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"Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia" is a book by Fiona Ritchie and Doug Orr that explores the cultural pathways of traditional Scottish and Irish folk music as it traveled to Appalachia. The book examines the influences of Welsh, English, German, Dutch, French, African American, and Cherokee cultures on these songs. It is structured into three main sections and includes photographs, maps, and sidebars covering various topics related to folk music. The authors also exchange letters discussing their perspectives on Old and New World music. The book sheds light on the history of American folk music and its connection to immigrant experiences. It includes a contextual timeline, resource centers, a discography, and a bibliography for further exploration. Scholars and music enthusiasts will find this book to be a valuable resource. [Extracted from the article]

"Schools and Screens: A Watchful History" by Victoria Cain explores the use of screens and their content in American classrooms from the New Deal Era to Y2K. The book examines the historical and cultural significance of screens in education, focusing on four core issues: citizenship, race, private money, and teachers. Cain discusses the challenges and successes of incorporating film, television, and computers into the education system, highlighting the impact of private funding and the commercialization of educational technology. The book emphasizes the complex and nuanced role of screens in shaping and being shaped by the American education system. [Extracted from the article]

Bridget Griffen-Foley's book, "Australian Radio Listeners and Television Viewers: Historical Perspectives," explores the experiences of Australian radio and television audiences throughout the twentieth century. Through six historical case studies, Griffen-Foley examines how radio and television stations engaged their audiences through promotions and initiatives, and how listeners and viewers responded. The book draws on primary sources such as fan letters and regulatory records to provide detailed insights into the lives of Australian media consumers. While the book raises many questions, it serves as a valuable resource for future researchers interested in exploring the relationship between Australian society, media consumption, and cultural identities. [Extracted from the article]

"The Art of the Observer: A Personal View of Documentary" by David MacDougall is a book that offers insights into the role of an anthropological director in documentary filmmaking. MacDougall emphasizes the importance of selective observation and the connection between shots in a film. The book also provides a personal account of MacDougall's fifty-year journey as a filmmaker and world traveler. However, some critics argue that MacDougall's perspective may have a colonialist aspect and that his own story restricts his recognition of the significance of his documentary subjects. Overall, the book offers valuable insights into the filmmaking process but may leave readers with feelings of confusion and awkwardness due to unconscious bias in the author's wording. [Extracted from the article]

"Hollis Frampton: Navigating the Infinite Cinema" is a book that focuses on the work of experimental filmmaker Hollis Frampton. The author, Michael Zryd, draws from his own previous scholarship, existing literature on Frampton, Frampton's own writings, and archival materials to explore Frampton's Magellan series. The book examines Frampton's notion of "infinite cinema" and pays attention to the treatment of colonialism in his work. It also discusses themes such as linearity, encyclopedic impulse, and metahistory in Frampton's films. Overall, the book is a valuable resource for understanding Frampton's theories and cinematic goals in the digital age. [Extracted from the article]

New discoveries and knowledge are summarized in thousands of published papers per year per scientific domain, making it incomprehensible for scientists to account for all available knowledge relevant for their studies. In this paper, we present ACCORDION (ACCelerating and Optimizing model RecommenDatIONs), a novel methodology and an expert system that retrieves and selects relevant knowledge from literature and databases to recommend models with correct structure and accurate behavior, enabling mechanistic explanations and predictions, and advancing understanding. ACCORDION introduces an approach that integrates knowledge retrieval, graph algorithms, clustering, simulation, and formal analysis. Here, we focus on biological systems, although the proposed methodology is applicable in other domains. We used ACCORDION in nine benchmark case studies and compared its performance with other previously published tools. We show that ACCORDION is: comprehensive, retrieving relevant knowledge from a range of literature sources through machine reading engines; very effective, reducing the error of the initial baseline model by more than 80%, recommending models that closely recapitulate desired behavior, and outperforming previously published tools; selective, recommending only the most relevant, contextspecific, and useful subset (15%-20%) of candidate knowledge in literature; diverse, accounting for several distinct criteria to recommend more than one solution, thus enabling alternative explanations or intervention directions. [ABSTRACT FROM AUTHOR]

Kara Walker is best known for her depictions of sexualized violence and gendered racism during slavery in the form of black paper silhouettes. Scholars such as Salamishah Tillet argue that Walker's art, along with art by some of her post-civil rights contemporaries, offers 'aesthetic interventions' to problematic racial histories as part of a larger project of memory reclamation and justice. Walker's A Subtlety, Or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant is another such interventionist project. Debuting in the Williamsburg neighbourhood of Brooklyn, New York in May of 2014, A Subtlety explores how a figure like mammy 'survives as a cultural force that influences and reflects a national conscience' (Wallace Sanders [2008]. Mammy: a century of race, gender, and southern memory. Ann Arbor, MI: University of Michigan Press, 12). And yet, to say that the historical rootedness of the title, sugar sphinx sculpture, and molasses-covered walls and cherub-faced small figures throughout the installation were ambiguous to some spectators, is an understatement. Hundreds of photographs and videos were uploaded to social media sites with people making gestures towards the figure that some critics deemed highly inappropriate. This paper explores how A Subtlety both understands and undermines representations of Black women's bodies and how Black artists in the African diaspora contend with complex cultural signs of the past in the present. Utilizing studies of Black feminist theory and visual culture, I argue that Walker's A Subtlety – and her art more broadly – offers theoretical and geographic space to ponder where Black pleasure and collective memory can exist in systems of misogynoir, as well as in the Black nostalgic imagination. [ABSTRACT FROM AUTHOR]

For the last two decades, the amount of genomic data produced by scientific and medical applications has been growing at a rapid pace. To enable software solutions that analyze, process, and transmit these data in an efficient and interoperable way, ISO and IEC released the first version of the compression standard MPEG-G in 2019. However, non-proprietary implementations of the standard are not openly available so far, limiting fair scientific assessment of the standard and, therefore, hindering its broad adoption. In this paper, we present Genie, to the best of our knowledge the first open-source encoder that compresses genomic data according to the MPEG-G standard. We demonstrate that Genie reaches state-of-the-art compression ratios while offering interoperability with any other standard-compliant decoder independent from its manufacturer. Finally, the ISO/IEC ecosystem ensures the long-term sustainability and decodability of the compressed data through the ISO/IEC-supported reference decoder. Genie, an open-source encoder compliant with ISO/IEC's MPEG-G standard, delivers state-of-the-art genomic data compression ratios and guarantees long-term data sustainability and decodability through interoperability. [ABSTRACT FROM AUTHOR]

The humidity has often been measured through a single point sensor. Where, the humidity could be varied at different locations as well as depending on environmental conditions. The present paper developed the dual point humidity measuring sensor by using a polymer optical fiber (POF) based on a single illuminating fiber. The sensor's basic structure is to twist two fibers and bend them at a certain radius. However, the dual point sensor is developed through the cascading of twisted micro bend (TMB-1 and TMB-2). The twisting of fibers couples the light from one fiber to another fiber through the side coupling method. An increase in the humidity level leads to a change in the reflective index, which helps to get variation in coupled light intensity. To measure the humidity, the dual point sensors are placed into the control humidity chamber at two random positions. The power reading variation is significantly linear when the humidity level increases from 30 to 80%. The sensor has a fast response of about 1 s and a recovery time of about 4 s. Furthermore, the chemical coating is applied to improve the sensor's sensitivity. Between 30 and 80% range of humidity, the both sensors of dual point TMB-1 and TMB-2 have appropriate sensitivity and detection limits, which is about 680.8 nW/% and 763.9 nW/% and 1.37% and 1.98%, respectively. To measure the humidity at variable positions, the present dual points humidity sensor is well-stable, easy, and straightforward, which uses a less expensive method. [ABSTRACT FROM AUTHOR]

Robotic automation is proving itself indispensable in the modern Chemistry laboratory, but adoption is slowed down by the technical challenges of implementing such systems. This paper reports on a novel adaptive gripper mechanism that can easily and reliably grasp cylindrical and prismatic objects of various sizes with limited clearance required. The proposed design exploits the inherent compliance of a cable that is driven to fully envelope the target object. The cable is run through a rigid finger, allowing the loop to be placed around objects with minimal clearance required and to provide support for the object once the grip is complete. Thanks to the compliant nature of the mechanism, the gripper requires minimal control effort to complete a gasping task. A prototype of the gripper has been designed and built for chemistry automation tasks, where it showed very high grasp reliability with ≤ 1 % grasp failures. [ABSTRACT FROM AUTHOR]