, where she is popular, confident and assured, it is a shock for Sarah to find herself ill at ease and unsure of what to say or how to say it, whilst her usually quiet, rather shy mother at once returns to her engaging, accomplished and respected former self in the company of family and old friends. As Sarah begins to reaquaint herself with her relatives and learn more about the culture she came from, she discovers a secret that stretches across three generations, its presence looming over the family home. Personal boundaries are firmly drawn in traditional Kyoto, and actions are not always what they appear. In this carefully articulated world, where every look and gesture has meaning, Sarah must learn the rules by which her mother, aunts and grandmother live.

“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review The Handmaiden, a film adaptation of Fingersmith, directed by Park Chan-wook and starring Kim Tae-Ri, is now available. Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a'baby farmer,'who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby's household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud's vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.

When Mary Yukari Waters's short-story collection, The Laws of Evening, was published, Maureen Corrigan of National Public Radio's Fresh Air said that'Waters's empathic imagination is so vivid she makes her reader feel like a silent witness to the small acts of cruelty and surrender that the history books can't record.'In her exquisite first novel, Waters explores the complex relationships among three generations of women bound by a painful family history and a culture in which custom dictates behavior. Fourteen-year-old Sarah Rexford, half-Japanese and half-American, feels like an outsider when she visits her family in Japan. She quickly learns that in traditional Kyoto, personal boundaries are firmly drawn and actions are not always what they appear. Sarah learns of a family secret -- an interfamily adoption arranged in the throes of World War II. Her grandmother gave up one of her daughters to the matriarch of the family, and the two families have coexisted quietly, living on the same lane. While this arrangement is never discussed, it looms over the two households. In this carefully articulated world, where every gesture and look has meaning, Sarah must learn the rules by which her mother, aunts, and grandmother live. Delicately balancing drama and restraint, Waters captures these women -- their deep passions and tumultuous histories -- in this tender and moving novel about the power and beauty of mother-daughter relationships.

“[A] wonderful novel…Waters is almost Dickensian in her wealth of description and depth of character.”—Chicago TribuneMoving back through the 1940s, through air raids, blacked-out streets, illicit partying, and sexual adventure, to end with its beginning in 1941, The Night Watch tells the story of four Londoners—three women and a young man with a past—whose lives, and those of their friends and lovers, connect in tragedy, stunning surprise and exquisite turns, only to change irreversibly in the shadow of a grand historical event.

“Erotic and absorbing…Written with startling power.”—The New York Times Book Review Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.

“Gothic tale, psychological study, puzzle narrative…This is gripping, astute fiction that feeds the mind and senses.”—The Seattle Times An upper-class woman recovering from a suicide attempt, Margaret Prior has begun visiting the women's ward of Millbank prison, Victorian London's grimmest jail, as part of her rehabilitative charity work. Amongst Millbank's murderers and common thieves, Margaret finds herself increasingly fascinated by on apparently innocent inmate, the enigmatic spiritualist Selina Dawes. Selina was imprisoned after a séance she was conducting went horribly awry, leaving an elderly matron dead and a young woman deeply disturbed. Although initially skeptical of Selina's gifts, Margaret is soon drawn into a twilight world of ghosts and shadows, unruly spirits and unseemly passions, until she is at last driven to concoct a desperate plot to secure Selina's freedom, and her own.As in her noteworthy deput, Tipping the Velvet, Sarah Waters brilliantly evokes the sights and smells of a moody and beguiling nineteenth-century London, and proves herself yet again a storyteller, in the words of the New York Times Book Review, of'startling power.'