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Samuil Kaplan (1921-1978) was a productive and famous astrophysicist. He was affiliated with a number of scientific centers in different cities of the former Soviet Union. During the earliest 13 years of his career, namely in 1948-1961, he worked at the Lviv University in Ukraine. In the present paper, the Lviv period of his life and scientific activity is described on the basis of archival materials and his published studies. Kaplan arrived in Lviv in June 1948, the same month when he obtained the degree of the Candidate of Science. He was a head of the astrophysics sector at the Astronomical Observatory of the University, a professor of the department for theoretical physics, as well as the founder and head of a station for optical observations of artificial satellites of the Earth. He was active in the organization of an astronomical observatory outside the city. During the years in Lviv, Kaplan wrote more than 80 articles and 3 monographs in 9 areas. At that time, his focus was on the stability of circular orbits in the Schwarzschild field, on the white dwarf theory, on space gas dynamics, on cosmic plasma physics and turbulence, on the acceleration of cosmic rays, on the physics of interstellar medium, on the physics and evolution of stars, on cosmology and gravitation, and on the optical observations of the Earth's artificial satellites. Some of his findings are fundamental to the development of theory in those fields as well as of observational techniques. The paper presents a complete bibliography of Kaplan's works published during the Lviv period and reviews his respective scientific achievements in the light of the current state of research in those areas. [ABSTRACT FROM AUTHOR]

The purpose of the article is to investigate one of the aspects of the professional activity of the Ukrainian singer Zoia Gaidai in the 1930s, namely her participation in music competitions during the establishment of the Soviet totalitarian regime. As part of the research, we aim to show the specifics of their organisation and holding, the scale of those creative events, and their significance for the professional development of the professional singer. The research methodology consists in the application of the source study method to analyse archival documents that contain information about Zoia Gaidai's participation of in music competitions, as well as to study other materials on the topic of the research. The specifically historical method helps to highlight the socio-political processes against which the music competitions took place. The biobibliographic method enables determining the place of this aspect of the singer's activity in her creative biography. General scientific methods (analysis, synthesis, generalisation) are applied in order to thoroughly study the issue and draw reasoned conclusions. The scientific novelty of the paper consists in the expansion of information about Z. Gaidai's creative activity in the 1930s, which was supplemented by her participation in music competitions, in the assessment of the level of these competitions, their specificity and opportunities for the achievement of professional aspirations. Conclusions. The performed analysis and evaluation of the results of Z. Gaidai's participation in the music competitions of 1933 and 1937 helped to reveal the level of her professional competence and professional aspirations. Despite the challenges of those difficult years, the singer managed to win the laureate title of the All-Ukrainian and All-Union competitions, which had a positive effect on the development of her career as a performer. However, the political situation in the USSR did not contribute to the fruition of the dreams to study in Italy, thereby depriving the Ukrainian artist of the opportunity to improve her professional skills and test her talent on the international stage. [ABSTRACT FROM AUTHOR]

Precise analysis of complex gas mixtures is an urgent task today, since its accuracy and quality is important not only for human health, but also for the ecology of population centers or the planet as a whole. Traditional methods of gas environment analysis are imperfect, and those that have the necessary sensitivity and selectivity do not yield results in a particularly short time. Nowadays, the Fabry- Pérot interferometry is used for research in a significant number of industrial and scientific areas. The analysis of the works presented in this paper confirms the relevance of research in the field of multibeam interferometry and the prospects of developing modifications of the Fabry- Pérot interferometer. The article is devoted to classical optical correlation methods for the analysis of gas mixtures with a quasi-periodic structure of the spectrum. A modification of the analyzer was developed and it was shown that the use of the modified Fabry- Pérot interferometer as a correlation mask ensures the express realization of the selectivity of the measurement components. An experimental study was conducted to test the possibility of scanning the SO2 absorption spectrum in the 220 nm region. Laboratory tests of the described layout of the SO2 analyzer demonstrated its high metrological parameters. The main reported error was 1% on the 0 -10000 ppm scale and 10% on the 0 -1000 ppm scale. The length of the cuvette was 170 mm, the warm-up time of the model was 30 minutes, the minimum measured concentration was 25 ppm. We can state that the correlation masks based on the IFP can be widely used for the analysis of gas components with a quasi-periodic structure of the spectrum. Compared to other devices of a similar type, they have a much higher luminous intensity: U = ΩA, where Ω is the solid angle; A is the light diameter of the IFP with the same resolution. This is crucial for remote instruments [V. R. Kozubovskii, Yu. Yu. Bilak, Ukr. J. Phys. 66, 664 (2021)]. In addition, their small weight and dimensions allow one to create portable devices based on them. However, since the IFP is a multi-beam interferometer, the procedure for optimizing its parameters is rather complicated, although technical methods for solving this problem exist [V. R. Kozubovskii, V. L. Goldovskii, O. D. Kraysler, AS 1182345 USSR, MKI G01N 21/61]. The conducted analysis and research open up new opportunities for the optimization of interferometric devices and interferometric methods of gas analysis. [ABSTRACT FROM AUTHOR]

The purpose of the article is to introduce into scientific turnover the little-known drawings of the outstanding Ukrainian realist painter of the mid-20th century, professor of the Kyiv State Art Institute, Karpo Demianovych Trokhymenko, made during the evacuation to Ufa in the period of the Great Patriotic War. The methodology of the work is based on the principles of art history, figurative and stylistic, systematic and comparative analysis, as well as historical and contextual methods. The scientific novelty of the work lies in the definition of the role of drawing in the creative heritage of Karpo Trokhymenko of the period 1941-1944. In the portrait sketches made by Karpo Trokhymenko for the picture ―Meeting of the Presidium of the Academy of Sciences of the USSR in Ufa‖, the difference in relation to the expressive means of art destroyed at the time of the avant-garde and finally formed social realism are clearly traced. The point, line, and plane as the leading artistic elements of the avant-garde are losing their significance, remaining to a certain extent only in the arsenal of graphic artists. Tone, light and shade gradations and energy of light acquire a special significance in the drawing of the easel painters. Conclusions. By analyzing the figurative and stylistic structure and technique of the portrait works, the peculiarities of drawing in the artist‘s asset, in particular, the attention to creating an air environment, are revealed. In the drawings of Karpo Trokhymenko, the line has no intrinsic value and is perceived only as of the part of light and shadow, dissolving in the overall tone spot. The color plays an important role in the drawings of Karpo Trokhymenko. The works made within the complex warmth and coolness of colored paper, silver graphite pencil, colored pencils and chalk and acquire the significance of independent works. A set of portraits of outstanding Ukrainian scientists - academicians, artists, writers created by Karpo Trokhymenko, has not only documentary, historical and cultural value, but is a significant monument of Ukrainian easel drawing of the Great Patriotic War period. [ABSTRACT FROM AUTHOR]

In his paper the author examines the place and role of religion-motivated purports and values in Russian thought at the turn of the 19th-20th centuries as a prerequisite to the formation of atheistic ideology of the Soviet Union. It is the author's belief that the formation of atheistic ideology in the USSR has to be looked into in the context of the period that historically preceded the creation of the state in order to better understand the spiritual background of Russia when it entered into the Soviet stage of its history. After all, the people who were engaged in the revolution and started building the Soviet state matured in the second half of the 19th century. The author examines the formation of the USSR, which process, partially artificial and partially natural, resulted in the development of a cultural tradition (the thinking in this case is underpinned by the research conducted by J. Assman, P. Berger, T. Luckmann and M. Eliade), which would meet the needs of different peoples, and understanding of what "the Russian culture and Russian man" should be like. We suggest viewing that cultural tradition, implemented in Soviet practice, as a new articulation of "the Russian idea", which is one of theoretical views substantiated in this paper. A typical instrument for introduction of that cultural tradition was atheistic ideology, which formation prerequisites we discover in religious search of Russian intelligentsia at the turn of the 19th-20th centuries. However, it comprised "secularized" ideas of the chosen nation and its special mission, which formed the core of the Soviet ideological narrative. [ABSTRACT FROM AUTHOR]