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This paper discusses the Australian Rabbit Calicivirus Disease (RCD) Program, an attempt at the biological control of wild rabbits, as an example of how technoscience in 'Mode-2 society' works. My aim is to illuminate the variety of, and the connections between, the diverse activities that the technoscientific actors engage in. The RCD Program brought a new entity into Australia; it was pursued by a network of actors across institutional boundaries, and it produced a public image linked to widely accepted cultural knowledge. I argue that the research articulating 'rabbit calicivirus' as a biological control agent, the extent of the supporting network and the alignment of the Program with cultural narratives about rabbits, were three aspects of the same process, and equally important. However, it also makes sense to understand each aspect in terms of both the audience addressed, and the temporal succession: hence, they can be distinguished as distinct aspects. Detailed study of projects like the RCD Program is necessary to further our understanding of the dynamics of technoscience in contemporary culture. [ABSTRACT FROM AUTHOR]