This article aims to analyze first the relationship between tourists and natives in a liminal area such as the villages built on the road that takes tourists to Mursiland, and the dialogical construction that derives from it, which is in all respects a representation, and secondly in which way tourism has changed external and internal relations in the Mursi society. The dialogue between these two groups, tourists and Mursi, gives rise to an image that is the product of both the expectations of the visitors, and the idea Mursi women, the main subject of the photos, have about these expectations. The outcome is a representation of the savage who often conflicts, given its aggressiveness, venality and unreliability with that of the kind, well-mannered Rousseau-an primitive. In this liminal area, with the mimesis of the wild Savage, the Mursi on the one hand enter the market economy and globalization, but maintaining some control in the process. On the other hand, they adapt their society by creating new figures of cultural brokers, as well as allow the weaker sector of society, girls and women, to acquire 'agency' and access to a new type of wealth, money, and not only cattle on which the Mursi's patriarchal society is based. [ABSTRACT FROM AUTHOR]