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Excerpt:'Jack Hartwell's place was not of sufficient importance in Lo Lo Valley to be indicated by a brand name. It was a little four-room, rough-lumber and tar-paper shack, half buried in a clump of cottonwoods on the bank of Slow Elk Creek. The house had been built several years before by a man named Morgan, who had the mistaken idea that a nester might be welcome on the Lo Lo range. He had moved in quietly, built his shack, and—then the riders from Marsh Hartwell's Arrow outfit had seen his smoke. Whether or not Marsh Hartwell legally owned the property made no difference; he claimed it. And few men cared to dispute Marsh Hartwell. At any rate, it was proved that a nester was not welcome on the Arrow. It was an August afternoon. Only a slight breeze moved the dry leaves of the cottonwoods, and the air was resonant with the hum of insects. Molly Hartwell, Jack Hartwell's wife, stood on the unshaded front steps of the house, looking down across the valley, which was hazy with the heat waves. Mrs. Hartwell was possibly twenty years of age, tall, slender; a decided brunette of the Spanish type, although there was no Spanish blood in her ancestry. She was the kind of woman that women like to say mean things about; and try to make themselves believe them. The married men of the Lo Lo mentally compared her with their women-folk; while the single men, most of them bashful, hard-riding cowpunchers, avoided her, and hoped she'd be at the next dance.'

Excerpt:'Diana Royall pushed back the music-rack and rose from her seat at the piano. “Show the person in here, Kingdom.” The negro disappeared, and Diana moved slowly to the table at the farther end of the long room, and stood there turning over some papers in her leisurely, graceful way. “Who in the world is it now?” Mrs. Eaton asked, looking up from her solitaire, “a book agent?” “Caleb Trench,” Diana replied carelessly, “the shopkeeper at Eshcol.” “The storekeeper?” Mrs. Eaton looked as if Diana had said the chimney-sweep. “What in the world does he want of you, my dear?” Diana laughed. “How should I know?” she retorted, with a slight scornful elevation of her brows; “we always pay cash there.”'

Excerpt:'“O-O-OH! oh me-e!” Dick made the sigh very sad and pitiful His father did not seem to hear it. He tilted his chair farther back, perched his feet on the porch railing, and unfolded his newspaper It was a mild April morning, and the Osborne family had drifted out on the porch,—Mr. Osborne with his papers and Mrs. Osborne with her sewing; Sweet William was playing jackstraws with himself, Patsy sat on the steps with her back to the others, especially Dick, who, however, was pitying himself too much to notice her “I always get blamed for everything I do,” he said mournfully, “but David—— “‘House for War: Vote 373 to 50.'” Mr. Osborne read the headline. “That is the answer to the President's message four days ago. Now the Senate—— “Father! If you'll just let me off to-day, I'll work from school-out till dark every day next week. I certainly will. Father, please——” “Richard Randolph Osborne! You are to work your assigned part of the garden to-day, to-day, without further pleas for postponement.” Mr. Osborne's mild voice and red flabby face stiffened with determination. This was not the first week that Dick had neglected his garden task. “Yes, sir,” Dick answered meekly, wriggling a little. That was all he could do—wriggle a little—because he was made into a sort of merman by having an old Persian shawl wrapped about him, from the waist down. “I think you might let me off,” he persisted in an undertone; “just this one more time. If mother had patched my trousers last night—if she'd let me put on my Sundays now—I could get that hateful old garden worked this morning. I've got something else to do to-day, something awfully important.”'

Tag along for the misadventures of Bertie Wooster and his genius manservant, Jeeves, in this humorous collection of ten classic stories.The fun begins when Bertram “Bertie” Wooster hires a wonderful new valet in “Jeeves Takes Charge.” Jeeves proves himself to be quite handy in all sorts of dilemmas, including Bertie's fiancée asking him to destroy his uncle's memoirs. In “The Rummy Affair of Old Biffy,” Bertie's forgetful friend cannot remember his beloved's surname or address, which leads to a problematic engagement. In “Without the Option,” Bertie accidentally gets his friend Sippy thrown in jail and must pose as him on a visit to the horrible Pringle family. But no matter that trouble, Jeeves is always there to offer a clever solution that yields hilarious results...Other stories include “The Artistic Career of Corky,” “Jeeves and the Unbidden Guest,” “Jeeves and the Hard-Boiled Egg,” “The Aunt and the Sluggard,” “Fixing It for Freddie,” “Clustering Round Young Bingo,” and “Bertie Changes His Mind.”“The funniest writer ever to put words to paper.” —Hugh Laurie

Short stories have always been a sort of instant access into an author's brain, their soul and heart. A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.In this series we try to offer up tried and trusted ‘Top Tens'across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme. Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature.Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.For most of these women their fame more easily resides with their novels but each created short stories of such quality and verve that they simply had to be saved in inky type to paper. And each of these miniature gems is as near-perfect as their longer siblings. In their words literature is a many wondered treat.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two masters she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Excerpt:''Mighty beach to-day!'grumbled Captain Image, and handed binoculars across to the purser. Mr. Balgarnie tossed his cigarette over the lee rail and tucked a sheaf of papers into his mouth so as to have two spare hands. Day had ten minutes before glared up over an oily swell-writhing sea of bottle-green; dew lay in fat greasy gouts on the deck planks and the skylight frames, foretelling in clear prophecy another spell of scalding West African sunshine; and a mile out from the crashing, bellowing surf that smoked along the beach, the S.S. M'poso buttocked sullenly over the swells, with engines rung off, and sweating firemen on the top of the fiddley, slewing ventilators to catch a flavor of the breeze.'They've seen us, sir, at the factory,'said Mr. Balgarnie.'All the boys are out working cargo, and there's old Swizzle-Stick Smith sucking his eternal pipe and hustling them with a chiquot. I can catch the glint of his eyeglass. Wonder how long that man's been out on the Coast? Must be a matter of twenty years now by all accounts since he had his last run home. He's found the right kind of ju-ju to dodge fever-palaver, anyhow. They say he's a lazy old beach-comber as a general thing, but he's up bright and early this morning.''

Western novelette by W C Tuttle, published in Adventure magazine. Excerpt:'It was the year of the big drouth in the valley of Moon River; a season when every blade of grass was worth its weight in gold to the cattlemen, who watched with jealous care over their unstaked portions of the range and guarded closely their almost dry water-holes. Day after day through the long summer the merciless sun had baked the grass-roots; browning the land; burning below the surface, until a puff of wind would drift the soil, as a wind drifts dry snow. Even the sage and greasewood turned from purple to brownish-gray. Along the river, which wound its way through this crescent-shaped valley, the leaves of willow and cottonwood hummed paper-dry in the hot winds, while the river, itself, was shrunken to half its normal Summer stage. The range cattle were red-eyed, hollow of flank and dust-colored and when they stopped to graze their panting nostrils would send up tiny puffs of smoke-like dust. In all that valley of rolling hills, which sloped upward on both sides to the hazy heights of the Shoshone Mountains, there was no sign of green vegetation. Riding down the slope of one of these hills, heading toward the river, came a tall, thin cowboy, unshaven and unshorn. The expression of his thin face was serious as he squinted into the hazy distance and spoke softly to his rangy bay horse— “Bronc,'f this ain't the best place I ever seen t'commit murder in, then my name ain't ‘Skeeter Bill'Sarg.” The horse sniffed suspiciously at the dry grass, but did not crop at it.'

Excerpt:'The time when the intellectual affairs of America could be conducted on a monolingual basis is over. It has been irksome for long. The intellectual life of London is dependent on people who understand the French language about as well as their own. America's part in contemporary culture is based chiefly upon two men familiar with Paris: Whistler and Henry James. It is something in the nature of a national disgrace that a New Zealand paper,'The Triad,'should be more alert to, and have better regular criticism of, contemporary French publications than any American periodical has yet had.'

Excerpt:'Ben Moreton was not a Bolshevist; indeed, he had written several editorials to show that, in his opinion, their doctrines were not sound, but of course the people who denounced him never thought of reading his paper. He was a socialist, a believer in government ownership, and, however equably he attempted to examine any dispute between capital and labor, he always found for labor. He was much denounced by ultraconservatives, and perhaps their instinct was sound, for he was educated, determined, and possessed of a personality that attached people warmly, so that he was more dangerous than those whose doctrines were more militant. He was not wholly trusted by the extreme radicals. His views were not consistently agreeable to either group. For instance, he believed that the conscientious objectors were really conscientious, a creed for which many people thought he ought to be deported. On the other hand, he doubted that Wall Street had started the war for its own purposes, a skepticism which made some of his friends think him just fit for a bomb.'

Excerpt:'I had never need to keep any record either of the date or place. It was the fifteenth night of July, in the year 1758, and the place was Lieutenant Clutterbuck's lodging at the south corner of Burleigh Street, Strand. The night was tropical in its heat, and though every window stood open to the Thames, there was not a man, I think, who did not long for the cool relief of morning, or step out from time to time on to the balcony and search the dark profundity of sky for the first flecks of grey. I cannot be positive about the entire disposition of the room: but certainly Lieutenant Clutterbuck was playing at ninepins down the middle with half a dozen decanters and a couple of silver salvers; and Mr. Macfarlane, a young gentleman of a Scottish regiment, was practising a game of his own. He carried the fire-irons and Lieutenant Clutterbuck's sword under his arm, and walked solidly about the floor after a little paper ball rolled up out of a news sheet, which he hit with one of these instruments, selecting now the poker, now the tongs or the sword with great deliberation, and explaining his selection with even greater earnestness; there was besides a great deal of noise, which seemed to be a quality of the room rather than the utterance of any particular person; and I have a clear recollection that everything, from the candles to the glasses on the tables and the broken tobacco pipes on the floor, was of a dazzling and intolerable brightness. This brightness distressed me particularly, because just opposite to where I sat a large mirror hung upon the wall between two windows. On each side was a velvet hollow of gloom, in the middle this glittering oval. Every ray of light within the room seemed to converge upon its surface. I could not but look at it--for it did not occur to me to move away to another chair--and it annoyed me exceedingly. Besides, the mirror was inclined forward from the wall, and so threw straight down at me a reflection of Lieutenant Clutterbuck's guests, as they flung about the room beneath it.'

Excerpt:'My object in writing most of these papers—especially those collected under the general heads of'Sketches of Character'and'Social Grievances'—was to present what I had observed and what I had thought, in the lightest and the least pretentious form; to address the public (if I could) with something vi of the ease of letter writing, and something of the familiarity of friendly talk. The literary Pulpit appeared to me at that time—as it appears to me still—to be rather overcrowded with the Preachers of Lay Sermons. Views of life and society to set us thinking penitently in some cases, or doubting contemptuously in others, were, I thought, quite plentiful enough already. More freshness and novelty of appeal to the much-lectured and much-enduring reader, seemed to lie in views which might put us on easier terms with ourselves and with others; and which might encourage us to laugh good-humouredly over some of the lighter eccentricities of character, and some of the more palpable absurdities of custom—without any unfair perversion of truth, or any needless descent to the lower regions of vulgarity and caricature. With that idea, all the lighter contributions to these Miscellanies were originally written; and with that idea they are now again dismissed from my desk, to win what approval they may from new readers.'

The Secret of the title is the parentage of the heroine, Rosamond Treverton, who has been passed off as the daughter of the wealthy former actress Mrs Treverton of Porthgenna Tower, but is in fact the illegitimate child of her servant Sarah Leeson by a local miner (Mrs Treverton's motive was to provide her husband with a child, being apparently unable to bear children herself). Sarah writes down the details of the Secret from the words of the dying Mrs Treverton, and hides the paper bearing the message in an unused room at Porthgenna. The novel then jumps forward some twenty years. Rosamond has married the blind Leonard Frankland, who now owns Porthgenna Tower. Sarah, now living under her married name, acts as a nurse after Rosamond-s childbirth, and gives Rosamund a cryptic warning to avoid the room in which the Secret is hidden.

Excerpt:'When Miss Elizabeth Wiggin settled herself comfortably in the shade of the spreading oak in Libby's pasture, she looked forward eagerly to a pleasant and quiet hour with her book, “Wooed, Won, and Wedded.” As may be surmised from the title of the book, Miss Wiggin was romantic. She was likewise just eighteen years of age, and the daughter of Judge Nathan P. Wiggin, of Greenbush, the village that could be seen nestling in the valley something like a mile distant from that hillside oak. Miss Wiggin lived in Greenbush, but on pleasant afternoons she had a habit of wandering away, accompanied only by an aged shepherd dog, in search of some spot where she could read without fear of interruption. For her grim old father objected to trashy love stories, and her ascetic spinster aunt, who had acted as the judge's housekeeper since the death of Mrs. Wiggin, held all such fiction in abhorrence. Indeed, the animus of Aunt Sally Wiggin against stories depicting the ravages wrought by the little god of the bow and arrow was so extreme that, by consigning such terrible tales to the flames whenever she found them about the house, she conscientiously did her best to prevent them from turning the head of her niece. She even forbade the village news dealer to sell Bessie any more books of that type. In these days, however, it is no easy matter to deprive any one of the mental pabulum that is desired, and Aunt Sally had set herself a task that she could not accomplish. Lemuel Dodd, Judge Wiggin's hostler and man of all work, red-headed, freckled, and homely as a slump fence, undeterred by the discouraging fact that his persistent efforts to make love to Bessie seemed merely to arouse her amusement, became her secret and faithful ally. Twice a week, at least, he spent twenty-five cents of his wages for a paper-covered novel to be smuggled into her possession, and invariably he chose the ones whose titles seemed to promise that their contents would come up to Elizabeth's requirements. “There ain't many single fellers left round this town,” Lemuel told himself, “and mebbe if she reads enough of them yarns she'll git so desprit she'll have to grab what's handy. And when she gits the notion to grab, I'm going to take keer that I'm the handiest thing in reach.” And so, on this sunny September afternoon, Bessie Wiggin was seeking the shade of the oak in Libby's pasture, presumably afar from interruption, and prepared thoroughly to enjoy Lemuel's latest contribution. Her face was almost hidden by one of Aunt Sally's extremely old-fashioned sunbonnets, which she had hastily taken when she slipped out of the house with the book. Shep, the old dog, stretched himself in the short grass at her feet and prepared to go to sleep comfortably.'

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Zona Gale was born on 26th August 1874 in Portage, Wisconsin. She was exceptionally close to her parents and later used them as the basis for characters in her works. She wrote and illustrated her first story at the age of 7.By 16 she was being paid for stories from the Milwaukee Evening Wisconsin. After studies at the University of Wisconsin, where she received a degree and two master's she moved to New York and applied for jobs at every paper in the city. She was later hired as a secretary to Edmund Clarence Stedman, the poet, critic, essayist, banker, and scientist. and immersed herself in his literary circle.Gale returned to her hometown in 1903 and saw that her old world was full of new possibilities. She now dedicated herself to full-time writing.Her first novel ‘Romance Island'was published in 1906 and she also began the popular ‘Friendship Village'series of stories. In 1920 came ‘Miss Lulu Bett', which depicts life in the Mid-West. Adapted into a play it won the Pulitzer Prize for Drama in 1921. It was a stellar achievement.After the deaths of her parents her works, both fiction and non-fiction, drifted towards mysticism and her belief that problems could be solved through a kind of transcendentalist enlightenment.Gale was a suffragist, an activist, and a liberal Democrat as well as an active member of the National Woman's Party and pacifist. Much of her time was taken up with advancing opportunities for women both at school and as writers. It was a problem she repeatedly emphasized in her novels: women's frustration at their lack of opportunities.'In the mid 20's she began caring for a girl, a relative, Leslyn, and later adopted her. At age 54, she married William L Breese, a childhood friend and a widower. He was a wealthy banker and hosiery manufacturer. She also became a step mother to his daughter, Juliette. In mid-December 1938 she went to Chicago for medical treatment and contracted pneumonia a few days later. Zona Gale died of pneumonia in Passavant Hospital in Chicago on 27th December 1938.

Excerpt:'The two new boys in Heriot's house had been suitably entertained at his table, and afterwards in his study with bound volumes of Punch. Incidentally they had been encouraged to talk, with the result that one boy had talked too much, while the other shut a stubborn mouth tighter than before. The babbler displayed an exuberant knowledge of contemporary cricket, a more conscious sense of humour, and other little qualities which told their tale. He opened the door for Miss Heriot after dinner, and even thanked her for the evening when it came to an end. His companion, on the other hand, after brooding over Leech and Tenniel with a sombre eye, beat a boorish retreat without a word. Heriot saw the pair to the boys'part of the house. He was filling his pipe when he returned to the medley of books, papers, photographic appliances, foxes'masks, alpen-stocks and venerable oak, that made his study a little room in which it was difficult to sit down and impossible to lounge. His sister, perched upon a coffin-stool, was busy mounting photographs at a worm-eaten bureau.'

Excerpt:'Nick Carter leaned nearer to the wall and listened to what the two men were discussing. The wall was that of a booth in the café of the Shelby House. It was a partition of matched sheathing only, through which ordinary conversation in the adjoining booth could be easily overheard, and both men in this case spoke above an ordinary tone. Obviously, therefore, they were discussing nothing of a private nature, or anything thought to be of much importance, or serious significance. It meant no more to them, in fact, than it would have meant to most men, to all save one in a million. That one in a million was seated alone in the next booth—Nick Carter. The two men were strangers to the detective. They had entered when he was near the end of his lunch, and while waiting for their orders to be served they engaged in the conversation which, though heard only by chance, soon seriously impressed the detective. “You were a little later than usual this noon, Belden,” said one. “Yes, a few minutes, Joe, but I thought you would wait for me. My ticker got busy just as I was about to leave. I remained to take the dispatch, Gordon, and it proved to be quite a long one.” “Something important?” “Not very. Only political news for the local paper.” “Belden evidently is a telegraph operator,” thought Nick. “Anything warm by wire this morning?” questioned Gordon. “No, nothing,” said Belden; and then he abruptly added: “There was a singular message, however, and an unusual circumstance in connection with it.”'

Excerpt: “There was a considerable number of people in the little parlour—to wit, Mr. Bates in his big chair on one side of the fire, sipping rum-and-water, and reading a newspaper which was soft and crumpled with the usage of the day at the nearest public-house; and Mrs. Bates on the other, seated between the fireplace and the table, mending the stockings of the family. Charley was reading an old yellow novel behind his mother, and Matilda was making her winter bonnet with a quantity of materials in a large piece of paper on the table, which was covered with a red and green cloth. It was October, and not cold, but there was a fire, and a branched gas pendant with two lights, shed heat as well as light into the close little room. There was another daughter, Sarah Jane, who was coming and going about the table, now and then making incursions into the kitchen; and behind backs in the corner, on a black haircloth sofa against the wall, were seated the pair of lovers.'

Freddie Threepwood and his uncle are in difficulties. Freddie wants a thousand pounds to start a bookmaker's business and to marry Eve, while his uncle wants to raise three thousand pounds, unbeknown to his wife, to help a runaway daughter. Freddie persuades his uncle to steal his wife's necklace and sees Psmith's advertisement in a daily paper. Freddie enlists the services of Psmith to steal the necklace. There are plots and counterplots. Psmith is not successful in stealing the necklace but succeeds in stealing the affections of Eve.

Miguel de Cervantes Saavedra (1547–1616 NS) was a Spanish writer. Despite spending much of his life in poverty and obscurity, he is generally considered to be the most important writer in the Spanish language and one of the world's most significant novelists. The majority of his work was put to paper during the three years leading up to his death, thanks to the support of Count of Lemos which rendered working unnecessary. First published in two parts in 1605 and 1615, “The Ingenious Gentleman Don Quixote of La Mancha” revolves around Alonso Quixano, a noble from La Mancha who has read so many chivalric romances that he loses his mind and resolves to become a knight-errant. “Don Quixote” is commonly hailed as the first modern novel as well as one of the pinnacles of world literature, constituting a must read for all lovers of the written word. Other notable works by this author include: “La Galatea (1585) and “Los trabajos de Persiles y Sigismunda” (1617). Read & Co. Classics is proud to be republishing this novel now in a brand new edition complete with an introductory biography by James Fitzmaurice-Kelly.

Excerpt:'The lazy blue river and the wide, brown plains of Picardy lay basking in the still splendor of the November afternoon. The mysterious hush of the autumn lay upon the fields and the farmsteads. A flock of herons in a near-by marsh meditated gravely, standing one-legged, and watching the cows kneedeep in the muddy meadows. High in the sunny air, a vulture sailed, majestically evil, watching both the cows and the herons. The world was saying farewell softly to the sunny hours. The only sound that broke the deep silence was the steady trot of the big Normandy horses on the flinty towpath, as they drew a covered boat along the narrow and shallow stream, and the faint echo of the voices of five persons sitting[2] on the roof of the boat in the sunshine. The herons cocked their eyes toward the boat, and listened attentively, though they could not understand a word of these strange, noisy, laughing, weeping, fighting, dancing, talking creatures, called men and women. Sometimes, so the herons thought, these odd beings were a little kind; sometimes they were very cruel, but always they were formidable, and were masters of life and death. The great question under discussion on the roof of the boat was, where the theatrical company of jugglers and singers should spend the winter. Grandin, the proprietor of the show, a tall, handsome, boastful man, with a big voice like a church organ and a backbone made of brown paper, always gave his opinion first, but was generally overruled by Madame Grandin, also tall, handsome, easily wheedled or bullied, but inexorably truthful. Decisions really rested with the three subordinates, Diane Dorian, the prima donna, Jean Leroux, her partner, and the individual known as François le Bourgeois, juggler.'

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866.His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies'Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).Le Gallienne joined the staff of The Star newspaper in 1891, and also wrote for various other papers under the pseudonym ‘Logroller'. He contributed to the short-lived but influential quarterly periodical The Yellow Book, published between 1894 and 1897.His first wife, Mildred Lee, died in 1894 leaving their daughter, Hesper, in his care. In 1897 he married the Danish journalist Julie Norregard. However, the marriage would not be a success. She left him in 1903 and took their daughter Eva to live in Paris. They were eventually divorced in June 1911.Le Gallienne now moved to the United States and became resident there. On 27th October 1911, he married Mrs. Irma Perry, whose marriage to her first cousin, the painter and sculptor Roland Hinton Perry, had been dissolved in 1904. Le Gallienne and Irma had known each other for many years and had written an article together a few years earlier in 1906. Le Gallienne and Irma lived in Paris from the late 1920s, where Irma's daughter Gwen was by then an established figure in the expatriate bohème. Le Gallienne also added a regular newspaper column to the frequent publication of his poems, essays and other articles.By 1930 Le Gallienne's book publishing career had virtually ceased. During the latter years of that decade Le Gallienne lived in Menton on the French Riviera and, during the war years, in nearby Monaco. His house was commandeered by German troops and his handsome library was nearly sent back to Germany as bounty. Le Gallienne managed a successful appeal to a German officer in Monaco which allowed him to return to Menton to collect his books. To his credit Le Gallienne refused to write propaganda for the local German and Italian authorities, and financially was often in dire need. On one occasion he collapsed in the street due to hunger.Richard Thomas Gallienne died on 15th September 1947. He is buried in Menton in a grave whose lease is, at present, due to expire in 2023.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866.His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies'Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).Le Gallienne joined the staff of The Star newspaper in 1891, and also wrote for various other papers under the pseudonym ‘Logroller'. He contributed to the short-lived but influential quarterly periodical The Yellow Book, published between 1894 and 1897.His first wife, Mildred Lee, died in 1894 leaving their daughter, Hesper, in his care. In 1897 he married the Danish journalist Julie Norregard. However, the marriage would not be a success. She left him in 1903 and took their daughter Eva to live in Paris. They were eventually divorced in June 1911.Le Gallienne now moved to the United States and became resident there. On 27th October 1911, he married Mrs. Irma Perry, whose marriage to her first cousin, the painter and sculptor Roland Hinton Perry, had been dissolved in 1904. Le Gallienne and Irma had known each other for many years and had written an article together a few years earlier in 1906. Le Gallienne and Irma lived in Paris from the late 1920s, where Irma's daughter Gwen was by then an established figure in the expatriate bohème. Le Gallienne also added a regular newspaper column to the frequent publication of his poems, essays and other articles.By 1930 Le Gallienne's book publishing career had virtually ceased. During the latter years of that decade Le Gallienne lived in Menton on the French Riviera and, during the war years, in nearby Monaco. His house was commandeered by German troops and his handsome library was nearly sent back to Germany as bounty. Le Gallienne managed a successful appeal to a German officer in Monaco which allowed him to return to Menton to collect his books. To his credit Le Gallienne refused to write propaganda for the local German and Italian authorities, and financially was often in dire need. On one occasion he collapsed in the street due to hunger.Richard Thomas Gallienne died on 15th September 1947. He is buried in Menton in a grave whose lease is, at present, due to expire in 2023.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866.His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies'Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).Le Gallienne joined the staff of The Star newspaper in 1891, and also wrote for various other papers under the pseudonym ‘Logroller'. He contributed to the short-lived but influential quarterly periodical The Yellow Book, published between 1894 and 1897.His first wife, Mildred Lee, died in 1894 leaving their daughter, Hesper, in his care. In 1897 he married the Danish journalist Julie Norregard. However, the marriage would not be a success. She left him in 1903 and took their daughter Eva to live in Paris. They were eventually divorced in June 1911.Le Gallienne now moved to the United States and became resident there. On 27th October 1911, he married Mrs. Irma Perry, whose marriage to her first cousin, the painter and sculptor Roland Hinton Perry, had been dissolved in 1904. Le Gallienne and Irma had known each other for many years and had written an article together a few years earlier in 1906. Le Gallienne and Irma lived in Paris from the late 1920s, where Irma's daughter Gwen was by then an established figure in the expatriate bohème. Le Gallienne also added a regular newspaper column to the frequent publication of his poems, essays and other articles.By 1930 Le Gallienne's book publishing career had virtually ceased. During the latter years of that decade Le Gallienne lived in Menton on the French Riviera and, during the war years, in nearby Monaco. His house was commandeered by German troops and his handsome library was nearly sent back to Germany as bounty. Le Gallienne managed a successful appeal to a German officer in Monaco which allowed him to return to Menton to collect his books. To his credit Le Gallienne refused to write propaganda for the local German and Italian authorities, and financially was often in dire need. On one occasion he collapsed in the street due to hunger.Richard Thomas Gallienne died on 15th September 1947. He is buried in Menton in a grave whose lease is, at present, due to expire in 2023.

This volume consists of notes, themes, and sketches for works which Anton Chekhov intended to write, and are characteristic of the methods of his artistic production. Among his papers was found a series of sheets in a special cover with the inscription:'Themes, thoughts, notes, and fragments.'Madame L.O. Knipper-Chekhov, Chekhov's wife, also possesses his note-book, in which he entered separate themes for his future work, quotations which he liked, etc. If he used any material, he used to strike it out in the note-book. The significance which Chekhov attributed to this material may be judged from the fact that he recopied most of it into a special copy book. (Goodreads)

Quan es compleixen 125 anys de la publicació, el debat transhumanístic torna aquest clàssic a l'actualitat. L'illa del doctor Moreau és una de les novel·les més pertorbadores que mai s'hagin escrit. Tal com va escriure Margaret Atwood:'Quan l'has llegit, difícilment pots oblidar-la'. Jorge Luis Borges, parlant de les primeres obres de Wells, va dir-ne:'És un mirall que revela la idiosincràcia del lector i és també un mapa del món'. A l'oceà Pacífic un vaixell s'enfonsa i un dels nàufrags, Edward Prendick, és rescatat per un petit mercant que està transportant una càrrega d'animals vius —gossos, conills, una llama, una puma— fins a una illa encara sense nom. Per atzar Prendick és desembarcat també a l'illa, i allà anirà descobrint amb horror els experiments inimaginables que el doctor Moreau està practicant amb animals. Wells no va ser un mer pioner de la ciència ficció, sinó un visionari amb una escriptura enormement eficaç que interpel·la el lector sobre el paper de la ciència i sobre els límits ètics en l'alteració de la natura.

Excerpt:'The strange adventures of M. Théophraste Longuet, which ended so tragically, originated in a visit to the prison of the Conciergerie, on the 28th of June, 1899. Therefore this history is modern; but the writer would say that, having read and examined all the papers and writings of M. Théophraste Longuet, its recentness does not detract from its sensational character.'

From the author of the classic novel Call of the Wild, Jack London's Smoke Bellew features a vivacious depiction of a gold rush adventure. Christopher Bellew, more commonly known as Kit, lives a comfortable life in San Francisco. He writes daily for a paper and his inherited wealth promises to keep him well-off for a long while. Still, Kit cannot help but feel complacent. As a young man, he has not completely figured out what he really wants in life. Because of this, Kit is happy to help when his uncle and cousins ask him to accompany them to the Alaskan Gold Rush. While Kit has no plans of staying with his uncle and cousins, he agrees to help them carry the many provisions required for such a journey. Each loaded with heavy supplies, Kit, his uncle, and his cousins begin their trek through the Yukon territory. Embarking on a journey into the rough Alaskan wilderness, the group must hike through mountains, rapids, icy lakes, and the biting cold of the Alaskan weather. It is more difficult than anything Kit has ever had to accomplish, but something in the bitter Alaskan wind calls to him, and he feels more alive than ever. Choosing to abandon his San Franciscan life, Kit fights to prosper in the Yukon territory, learning to love and starting grow into adulthood. Described as one of the hidden gems of Jack London's literary career, Smoke Bellew surprises each reader with vivid description and wonderful action, feeding an uneasily quenched sense of adventure. Smoke Bellew is a collection of stories, all connected and featuring the same main character, allowing audiences to witness Christopher “Kit” Bellew's journey to adulthood. With elements of romance and comedy, this adventure novel caters to many. London's Smoke Bellew portrays a romantic portrait of the gold rush, both entertaining and educating readers on such an exciting and unique time in history. This edition of Smoke Bellew by Jack London features a new, eye-catching cover design and a modern font, creating an approachable reading experience for a contemporary audience. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The masterpiece of one of the most important and overlooked British women writers of the twentieth century, with a new introduction by Melissa Harrison;'Isabel Colegate has no rival'(The Times)'If you are curious as to why Britain is still ruled by a tiny cadre of not-very-introspective aristo-capitalists, Orlando King is essential reading'Sunday Times'Colegate's sharp-eyed trilogy about a young man on the make in 1930s London feels particularly resonant right now, given its acute take on male privilege and power'i paper, Summer Reading Picks 2020'An extraordinary achievement'Frances Wilson, Times Literary Supplement, Summer Reading Picks 2020Orlando King is a trilogy about a beautiful young man, raised in a remote and eccentric wilderness, arriving in 1930s London and setting the world of politics ablaze. In a time of bread riots and hunger marches, with the spectre of Fascism casting an ever lengthening shadow over Europe, Orlando glidingly cuts a swathe through the thickets of business, the corridors of politics, the pleasure gardens of the Cliveden set, acquiring wealth, adulation, a beautiful wife, and a seat in Parliament. But the advent of war brings with it Orlando's downfall; and his daughter Agatha, cloistered with him in his banishment, is left to pick through the rubble of his smoking, ruined legacy. Elegant and muscular, powerful and razor-sharp, Orlando King is a bildungsroman, Greek tragedy and political saga all in one; a glittering exorcism of the inter-war generation's demons to rival the work of Evelyn Waugh and Muriel Spark.

This book contains the complete novels of Charles Dickens in the chronological order of their original publication. - The Pickwick Papers - Oliver Twist - Nicholas Nickleby - The Old Curiosity Shop - Barnaby Rudge - Martin Chuzzlewit - Dombey and Son - David Copperfield - Bleak House - Hard Times - Little Dorrit - A Tale of Two Cities - Great Expectations - Our Mutual Friend - The Mystery of Edwin Drood

Mr. Pickwick's Christmas : An account of the pickwickians'christmas at the manor farm, of the adventures there; The Tale of the Goblin who stole a sexton, and of the famous sports on ice. As written in the Pickwick Papers by Charles Dickens. With illustrations in colour and line by George Alfred Williams. (Goodreads)

This book, newly updated, contains now several HTML tables of contents that will make reading a real pleasure! The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work. 1. Little Women (Louisa May Alcott) 2. The Divine Comedy (Dante Alighieri) 3. Meditations (Marcus Aurelius) 4. Emma (Jane Austen) 5. Pride and Prejudice (Jane Austen) 6. The Wonderful Wizard of Oz (L. Frank Baum) 7. Jane Eyre (Charlotte Brontë) 8. Wuthering Heights (Emily Brontë) 9. The Tenant of Wildfell Hall (Anne Brontë) 10. Don Quixote (Miguel de Cervantes) 11. The Mysterious Affair at Styles (Agatha Christie) 12. The Richest Man in Babylon (George S. Clason) 13. The Adventures of Sherlock Holmes (Arthur Conan Doyle) 14. Heart of Darkness (Joseph Conrad) 15. A Tale Of Two Cities (Charles Dickens) 16. Crime and Punishment (Fyodor Dostoyevsky) 17. The Count of Monte Cristo (Alexandre Dumas) 18. Middlemarch (George Eliot) 19. The Innocence of Father Brown (G. K. Chesterton) 20. The Border Legion (Zane Grey) 21. The Scarlet Letter (Nathaniel Hawthorne) 22. Think And Grow Rich (Napoleon Hill) 23. The Odyssey (Homer) 24. The Iliad (Homer) 25. The Hunchback of Notre-Dame (Victor Hugo) 26. Les Misérables (Victor Hugo) 27. The Secret Garden (Frances Hodgson Burnett) 28. The Legend of Sleepy Hollow (Washington Irving) 29. The Turn of the Screw (Henry James) 30. The Metamorphosis (Franz Kafka) 31. The Jungle Book (Rudyard Kipling) 32. The Call Of The Wild (Jack London) 33. Anna Karenina (Leo Tolstoy) 34. War and Peace (Leo Tolstoy) 35. At the Mountains of Madness (H.P Lovecraft) 36. The Call of Cthulhu (H.P Lovecraft) 37. Anne of Green Gables (Lucy Maud Montgomery) 38. The Power of Your Subconscious Mind (Joseph Murphy) 39. Treasure Island (Robert Louis Stevenson) 40. The Fall Of The House Of Usher (Edgar Allan Poe) 41. Swann's Way (Marcel Proust) 42. The Federalist Papers (Publius) 43. Frankenstein (Mary Shelley) 44. Dracula (Bram Stoker) 45. A Connecticut Yankee in King Arthur's Court (Mark twain) 46. The Art of War (Sun Tzu) 47. Tao Te Ching (Lao Tzu) 48. Ben-Hur: A Tale of the Christ (Lew Wallace) 49.The Science of Getting Rich (Wallace D. Wattles) 50. The War of the Worlds (H. G. Wells)

This book, newly updated, contains now several HTML tables of contents that will make reading a real pleasure! The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work. 1. Little Women (Louisa May Alcott) 2. The Divine Comedy (Dante Alighieri) 3. Meditations (Marcus Aurelius) 4. Emma (Jane Austen) 5. Pride and Prejudice (Jane Austen) 6. The Wonderful Wizard of Oz (L. Frank Baum) 7. Jane Eyre (Charlotte Brontë) 8. Wuthering Heights (Emily Brontë) 9. The Tenant of Wildfell Hall (Anne Brontë) 10. Don Quixote (Miguel de Cervantes) 11. The Mysterious Affair at Styles (Agatha Christie) 12. The Richest Man in Babylon (George S. Clason) 13. The Adventures of Sherlock Holmes (Arthur Conan Doyle) 14. Heart of Darkness (Joseph Conrad) 15. A Tale Of Two Cities (Charles Dickens) 16. Crime and Punishment (Fyodor Dostoyevsky) 17. The Count of Monte Cristo (Alexandre Dumas) 18. Middlemarch (George Eliot) 19. The Innocence of Father Brown (G. K. Chesterton) 20. The Border Legion (Zane Grey) 21. The Scarlet Letter (Nathaniel Hawthorne) 22. Think And Grow Rich (Napoleon Hill) 23. The Odyssey (Homer) 24. The Iliad (Homer) 25. The Hunchback of Notre-Dame (Victor Hugo) 26. Les Misérables (Victor Hugo) 27. The Secret Garden (Frances Hodgson Burnett) 28. The Legend of Sleepy Hollow (Washington Irving) 29. The Turn of the Screw (Henry James) 30. The Metamorphosis (Franz Kafka) 31. The Jungle Book (Rudyard Kipling) 32. The Call Of The Wild (Jack London) 33. Anna Karenina (Leo Tolstoy) 34. War and Peace (Leo Tolstoy) 35. At the Mountains of Madness (H.P Lovecraft) 36. The Call of Cthulhu (H.P Lovecraft) 37. Anne of Green Gables (Lucy Maud Montgomery) 38. The Power of Your Subconscious Mind (Joseph Murphy) 39. Treasure Island (Robert Louis Stevenson) 40. The Fall Of The House Of Usher (Edgar Allan Poe) 41. Swann's Way (Marcel Proust) 42. The Federalist Papers (Publius) 43. Frankenstein (Mary Shelley) 44. Dracula (Bram Stoker) 45. A Connecticut Yankee in King Arthur's Court (Mark twain) 46. The Art of War (Sun Tzu) 47. Tao Te Ching (Lao Tzu) 48. Ben-Hur: A Tale of the Christ (Lew Wallace) 49.The Science of Getting Rich (Wallace D. Wattles) 50. The War of the Worlds (H. G. Wells)

The present collection contains such favorites as,'Carmilla,''The Familiar,''Green Tea,'and'Schalken the Painter,'as well as much otherwise unobtainable work. There is, for example, the magnificent nouvelle'The Haunted Baronet', material from'The Purcell Papers,'the practically unknown essay-story'An Authentic Narrative of a Haunted House,'and nine other first-rate stories.

The Yellow Wallpaper (original title:'The Yellow Wall-paper. A Story') is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.

“Don Quixote looms so wonderfully above the skylines of literature, a gaunt giant on a lean nag, that the book lives and will live through his sheer vitality…The parody has become a paragon.”-Vladimir Nabokov “A more profound and powerful work than this is not to be met with…The final and greatest utterance of the human mind.”- Fyodor Dostoyevsky Miguel de Cervantes'Don Quixote is regarded not only as the first modern novel, but also as one of the most important works of fiction ever produced. The subtle and hopeful irony, resplendent variety of characters and its thoroughly entertaining sense of adventure and friendship has dazzled readers for more than four hundred years. It was published in Spain in two volumes, first in 1605 then followed by the second in 1615. Cervantes'use of realism and everyday language in Don Quixote was revolutionary at the time, and its influence on the development of literature may only be surpassed by the work of Shakespeare. In the opening of this extraordinary book, Alonso Quijano, a noble living in sixteenth-century Spain, has become consumed with the act of reading, and subsequently assumes the identity of the chivalrous knights that he loves to read about. Transformed into Don Quixote, he embarks on his first ill-fated journey as a “knight”. The defeated Quixote returns home, to only prepare himself better for the next adventure of delusion. On his second journey Quixote has enlisted the peasant Sancho Panza to appropriate the role of his squire. Although the duo is ridiculously mismatched in every sense, their inextricable bond is one of the most fascinating of friendships ever created on paper. Between their disordered adventures -of battling windmills and herds of sheep and endless mishaps- are the stories of those who are encountered on the journey. The book eventually becomes a hall of mirrors, and Cervantes explores preconceptions of narrative, reliability, and morality that are strikingly modern. Ultimately, Quixote's preposterous fantasies become haunting as the reader of this book will surely begin to question what is real and what is not. The story of Don Quixote has been adapted into numerous forms, including opera, musicals, ballets, music and film. With an eye-catching new cover, and professionally typeset manuscript, this edition of Don Quixote is both modern and readable. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Excerpt: “Mr. John Vyner, ship-owner, pushed his chair back from his writing-table and gazed with kindly condescension at the chief clerk as he stood before it with a handful of papers.'We shall be able to relieve you of some of your work soon, Hartley,'he said, slowly.'Mr. Robert will come into the firm next week.'The chief clerk bowed.'Three years at Cambridge,'resumed Mr. Vyner, meditatively,'and two years spent up and down the world studying the business methods of other nations ought to render him invaluable to us.''No doubt, sir,'said Hartley.'It is an excellent training.''For a time,'said the ship-owner, leaning back and placing the tips of his fingers together,'for a time I am afraid that he will have to have your room. Later on—ha—if a room should—ha—fall vacant in the building, we might consider taking it.''Yes, sir,'said the other.'And, of course,'resumed Mr. Vyner,'there is one great advantage in your being in the general office which must not be overlooked; you can keep an eye on the juniors better.''It is cheerful, too, sir,'suggested the chief clerk;'the only thing—''Yes?'said Mr. Vyner, somewhat loudly. Mr. Hartley shrank a little.'I was going to say that it is rather a small room for Mr. Robert,'he said, quickly.'It will do for a time,'said the other.'And—and I think I told you, sir, that there is an unpleasant sm—odour.'Mr. Vyner knitted his brows.'I offered to have that seen to, but you said that you didn't mind it,'he remarked.'Just so, sir,'said Hartley;'but I was thinking of Mr. Robert. He might not like it; it's very strong at times—very strong indeed.''You ought to have had it attended to before,'said Mr. Vyner, with some severity.'You had better call at Gillows'on your way home and ask them to send a man up first thing to-morrow morning.'He drew his chair to the table again, and Hartley, after lingering a moment, withdrew to his own room...'

In a Glass Darkly (1872), a collection of five short stories in the horror and mystery genres, presented as the posthumous papers of the occult detective Dr Hesselius.

This book contains the following works arranged alphabetically by authors last names - What's Bred in the Bone [Grant Allen] - The Golden Ass [Lucius Apuleius] - Meditations [Marcus Aurelius] - Northanger Abbey [Jane Austen] - Lady Susan par [Jane Austen] - The Wonderful Wizard of Oz [Lyman Frank Baum] - The Art of Public Speaking [Dale Breckenridge Carnegie] - The Blazing World [Margaret Cavendish] - The Wisdom of Father Brown [Gilbert Keith Chesterton] - Heretics [Gilbert Keith Chesterton] - The Donnington Affair [Gilbert Keith Chesterton] - The Innocence of Father Brown [Gilbert Keith Chesterton] - Fanny Hill: Memoirs of a Woman of Pleasure [John Cleland] - The Moonstone [Wilkie Collins] - Lord Jim [Joseph Conrad] - The Further Adventures of Robinson Crusoe [Daniel Defoe] - The Pickwick Papers [Charles Dickens] - A Christmas Carol [Charles Dickens] - Notes From The Underground [Fyodor Mikhailovich Dostoyevsky] - The Gambler par Fyodor [Mikhailovich Dostoyevsky] - The Lost World [Arthur Conan Doyle] - The Hound of the Baskervilles [Arthur Conan Doyle] - The Sign of the Four [Arthur Conan Doyle] - The Man in the Iron Mask [Alexandre Dumas] - The Three Musketeers [Alexandre Dumas] - This Side of Paradise [Francis Scott Fitzgerald] - Curious, If True: Strange Tales [Elizabeth Cleghorn Gaskell] - King Solomon's Mines [Henry Rider Haggard] - The Hunchback of Notre Dame [Victor Hugo] - Kim [Rudyard Kipling] - Captains Courageous [Rudyard Kipling] - The Jungle Book [Rudyard Kipling] - Lady Chatterley's Lover [David Herbert Lawrence] - The Son of the Wolf [Jack London] - The Einstein Theory of Relativity [Hendrik Antoon Lorentz] - The Dunwich Horror [Howard Phillips Lovecraft] - At the Mountains of Madness [Howard Phillips Lovecraft] - The Prince [Niccolò Machiavelli] - The Story Girl [Lucy Maud Montgomery] - The Antichrist [Friedrich Wilhelm Nietzsche] - The Republic [Plato] - The Last Man [Mary Shelley] - Life On The Mississippi [Mark Twain]

The H. G. Wells Collection includes five novels: The Time Machine, The Island of Doctor Moreau, The Invisible Man, The War of the Worlds, and The First Men in the Moon. This set is limited to 1000 copies. H. G. Wells is credited with the popularisation of time travel in 1895 with The Time Machine, introducing the idea of time being the'fourth dimension'a decade before the publication of Einstein's first Relativity papers. In 1896, he imagined a mad scientist creating human-like beings from animals in The Island of Doctor Moreau, which created a growing interest in animal welfare throughout Europe. In 1897 with The Invisible Man, Wells shows how a formula could render one invisible, recognizing that an invisible eye would not be able to focus, thus rendering the invisible man blind. With The War of the Worlds in 1898, Wells established the idea that an advanced civilization could live on Mars, popularising the term'martian'and the idea that aliens could invade Earth. With The First Men in the Moon, Wells developed antigravity, a development that we are still dreaming about to this day.