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Copyright of Slavica Litteraria is the property of Masaryk University, Faculty of Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper presents and analyses the poem 'Tea and Bread'. It is about content and process, about a struggle for survival as an asylum seeker in a UK city and about exploring poetic transcription, as pioneered by sociologist Laurel Richardson, as representational practice in public health. The asylum seeker, known by the pseudonym of Peter, was interviewed as part of a project to compare the destitution of the past with that of today. [ABSTRACT FROM AUTHOR]

The Campbells have the potential to offer much to the theme of literature and borders, given that the kindred's astonishing political success in the late medieval and early modern period depended heavily upon the ability to negotiate multiple frontiers: between Highlands and Lowlands, between Gaelic Scotland and Ireland, and, especially after the Reformation, with England and the matter of Britain. This paper explores the literary dimension to Campbell expansionism, from the Book of the Dean of Lismore in the earlier sixteenth century, to poetry addressed to dukes of Argyll in the earlier eighteenth century. Particular attention will be paid to the literary proclivities of the household of the Campbells of Glenorchy on either side of what appears to be a major watershed in 1550; and to the agenda of the Campbell protégé John Carswell, first post-Reformation bishop of the Isles, and author of the first printed book in Gaelic in either Scotland or Ireland, Foirm na n-Urrnuidheadh (The Form of Prayers), published at Edinburgh in 1567. [ABSTRACT FROM AUTHOR]

While recent studies of Victorian literary criticism have investigated poetry's place in the periodical press, little attention has been paid to the history of poetry published in large-circulation general newspapers. this essay discusses poetry published in The London Times during the 1860s, examining the literal place of poetry within the newspaper, its themes and formal characteristics, and its relation to authorship. I suggest that reading these poems in relation to their original material context raises theoretical questions about the history of reading, intertextuality, and poetry's function in the public sphere. [ABSTRACT FROM AUTHOR]

This article examines the scholarly recovery and popular reception of ‘ancient poetry’ in later eighteenth-century England, with a view to elucidating the relationship between cultural primitivism and more overtly politicized discourses of national identity. The publication of the poems of Ossian, in the early 1760s, gave a new prominence to the earliest cultural productions of Celtic antiquity, and inspired the attempts of English literary historians, such as Thomas Percy and Thomas Warton, to provide an alternative ‘Gothic’ genealogy for the English literary imagination. However, both the English reception of Ossian, and the Gothicist scholarship of Percy and Warton, were complicated by the growing strength of English radical patriotism. As popular political discourse assumed an increasingly insular preoccupation with Saxon liberties and ancient constitutional rights, more conservative literary historians found their own attempts to ground English poetic tradition in some form of Gothic inheritance progressively compromised. The persistence of ancient constitutionalism as a divisive element of English political argument thus curtailed the ability of Gothicist literary scholarship to function as an effective vehicle for English cultural patriotism. [ABSTRACT FROM AUTHOR]

Huntington Library manuscript HM904 is a verse miscellany compiled by Constance Aston Fowler, daughter of Lord Aston, in 1630s Staffordshire. Constance operated as a kind of literary agent, soliciting, exchanging, and circulating poems, as well as preserving them in her book. Many of these poems are by or about family and friends, but they also indicate her connections with far-reaching networks of manuscript transmission. In particular, the volume contains Catholic devotional verses in an unusual and somewhat archaic hand (Hand B) that also appears in another Catholic miscellany from 1650s Warwickshire; and secular verses that may be by the Catholic love poet William Habington, or may be hybrid compositions that imitate or adapt his work. Both these ingredients have much to say about the complex compilation processes of manuscript verse miscellanies, and about the cultural participation of women and Catholics in seventeenth-century England. [ABSTRACT FROM AUTHOR]

BL Additional MS 17492, the so-called Devonshire Manuscript of Henrician courtly verse, is a prime example of how social and cultural phenomena contributed to early modern manuscript culture. Among the treasures of the Devonshire MS is a series of lyrics that chronicles a fascinating courtly intrigue of the 1530s: the illicit, clandestine marriage of Lord Thomas Howard and Lady Margaret Douglas, the headstrong niece of Henry VIII. After unpacking this historical drama, this essay advances the first substantial literary analysis of these poems by exploring the textual strategies through which Howard and Douglas attempted to negotiate the crown's insistent management of their erotic life. This treatment of the Douglas-Howard lyrics provides new opportunity to consider how the Devonshire MS reflects and refracts the gender dynamics of the contemporary Henrician court. [ABSTRACT FROM AUTHOR]

The article presents an analysis of the English sonnet between 1560 and 1580. An in-depth exploration into the form and content of the mid-Tudor era literary form is given, highlighting structural variances from the typical styles and the prominence of love as the central theme. Further discourse analysis is given regarding the use of love to point to deeper social constructions rather than dwell on the emotion itself.

The article examines the archives of the poetry column of the nineteenth-century Chartist newspaper "Northern Star" in Great Britain. The periodical published poems or excerpts from poems by the majority of working men. There was a dialectal interplay between readership and editor in the establishment of the editorial policy.

Examines the work of the Anglo-Welsh poet Jane Brereton in the context of critical interest in constructions of British national identity in the eighteenth century. Commitment of Brereton to the Hanoverian monarchs and the Anglo-British center; Expression of Welsh identity in her poetry; Claims that Brereton's national identity is informed by ideas of British unity rather than Welsh independence.