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A fascinating exploration of George Orwell—and his body of work—by an award-winning Orwellian biographer and scholar, presenting the author anew to twenty-first-century readers. We find ourselves in an era when the moment is ripe for a reevaluation of the life and the works of one of the twentieth century's greatest authors. This is the first twenty-first-century biography on George Orwell, with special recognition to D. J. Taylor's stature as an award-winning biographer and Orwellian. Using new sources that are now available for the first time, we are tantalizingly at the end of the lifespan of Orwell's last few contemporaries, whose final reflections are caught in this book. The way we look at a writer and his canon has changed even over the course of the last two decades; there is a post-millennial prism through which we must now look for such a biography to be fresh and relevant. This is what Orwell: The New Life achieves.

In'The Life and Legacy of Charles Dickens,'G. K. Chesterton offers a profound exploration of Dickens's impact on literature and society, blending biographical narrative with critical analysis. Chesterton employs a distinctive and engaging literary style that bridges humor and deep insight, encapsulating Dickens's multifaceted characters and the social issues of Victorian England. The book delves into the intricate tapestry of Dickens's life, emphasizing the interplay between his socio-political concerns and his rich storytelling, thereby elevating his legacy in the canon of English literature. G. K. Chesterton, a prolific writer and literary critic of the early 20th century, was deeply influenced by Dickens's exploration of morality and social justice. His own experiences working as a journalist and his keen observation of the human condition resonate throughout this work, as he celebrates Dickens not only as a literary giant but as a champion of the underprivileged. Chesterton's admiration for Dickens reflects his own belief in the power of narrative to enact social change, making this examination particularly poignant. This book is an essential read for those invested in the study of literature, offering a rich perspective that highlights Charles Dickens's enduring relevance. Readers will find in Chesterton's analysis a compelling argument for Dickens's role as a voice for the voiceless, encouraging reflection on the moral implications of literature in society today.

The fullest, most textural, most accurate—most human—account of Oscar Wilde's unique and dazzling life—based on extensive new research and newly discovered materials, from Wilde's personal letters and transcripts of his first trial to newly uncovered papers of his early romantic (and dangerous) escapades and the two-year prison term that shattered his soul and his life.'Simply the best modern biography of Wilde.'—Evening StandardDrawing on material that has come to light in the past thirty years, including newly discovered letters, documents, first draft notebooks, and the full transcript of the libel trial, Matthew Sturgis meticulously portrays the key events and influences that shaped Oscar Wilde's life, returning the man'to his times, and to the facts,'giving us Wilde's own experience as he experienced it.Here, fully and richly portrayed, is Wilde's Irish childhood; a dreamy, aloof boy; a stellar classicist at boarding school; a born entertainer with a talent for comedy and a need for an audience; his years at Oxford, a brilliant undergraduate punctuated by his reckless disregard for authority... his arrival in London, in 1878,'already noticeable everywhere'... his ten-year marriage to Constance Lloyd, the father of two boys; Constance unwittingly welcoming young men into the household who became Oscar's lovers, and dying in exile at the age of thirty-nine... Wilde's development as a playwright... becoming the high priest of the aesthetic movement; his successes... his celebrity... and in later years, his irresistible pull toward another—double—life, in flagrant defiance and disregard of England's strict sodomy laws ('the blackmailer's charter'); the tragic story of his fall that sent him to prison for two years at hard labor, destroying his life and shattering his soul.

On the 250th anniversary of Wordsworth's birth comes a highly imaginative and vivid portrait of a revolutionary poet who embodied the spirit of his age Published in time for the 250th anniversary of William Wordsworth's birth, this is the biography of a great poetic genius, a revolutionary who changed the world. Wordsworth rejoiced in the French Revolution and played a central role in the cultural upheaval that we call the Romantic Revolution. He and his fellow Romantics changed forever the way we think about childhood, the sense of the self, our connection to the natural environment, and the purpose of poetry. But his was also a revolutionary life in the old sense of the word, insofar as his art was of memory, the return of the past, the circling back to childhood and youth. This beautifully written biography is purposefully fragmentary, momentary, and selective, opening up what Wordsworth called'the hiding-places of my power.'

The first major biography of Oscar Wilde in thirty years, and the most complete telling of his life and times to date. NOMINATED FOR THE WOLFSON HISTORY PRIZE 2019'The Book of the Year, perhaps of the decade'TLS'Simply the best modern biography of Wilde... A terrific achievement'Evening Standard'Page-turning... Vivid and desperately moving. However much you think you know Wilde, this book will absorb and entertain you'The Sunday TimesBooks of the YearOscar Wilde's life – like his wit – was alive with paradox. He was both an early exponent and a victim of'celebrity culture': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently downplayed, his successes resented. He had a genius for comedy but strove to write tragedies. He was an unabashed snob who nevertheless delighted in exposing the faults of society. He affected a dandified disdain but was prone to great acts of kindness. Although happily married, he became a passionate lover of men and – at the very peak of his success – brought disaster upon himself. He disparaged authority, yet went to the law to defend his love for Lord Alfred Douglas. Having delighted in fashionable throngs, Wilde died almost alone. Above all, his flamboyant refusal to conform to the social and sexual orthodoxies of his day make him a hero and an inspiration to all who seek to challenge convention. Matthew Sturgis draws on a wealth of new material and fresh research, bringing alive the distinctive mood and characters of the fin de siècle in the richest and most compelling portrait of Wilde to date.

G.K. Chesterton was an English writer, theologian and poet. Chesterton, also known as the prince of paradox, wrote on a vast variety of subjects using an unorthodox yet interesting writing style. This edition of Charles Dickens includes a table of contents.

This is a detective story, cultural history and love story. It tells a tale of unconventionality, multifarious creativity, and a quest for new ways of living and loving amidst the complexities of Interwar Britain. For Francesca Allinson life and making art were synonymous, though both were cut short. Her story captures the topsy-turvy quality of a life singularly led; it shows how biography too gets turned upside down in the making -- how the story of a single individual can throw the literary and social perspective of the period into relief. Helen Southworth's initial goal was to discover how Francesca's fictional autobiography, A Childhood, made it onto Leonard and Virginia Woolf's The Hogarth Press list in 1937. The result was to be immediately drawn in to the company of prominent artistic figures of the period. Writer, musicologist, puppeteer and pacifist, British-German Jewish Allinson (19021945) published with the Woolfs, duelled with Ralph Vaughan Williams over the origins of folk song and was psychoanalysed by Adrian Stephen, younger brother of Virginia. Her connections register the cultural ferment of the Interwar years: a rich collaboration and unconsummated romance with homosexual composer Michael Tippett; an affair with Arts League of Service founder Judy Wogan; a friendship with designer Enid Marx; and an infatuation with poet Den Newton, 18 years her junior. Her life of promise, tragically cut short by suicide by drowning in 1945, is an eerie echo of Virginia Woolf's suicide. Allinson's story spans the Twentieth Century, closing with Tippett weeping on stage at the Wigmore Hall during a 1992 performance of The Heart's Assurance, the song cycle he dedicated to Francesca's memory forty years earlier. In parallel, Allinson's own A Childhood makes a second journey: a gift for a young woman living in recently liberated Belgium in 1942, the book comes alive again when she transforms it into an artist's book.

“We can begin with a kiss, though this will not turn out to be a love story, at least not a love story of anything like the usual kind.” So begins A Very Queer Family Indeed, which introduces us to the extraordinary Benson family. Edward White Benson became Archbishop of Canterbury at the height of Queen Victoria's reign, while his wife, Mary, was renowned for her wit and charm—the prime minister once wondered whether she was “the cleverest woman in England or in Europe.” The couple's six precocious children included E. F. Benson, celebrated creator of the Mapp and Lucia novels, and Margaret Benson, the first published female Egyptologist. What interests Simon Goldhill most, however, is what went on behind the scenes, which was even more unusual than anyone could imagine. Inveterate writers, the Benson family spun out novels, essays, and thousands of letters that open stunning new perspectives—including what it might mean for an adult to kiss and propose marriage to a twelve-year-old girl, how religion in a family could support or destroy relationships, or how the death of a child could be celebrated. No other family has left such detailed records about their most intimate moments, and in these remarkable accounts, we see how family life and a family's understanding of itself took shape during a time when psychoanalysis, scientific and historical challenges to religion, and new ways of thinking about society were developing. This is the story of the Bensons, but it is also more than that—it is the story of how society transitioned from the high Victorian period into modernity.

Winner of the Whitbread Biography Award: A “profoundly moving [and] definitive” portrait of George Orwell, author of 1984 and larger-than-life literary genius (The Daily Telegraph). It was not easy to bury George Orwell. After a lifetime of iconoclasm, during which he professed no interest in religion and no affiliation with any church, he asked to be buried in an Anglican churchyard—but none would have him. Orwell's friends fought for him to have a proper grave, however, and the author of 1984, Animal Farm, and Homage to Catalonia, among other brilliant works of prose, poetry, and journalism, was laid to rest in a quiet country cemetery. Almost immediately, his legacy was in dispute. Orwell did not want any biographies written of him, but that has not stopped scholars from trying. Of all those published since the author's death in 1950, D. J. Taylor's prize-winning book is considered the most definitive. Born in India, Orwell spent his forty-six years of life traveling the British Empire and confronting the world head on. From the trenches of Spain to the top of bestseller lists, Taylor presents Orwell fully—as a writer, social critic, and human being.

This richly enjoyable biography of the great Victorian novelist reminds us how truly revolutionary was George Eliot... [Ashton] provides luminously sane readings of the marvellous novels.'A.N. Wilson, Evening Standard'Excellent... Ashton cites Eliot's achievement in a literary landscape which moves from Scott and George Sand to Dickens, Tennyson and Browning... a fluent, vivid book... it makes one thrill again to the breadth of Eliot's genius and the passionate, vulnerable nature that accompanied her wide-ranging mind.'Jenny Uglow, Independent on Sunday'An extremely impressive work... the George Eliot who emerges from Professor Ashton's book is a remarkable woman of exceptional integrity whose life expresses the spirit of the Victorian age, even as it goes against the very grain of it.'Susie Boyt, Sunday Express

Pulitzer Prize finalist: “The definitive biography”of the Victorian-era writer and historian (The Times Literary Supplement). A Pulitzer finalist that draws upon years of research and unpublished letters, Thomas Carlyle examines the life of the Victorian genius. Carlyle was the author of Sartor Resartus and The French Revolution: A History, and he possessed one of literature's most flamboyant prose styles. Despite a childhood beset by anxiety and illness, Carlyle was indefatigable in his literary production. Fred Kaplan delves into the author's intense personal life, which includes his turbulent marriage to author Jane Baillie Welsh and his disillusionment with religion. Kaplan is a devoted and sensitive explicator, vividly resurrecting both Carlyle and his Victorian setting.

An A to Z presentation of British novelists, poets, essayists, playwrights and other writers from the nineteenth and twentieth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses.

A close reading of the life and letters of William Hale White shows that some misunderstandings have arisen in the interpretation of this important figure. The book offers such significant issues as doubt, loss of faith, and crises over vocation and church. This work represents a revisionist approach to William Hale White. It corrects previous studies at some important points, questions existing interpretations, and employs new theoretical strategies alongside fresh research in primary sources.

Current work on speech pragmatics and visual thinking calls for a radical reassessment of the problem of obscurity or difficulty in Robert Browning's work. In this innovative study, Bailey reinterprets Browning's life and work in the context of contemporary theories of language and attention, drawn from the cognitive sciences. Specifically, new readings of under-examined historical sources show the extent to which Browning's cognitive and perceptual worlds differed from the norm, aligning him with Victorians like Sir Francis Galton or fellow-artist William Wetmore Story. Exploring how perceptual biases are transformed in the language of the poems, Bailey demonstrates how the cognitive sciences can ground a new biographical practice, drawing attention to such matters as the creative process and the ethics of understanding individuals who think differently. In doing so, she re-energizes debates about this unusual Victorian poet, his later works, and the nature of literary style.

A fact-filled reference for discovering, and learning more about, the literary greats of the nineteenth century. The Victorian era produced many famous writers and poets, including Dickens, Thackeray, H.G. Wells, and Tennyson. Magazines like The Strand launched famous creations such as Conan Doyle's Sherlock Holmes, whose cliffhanger stories were told in part-works to add to the excitement. And the poetry was epic—Tennyson's Morte d'Arthur and The Lady of Shalott tapped into the Pre-Raphaelite style so popular in the art of the day. In this guide, Russell James has explored the role of the Victorian writer and their genres, from Dickens's desire to correct social wrongs and expose poverty to H.G. Wells's desire to escape the modern world. The responsibility of the Victorian poet is also revealed from romantic declaration and escapism to heroism and historical commemorations—would modern generations know about the Charge of the Light Brigade if Tennyson hadn't immortalized it? Together with A–Zs of writers and poets, this is a must-read book for everyone who loves good writing and wants to discover more.

'a genuinely interesting contribution to George Eliot scholarship by one of the leading postwar critics of Victorian fiction. The conception is bold and arresting... it reads excellently but its clarity is also vivid, effective and engaging. It wears its evident deep learning, and informed familiarity with Eliot's world, lightlyàIt manages to integrate three achievements: to give an animated sense of Eliot's personality as a woman, an intellectual, and a writer; it evokes successfully the milieu in which she lived and worked; and it offers genuine illumination in relation to the fiction.'Professor Rick Rylance, Deputy Head of English Department, University of Exeter (and former Chair of Council for College and University English)

Part history, part memoir, this tale of Canada's heritage horse is a moving odyssey into the past — and one man's heart.Saving what's left of our history often falls to a passionate few. This is the case with a group of horse breeders who have pledged to re-establish Canada's heritage horse, aptly called the Canadian — a breed descended from the Norman horses that took European knights into battle. Habitants of old Quebec called this uncommonly strong breed le petit cheval de fer — the little horse of iron — and in many ways the tumultuous story of this horse mirrors the history of Canada.Little Horse of Iron tells the story of one man and his horse. At the age of 50, Lawrence Scanlan bought his first horse — a Canadian called Saroma Dark Fox Dali. A spirited and untrained young Canadian gelding, Dali taught Scanlan a great deal about patience, fear and courage. Always candid and often amusing, the year-long diary of their relationship deftly explores the joys and sorrows as both horse and human struggle to trust and understand each other.Along the way, we meet the people who prize the Canadian horse's unparalleled contributions over three centuries — on the family farm, on the battlefield, on the race track and in the show ring. Marvellously detailed and rich in character, Little Horse of Iron is a heart-warming celebration of one horse, and of his breed — Canada's own.

Originally published: London : Fourth Estate, 1998.

A penetrating study of the life and writings of Stephen Crane, author of The Red Badge of Courage, by one of America's greatest poets and critics.

This second volume of the acclaimed Cambridge Biography of D. H. Lawrence covers the years 1912–22, the period in which Lawrence forged his reputation as one of the greatest and most controversial writers of the twentieth century. During this period Lawrence produced the trio of novels with which he was to revolutionise English fiction over the next decade. It was a painful process: Sons and Lovers was crudely cut by its publisher; The Rainbow was destroyed by court order; and Women in Love took almost three years to find a publisher. This 1996 biography tells the writing life too, tracing the illuminating relations between man and manuscript, without confusing life and art. Drawing on previously unseen information from the Cambridge Editions of the Letters and Works, and original research, fresh light is shed on questions of Lawrence's sexuality, health, quarrels and friendships, which have been more often gossiped or theorised about than scrupulously examined.

Hart Crane was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.More than half a century after his death, the work of Hart Crane (1899–1932) remains central to our understanding of twentieth-century American poetry. During his short life, Crane's contemporaries had difficulty seeing past the'roaring boy'who drank too much and hurled typewriters from windows; in recent years, he has come to be seen as a kind of'last poet'whose only theme is self-destruction, and who himself exemplifies the breakdown of poetry in the modern age. Taking as a point of departure Robert Lowell's 1961 valuation of Crane and his power to speak from'the center of things,'Warner Berthoff in this book reappraises the essential character and force of Crane's still problematic achievement. Though he takes into account the substantial body of commentary on Crane's work, his primary intent is to look afresh at the poems themselves, and at the poet's clear-eyed (and brilliant) letters. This approach enables Berthoff, first, to track the emergence and development of Crane's lyric style—an art that recreates, in compact form, the turbulence of the modern city. He then explores the background and historical community that nourished Crane's creative imagination, and he evaluates Crane's conception of the ideal modern poetic: a poetry of ecstasy created with architectural craft. His final chapter is devoted to The Bridge, the ambitious lyric suite that proved to be the climax and terminus of Crane's work. Berthoff's emphasis throughout is on the beauty and power of individual poems, and on the sanity, shrewdness, and sense of purpose that informed Crane's working intelligence.

Siegfried Sassoon: Scorched Glory is the first survey of the poet's published work since his death and the first to draw on the edited diaries and letters. We learn how Sassoon's family background and Jewish inheritance, his troubled sexuality, his experience of war - in particular his public opposition to it - his relationship to the Georgian poets and other writers, and his eventual withdrawal to country life shaped his creativity. Sassoon's status as a war poet has overshadowed his wider achievements and the complex personality behind them. This critical evaluation of Sassoon's work is long overdue and will provide a valuable starting-point for future reappraisals of a writer for whom life and art were fused.

Charles Dickens and Nelly Ternan met in 1857; she was 18, a hard-working actress performing in his production of The Frozen Deep, and he was 45, the most lionized writer in England. Out of their meeting came a love affair that lasted thirteen years and destroyed Dickens's marriage while effacing Nelly Ternan from the public record. In this remarkable work of biography and scholarly reconstruction, the acclaimed biographer of Mary Wollstonecraft, Thomas Hardy, Samuel Pepys and Jane Austen rescues Nelly from the shadows of history, not only returning the neglected actress to her rightful place, but also providing a compelling portrait of the great Victorian novelist himself. The result is a thrilling literary detective story and a deeply compassionate work that encompasses all those women who were exiled from the warm, well-lighted parlors of Victorian England.

This is the only biography by a leading American poet of the great American writer, Stephen Crane. John Berryman originally wrote this book in 1950 for the distinguished'American Men of Letters'series, and revised it twelve years later. This edition reproduces the later version.In Stephen Crane, Berryman assesses the writings and life of a man whose work has been one of the most powerful influences on modern writers. As Edmund Wilson said in The New Yorker,'Mr. Berryman's work is an important one, and not merely because at the moment it stands alone...We are not likely soon to get anything better on the critical and psychological sides.'It is Berryman's special insight into Crane as a poet that makes this book unique.

As a fine novelist, critic and biographer Catherine Carswell led a passionate and various life, full of intellectual commitment and a wide range of social interests. She worked on this original, modest and yet richly remarkable autobiography over a number of years, coming back to it again and again, almost as an act of meditation.The younger daughter of a Glasgow shipping merchant, Catherine Macfarlane studied music in Frankfurt before returning to Glasgow and then moving to London where she worked as a literary and dramatic reviewer and met her second husband, Donald Carswell, and a wide circle of literary and cultural figures, including a succession of Soviet ambassadors, Lady Tweedsmuir and D.H. Laurence. In fact she became one of Laurence's close friends, and it was he who encouraged her to write her first novel, Open the Door!, based on her own background and a sense of growing social and spiritual independence.Carswell's interests and enthusiasms encompassed (among others) Herzen, Dickens, T.S. Eliot, Rabelais, Burns and Boccaccio, but Lying Awake is the distillation of her thoughts on her own life and indeed on the nature of identity and autobiography itself. Left unfinished when she died in 1946, the manuscript was edited by her son John and has not been reprinted since it was first published in 1950.

There have been several biographies of George Eliot but this is the first study to focus on her intellectual development. The book provides an analysis of the biographical and intellectual factors which encouraged George Eliot to decide upon fiction as her chosen mode of expression, and demonstrates how that decision was influenced by, and an echoing of, J.S.Mill's and Carlyle's critiques of philosophy.

Mary McCarthy - American Writers 72 was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Rev. and updated ed. of: Collins biographical dictionary of English literature. c1993.