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In the 1950s and 1960s, the modern Japanese state employed overseas cultural promotion as a way to maximise its interests and image not only in international contexts but also at home. By juxtaposing the Takarazuka Revue’s performances in the United States and Japan during the postwar period, this paper argues that the overseas promotion of this Japanese theatre troupe both depended upon and reinforced the Japanese populace’s nationalistic pride in its culture. The paper also addresses the ways in which the Japanese government used Takarazuka’s theatrical presentations as a means of pursuing its domestic and diplomatic agendas: improving Japan’s international position by proposing shared aspects of popular culture with the US and increasing its sense of nationalism by propagating cultural pride. In doing so, the paper explicates the ways in which Japanese popular cultural considerations interfaced with political concerns in the shaping of postwar Japan’s national identity. [ABSTRACT FROM PUBLISHER]

This article examines Chinese nation building in the post-Cold War era from the perspective of foreign policy. It focuses on the role of Japan and the United States as significant 'Others' in Chinese leaders' construction of three major variants of Chinese national identity: as a victim (past), as a developing country (present) and as a great power (future). The article argues that Japan occupies a primary place in the enactment of the past aspect of Chinese identity, while the US plays a major role in its present and, especially, future aspects. [ABSTRACT FROM AUTHOR]