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Most of the embodied energy can be saved in the load-bearing structure! Conceptual Design of Structures is working at the interface between structural engineering, architecture, and art. The book seeks to answer the complex question of what needs to be considered when conceiving a building structure. What influences the process of conceptual thinking? How do space and structure interact? In what ways do architects and engineers work together? The book thus sheds light on the topic of multidisciplinary interrelationships in design, showing numerous different perspectives. Renowned practitioners and researchers from architecture and engineering share their insights, as do artists and historians who cross the disciplinary boundaries. Furthermore, this book also provides an outlook on possible future developments and aspects of sustainable design and construction. Bridging practice, academic, and research Holistic perspectives through contributors from different disciplines Numerous essays, interviews and project reviews provide direct insights Selected works from engineering, architecture, and art

When it comes to climate change, circularity has become a major topic. Closed loops, reuse, recycling, and renewable materials are fashionable ideas in architecture and product design. In order to establish the new paradigm of circular design, this book introduces an urban and territorial dimension to the goal of transforming living spaces for resilience and sustainability. It proposes to use design-led research and design-thinking for analysis, concepts, strategies, and cooperative processes of transformation. Featuring case studies from all over Europe that relate creative narratives in urbanism to social and economic innovation, Circular Design aims to activate dynamic fields and networks of ideas, people, and spaces, oriented to circular principles.

For the past 50 years, the advancements of technology have equipped architects with unique tools that have enabled the development of new computer-mediated design methods, fabrication techniques, and architectural expressions. Simultaneously, in contemporary architecture new frameworks emerged that have radically redefined the traditional conceptions of design, of the built environment, and of the role of architects. Cybernetic Architectures argues that such frameworks have been constructed in direct reference to cybernetic thinking, a thought model that emerged concurrently with the origins of informatics and that embodies the main assumptions, values, and ideals underlying the development of computer science. The book explains how the evolution of the computational perspective in architecture has been parallel to the construction of design issues in reference to the central ideas fostered by the cybernetic model. It unpacks and explains this crucial relationship, in the work of digital architects, between the use of information technology in design and the conception of architectural problems around an informational ontology.This book will appeal to architecture students and scholars interested in understanding the recent transformations in the architectural landscape related to the advent of computer-based design paradigms.

This is an excellent, clear and comprehensive book for Year 1 architecture students, which will continue to be useful throughout their course and into practice. - Laura Evans, Kingston University, UKThis one-stop handbook for architecture students provides step-by-step techniques for perfecting the vital skills of drawing, model making and surveying. It is a primer on the conventions of architectural representation and the use of materials. It also explains the primary elements of construction and structure from first principles, using clear diagrams and drawings. Recommended in the first year at numerous architecture schools, this second edition has been updated to include a new section on sustainability, more on types of drawing and when to use them, and more on structural principles and materials.

Prefabricated and Modular Architecture demystifies age-old perceptions surrounding prefabrication and modularization of buildings, offering a fresh approach to design and procurement. Experienced architect, William Hogan-O'Neill, provides a unique insight into why architectural design, manufacturing and assembly processes must coexist in parallel. In order for the architectural profession to have a meaningful existence in the future, it must examine the new opportunities that are emerging through automation and artificial intelligence from within the factory environment, as opposed to the construction site. In addition, the book explores the following topics; core elements defining prefabrication; perceptions and influences; precision, exactness and tolerances; standardization and economies of scale; panelized versus modular buildings as a design solution and, finally, common features, technical considerations and certification.

Understanding the relationship between design and technology is critical to the understanding of architecture. This book clearly explains the core aspects of architectural technology: structural physics, structural elements and forms, heating, lighting, environmental control and computer modelling. The third edition includes six new case studies, more on structural types, new information on construction detailing, passive building principles and designing for different climatic conditions. This essential introduction to architecture will help students to integrate their design thinking with the appropriate structural and environmental solutions.

Leading scholars historicize and theorize technology's role in architectural design Although the question of technics pervades the contemporary discipline of architecture, there are few critical analyses on the topic. Design Technics fills this gap, arguing that the technical dimension of design has often been flattened into the broader celebratory rhetoric of innovation. Bringing together leading scholars in architectural and design history, the volume's contributors situate these tools on a broader epistemological and chronological canvas. The essays here construct histories—some panoramic and others unfolding around a specific episode—of seven techniques regularly used by the designer in the architectural studio today: rendering, modeling, scanning, equipping, specifying, positioning, and repeating.Starting with observations about the epistemological changes that have unfolded in the discipline in recent decades but seeking to offer a more expansive meaning for technics, the volume casts new light on concepts such as form, experience, and image that have played central roles in historical architectural discourses. Among the questions addressed: How was the concept of form immanent in practices of scanning since the late nineteenth century? What was the historical relationship between rendering and experience in Enlightenment discourses? How did practices of specifying reconfigure the distinction between intellectual and manual labor? What kind of rationality is inherent in the designer's constant clicking of the mouse in front of her screen? In addressing these and other questions, this engaging and timely collection thereby proposes technics as a site for historical and philosophical reflection not only for those engaged in architectural design but also for any scholar working in the humanities today.Contributors: Lucia Allais, Edward Eigen, Orit Halpern, John Harwood, Matthew C. Hunter, and Michael Osman.

Infra-lightweight concrete combines the structural and thermal insulation functions of the building envelope in one monolithic material, thus providing new design options. The handbook is a practical guide to building with this new type of material. The architects and structural engineers of the interdisciplinary team of authors combine their findings from many years of research, including from a project in which the team investigated the architectural and structural potential of infra-lightweight concrete in multi-story residential buildings. In addition to essential information on designing with the material, including construction details, and an overview of the building physics properties, practical advice on building details is provided in the form of sizing tables and numerous details from various projects.

'Black Spaces'thematises the phenomenon of a space without light. How can such a seemingly limitless space be grasped? How can space be conceived and designed if the parameters actually contradict the spatial dimensions? A project group at the Technical University of Munich has examined the topic from different perspectives. Conversations with the architects Donatella Fioretti, Astrid Staufer and Francesca Torzo explore this architectural phenomenon. Additional brief bon mots and quotations come from architects, artists and filmmakers, who illuminate the subject very differently. This book shows the results of the design work using selected examples that accompany the textual content of the book as a separate storyline.

New materials and technologies play a significant role in architecture and design. Environmentally compatible materials and production methods are demanded just as much as smoothly functioning recycling management. In addition, trends like digitalization, 3D printing and intelligent systems and materials have a decisive influence on material innovations.The book's eight chapters span a bridge from science and industrial research to applications in architecture and design. In a compact format, it offers a well-grounded overview of the latest material innovations, including edible packaging, liquid light and intelligent natural materials. At the same time, the societal dimension of such developments is taken into consideration.

Architecture does not consist of two-dimensional drawings – it is built space. The volume Basics Spatial Design focuses on what underlies the perception and design of space and helps to create a deep understanding of the conscious design of three-dimensional relationships. It presents possibilities for spatial design clearly and in a manner that is easily adaptable for one's own work. Topics: What is space? How do I perceive space? Design parameters – elements of space Repertoire – using the tools

Becoming an architect is a daunting task. Beyond the acquisition of new skills and procedures, beginning designers face an entirely unfamiliar mode of knowledge: design thinking. In Diagramming the Big Idea, Jeffrey Balmer and Michael T. Swisher introduce the fundamentals of design thinking by illustrating how architects make and use diagrams to clarify their understanding of both specific architectural projects and universal principles of form and order. With accessible, step-by-step procedures that interweave diagrams, drawings and virtual models, the authors demonstrate how to compose clear and revealing diagrams. Design thinking defines a method for engaging the world through observation and analysis. Beyond problem solving, design is a search for possibilities. Mastering design thinking begins with learning the fundamentals of visual composition. It embraces the ability to synthesize deductive and imaginative reasoning, combining both shrewd scrutiny and fevered speculation.Design diagrams make visible the abstractions that order the built environment. Premised upon the Beaux-Arts notion of the architectural parti, Balmer and Swisher adopt the ‘Big Idea'as a foil and as a suitcase to organize fundamentals of architectural composition. The goal of this book is to make explicit to students what they are learning, why they are learning it and how to internalize such lessons toward their lifelong development as designers.

Parametric design and digital fabrication are enabling non-designers to mass produce non-standard, highly differentiated products – from shoes and tableware to furniture and even houses. The result of these newly available mass customization tools has been a ‘democratization'of design.Mass Customization and Design Democratization is the first book to address this recent phenomenon. Demonstrating how the considerable potential of these tools can be realized in practice, it introduces essential technologies and design approaches and provides numerous examples of the latest, cutting edge work from leading design firms, manufacturers and thinkers.The book examines what mass customization means for architecture and the building industry and investigates its impact on the sector's most commoditized enterprise – suburban housing. Asking whether design democratization is viable in the current context and exploring what kind of mass customization is possible, useful, and desirable, it poses fundamental questions about the authorship of design and the functional and aesthetic quality of products designed by non-designers.A highly designed book featuring over 200 color illustrations, this is essential reading for professionals as well as students taking courses in digital architecture, parametric design, and mass customization.

The theme of this book is that light is an inseparable part of architectural design, and is intended to provide students of architecture and interior design with a graphic guideline to the fundamental role lighting plays in this process. While simple light sources may be enough to satisfy practical needs, the design process must expand beyond basic illumination. The challenge for architects and designers is the creation of luminous environments offering visual interest and a sense of well-being, while also meeting basic seeing needs. Technological advances provide opportunities for the lighting designer's creative introduction of light, and the visual and psychological perceptions of the illuminated architectural environment.Fundamentals of Architectural Lighting offers a complete comprehensive guide to the basics of lighting design, equipping students and practitioners with the tools and ideas they need to master a variety of lighting techniques. The book is extensively illustrated with over 250 illustrations to demonstrate basic principles and procedures. It is an excellent resource for anyone interested in the fundamentals of integrated lighting for architectural interior spaces.

This thoroughly updated edition of Angus J. Macdonald's insightful book Structure and Architecture offers an in depth analysis of structural design and its relationship with architecture. It draws on clear explanations of the connections between structural form, structural performance and architectural design to explore the interface between the technical and the visual in architecture. Additional chapters in this new edition cover the fields of structural theory, structural philosophy, the contributions of prominent engineers to the evolution of Modern architecture, and the concept and practice of sustainable design. Fully illustrated, this critical appraisal of structures is a core-curriculum text for students of architecture, structural engineering and architectural history, and is also a valuable resource for practitioners of these disciplines.

The Green Studio Handbook remains an essential resource for design studios and professional practice. This extensive and user-friendly tool presents practical guidelines for the application of green strategies during the schematic design of buildings. Students and professionals can quickly get up to speed on system viability and sizing. Each of forty-three environmental strategies includes a brief description of principles and concepts, step-by-step guidance for integrating the strategy during the early stages of design, annotated tables and charts to assist with preliminary sizing, key issues to consider when implementing the strategy, and pointers to further resources. Ten new in-depth case studies illustrate diverse and successful green buildings integrated design projects and how the whole process comes together This third edition features updated tables and charts that will help to save energy, water, and material resources during the early stages of design. More than 500 sketches and full-color images illustrate how to successfully apply strategies. A glossary, a project index listing 105 buildings in 20 countries, updated tables and drawings, and I-P and SI units increase the usefulness of The Green Studio Handbook.

Integrating Building Performance with Design shows you the importance of designing for building performance early in your architectural design process. The book offers you simple tools and exercises, along with examples of built professional work and successful student projects illustrated by more than 100 full color images to help you with your work. Topics include site, solar orientation, thermal comfort, building enclosure, daylighting, passive heating and cooling, active heating and cooling, indoor air quality, stormwater, and rainwater harvesting.

Workflows are being rethought and remodelled across the architecture, engineering and construction (AEC) spectrum. The synthesis of building information modelling (BIM) platforms with digital simulation techniques and increasing access to data, charting building performance, is allowing architects to engage in the generation of new workflows across multidisciplinary teams.By merging digital design operations with construction activities, project delivery and post-occupation scenarios, architects are becoming instrumental in the shaping of buildings as well as the design process. Workflows expand the territory of architectural practice by extending designers'remit beyond the confines of the design stage. The implications for the AEC industry and architecture as a profession could not be greater. These new collaborative models are becoming as important as the novel buildings they allow us to produce.Contributors include: Shajay Bhooshan, John Cays, Randy Deutsch, Sean Gallagher, Ian Keough, Peter Kis, Jonathan Mallie, Adam Modesitt, Rhett Russo, Dale Sinclair, and Stacie Wong.Featured architects: Arup, Diller Scofidio + Renfro, GLUCK+, GRO Architects, PLANT, Populous, Young & Ayata, and Zaha Hadid Architects.

Processes of Creating Space is a workbook for beginning designers that shows how to generate space with user experiences in mind. It explains how to keenly perceive your world and seamlessly integrate architectural representation into your design process. The book uses two main strategies, blending the design process with material processes and media techniques and ‘experiential typologies'- emphasising first-hand experience of space. Five highly experimental assignments explore the interwoven relationship between design process and design tools, to help you learn when to incorporate writing, architectural photography, macro photography, orthographic projection, perspective projection, hand-drawing, CAD, mass modelling, hot wire foam cutting, 3D modelling, multi-part plaster mold making, slip casting, plaster casting, paper casting, monocoque shell structures, working with latex, concrete, twine pulp, full-scale prototyping and more. Illustrated with more than 350 color images, the book also includes a section on material fabrication techniques and a glossary of technical terms.An eResource containing downloadable essays, stop-motion videos, sample schedules, and supplementary information can be found here: www.routledge.com/9781138903685

Material Imagination in Architecture draws on history and the visual arts, and contemporary architecture to explore this popular theme in architectural practice and education.In the context of a discipline increasingly driven by digital production, this text explores architecture and making and the diverse influences on the material reality of architectural form: it argues that the crafts, fabrication and assemblage of its making remain vital elements of contemporary architectural language.This broad-ranging text bridges the gap between a technical or otherwise fragmentary knowledge of materials of the specialist, and the tacit or instinctive understanding of materials that the artist, sculptor or architect may have. It identifies key material themes pertinent to contemporary architectural debate and develops a discourse about future practice that is framed by environmental imperatives and grounded in a historical understanding of the meaning and use of materials.Material iconology in architecture is a well-established tradition and this book draws on that background to investigate the possibilities, and limits, of using materials in contemporary design to communicate the themes and contexts of an architectural project, a material's relationship to context, and to the history of practices that belong to the traditions of making buildings. Each theme is explored in case studies from twelve countries around the world, including the UK, USA, Spain, Italy, Germany, Australia and China.

First published in 2007, this book examines the designs of seventeen architecture and design schools and answers questions such as: How has architectural education evolved and what is its future? Are architectural schools discernible types of designs and what are their effects on those who experience them? What lessons can be learned from evaluations of recently completed school buildings and what guidance do they provide for the design of future ones? Included in the multiple approaches to evaluation are examinations of the history of architectural education and building form; typologies of school for architecture; and the systematic user evaluations of the aesthetics, function, and technology which reveal the strengths to encourage and weaknesses to avoid in future designs. While offering specific guidelines for schools of design, it also includes findings that extend beyond the walls of design schools and can be applied to everything from the interiors of educational and campus buildings to planning offices and gathering places to build communities. This book will make readers more aware of problems in architectural interiors and suggest ways to make interiors work better for the building occupants.

Innovative konstruktive Entwürfe sind in zunehmendem Maße auf die interdisziplinärere Zusammenarbeit zwischen Architekten, Ingenieuren und der Bauindustrie angewiesen. GAM.12 - Structural Affairs beobachtet das Feld der Kooperationen in den dynamischen Arbeitsabläufen der Gegenwartsarchitektur. Neue digitale Methoden, Werkstoffe und Fertigungstechniken erfordern eine Beteiligung von immer höher spezialisierten Akteuren am Planungs- und Bauprozess: sie beeinflussen und prägen das jeweilige architektonische Entwurfsprogramm von der Entwurfsidee über die Ausführungsplanung bis hin zur Konstruktion. GAM.12 fragt nach den Potenzialen und Synergien dieser Entwicklung für die architektonische Praxis und stellt aktuelle Projekte sowie theoretische Positionen zur Diskussion.

Die Auftragslage im Gebäudebestand nimmt für Architekten stetig zu. Dies liegt zum Einen am zunehmenden Gebäudealter, zum Anderen am stetigen Wandel baulicher, aber auch gesellschaftlicher Anforderungen.Die gewünschten oder erforderlichen Maßnahmen sind jedoch immer individuell und variieren enorm. Es gibt daher keinen allgemeingültigen Begriff, der alle Baumaßnahmen an bestehenden Gebäuden beschreibt und der generell verstanden wird. Entsprechend umfassend präsentiert'best of DETAIL: Sanierung'die Highlights aus DETAIL zu den Themen Umbau, Anbau, Instandsetzung, Modernisierung und Umnutzung. Die Publikation bietet neben theoretischen Fachbeiträgen einen umfangreichen Projektbeispielteil. Dieser liefert von XS-Maßnahmen wie der Umgestaltung einzelner Räume oder Wohnungen bis zur XXL-Kategorie auf der Ebene der Stadtsanierung jede Menge Inspirationen und Lösungsansätze.

The aim of this book is to expose readers to architecture's pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual and formal situation/context as pretexts and design paradigms. Connections between diverse bodies of information will be cultivated along with the ability to posit consequential relationships for the production of architecture. Architecture's Pretexts seeks to cultivate a vision for architecture that sponsors operative links between the discipline of architecture and those outside of architecture.Exploring the works of various architects including Guiseppe Terragni, Peter Eisenman, Peter Zumthor, Perry Kulper and Smout Allen, and Rem Koolhaas, this book provides the framework to understanding architecture through the lens of art. Key concepts discussed are: allegories, diagrams, form, material, montage, movement, musical ratios, narrative sequence and representation. A valuable tool, with over 75 black and white illustrations, for students and professionals interested in interdisciplinary methods of design thinking.

The Routledge Companion for Architecture Design and Practice provides an overview of established and emerging trends in architecture practice. Contributions of the latest research from international experts examine external forces applied to the practice and discipline of architecture. Each chapter contains up-to-date and relevant information about select aspects of architecture, and the changes this information will have on the future of the profession.The Companion contains thirty-five chapters, divided into seven parts: Theoretical Stances, Technology, Sustainability, Behavorism, Urbanism, Professional Practice and Society. Topics include: Evidence-Based Design, Performativity, Designing for Net Zero Energy, The Substance of Light in Design, Social Equity and Ethics for Sustainable Architecture, Universal Design, Design Psychology, Architecture, Branding and the Politics of Identity, The Role of BIM in Green Architecture, Public Health and the Design Process, Affordable Housing, Disaster Preparation and Mitigation, Diversity and many more. Each chapter follows the running theme of examining external forces applied to the practice and discipline of architecture in order to uncover the evolving theoretical tenets of what constitutes today's architectural profession, and the tools that will be required of the future architect.This book considers architecture's interdisciplinary nature, and addresses its current and evolving perspectives related to social, economic, environmental, technological, and globalization trends. These challenges are central to the future direction of architecture and as such this Companion will serve as an invaluable reference for undergraduate and postgraduate students, existing practitioners and future architects.

Structure as Architecture presents a comprehensive analysis of the indispensable role of structure in architecture. An exploration, as well as a celebration, of structure, the book draws on a series of design studies and case study examples to illustrate how structure can be employed to realize a wide range of concepts in contemporary architecture. By examining design principles that relate to both architecture and structural engineering, Andrew Charleson provides new insights into the relationship between both the technical and aesthetic aspects of architecture.Now in its second edition, the text has been extensively revised and updated throughout. Features include: A brand new chapter on hidden structure, adding to the material on exposed structures Two new chapters on using structure to realise common architectural concepts through a combination of precedents and creative design Over 50 new case studies from across the globe Easy-to-understand diagrams and a highly visual design to aid understanding and accessibility More than two hundred case studies of contemporary buildings from countries such as the UK, the US, France, Germany, Spain, Hong Kong, Australia and Japan illustrate how a thorough integration of structure adds layers of richness and enhances the realisation of architectural design concepts.

Design-Tech is an indispensable, holistic approach to architectural technology that shows you in hundreds of drawings and tables the why as well as the how of building science, providing you with a comprehensive overview. In this expanded edition, measurements and examples are listed in both metric and imperial units to reflect the global reality of architectural practice. The authors also address digital fabrication, construction documentation, ultra-high-rise structures, and zoning codes. And there's more in-depth coverage of structural design and greater emphasis on environmental forces. Numerous case studies demonstrate real-world design implications for each topic, so that you can integrate technical material with design sensibilities.Short chapters explain each topic from first principles in easy-to-reference formats, focusing on what you need to know both at the drawing board and in future discussions with engineers, contractors, and consultants. This new edition incorporates material from continuing curricular experimentation in the SCI-TECH sequence at Iowa State University, which has been recognized with awards and funding from the American Institute of Architects, the U.S. Green Building Council, and the National Council of Architectural Registration Boards.

Developing Your Design Process is your primary source for acquiring knowledge of how and why you design. It will help you understand how architects think as well as learn why you should educate yourself about design culture. You'll explore the spark of imagination that leads to a strong concept, realize the importance of sketching and rough drafts, focus your original concept to make your abstract idea visible, and finally step away for a moment to critically question your concept by identifying its strengths and weaknesses. You'll also be introduced to the language of design, architectural terminology, historic precedents, and designers, in addition to the why, what, and how of the design process.The book is illustrated throughout with international examples of work by professionals and students in the discipline of architecture, and other related design professions.

Integrate the best building envelope construction methods, materials science, and structural principles in your work using this book as a resource to help you…With more than seventy significant case studies located in North America, South America, Europe, and Asia from prehistory to the present, this book illuminates the theory and techniques of assembling exteriors. Six chapters organized by wall types, from hand-set monolithic walls to digitally fabricated curtain walls, each have a material focus section to help you understand their intrinsic properties so that you can decide which will best keep the weather out of your building. Examples from the ancient world, including the Pyramids and the Great Wall, through a range of renowned modern architects, such as Studio Gang, Sauerbruch Hutton, Herzog and deMeuron, and Rafael Moneo, illustrate how significant works in the history of architecture explored innovative use of materials – stone, brick, concrete, glass, and aluminium. Along the way, principles of construction from masonry and basic framing through ever more sophisticated envelope systems address classic problems presented by gravity, wind, rain, and sun with studies of lateral forces, building movements and materials that bridge the gaps in between them.

As a beginning design student, you need to learn to think like a designer, to visualize ideas and concepts, as well as objects. In the second edition of Diagramming the Big Idea, Jeffrey Balmer and Michael T. Swisher illustrate how you can create and use diagrams to clarify your understanding of both particular projects and organizing principles and ideas. With accessible, step-by-step exercises that interweave full color diagrams, drawings and virtual models, the authors clearly show you how to compose meaningful and useful diagrams. As you follow the development of the four project groups drawn from the authors'teaching, you will become familiar with architectural composition concepts such as proportion, site, form, hierarchy and spatial construction. In addition, description and demonstration essays extend concepts to show you more examples of the methods used in the projects. Whether preparing for a desk critique, or any time when a fundamental insight can help to resolve a design problem, this new and expanded edition is your essential studio resource.

The essays selected for this book, presented in chronological order, discuss various aspects of image-making technologies, geometrical knowledge and tools for architectural design, focusing in particular on two historical periods marked by comparable patterns of technological and cultural change. The first is the Renaissance; characterized by the rediscovery of linear perspectives and the simultaneous rise of new formats for architectural drawing and design on paper; the second, the contemporary rise of digital technologies and the simultaneous rise of virtual reality and computer-based design and manufacturing.Many of the contributing authors explore the parallel between the invention of the perspectival paradigm in early-modern Europe and the recent development of digitized virtual reality. This issue in turn bears on the specific purposes of architectural design, where various representational tools and devices are used to visualize bi-dimensional aspects of objects that must be measured and eventually built in three-dimensional space.

Continuing in the holistic philosophy of the Technologies of Architecture series, this volume examines the various layers of knowledge, skills and mechanisms that make up the many approaches to the essential function of technical design in the creation of successful buildings.Well-illustrated with case studies, the author draws on his extensive experience in architectural education to provide a detailed description of the development process, acknowledging traditional solutions whilst also encouraging designers to consider innovative alternatives. Attention is paid to materials choices, detail design and specification writing.Students of architectural technology in particular, but also of architecture, building surveying and construction will find this syllabus-relevant title an invaluable asset in embracing their environmental responsibilities as designers and actively participating in the development of technical design language.

This edited collection addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere ‘models'for imitation in the construction of buildings, the articles explore the broader range of methods and meanings at stake in the creation and interpretation of architectural drawings, models, images and artefacts.These critical – and often practice-led – investigations are placed alongside a range of historical studies considering the development of representational techniques such as perspective, orthography and diagramming. By also addressing the use of visual representation in a number of related disciplines such as visual arts, film, performance and literature, the book opens up debates in architecture to important developments in other fields. This book is key reading for all students of architecture and architectural theory.

Die Gebäudehülle ist weithin sichtbares Signet, sie schafft Verbindungen zwischen Außen- und Innenraum, schützt vor Witterungseinflüssen und hilft nicht zuletzt, den Energiebedarf im Gebäude zu senken. Mehr denn je ist die Hülle gleichzeitig Experimentierfeld für vielfältigste Einsatzmöglichkeiten neuer Materialien – ästhetische Oberflächen liegen im Trend. Heute werden an die Hülle unterschiedlichste Anforderungen gestellt, ihre Ausformulierung ist zu einer komplexen Herausforderung geworden. Mit der 2. erweiterten Auflage von im Detail Gebäudehüllen tragen wir dieser Entwicklung Rechnung. Neben einer Vielzahl innovativer Projekte, die von außergewöhnlichen Hüllen bis zu intelligent optimierten Fassaden reichen, bietet ein Materialkatalog Überblick über aktuelle Produkte und deren Einsatzmöglichkeiten. Was energieoptimierte Hüllen leisten können, wird von Fachautoren anschaulich beschrieben. In ihrer Informationsdichte ist die Neuauflage des Klassikers im Detail Gebäudehüllen ein unverzichtbares Arbeitsmittel für jeden Planer und Architekten.

This unique book discusses programming, design and building evaluation providing a ‘joined up'approach to building design. By linking the functional and architectonic qualities of a building, the authors show the practical implications of the utility value of buildings. Starting by looking at how the relationship between form and function has been dealt with by different approaches to architecture from a historical perspective, it goes on to discuss how the desired functional quality and utility value of a building can be expressed in a brief and given a physical form by the architect. Finally, it advises on how to carry out post-occupancy evaluation and provides the architect with methods and techniques for testing whether the intended utility value of a building has been achieved.

This book offers an explanation of why scale models are important to the design process. Albert Smith takes the reader through the history and significance of models in architecture from the magic of the Egyptian scale model to the present day.Through this description of the relationship between architecture and the scale model, Smith demonstrates the most effective process between concept and'machine', between the idea and the final building. The great value of this book is to reveal the nature of the scale model and to unlock the tremendous potential of this design tool as a thinking and communicative advice.His chronological analysis goes on from Egypt through Rome to the relationship between the Greek paradigm scale model and then on to Medieval and Renaissance models. It concludes with the models of the Spanish architect Antonio Gaudi, the Russian Constructivists, the American architect Louis Khan and finally looks at the role of scale models in the present day through the work of the Polish/American architect Daniel Libeskind and the American Frank Gehry.

This book, encouraging more effective collaboration between professional architects and social scientists, outlines how social science research can aid the design process, detailing how physical environment relates to behavior. With a foreword by Hugh F. Cline.