In this discussion of David Shaddock's beautiful paper, I strongly agree that our patients need us to serve as witnesses for their traumatic experiences. However, my understanding of what makes the role of witness so profoundly challenging differs from Shaddock's. In contrast to Shaddock who believes that traumatized people live in a separate world, I believe that we all live in the same world, one that is wracked by trauma. I also challenge Shaddock's reference to "the third." I find it difficult to think of the act of witnessing in terms of "the third", "the cultural third," even "a living third." [ABSTRACT FROM AUTHOR]
Trauma needs containment and recognition in order to be handled, and this project enabled the soldier to do both through the use of writing and poetry. This paper is based on the qualitative findings of an 18-month long poetry therapy group conducted in a veteran's center, and follows the progress of the veterans as they learned to use writing and poetry to focus on the present and reconnect to a broad spectrum of emotions they had been trained to suppress. The paper describes the theory behind the exercises and their impact on the veterans. [ABSTRACT FROM AUTHOR]
This paper will explore the use of poetry in therapy, particularly with trauma survivors, and clients in recovery from addiction to alcohol and other drugs. Practice examples from sessions with individuals and groups illustrate some of the methods and benefits of writing poetry. Mazza's (2003) model is introduced, together with a discussion of the theoretical base and research supporting poetry writing as a therapeutic collaboration. In addition, the author demonstrates how therapists can use poetry writing themselves as a way to make sense of their work, and relieve the stress of absorbing the hurt and pain of their clients. Samples of poetry from her work and that of other therapists are included. [ABSTRACT FROM AUTHOR]
The article discusses the expansion of the concept of trauma to cover the notion of sexuality characterized by French psychoanalyst Jean Laplanche, and the use of poetry in separating intimacy from trauma. The author offers information on the emergence of depression as a psychological category in the late 19th century and the history of post-traumatic stress disorder (PTSD). He explains the role of poetry as a domain which the human's ability to show tolerance to vulnerability is kept.