Search

Taut, panoramic and powerful; Paper Names is an unforgettable debut about the long shadows of our parents, the ripple effects of our decisions and the ways in which our love transcends difference. Outside a New York apartment building, an attempted mugging alters the lives of three people. Tony, a Chinese-born engineer turned Manhattan doorman, who immigrated to the United States to give his family a better life. His daughter, Tammy, who grapples with the expectations surrounding a first-generation American as she grows into an ambitious young woman. And Oliver, a charming white lawyer with a dark family secret, who is continuously propelled towards Tammy and Tony, whether by fate or his choices. Set in New York and China over three decades, Paper Names explores what it means to be American from three different perspectives. As Tony, Tammy and Oliver each strive for their own American dream, and make sacrifices to attain it, every joyous and heart-breaking twist in their stories begs the question: was it all worth it?'Spectacular... Explosive and riveting, the story whipstitches in and out of time like a golden needle'— Adriana Trigiani, New York Times bestselling author of The Good Left Undone ‘Unblinking, nimble, and written with the kind of clarity one expects from a seasoned author. The word stunning is not hyperbole here'— Brian Castleberry, award-winning author of Nine Shiny Objects ‘With a keen eye for detail, a strong sense of pacing, and a deep understanding of human nature, Susie Luo crafts a moving portrait of two families whose fates intertwine'— Christina Baker Kline, New York Times bestselling author of Orphan Train

WATERSTONES SCOTTISH BOOK OF THE MONTH'A truly original, brilliant novel'Daily Mail'Very special indeed... your world will be a better place for reading this story'Joanna Cannon Everyone deserves a second chance. You just have to take the first step. Rocked by a terrible accident, homeless Kelly needs to escape the streets of Glasgow. Maybe she doesn't believe in serendipity, but a rare moment of kindness and a lost ring conspire to call her home, returning to the small town she fled so many years ago.

Arthur Conan Doyle was born in Edinburgh, Scotland on 22nd May 1859. His childhood was blighted by his father's heavy drinking which for some years broke up the family. Fortunately, wealthy uncles were willing to support them by paying for education and clothing. He was accepted at the University of Edinburgh to study medicine and also began to write short stories the first, ‘The Haunted Grange of Goresthorpe', was published in Blackwood's Magazine. Despite several other stories and some articles in the British Medical Journal his medical studies took priority.When these finished he was appointed as Doctor on the Greenland whaler ‘Hope of Peterhead'in 1880 and then, after graduation, as ship's surgeon on the SS Mayumba on its voyage to West Africa.1882 saw a move to Plymouth and his own independent practice. With few patients he resumed writing and completed his first novel, ‘The Mystery of Cloomber', although most of his output was short stories based on his experiences at sea. He married Louisa Hawkins in 1885. However, two years later he met and fell in love with Jean Elizabeth Leckie, though they remained platonic out of respect for, and loyalty to, his wife.His literary career suddenly burst into life in November 1886 with ‘A Study In Scarlet', the first of the fabulously successful Sherlock Holmes stories. With two children to support he now revisited his haphazard commercial arrangements and curtailed everything save for commissions from the Strand Magazine. As a sportsman he was remarkably proficient. He was goalkeeper for Portsmouth Association Football Club and played ten first-class cricket matches for the Marylebone Cricket Club as well as captain of the Crowborough Beacon Golf Club in East Sussex. In 1891 tired of writing Holmes stories, he began a series of historical novels and even went so far as to apparently kill off Holmes in a lethal brawl with his arch-nemesis Moriarty.Despite heavy and sustained criticism he continued to write in support of the Boer War, a fact he thought contributed to his knighthood in 1902. The following year to great relief and acclaim he brought Sherlock Holmes back from the dead in his first outing for a decade.Sadly, his wife Louisa died from TB in 1906 and, a year later, he at last married Jean. During the War and for several years after family deaths had left him depressed. In a search for solace and answers he alighted upon spiritualism and, such was his interest, that he wrote several books on the subject.On 7th July 1930 Conan Doyle was discovered in the hall of Windlesham Manor, his house in East Sussex, clutching his chest dying of a heart attack. He was 71.

'The Yellow Wallpaper'by Charlotte Perkins Gilman is a mesmerizing and unsettling exploration of the female psyche and the stifling constraints of 19th-century society. The story is narrated by a woman suffering from what her husband and physicians diagnose as'nervous depression.'She is confined to a room in her home and prescribed a treatment of complete rest.As the protagonist spends her days in isolation, she becomes increasingly obsessed with the room's yellow wallpaper. Her descent into madness is vividly portrayed through her journal entries, revealing a haunting journey of unraveling sanity.Gilman's writing is a poignant critique of the patriarchal norms that suppressed women's voices and autonomy during her time. The novella serves as a powerful feminist statement, highlighting the devastating effects of the'rest cure'and the silencing of women's inner struggles.'The Yellow Wallpaper'is a psychological masterpiece that continues to resonate with readers, scholars, and feminists alike. It offers a chilling portrayal of the intersection of mental health, gender, and societal expectations.Step into the haunting world of'The Yellow Wallpaper'and experience the eerie and thought-provoking narrative that challenges the status quo and illuminates the resilience of the human spirit. Charlotte Perkins Gilman's work remains a timeless exploration of the female experience and the importance of self-expression.ABOUT THE AUTHORCharlotte Perkins Gilman (1860-1935) was a pioneering American feminist, writer, and social reformer. Born in Hartford, Connecticut, Gilman is best known for her influential works of feminist literature, including the short story'The Yellow Wallpaper.'Gilman's writing often addressed gender inequality and the stifling effects of the traditional roles assigned to women in society.'The Yellow Wallpaper'is a powerful portrayal of a woman's descent into madness as a result of the oppressive treatment and confinement she experiences at the hands of her physician husband. In addition to her literary achievements, Gilman was an advocate for women's rights and believed in economic independence for women. She wrote extensively on topics related to feminism, including her book'Women and Economics.'Gilman's legacy as a feminist thinker and writer continues to be celebrated today, as her works remain relevant in discussions of gender equality, mental health, and social reform. She played a significant role in advancing the feminist movement and challenging societal norms of her time.

From the New York Times bestselling author of In Five Years and One Italian Summer comes a love story that will define a generation. Being single is like playing the lottery. There's always the chance that with one piece of paper you could win it all.Daphne Bell believes the universe has a plan for her. Every time she meets a new man, she receives a slip of paper with his name and a number on it—the exact amount of time they will be together. The papers told her she'd spend three days with Martin in Paris; five weeks with Noah in San Francisco; and three months with Hugo, her ex-boyfriend turned best friend. Daphne has been receiving the numbered papers for over twenty years, always wondering when there might be one without an expiration. Finally, the night of a blind date at her favorite Los Angeles restaurant, there's only a name: Jake. But as Jake and Daphne's story unfolds, Daphne finds herself doubting the paper's prediction, and wrestling with what it means to be both committed and truthful. Because Daphne knows things Jake doesn't, information that—if he found out—would break his heart. Told with her signature warmth and insight into matters of the heart, Rebecca Serle has finally set her sights on romantic love. The result is a gripping, emotional, passionate, and (yes) heartbreaking novel about what it means to be single, what it means to find love, and ultimately how we define each of them for ourselves. Expiration Dates is the one fans have been waiting for.

‘a compelling, intricate and multifaceted tale'–The Saturday Paper ‘Politica can't make war make sense (what can?), but it does offer a small balm. In her book Kassab looks horror in the eye, dignifies private desires and grieves their loss, and in doing so reminds us what being human looks like.'–Meanjin ‘Like an impressionist painter, Kassab uses words like brushstrokes to build a vivid picture of intertwined lives set against the continuing drumbeat of war. The narrative moves between past, present and future and uses time as an effective device to illustrate how the effects of war linger long after its cessation.'– Books and PublishingA captivating literary journey that delves into the intertwined lives of a town, its people, and a region shaped by revolution and war. The war broke out and she decided to call her dad. Weeks and weeks they do not speak, and the weeks become months and then they are so many years. She imagines herself starting this story. She imagines how she will tell this story later to someone else.We hadn't spoken for years but then the war broke out... As conflict plays out across an unnamed region, its inhabitants deal with the fallout. Families are torn apart and brought together. A divide grows between those on either side of the war, compromises are struck as the toll of violence impacts near and far. We learn about those who are left behind and those who choose to leave in a great scattering. As the stories of those affected play out, they weave together to show the whole of a society in the most extreme of circumstances. Even after the last shot is fired, their world will never recover. From the acclaimed author of The House of Youssef, Australiana and The Lovers comes a powerful new novel that asks again if it's possible to ever measure the personal cost of war.PRAISE FOR POLITICA: ‘In a 2022 interview, Kassab said a responsibility of the novelist is to “write with an eye towards humanity”. And she never falters in this, with Politica always drawing us back to war's immeasurable personal cost.'– The Guardian‘a rewarding tale of real people navigating war, love, loss, poverty and many other challenges, all linked by time and location. The novel asks if it is possible to ever measure the personal cost of war. Through all the stories she creates here, Kassab makes it clear that it can never be.'– The Saturday Paper ‘an evocative literary tale'– Australian Women's Weekly

The phenomenon of human potential is never beyond our sight. An opportunity is always offered to people. Sometimes in a mysterious way. Whoever ignores or rejects it will never truly experience life's journey. Staying on the same path is to constantly relive the same day. That's why exploration embodies mankind's natural need to deal with the secrets below the surface. Although the facts about us as human beings speak in an understandable language, this doesn't mean we're not an enigma to ourselves. Understanding oneself is a very demanding process, similar to an autopsy. Not a physical autopsy, but a spiritual one. Discovering the anatomy of one's soul cannot be done abruptly. Moments of inspiration will make the realization of whether we are controlled by our consciousness or our subconsciousness easier. Hiding behind a heavy veil until the very end is not truly living. Sometimes a mere piece of paper under a windshield wiper with just three words and a phone number can change your life instantly. The hero of this novel who only refers to himself as “The Recorder” dared to call a number left on a piece of paper beneath his windscreen wiper. He sensed an opportunity. A few weeks later, a telegram arrived: IT'S TIME. IT'S YOUR TURN NOW. MOVE NOW! A trip to an unknown estate marks the beginning of an adventure, and he begins writing the history of his life.

The never-before-published novel by Charmian Clift. ‘In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off. Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time — symmetrical anyway, and contained under a thin, radiant, dome shaped cover…'During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become? The End of the Morning is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley. ‘The End of the Morning is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.'— Fiona Wright ‘Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.'— Peter Craven, Sydney Morning Herald ‘Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.'— Richard Cotter, Sydney Arts Guide

The never-before-published novel by Charmian Clift.‘ In those days the end of the morning was always marked by the quarry whistle blowing the noon knock-off.Since everybody was out of bed very early, morning then was a long time, or even, if you came to think about it, a round time — symmetrical anyway, and contained under a thin, radiant, dome shaped cover...'During the years of the Great Depression, Cressida Morley and her eccentric family live in a weatherboard cottage on the edge of a wild beach. Outsiders in their small working-class community, they rant and argue and read books and play music and never feel themselves to be poor. Yet as Cressida moves beyond childhood, she starts to outgrow the place that once seemed the centre of the world. As she plans her escape, the only question is: who will she become?The End of the Morning is the final and unfinished autobiographical novel by Charmian Clift. Published here for the first time, it is the book that Clift herself regarded as her most significant work. Although the author did not live to complete it, the typescript left among her papers was fully revised and stands alone as a novella. It is published here alongside a new selection of Clift's essays and an afterword from her biographer Nadia Wheatley.‘ The End of the Morning is full of feeling, animated by that formless, aching questioning of childhood, and a fascinating glimpse of the forces that shaped Clift as a person and a writer.'— Fiona Wright‘ Reading her, even a glimpsed paragraph of her, is like quaffing the finest champagne on earth.'— Peter Craven, Sydney Morning Herald‘ Forthright, funny and with an indefinable flair, Charmian Clift's writing plays second fiddle to nobody.'— Richard Cotter, Sydney Arts Guide

Why do we hold on to things we don't need? “A beautifully assured debut that is part love story, part psychological slow-burner” (Emma Jane Unsworth, international bestselling author of Animals). Miriam is twenty-nine; temping, living with a flatmate who is no longer a friend, and still trying to find her place in life. To move forward, she decides to dispose of the many possessions that anchor her in the past. When Erik, an artist and photographer in his mid-forties, hires Miriam to help clear out his book-filled, paper-packed home, she begins to feel drawn to him, despite his obsessive hoarding and the fact that he's still haunted by his previous marriage. But can there be a happy ending for the troubled pair? This powerful, moving novel explores the unlikely relationship between two very different people—and explores deep questions about fear, freedom, and attachment. “Weaves its way through the cracks of our everyday perceptions to skilfully explore complex issues around illness, grief and longing.... Combining exquisite descriptions with scalpel-sharp human insights, this is a book to languish in, and emerge from deeply moved. It marks the arrival of an elegant and thrilling new voice in literary fiction.” —Emma Jane Unsworth “A simply riveting and unfailingly entertaining read.” —Midwest Book Review “A strong debut novel.” —The Manchester Review

Jacques Heath Futrelle was born on the 9th April 1875 in Pike County, Georgia.His early career was as a journalist. Initially he worked for the Atlanta Journal where he began their sports section. This was followed by work for the New York Herald, the Boston Post and the Boston American. At the latter, in 1905, he published the serialized version of his short story ‘The Problem of Cell 13'who's main character was Professor Augustus S. F. X. Van Dusen, commonly known as ‘The Thinking Machine', a detective, who used logic to solve crimes.In 1895 he married Lily May Peel with whom he had two children.In 1906 buoyed by the success of his short stories he left the paper to write novels. Such was his success that he had a house, ‘Stepping Stones', designed and built with a harbor view at Scituate, Massachusetts, where the family would spend most of their time together.On April 15th, 1912 he was returning from Europe as a first-class passenger aboard the Titanic when it stuck an iceberg. He refused to board a lifeboat but insisted that Lily did. She acquiesced and remembered the last she saw of him he was smoking a cigarette on deck with John Jacob Astor IV. His body was never recovered.

Jacques Heath Futrelle was born on the 9th April 1875 in Pike County, Georgia.His early career was as a journalist. Initially he worked for the Atlanta Journal where he began their sports section. This was followed by work for the New York Herald, the Boston Post and the Boston American. At the latter, in 1905, he published the serialized version of his short story ‘The Problem of Cell 13'who's main character was Professor Augustus S. F. X. Van Dusen, commonly known as ‘The Thinking Machine', a detective, who used logic to solve crimes.In 1895 he married Lily May Peel with whom he had two children.In 1906 buoyed by the success of his short stories he left the paper to write novels. Such was his success that he had a house, ‘Stepping Stones', designed and built with a harbor view at Scituate, Massachusetts, where the family would spend most of their time together.On April 15th, 1912 he was returning from Europe as a first-class passenger aboard the Titanic when it stuck an iceberg. He refused to board a lifeboat but insisted that Lily did. She acquiesced and remembered the last she saw of him he was smoking a cigarette on deck with John Jacob Astor IV. His body was never recovered.

Jacques Heath Futrelle was born on the 9th April 1875 in Pike County, Georgia.His early career was as a journalist. Initially he worked for the Atlanta Journal where he began their sports section. This was followed by work for the New York Herald, the Boston Post and the Boston American. At the latter, in 1905, he published the serialized version of his short story ‘The Problem of Cell 13'who's main character was Professor Augustus S. F. X. Van Dusen, commonly known as ‘The Thinking Machine', a detective, who used logic to solve crimes.In 1895 he married Lily May Peel with whom he had two children.In 1906 buoyed by the success of his short stories he left the paper to write novels. Such was his success that he had a house, ‘Stepping Stones', designed and built with a harbor view at Scituate, Massachusetts, where the family would spend most of their time together.On April 15th, 1912 he was returning from Europe as a first-class passenger aboard the Titanic when it stuck an iceberg. He refused to board a lifeboat but insisted that Lily did. She acquiesced and remembered the last she saw of him he was smoking a cigarette on deck with John Jacob Astor IV. His body was never recovered.

A cunning, outside-the-box satirical thriller about a family's odyssey into an exclusive enclave for the wealthy that might not be as ideal as it seems.You'll be safe here. That's what the tour guide tells the Farmer-Bowens when they visit Plymouth Valley, a walled-off company town with clean air, pantries that never go empty, and blue-ribbon schools. On a very trial basis, the company offers to hire Linda Farmer's hus­band, Russell, a numbers genius, and relocate her whole family to this bucolic paradise for the.0001 percent. Though Linda will have to sacrifice her medical career back home, the family jumps at the opportunity. They'd be crazy not to take it. With the outside world falling apart, this might be the Farmer-Bowens'last chance. But fitting in takes work. The pampered locals distrust outsiders, snubbing Linda, Russell, and their teen twins. And the residents fervently adhere to a group of customs and beliefs called Hollow...but what exactly is Hollow? It's Linda who brokers acceptance, by volunteering her medical skills to the most influential people in town through their pet charity, ActHollow. In the months afterward, everything seems fine. Sure, Russell starts hyper­ventilating through a paper bag in the middle of the night, and the kids have become secretive, but living in Plymouth Valley is worth sacrificing their family's closeness, isn't it? At least they'll survive. The trouble is, the locals never say what they think. They seem scared. And Hollow's ominous culminating event, the Plymouth Valley Winter Festival, is coming. Linda is warned by her husband and her powerful new friends to stop asking questions. But the more she learns, the more frightened she becomes. Should the Farmer-Bowens be fighting to stay, or fighting to get out? Sarah Langan's latest novel, A Better World, is gleefully ruthless in its dissection of wealth, power, and privilege, timely in its depiction of a self-destructing world—and it is a prescient warning to us all.

Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.An author's ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.Story. Poems. Story. Within these boundaries come all manner of invention and cast of characters. And, of course, each author has their own way of revealing their own chapter and verse.

Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.An author's ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.Story. Poems. Story. Within these boundaries come all manner of invention and cast of characters. And, of course, each author has their own way of revealing their own chapter and verse.

When a catastrophic wildfire suddenly rips through a woman's hometown, she thinks she is lucky to have survived... until she finds a dead woman in her driveway, clutching a piece of paper with her name on it....The blaze came out of nowhere one summer afternoon, a wall of fire fed by blustering wind. Yet, somehow, Alison is alive. She rode out the fire on the damp tiles of her bathroom, her entire body swaddled in a wet woolen blanket. As flames crackled around her, the bitter char of eucalyptus settled in the back of her throat, each breath more desperate than the last. The wildfire that devastated the Victoria countryside Alison calls home sets in motion a chain of events that threatens to obliterate the carefully constructed life she is living. When Alison emerges from her sheltering place, she spots a soot-covered cherry red car in her driveway, and in it, a dead woman. Alison has never met Simone Arnold in her life... or so she thinks. So what is she doing here? As Alison searches for answers across Australia's scorched bushlands, she soon learns that the fire isn't the only threat she's facing....

A Contemporary Classics hardcover edition of Virginia Woolf's fantastical novel about an Elizabethan nobleman who lives for three centuries and transitions into a woman. With a new introduction by Jeanette Winterson.Woolf's most lighthearted novel is a playful and exuberant romp through history. As a teenage nobleman, Orlando spends his days in revelry at the colorful Tudor court of Queen Elizabeth and his nights in writing earnest poetry. A favorite of the elderly queen, he falls in love with and is jilted by a wayward Russian princess. Two kings later, having reached his thirties, Orlando is sent to serve as ambassador to Constantinople, where he awakens one day to find himself in the body of a woman. The Lady Orlando takes this circumstance in stride and returns to England, where she engages in love affairs with both men and women, consorts with the famous poets of each age, finds happiness with an unconventional husband, and at last achieves publication of her own epic poem in the year 1928, the same year that Woolf published her novel. With its blend of fantastical adventure and satirical wit, Orlando was an immediate popular and critical success, one whose status as a classic has only grown with time. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

A stunning debut from an award-winning writer, about loss, isolation, folklore, and the joy and dissonance of finding oneself by exploring life outside one's community“Both blunt and exquisite... O'Connor's excellent debut... is an example of precisely observed writing that makes a character's specific existence glimmer with verisimilitude.”—New York Times Book ReviewIn 1938, a dead whale washes up on the shores of remote Welsh island. For Manod, who has spent her whole life on the island, it feels like both a portent of doom and a symbol of what may lie beyond the island's shores. A young woman living with her father and her sister (to whom she has reluctantly but devotedly become a mother following the death of their own mother years prior), Manod can't shake her welling desire to explore life beyond the beautiful yet blisteringly harsh islands that her hardscrabble family has called home for generations.The arrival of two English ethnographers who hope to study the island culture, then, feels like a boon to her—both a glimpse of life outside her community and a means of escape. The longer the ethnographers stay, the more she feels herself pulled towards them, reckoning with a sensual awakening inside herself, despite her misgivings that her community is being misconstrued and exoticized.With shimmering prose tempered by sharp wit, Whale Fall tells the story of what happens when one person's ambitions threaten the fabric of a community, and what can happen when they are realized. O'Connor paints a portrait of a community and a woman on the precipice, forced to confront an outside world that seems to be closing in on them.

Edith Nesbit was born on the 15th August 1858 in Kennington, then part of Surrey. Due to the health issues and tuberculosis of her sister Mary, Nesbit's early life was one of constant changes of house both in England and on the continent.At age 17, Nesbit met Hubert Bland and they married three years later―whilst she was 7 months pregnant. Bland also kept his affair with another woman going throughout their marriage and the two children of that relationship were raised by Nesbit as well as her own three with Bland.Together they were founder members of the Fabian Society in 1884 naming their son Fabian in its honour. They also edited the Society's journal; ‘Today'. Nesbit was an active lecturer and prolific writer on socialism during those years but gradually her work for them dwindled as her career as a children's writer grew. Her most famous success was ‘The Railway Children'but she was also very prolific and greatly accomplished in poetry, short stories―especially her macabre ghost and supernatural stories―and novels for adults. In February 1917, some three years after the death of Bland she married Thomas ‘the Skipper'Tucker in Woolwich, where he was a ship's engineer on the Woolwich Ferry.Edith Nesbit died from lung cancer on the 4th May 1924 at her house ‘The Long Boat'at Jesson, St Mary's Bay, New Romney in Kent. She was 65.

Six has always been a number we group things around – Six of the best, six of one half a dozen of another, six feet under, six pack, six degrees of separation and a sixth sense are but a few of the ways we use this number.Such is its popularity that

The first major book from a longtime legend in underground literature; known by citation and word of mouth, but only now emerging with a work that will earn a broad audience.“Kind Mirrors, Ugly Ghosts is why I want to read. There are few books at all that expand the exploration of family, outsider sex, animal love, therapy and surreal vision and even fewer writers who do it as well as Claire Donato. My mind and heart are thankfully changed forever.” —JAMIE STEWART of Xiu Xiu and author of Anything That Moves “Kind Mirrors, Ugly Ghosts moves and feels like a novel of ideas, yes, but also a lookbook of Rorshachs; a concept cookbook for famished phantoms; a fragmentary tour de force a la Duras. On every page, it lines the mind with vibrant space, as extraordinary in its candor about desire, artifice, and intimacy as it is with wordplay, wit, and social theory. “Death is a mirror of time, and life is not as heavy as it seems,” Donato writes, beckoning us forward through the void of realism as might an imaginary friend we thought we'd lost—or should I say ‘guardian angel'?” —BLAKE BUTLER, author'In Claire Donato's fiction, I am both looking in and being looked at. The depths of desire are on display, laying bare the complexity and the ugliness that often comes with it.'—MOLLY SODA, artist'Claire Donato's prose is at once playful and masterful, charming and haunting—I loved these short stories with huge imaginations.'—CHELSEA HODSON, author of Tonight I'm Someone Else'Love is a source of radical questioning whose only enemy is indifference. Claire Donato's fever dream of a novel goes toe to toe with today's anomie, stretching our only resource left, language, so we can navigate a 21st century landscape of violently changing relationships, with one another, with the natural world, and with our bodies.'—JAMIESON WEBSTER, psychoanalyst and author In the disquieting stories of Kind Mirrors, Ugly Ghosts, a fractaled Claire Donato contemplates grief and disgust in heterosexuality, deconstructing the romance myth and the illicit fantasies which reflect our haunted selves. These fictions are populated with Lynchian characters, draped in memory and the subconscious mind, who imagine their way out of the painful limits of their world: a turtle retreats into its shell and becomes a real girl. A porn addict turns into a baby boy in the arms of his barren cyber-girlfriend. And a digitally-marred depressive joins forces with the ghost of Simone Weil to kill a chicken. Donato's fictions are precise and cutting, seamlessly integrating a vast knowledge of art through sharp criticism and a history of cult traditions: Donnie Darko, Wings of Desire, Daisies, and Twin Peaks and artists including Clarice Lispector, M.F.K. Fisher, Sibylle Baier, and The Velvet Underground. Kind Mirrors, Ugly Ghosts concludes with'Gravity and Grace, the Chicken and the Egg, or: How to Cook Everything Vegetarian', a novella-in-vignettes that frames cooking as an entrypoint to light, awareness, and connection. With associative lyricism and a preternatural ability to gaze into the void with tenderness, Donato relays an indescribably strange perception of our world, in which maniacal grief turns to a gleeful protest before becoming, against all odds, a love letter to what remains. Cover photo: Jimmy DeSana Contact Paper, 1980 Vintage C-print © the Jimmy DeSana Trust Courtesy of the Jimmy DeSana Trust and P·P·O·W, New York

Dorothy Edwards, an only child, was born on the 18th August 1902 at Ogmore Vale in Glamorgan.Her father was a headmaster and an early activist in the Independent Labour Party. At age 9 Dorothy, dressed in red, welcomed Keir Hardy on to the stage at Tonypandy during the national coal strike of 1912. She was taught that revolution was at hand, that class barriers would be a thing of the past. Dorothy won a scholarship and boarded at Howell's School for Girls in Llandaff before moving to University College of South Wales and Monmouthshire where she read Greek and philosophy.Her early hopes to be an opera singer were set to one side after graduating and the death of her father. Instead she took on part-time work to supplement her mother's pension with whom she now lived.Dorothy managed to write a number of short stories which appeared in the literary journals of the day. She spent several months with her mother in Vienna, all the time revising or writing before embarking on ‘Winter Sonata', a short novel published in 1928.Introductions to several members of the Bloomsbury Group meant a move to London and a division of her time between child-care for the family of Bloomsbury author David Garnett and the promise of an advance payment for her work on a new volume of stories.However, Dorothy's life was starting to spiral out of control; she was attracted to the Welsh nationalist movement but felt that her Welsh provincialism made her, in London at least, feel socially inferior. Leaving her mother dependent on a hired companion consumed her with guilt as did the end of an affair with a married musician.On the 5th January 1934, having spent the morning burning her papers, Dorothy Edwards threw herself in front of a train near Caerphilly railway station. Her suicide note read:'I am killing myself because I have never sincerely loved any human being all my life. I have accepted kindness and friendship and even love without gratitude, and given nothing in return.'Index of ContentsA Country House, A Garland of Earth, Mutiny, Rhapsody, The Problem of Life

'An ode to grief and sibling love from a great new voice'Kit de Waal, author of My Name Is Leon'A beautifully layered story… Poignant, astute and hopeful'Sharon Duggal, author of Should We Fall Behind'Highly compelling… a fascinating exploration of political hope, friendship, difficulty, infatuation, and unrequited desire'Naomi Booth, author of Exit Management'This captivating novel is a reminder that love, coupled with courage, just might conquer all.'Heidi James, author of The Sound Mirror'Deeply, profoundly human… leaves the reader heartsore in exactly the right ways'Will Burns, author of The Paper Lantern'An ambitious state-of-the-nation debut'Helen Cullen, author of The Truth Must Dazzle Gradually'A beautifully observed portrayal of the spirit of Brighton'Allie Rogers, author of Little Gold'Unforgettable and stirring… An important debut'Alice Ash, author of Paradise Block'Really compelling... It's at once psychologically thrilling and fast-paced with a meditative heart'Anna Vaught, author of Saving Lucia'It will resonate with a large, bruised section of the population still fighting for a better future'Glen James Brown, author of Ironopolis A fiercely hopeful novel about family, sexuality, grief and how we as individuals can rediscover our political agency in the face of continued uncertainty. Brighton, 2016. Laurie wears the scar given to her by a policeman's baton as a mark of pride among her circle of bright young activists. Her conscionable but sensitive brother George should be a part of that circle, until the appearance of enigmatic Spanish migrant Antonio threatens to divert him from his sister's world of marches and moral accountability. As the clouds gather over Brighton and the EU referendum accelerates both Laurie's political zeal and Antonio's ambiguous desires, George is faced with the fact that their city of parties and protests is suddenly a place where the possibility of saving the world – as well as the people around him – is in jeopardy of being lost forever. At once a letter of support to everyone disillusioned by British politics, and a deeply perceptive snapshot of modern relationships, A Bad Decade for Good People is a captivating state-of-the-nation tale that begs the question: when it feels like the world is falling apart, how do you keep those you love from doing the same?

A Notable African Book of 2023 (Brittle Paper) Tightly plotted and taboo-breaking, this explosive story takes readers to the roots of religious strife where the smallest of sparks can start a bonfire Nader, an idealistic public prosecutor at the outset of his career, leaves Cairo to start a new posting in rural upper Egypt. On his first night, a mysterious woman named Hoda shows up at his lodgings. She is on the run from an abusive husband and, harboring a dark secret, seeks a new start in this small village and hopes to escape her harrowing past.Nothing is to be easy for Hoda or Nader, and the dramatic circumstances of their first meeting signal the disquiet to come. It is not long before tensions between Copts and Muslims, already on a knife-edge, spiral into a spate of unexplained killings and arson attacks. The locals blame the trouble on the supernatural, and Nader is thrown into a quagmire of sectarian conflict and superstition that no amount of formal training could have prepared him for. His investigations are thwarted at every turn, by uncooperative witnesses and an obstructive police force. As Nader and Hoda each pursue happiness and justice, their parallel journeys struggle against the forces of ignorance, poverty, hatred, and greed. With its echoes of Tawfiq al-Hakim's Diary of a Country Prosecutor, this is a powerful and personal tale of conflict, crime, and upheaval in rural Egypt.

Rediscover the sensational 1967 literary thriller that captures the bitter struggles of postwar Black intellectuals and artistsWith a foreword by Ishmael Reed and a new introduction by Merve Emre about how this explosive novel laid bare America's racial fault linesMax Reddick, a novelist, journalist, and presidential speechwriter, has spent his career struggling against the riptide of race in America. Now terminally ill, he has nothing left to lose. An expat for many years, Max returns to Europe one last time to settle an old debt with his estranged Dutch wife, Margrit, and to attend the Paris funeral of his friend, rival, and mentor Harry Ames, a character loosely modelled on Richard Wright.In Amsterdam, among Harry's papers, Max uncovers explosive secret government documents outlining “King Alfred,” a plan to be implemented in the event of widespread racial unrest and aiming “to terminate, once and for all, the Minority threat to the whole of the American society.” Realizing that Harry has been assassinated, Max must risk everything to get the documents to the one man who can help.Greeted as a masterpiece when it was published in 1967, The Man Who Cried I Am stakes out a range of experience rarely seen in American fiction: from the life of a Black GI to the ferment of postcolonial Africa to an insider's view of Washington politics in the era of segregation and the Civil Rights Movement, including fictionalized portraits of Martin Luther King, Jr., and Malcolm X. John A. Williams and his lost classic are overdue for rediscovery.Few novels have so deliberately blurred the boundaries between fiction and reality as The Man Who Cried I Am (1967), and many of its early readers assumed the King Alfred plan was real. In her introduction, Merve Emre examines the gonzo marketing plan behind the novel that fueled this confusion and prompted an FBI investigation. This deluxe paperback also includes a new foreword by novelist Ishmael Reed.“It is a blockbuster, a hydrogen bomb.... This is a book white people are not ready to read yet, neither are most black people who read. But [it] is the milestone produced since Native Son. Besides which, and where I should begin, it is a damn beautifully written book.” —Chester Himes“Magnificent... obviously in the Baldwin and Ellison class.” —John Fowles“If The Man Who Cried I Am were a painting it would be done by Brueghel or Bosch. The madness and the dance is never-ending display of humanity trying to creep past inevitable Fate.” —Walter Mosely

A New York Times Editors'Choice Named a Best New Book of the Year by Harper's Bazaar Named a Best Book of the Summer by Shondaland, SheReads, The Boston Globe, Harper's Bazaar, and Reader's Digest From an acclaimed senior editor at Vanity Fair comes a “laudable” (The New York Times) debut novel about a young journalist who discovers a short story that's inexplicably about her life—leading to an entanglement with the author's widow, daughter, and former best friend.Sal Cannon's life is in shambles. Her relationship is crumbling, and her career in journalism hits a low point after it's revealed that her profile of a playwright is full of inaccuracies. She's close to rock-bottom when she reads a short story by Martin Keller: a much older author she met at a literary event years ago. Much to her shock, the story is about her and the moment they met. When Sal learns the story is excerpted from his unpublished novel, she reaches out to the story's editor—only to learn that Martin is deceased. Desperate to leave her crumbling life behind and to read the manuscript from which the story was excerpted, Sal decides to find Martin's widow, Moira. Moira has made it clear that she doesn't want to be contacted. But soon Sal is on a bus to upstate New York, where she slowly but surely inserts herself into Moira's life. Or is it the other way around? As Sal sifts through Martin's papers and learns more about Moira, the question of muse and artist arises—again and again. Even more so when Martin's daughter's story emerges. Who owns a story? And who is the one left to tell it? The Mythmakers is a nesting doll of a book that grapples with perspective and memory, as well as the batteries between creative ambition and love. It's a “page-turner” (theSkimm) about the trials and tribulations of finding out who you are, at any stage in your life, and how inspiration might find you in the strangest of places.

Ethel Lina White was born on the 2nd April 1876 in Abergavenny, Monmouthshire, in Wales.Her family were wealthy due to her father's invention of a waterproofing material used, initially, for the London Underground.Ethel started writing when she was only a child and published essays and poems in children's papers. She was also a talented artist.As an adult she began to write short stories and, some years later, she started writing novels. At the time she was working for the Ministry of Pensions in London but resigned in order to accept an advance of ten pounds and begin a career as a novelist. It was this determination that helped her become one of the best-known crime writers in the English-speaking world during the 1930's and 40's.Perhaps her best-known books are the ‘The Lady Vanishes'and ‘The Spiral Staircase'both of which were originally entitled differently but were republished with new names after being filmed. Whilst today she lacks attention, in her day she was as popular and as highly regarded as Agatha Christie.Ethel Lina White died in London on the 13th of August 1944 of ovarian cancer. She was 68.In her will she made a bizarre condition in order for her sister to receive her estate of £5737. It read:'I give and bequeath unto Annis Dora White all that I possess on condition she pays a qualified surgeon to plunge a knife into my heart after death.'In life she had a fear of being buried alive.

Dear Edie, I wanted you to know so many things. I wanted to tell you them in person, as you grew up by my side. But it wasn't to be…When Jess gives birth to Edie, it's the happiest day of her life. She knows, from the moment her little girl's hand grasps her finger, that her daughter owns her heart, completely and utterly. And even though Edie's father has left them, and single motherhood isn't easy, her beautiful, innocent child brings her untold joy.But then Jess receives a diagnosis that changes everything. Edie's life – that is just beginning – is interrupted by worried looks, heavy conversations. And Jess must face the possibility of leaving her daughter to grow up without her.Propelled by a ticking clock, Jess knows what she has to do. She begins to put pen to paper, to tell her daughter everything she might need to know.How to love, how to lose, how to forgive, and, most importantly, how to live when you never know how long you have…Readers love Laura Pearson:‘Gorgeous… Tender and beautiful… As hopeful as it is heart-breaking… I loved it.'Amy Beashel, author‘Wow. Seriously. Just beautiful. So many wonderful elements… Such a unique angle… So many memorable characters… Beautiful and utterly affecting.'Louise Beech, author‘Be still my beating heart. I've smiled and I've cried and everything in between. Most importantly I've learned… I'd give it 10 stars if I could.'Nicki's Book Blog‘This beautifully written story of friendship, love, loss and second chances captured my heart… Leaves you feeling warm, hopeful, and satisfied.'Lisa Timoney, author‘Such a treat!… Just beautiful… If you're looking for a charming, warm and moving read, this is the book you need. A beautifully written story about love and longing, and a poignant reminder that it's never too late to follow your heart.'Holly Miller, author‘I adored it. Laura has written a heartbreakingly beautiful story about love in all its different forms. (And she made me cry again, of course). Bravo.'Nikki Smith, author‘Well, I finished this in the same 24 hours as I started it. Oh… what a beautiful story and an amazing cast of characters. Poignant and inspiring!'Jennie Godfrey, author‘Such a poignant story. Brought a lump to my throat in many places.'Karen Angelico, author‘What a beautiful book about truth, love, relationships and how it's never too late to follow your heart… Moving, funny and emotionally clever. Highly recommend!'Alison Stockham, author

Muyu, a seventeen-year-old from a small village, came to Beijing for his piece of the dream: money, love, a good life. But in the city, daily life for him and his friends—purveyors of fake IDs and counterfeit papers—is a precarious balance of struggle and guile. Surveying the neighborhood from the rooftop of the apartment they all share, the young men play cards, drink beer, and discuss their aspirations, hoping for the best but expecting little more than the comfort of each other's company. In these connected stories translated from Chinese by Eric Abrahamsen and Jeremy Tiang, Xu's characters observe as others like them—workers, students, drifters, and the just plain unlucky—get by the best ways they know how: by jogging excessively, herding pigeons, building cars from scraps, and holding their friends close through the miasma of so-called progress.

A NEW YORK TIMES EDITORS'CHOICE The longest river in Europe, the Volga, divides the continent in two. On one side, mighty mountains, large Russian cities with white stone churches, translucent blue lakes of icy water, a cold wind blowing from the North Sea, and, in the early years of the twentieth century, the winds of momentous change blowing even harder, bringing with them revolution and ideologies that will shape the next two centuries of human history. On the other side, a world that belongs to the past, that is shored up by the vast Western Steppe, where small villages dot vast farmlands and life is perfumed by a hot, fragrant breeze that has its source in the Turkmen desert and the salty Caspian Sea. Two worlds that could not be further apart. Two worlds that will be brought together when Jakob Bach is hired by Udo Grimm to give lessons to Grimm's daughter, Klara. The love that grows between Jakob and Klara has unimaginable consequences. Expelled from Gnadenthal when their affair is discovered, they settle in a secluded hamlet hidden deep in the woods to live their lives in peace. But following a tragic episode, Jacob, psychically scarred, is forced to raise his daughter Anche alone. The fairy tales he invents and puts to paper in an effort to forge a bond with his daughter become widely known and slowly life in the German colonies along Volga begins to resemble the stories created by Bach. In the 18th century, the Russian empress Catherine the Great invited Europeans to immigrate and become Russian citizens and farm Russian lands while maintaining their language and culture. The settlers came mainly from Germany, and following the Russian Revolution, the Volga German Soviet Republic was founded, lasting until 1941, when it was abolished after the Germans invaded the region. In September 1941 all Volga Germans were deported. Over half a million were sent into exile in Siberia and Kazakhstan. Jacob Bach's life reflects and foreshadows that of his native colony, Gnadenthal, in this sweeping epic set in the dying years of the 19th century through to the mid-twentieth century of personal tragedy and resilience. In telling a stirring family story, Yakhina also recounts the story of a people, a republic, a nation, a tale that begins in quietude, flows and grows mighty, crosses space and time, like the Volga River itself.

Presented for the first time in English, the recently discovered early manuscripts of the twentieth century's most towering literary figure offer uncanny glimpses of his emerging genius and the creation of his masterpiece.One of the most significant literary events of the century, the discovery of manuscript pages containing early drafts of Marcel Proust's In Search of Lost Time put an end to a decades-long search for the Proustian grail. The Paris publisher Bernard de Fallois claimed to have viewed the folios, but doubts about their existence emerged when none appeared in the Proust manuscripts bequeathed to the Bibliothèque Nationale in 1962. The texts had in fact been hidden among Fallois's private papers, where they were found upon his death in 2018. The Seventy-Five Folios and Other Unpublished Manuscripts presents these folios here for the first time in English, along with seventeen other brief unpublished texts. Extensive commentary and notes by the Proust scholar Nathalie Mauriac Dyer offer insightful critical analysis.Characterized by Fallois as the “precious guide” to understanding Proust's masterpiece, the folios contain early versions of six episodes included in the novel. Readers glimpse what Proust's biographer Jean-Yves Tadié describes as the “sacred moment” when the great work burst forth for the first time. The folios reveal the autobiographical extent of Proust's writing, with traces of his family life scattered throughout. Before the existence of Charles Swann, for example, we find a narrator named Marcel, a testament to what one scholar has called “the gradual transformation of lived experience into (auto)fiction in Proust's elaboration of the novel.”Like a painter's sketches and a composer's holographs, Proust's folios tell a story of artistic evolution. A “dream of a book, a book of a dream,” Fallois called them. Here is a literary magnum opus finding its final form.

Plena de l'esperit i l'energia amb què Maggie O'Farrell va il·luminar la història shakespeariana de Hamnet, El retrat de matrimoni ens transporta a la Itàlia del segle XVI. La Lucrezia, tercera filla del poderós duc de Mèdici, és una noia discreta i independent que creix feliç a l'ombra dels seus germans, lliure per observar els tresors de palau, explorar els passadissos secrets i espiar feines i converses clandestines. Li agrada aprendre coses, pintar i mirar les musaranyes, i no acaba d'encaixar gaire en el paper de duquessa, ni tampoc en les expectatives de la família. Però quan la seva germana gran, que està promesa amb del duc de Ferrara, emmalalteix i es mor, la plàcida existència de la Lucrezia quedarà sacsejada per sempre: amb només quinze anys es veurà arrossegada a una nova vida a Ferrara amb el seu marit, Alfonso, que és un misteri per a ella. El retrat de matrimoni, una novel·la potent i evocadora, explora la fina membrana que separa la vida de la mort, un dels temes centrals de l'obra d'O'Farrell, i ofereix el retrat inoblidable d'una dona molt jove, castigada per ser diferent, que lluita per la seva supervivència. «O'Farrell estira petits fils de detalls històrics per teixir aquesta història d'una nena precoç i sensible a les contradiccions de la seva posició social. Potser us penseu que coneixeu la seva història, que sabeu què passarà, però no n'estigueu tan segurs: O'Farrell i Lucrezia, amb la seva ràbia clara i honesta, sempre van un pas per davant», The Washington Post

‘a stroke of genius'—Diana Reid, author of Love & Virtue and Seeing Other People ‘extremely relatable'—Sydney Morning Herald ‘wildly amusing, sharply relevant'– The Australian ‘Relatable AF.'– Pedestrian.TV ‘Both inhabiting and deconstructing the genre, it's meta and twisty, with a wry narrative voice.'– The GuardianA young woman tries to figure out if she's the best (a creative genius) or if she's maybe just the worst (completely delusional).I'd be in heaven but on the edge of a deeper misery than ever, I'd be on top of the world and then they'd ask me, Did you make the right choice Kim? Are you currently, still, making the right choices Kimberly Mueller? Over the course of a year in Berlin, an aspiring novelist, Kim, and her historian best friend, Bel, confront their twin acts of creation. Kim is becoming a writer, and is determined to write a bestseller. She's been convinced of this idea by Matthew, an American literary agent who is as emotionally unavailable as he is handsome (very). Kim lives in her own carefully constructed reality, which her imagination is constantly pumping full of hot air. As she attempts to buoy herself using other people for external motivation, they poke holes in her fantasies, leading her to wonder if she's going to come crashing down or somehow stay afloat. Meanwhile, Bel is becoming a mother, and gives birth, certain it will fulfil her in ways her career does not seem to. Kim and Bel support and deceive each other as only the best of friends can.In the face of probable failure, how do we convince ourselves to try and become something anyway? And how do we live with the choices we make? ‘Pip Finkemeyer has drawn such a unique, funny and painfully astute character in Kim. I could keep reading her inner monologue forever. It is rare to pick up a novel so simultaneously hilarious and moving. I loved it.'—Laura Kay, author of Wild Things and Tell Me Everything‘a beautifully crafted character with all the flaws we've come to embrace in our modern heroines.'—Sydney Morning Herald‘a humorous, heartfelt novel about finding one's identity and purpose, the expectations held against you, and following your dreams even if it means stepping out of your comfort zone.'—Readings Monthly ‘This book is a labour of writerly love, devoted to projects conceived and delivered.'—ArtsHub ‘Finkemeyer's novel stays one step ahead of the reader by critiquing the genre's tropes and trademarks along the way.'—The Guardian ‘a punchy satire'—The Saturday Paper ‘funny debut'—The Age

SHORTLISTED FOR THE ERBD LITERATURE PRIZE 2024 A BEST NEW BOOK OF 2023 (THE NEW ARAB) A NOTABLE AFRICAN BOOK OF 2023 (BRITTLE PAPER) An unforgettable and eviscerating novel of human frailty, brutality, and resistance as told through the first-person prison narratives of a man and a womanHistory of Ash is a fictional prison account narrated by Mouline and Leila, who have been imprisoned for their political activities during the so-called Lead Years of the 1970s and 1980s in Morocco, a period that was characterized by heavy state repression. Moving between past and present, between experiences lived inside the prison cell and outside it, in the torture chamber and the judicial system, and the challenges they faced upon their release, Mouline and Leila describe their strategies for survival and resistance in lucid, often searing detail, and reassess their political engagements and the movements in which they are involved. Written with compassion and insight, History of Ash speaks to human brutality, resilience, and the power of the human spirit. It succeeds in both documenting the prison experience and humanizing it, while ultimately holding out the promise of redemption through a new generation.

Six has always been a number we group things around – Six of the best, six of one half a dozen of another, six feet under, six pack, six degrees of separation and a sixth sense are but a few of the ways we use this number.Such is its popularity that we thought it is also a very good way of challenging and investigating an author's work to give width, brevity, humour and depth across six of their very best.In this series we gather together authors whose short stories both rivet the attention and inspire the imagination to visit their gems in a series of six, to roam across an author's legacy in a few short hours and gain a greater understanding of their writing and, of course, to be lavishly entertained by their ideas, their narrative and their way with words.These stories can be surprising and sometimes at a tangent to what we expected, but each is fully formed and a marvellous adventure into the world and words of a literary master.

In this hybrid novel—part essay, part prose poem, part travel narrative—Blair Austin brings us nose to the glass with our own vanishing world, what we preserve and at what cost.In a city far in the future, in a society that has come through a great upheaval, retired lecturer Wiggins moves from window to window in a museum, intricately describing each scene. Whales gliding above a shipwreck and a lost cup and saucer. An animatronic forest twenty stories tall. urban wolves in the light of an apartment building. A line of mosquitoes in uniforms and regalia, honored as heroes of the last great war. Bit by bit, Wiggins unspools the secrets of his world—the conflict that brought it to the brink, and the great thinker, Michaux, who led the diorama revolution, himself now preserved under glass. After a phone call in the middle of the night, Wiggins sets out to visit the Diorama of the Town: an entire, dioramic world, hundreds of miles across, where people are objects of curiosity, taxidermied and posed. All his life, Wiggins has longed to see it. But in the Town, he comes face to face with the diorama's contradictions. Its legacy of political violence. Its manipulation by those with power and money. And its paper-thin promise of immortality.

A tender and poignant debut of the redemptive power of unexpected friendship.In an old-fashioned fishing community on Morecambe Bay, change is imperceptibly slow. Treacherous tides sweep the quicksands, claiming everything in their path.As a boy, Arthur had followed in his father's and grandfather's footprints, learning to read the currents and shifting sands. Now retired and widowed, though, he feels invisible, redundant. His daughter wants him in a retirement home. No one listens to his rants about the newcomers striking out nightly onto the bay for cockles, seemingly oblivious to the danger.When Arthur's path crosses Suling's, both are running out of options. Barely yet an adult, Suling's hopes for a better life have given way to fear: she's without papers or money, speaks no English, and chased by ruthless debt collectors. Her only next step is to trust the old man.Combining warmth and suspense and recalling a true incident, The Bay tells a tender story about loneliness, confronting prejudice, and the comfort of friendship, however unlikely—as well as exposing one of the most pressing social ills of our age. The Bay is an engrossing novel recalling the Morecambe Bay cockling disaster of 2004.

In the far north, as water defenders and pro-mining forces clash, the publisher of a struggling newspaper unearths a corrupt conspiracy.Near Iron, Minnesota, waters split along a three-way divide, carrying minerals and contaminants to Hudson Bay, the Great Lakes, and the Gulf of Mexico. Susan B. Ellingson (SB to those who know her) runs a small paper with the help of her best friend and a part-time staff. When a mining company seeks a permit to dig for copper and nickel and store potentially harmful mining waste nearby, SB commits to covering the story.It isn't easy. She wrestles with financial stress and personal pain. Her dead wife lingers in spirit. Their children have grown and left home, and SB's Labrador provides sweet but insufficient company. Her mother-in-law leads a group of Ojibwe and Métis grandmothers fighting to protect the water, and after an intriguing new woman comes to town, SB isn't sure how to feel or act. After a fiery environmentalist informs her that a local water scientist has gone missing, she follows a trail of evidence from a tiny, off-grid community into a global tangle of lies, corruption, whistleblowing, and danger.

Named a Best Book of 2023 by Book Riot For fans of The Age of Light and Z comes a “beguiling novel of artistic ambition, perseverance, and friendship” (Katy Hays, New York Times bestselling author) based on the true story of the 20th-century painters and tarot devotees Remedios Varo and Leonora Carrington.In this “unforgettable adventure, and one you don't want to miss” (Patti Callahan Henry, New York Times bestselling author), painter Remedios Varo and her lover, poet Benjamin Peret escape the Nazis by fleeing Paris and arriving at a safe house for artists on the Rivieria. Along with Max Ernst, Peggy Guggenheim, and others, the two anxiously wait for exit papers. As the months pass, Remedios begins to sense that the others don't see her as a fellow artist; they have cast her in the stifling role of a surrealist ideal: the beautiful innocent. She finds refuge in a mysterious bookshop, where she stumbles into a world of occult learning and intensifies an esoteric practice in the tarot that helps her light the bright fire of her creative genius. When travel documents come through, Remedios and Benjamin flee to Mexico where she is reunited with friend and fellow painter Leonora Carrington. Together, the women tap into their creativity, stake their independence, and each find their true loves. But it is the tarot that enables them to access the transcendent that lies on the other side of consciousness and to become the truest Surrealists of all.

'Sixty years later, Jaffe's classic still strikes a chord, this time eerily prescient regarding so many of the circumstances surrounding sexual harassment that paved the way toward the #MeToo movement.'-BuzzfeedWhen Rona Jaffe's superb page-turner was first published in 1958, it changed contemporary fiction forever. Some readers were shocked, but millions more were electrified when they saw themselves reflected in its story of five young employees of a New York publishing company. Almost sixty years later, The Best of Everything remains touchingly—and sometimes hilariously—true to the personal and professional struggles women face in the city. There's Ivy League Caroline, who dreams of graduating from the typing pool to an editor's office; naïve country girl April, who within months of hitting town reinvents herself as the woman every man wants on his arm; and Gregg, the free-spirited actress with a secret yearning for domesticity. Jaffe follows their adventures with intelligence, sympathy, and prose as sharp as a paper cut.

Elizabeth MacKintosh was born on the 25th July 1896 in Inverness, Scotland.After attending Inverness Royal Academy and then the Anstey Physical Training College in Erdington, Birmingham she taught physical training at schools throughout England and Scotland.In 1923, she returned to Inverness to care for her invalid mother. She stayed after her mother's death later that year to keep house for her father. It was now that she began her literary career and first published in The Westminster Gazette in 1925, under the pseudonym Gordon Daviot. She continued to write and publish in periodicals until, in 1929, her first novel ‘Kif: An Unvarnished History'was published to good reviews followed, three months later, by her first mystery novel, ‘The Man in the Queue'. Despite her good fortune and talents her mind was set on writing a play that would receive a West End run. ‘Richard of Bordeaux', under the Daviot pseudonym, made its debut in 1932 at the Arts Theatre.In all she completed about a dozen one-act plays and a dozen full-length plays, many with biblical or historical themes, and all with the Daviot pseudonym. Only four of these plays were produced.Perhaps her best-known books all involve the Scotland Yard Inspector, Alan Grant, and required yet another pseudonym. This time Josephine Tey.She was intensely private, and during the last months of her life, when she knew she was terminally ill, she avoided all of her friends. Elizabeth Mackintosh died from liver cancer on 13th February 1952 in London. She was 55.

SHORTLISTED FOR THE NSW PREMIER'S LITERARY AWARDSLONGLISTED FOR THE INDIE BOOK AWARD FOR FICTION 2024‘A stand out amongst contemporary Australian literary fiction for its stylistic and structural ambition, God Forgets About the Poor is the novel Polites has been climbing to. It is moving, poetic, powerful - at once a folktale and a modern day lament. Christos Tsiolkas meets Gabriel Garcia Marquez.'- Maxine Beneba Clarke, bestselling and award winning author of Foreign Soil and The Hate Race ‘In God Forgets About the Poor, Polites has produced a masterpiece.'- ArtsHub ‘a triumphant reclamation, written in prose clean as polished stones'- The Saturday Paper ‘God Forgets About the Poor feels like a culmination; it's the author's most striking work yet.'- The Guardian ‘an important literary achievement'- The Conversation ‘God Forgets About the Poor is a reminder that everyone has a story worth telling and hearing, but not everyone gets the chance to share it. This is one told well.'- Books + PublishingI will tell you why you should draft my story. Because migrant stories are broken. Some parts in a village where we washed our clothing with soot. Some parts in big cities working in factories. How we starved for food in Greece and starved for Greece in Australia.You don't know the first thing about me. A son can never see his mother as a woman. You will only see me in relation to you. I have had a thousand lives before you were even a thought. Hospitalised as a child for an entire year. Living as an adult without family in Athens when the colonels took control.Start when I was born. Describe the village and how beautiful it was. On the side of a mountain but in the middle of a forest. If we walked to a certain point on the edge, we could look over the valley and see rain clouds coming. Sometimes we would see a cat on a roof, we read that as a warning of a storm. When we looked down, we saw the dirt, which was just as rich as the sky. My island, your island, our island.Sometimes I think God forgot about us because we were poor.A stunning new novel from the author of Down the Hume and The Pillars, God Forgets About the Poor is a love story to a migrant mother, whose story is as important as any ever told. PRAISE FOR GOD FORGETS ABOUT THE POOR: ‘Polites brings to light his mother's story, a migrant woman who has lived a number of lives, surely a common story in the Greek community, and while the title suggests god may forget about the poor, Polites wants to make sure the world does not.'- Neos Kosmos ‘It is an exquisite mode for the diaspora story, a genre that is increasingly losing its meaningfulness in a time of its commodification. In God Forgets About the Poor, the old country is dead, yet it continues to live vividly in migrants'memories even as they evolve amongst future generations.'- ABC Arts - The Bookshelf ‘Peter Polites is also sensitive to the ways in which migrant stories can be reduced, stereotyped and consumed in mainstream publishing, and is at pains to give voice to the complexity and richness of his subject's experience.'- The Sydney Morning Herald ‘a nuanced portrait in which a mother—in her full and challenging complexity—is truly honoured.'- Meanjin

THE RUNAWAY NEW YORK TIMES BESTSELLERA NEW YORK TIMES NOTABLE BOOKFROM ONE OF TIME MAGAZINE'S 100 MOST INFLUENTIAL PEOPLE OF 2024NAMED A BEST BOOK OF THE YEAR BY NPR/FRESH AIR, WASHINGTON POST, THE NEW YORKER, AND TIME MAGAZINEONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2023“A murder mystery locked inside a Great American Novel... Charming, smart, heart-blistering, and heart-healing.” —Danez Smith, The New York Times Book Review“We all need—we all deserve—this vibrant, love-affirming novel that bounds over any difference that claims to separate us.” —Ron Charles, The Washington Post From James McBride, author of the bestselling Oprah's Book Club pick Deacon King Kong and the National Book Award–winning The Good Lord Bird, a novel about small-town secrets and the people who keep themIn 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe's theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe. As these characters'stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community—heaven and earth—that sustain us. Bringing his masterly storytelling skills and his deep faith in humanity to The Heaven & Earth Grocery Store, James McBride has written a novel as compassionate as Deacon King Kong and as inventive as The Good Lord Bird.

Ethel Lina White was born on the 2nd April 1876 in Abergavenny, Monmouthshire, in Wales.Her family were wealthy due to her father's invention of a waterproofing material used, initially, for the London Underground.Ethel started writing when she was only a child and published essays and poems in children's papers. She was also a talented artist.As an adult she began to write short stories and, some years later, she started writing novels. At the time she was working for the Ministry of Pensions in London but resigned in order to accept an advance of ten pounds and begin a career as a novelist. It was this determination that helped her become one of the best-known crime writers in the English-speaking world during the 1930's and 40's.Perhaps her best-known books are the ‘The Lady Vanishes'and ‘The Spiral Staircase'both of which were originally entitled differently but were republished with new names after being filmed. Whilst today she lacks attention, in her day she was as popular and as highly regarded as Agatha Christie.Ethel Lina White died in London on the 13th of August 1944 of ovarian cancer. She was 68.In her will she made a bizarre condition in order for her sister to receive her estate of £5737. It read:'I give and bequeath unto Annis Dora White all that I possess on condition she pays a qualified surgeon to plunge a knife into my heart after death.'In life she had a fear of being buried alive.

Ethel Lina White was born on the 2nd April 1876 in Abergavenny, Monmouthshire, in Wales.Her family were wealthy due to her father's invention of a waterproofing material used, initially, for the London Underground.Ethel started writing when she was only a child and published essays and poems in children's papers. She was also a talented artist.As an adult she began to write short stories and, some years later, she started writing novels. At the time she was working for the Ministry of Pensions in London but resigned in order to accept an advance of ten pounds and begin a career as a novelist. It was this determination that helped her become one of the best-known crime writers in the English-speaking world during the 1930's and 40's.Perhaps her best-known books are the ‘The Lady Vanishes'and ‘The Spiral Staircase'both of which were originally entitled differently but were republished with new names after being filmed. Whilst today she lacks attention, in her day she was as popular and as highly regarded as Agatha Christie.Ethel Lina White died in London on the 13th of August 1944 of ovarian cancer. She was 68.In her will she made a bizarre condition in order for her sister to receive her estate of £5737. It read:'I give and bequeath unto Annis Dora White all that I possess on condition she pays a qualified surgeon to plunge a knife into my heart after death.'In life she had a fear of being buried alive.

The tender, sensual and moving new novel from the award-winning and bestselling author of The Slap and Damascus. A compelling contemporary love story between two middle-aged men, told with grace, heart and wisdom.No life is simple, and no life is without sorrow. No life is perfect.Two middle-aged men meet on an internet date. Each has been scarred by a previous relationship; each has his own compelling reasons for giving up on the idea of finding love.But still they both turn up for the dinner, feel the spark and the possibility of something more. Feel the fear of failing again, of being hurt and humiliated and further annihilated by love.How can they take the risk of falling in love again. How can they not?A tender, affecting novel of love, of hope, of forgiveness by one of our most fearless and truthful interpreters of the human heart, the acclaimed bestselling author of The Slap and Damascus.Praise for Christos Tsiolkas:'I've admired the risk and power of all his novels, but this might be the riskiest of all—so personal, so delicate and true—and I love it.'— Charlotte Wood on 7 1/2'A scorching, mythic work with a heart of the sweetest intimacy.'— Helen Garner on 7 1/2'The audacity of Tsiolkas is still a thrill. And, dare one say it, necessary.'— Nigel Featherstone on 7 1/2'Tsiolkas has proved himself a heroic writer, ready to enter the fray and wrestle with intractable moral and political questions. A powerful parable of our times.'— The Saturday Paper on Damascus'Every time I was 10 pages in a new book, I thought,'It's not Damascus', and put it aside for another day...'— Stephen Romei, Weekend Australian on Damascus'I finished Barracuda on a high: moved, elated, immersed... This is the work of a superb writer who has completely mastered his craft but lost nothing of his fiery spirit in so doing. It is a big achievement.'— The Guardian'Once in a while a novel comes along that reminds me why I love to read: The Slap is such a book... Tsiolkas throws open the window on society, picks apart its flaws, embraces its contradictions and recognises its beauty, all the time asking the reader, Whose side are you on? Honestly, one of the three or four truly great novels of the new millennium.'— John Boyne, author of The Boy in the Striped Pyjamas'The Slap is nothing short of a tour de force, and it confirms Christos Tsiolkas's reputation as one of the most significant contemporary storytellers at work today... Here is a novel of immense power and scope.'— Colm Tóibín, author of Brooklyn

Dorothy Edwards, an only child, was born on the 18th August 1902 at Ogmore Vale in Glamorgan.Her father was a headmaster and an early activist in the Independent Labour Party. At age 9 Dorothy, dressed in red, welcomed Keir Hardy on to the stage at Tonypandy during the national coal strike of 1912. She was taught that revolution was at hand, that class barriers would be a thing of the past. Dorothy won a scholarship and boarded at Howell's School for Girls in Llandaff before moving to University College of South Wales and Monmouthshire where she read Greek and philosophy.Her early hopes to be an opera singer were set to one side after graduating and the death of her father. Instead she took on part-time work to supplement her mother's pension with whom she now lived.Dorothy managed to write a number of short stories which appeared in the literary journals of the day. She spent several months with her mother in Vienna, all the time revising or writing before embarking on ‘Winter Sonata', a short novel published in 1928.Introductions to several members of the Bloomsbury Group meant a move to London and a division of her time between child-care for the family of Bloomsbury author David Garnett and the promise of an advance payment for her work on a new volume of stories.However, Dorothy's life was starting to spiral out of control; she was attracted to the Welsh nationalist movement but felt that her Welsh provincialism made her, in London at least, feel socially inferior. Leaving her mother dependent on a hired companion consumed her with guilt as did the end of an affair with a married musician.On the 5th January 1934, having spent the morning burning her papers, Dorothy Edwards threw herself in front of a train near Caerphilly railway station. Her suicide note read:'I am killing myself because I have never sincerely loved any human being all my life. I have accepted kindness and friendship and even love without gratitude, and given nothing in return.'

'A terrific collection'Monica Ali, author of Brick Lane and Love Marriage A Most Anticipated Title for Oprah Daily, Essence, BuzzFeed, The Millions and Brittle Paper Full of heart and humour, Gothataone Moeng's first collection, set between the rural village of Serowe and the thrumming capital city of Gaborone, captures a chorus of voices from a country in flux. Meet a young woman who has worn the same mourning clothes for almost a year, and a teenage girl who shies away from the room where her once vibrant aunt lies dying. Elsewhere, watch as a younger sister hides her romantic exploits from her family while her older brother openly flaunts his infidelities, and a traveller returns home laden with confusion and shame. Moeng, part of a new generation of writers coming out of Africa whose work is exploding onto the literary scene, offers us an insight into communities, experiences and landscapes through these cinematic stories peopled with unforgettable female protagonists.'A good short story is a bit of alchemy, showing us so much in so few pages. Gothataone Moeng's debut collection does this over and over.'Rumaan Alam, author of Leave the World Behind

A professor's life is turned upside down when he takes in his charming, wildly dangerous nephew, whose wealthy parents have just died under mysterious circumstances, in this propulsive, edge-of-your-seat debut psychological thriller.“An absolute page-turner... I read it in a single sitting.”—Miranda Cowley Heller, bestselling author of The Paper Palace The cleverest psychopaths hide in plain sight.Gil is living a quiet life as a creative writing professor in a bucolic Vermont town, when he receives some shocking news: His sister and her husband have been killed in a car accident, and their only son is coming to live with him and his family. Gil and his wife are apprehensive about taking in seventeen-year-old Matthew. Yes, he has just lost both his parents, but they haven't seen him in seven years—and the last time the families were together, Matthew lured their young daughter into a terrifying, life-threatening situation. Since that incident, Gil has been estranged from his sister and her flashy, wealthy banker husband. Now Matthew is their charge, living under their roof. The boy seems charming, smart, and urbane, if strangely unaffected by his parents'deaths. Gil hopes they can put the past behind them, though he's surprised when Matthew signs up for his creative writing class. Then Matthew begins turning in chilling stories about the imagined deaths of Gil's family and his own parents. Bewildered and panicked, Gil ultimately decides he must take matters into his own hands—before life imitates art. Told in limber, mesmerizing prose, A Flaw in the Design is a twisting novel of suspense that brilliantly explores the tensions surrounding class, family, and the drive to control one's own story.